Art

Andy Warhol Exposures (Hand Signed Twice by Andy Warhol), 1979 Softcover Monograph. Hand Signed Twice by Andy Warhol on the Cover and the Title Page. Boldly signed TWICE by Andy Warhol in black marker on the front cover and on the upper title page. 13 1/4 × 9 1/2 × 1 1/2 inches Unframed One of Andy Warhol's most famous and popular publications, "Exposures" is his first photography book containing over 360 images of countless major celebrities captured in candid and revealing moments. This first edition softcover monograph featuring photos by Andy Warhol...

"Electric Chair" F. & S. 81, is a screenprint in colors on wove paper by Andy Warhol. The work is signed verso. This piece is from an edition of 250 + 50 AP, and is one from a portfo...

Artist: Andy Warhol (1928-1987) Title: Campbell's Soup II, Cheddar Cheese (F&S II.63) Year: 1969 Edition: 250, plus 26 proofs Medium: Silkscreen on wove paper Size: 35 x 23 inches Co...

Andy Warhol Andy Warhol at Pace/Columbus (Hand signed during official signing), 1978 Super rare Limited Edition Fold-out Offset lithograph invitation. Boldly signed and inscribed by...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unparalleled influence on artists and visual cultur...

Andy Warhol To Earl and Camilla, Love Andy Warhol, 1979 Original Heart Drawing held in book with unique dedication to Earl and Camilla McGrath (Signed Twice by Andy Warhol) The original dedicated Warhol drawing is boldly signed by Warhol. The book is also signed by Warhol on the cover. 11 1/2 × 9 1/2 inches Wonderful provenance! We would not acquire or sell drawing in a signed Warhol book without knowing the provenance was irrefutable. This is one of them. Makes a memorable and unique gift. This is a signed drawing of a heart, with a beautiful dedication from Andy Warhol to Earl and Camilla McGrath - art and entertainment impresarios. Warhol writes: "To Earl and Camilla love. Andy Warhol" - on the title page of the hardback monograph "Exposures". The book is also hand signed in marker on the cover - as well! What makes this work even more collectible is that Earl McGrath is even featured in this book - his photograph is reproduced on page 11 of "Exposures". (!!) About the recipients Camilla and Earl McGrath: Camilla McGrath (nee Countess Camilla Pecci-Blunt), wife of art dealer, entertainment executive and impresario Earl McGrath. This work was acquired from the Estate of Earl and Camilla McGrath. (Camilla died in 2007. and Earl died in 2016 at the age of 84.) In remembering Earl McGrath for Vanity Fair magazine, Warhol's editor and confidant Bob Colacello interviewed the many celebrities and artists who adored McGrath: "He was the last of a breed, one of the last great gentlemen and bohemians,” says Harrison Ford.."; He was the funniest man I have ever known,” declares Jerry Hall, whose friendship with McGrath went back to 1975, when she was the girlfriend of Bryan Ferry and he was vice president of Atlantic Records. “He also had a huge heart and was a magnet for us all in New York and Los Angeles.”; “Earl was so brilliantly irreverent,” says Anjelica Huston, who credits McGrath with introducing her to her late husband, the sculptor Robert Graham, who showed at his Los Angeles gallery; “He wasn’t always the jokester,” notes Brice Marden, who frequently dined tête-à-tête with McGrath. “He also had a keen eye and a kind of natural wisdom, albeit with a slightly warped attitude towards things. I just found him a really good person to hang out with. Whenever I had some deep question, I always wanted to consult Earl. It was reassuring to hear what he had to say.”...So who was this Earl McGrath? Unknown to the general public (and liking it that way), he was very well known to the very well known, the ultimate insider equally at home in the upper echelons of music, art, letters, and entertainment. Among the regulars who flocked to the salon-like lunches and dinners he and his wife, Countess Camilla Pecci-Blunt, a descendant of Pope Leo XIII, gave at their apartment across from Carnegie Hall and their house in West Hollywood were Andy Warhol; Mick Jagger; Gore Vidal; Audrey Hepburn; Anita Loos; Cy Twombly; Larry Rivers; Francesco and Alba Clemente; Prince Rupert Loewenstein; Connie Wald; Wendy Stark; Michelle Phillips; Julian Sands; Annie Leibovitz; Jann and Jane Wenner; Sonny and Gita Mehta; Terry Southern; Fernanda Eberstadt; Wes Anderson; Prince Michael of Greece and his wife, Marina Karella...

Andy Warhol Portrait of Ivan Karp, ca. 1975 Acetate negative acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance and Au...

This film, a VHS transfer of the 16mm black and white film "Henry Geldzahler" by Andy Warhol is offered by CLAMP in New York City.

Andy Warhol 1928-1987 American Portrait of Proust Screenprint on paper laid on canvas Created by legendary Pop artist Andy Warhol, Portrait of Marcel Proust holds a special place in the prolific artist's oeuvre. Commissioned by art dealer Marie-Louise Jeanneret for a group of Italian collectors and avid Proust enthusiasts, Warhol's four acrylic and silkscreen ink on linen prints were based on a famous 1895 photograph of the French novelist captured by Otto Wegener...

LOT:20230614S01 Andy Warhol [Sam, from 25 Cats Name[d] Sam and One Blue Pussy] Offset lithograph and watercolor on paper Edition of 190 Catalogue Raisonné: Feldman & Schellmann, no. ...

Complete book comprising of 20 offset lithographs and cardboard cover, all hand-colored with watercolor. From the edition of unknown size. All 20 sheets bound (as issued). Minor ti...

Synthetic polymer and silkscreen ink on heavy stock. This work is registered with The Andy Warhol Foundation as a painting. Similar work on manila is depicted in The Andy Warhol Catalogue...

Art print on heavy paper Based on the original from 1985 In good condition

Interrogation is an original offset and lithograph realized by George Grosz. The artwork is from the book "Kobes" by Heinrich Man, that Grosz illustrated with 10 drawings reproduce...

Andy Warhol 1967: Film Culture magazine, 1967 featuring cover art by Andy Warhol. Warhol designed the cover using portraits taken in a photo booth ...

The factoryis an original offset and lithograph realized by George Grosz. The artwork is from the book Kobes by Heinrich Man, that was illustrated by Grosz with 10 lithographs and ...

Andy Warhol Flash portfolio colophon pages, JFK Assassination, 1968 2 Separate Silkscreens: (1) Silkscreen text on paper and teletype text; (2) colophon sheet in pencil and numbered XVII (from the edition of 26 (roman numerals) Hand-signed by artist, two silkscreen prints; the colophon sheet is hand signed by Andy Warhol; no signature on sheet with teletype 21 1/2 × 21 1/2 inches Unframed Note: measurements are for each sheet Catalogue Raisonne Reference: FS II.32-42 (not illustrated) Silkscreened colophon sheet of the edition XVII of the iconic "Flash" Portfolio; hand signed and uniquely numbered by Andy Warhol, plus silkscreened print with teletype text. These two prints from Warhol's iconic "Flash Portfolio" were selected for inclusion in the blockbuster Andy Warhol retrospective at the Whitney Museum in 2019. (see photos). The plaque on the Whitney exhibition (also see included photo) describes the portfolio as follows:" These screenprints reflect Warhol's ongoing interest in the Kennedy assassination, an obsession that intensified following the release of the Warren Commission report and the publication of stills from a short home movie of the event, published by bystander Abraham Zapruder. Flash - November 22, 1963 is an unbound Artists Book with text based upon the original Associated Press newswire bulletins. For his illustrations, Warhol appropriated the recurring image of Kennedy from a 1960 campaign poster, and sourced the remaining photographs, including pictures of Lee Harvey Oswald and an ad for the type of rifle used, from Life's [Magazine] sustained coverage of the assassination and its aftermath.." The present sheet begins with the following teletyped text: "THE TWO WOUNDED MEN WERE RUSHED TO EMERGENCY ROOMS, AND THE HOSPITAL'S PUBLIC ADDRESS SYSTEM RANG WITH CALLS FOR ALL STAFF DOCTORS. FLASH DALLAS - TWO PRIESTS SUMMONED TO KENNEDY X IN EMERGENCY ROOM BULLETIN 3RD ADD 2ND LEAD KENNEDY XX DOCTORS TWO PRIESTS ENTERED THE EMERGENCY ROOM WHERE THE PRESIDENT WAS BEING TREATED AT 12:49 P.M. (CST). THERE WAS STILL NO OFFICIAL WORD ON THE PRESIDENT'S CONDITION. ASSISTANT WHITE HOUSE PRESS SECRETARY MALCOLM XXX KILDUFF SAID "I JUST CAN'T SAY. I JUST CAN'T SAY." FLASH -- PRIESTS SAY KENNEDY DEAD. .""" (the text on the page continues; this is just a partial excerpt.) Racolin Press, Briarcliff Manor, New York Two Andy Warhol silkscreens on white wove paper comprising the signed colophon and text pages of his iconic 1968 "Flash" Portfolio, as well as Warhol's wraparound silkscreen of the distinctive teletype text. The colophon page silkscreen is hand signed by Andy Warhol and uniquely numbered XVII in pencil from the edition of 26, which, it expressly states, was not for sale. The second silkscreen sheet features teletype print describing events surrounding the assassination of President John F. Kennedy - the defining event of a generation as contemporaneously re-imagined by the most important Pop artist of the era. Warhol created the "Flash - November 22, 1963" portfolio of prints in 1968 to depict the continuing media spectacle surrounding JFK's assassination. He named the portfolio after the news flash Teletype texts that reported the assassination and its aftermath - the first major news event played out live on TV. The Flash portfolio includes a series of eleven silkscreens depicting President Kennedy smiling broadly, a presidential seal with bullet holes through it, and other symbolic representations of that tragedy. The portfolio's cover includes an image of the New York World-Telegram front page with the headline "President Shot Dead." Warhol used screen printed...

Movie Poster Flesh is a 1968 American film directed by Paul Morrissey. It features Joe Dallesandro as a hustler working the streets of New York. It fe...

Andy Warhol Deluxe Signed Edition of Film Festival Lincoln Center (Feldman & Schellmann, II.19), 1967 Silkscreen, die-cut on opaque acrylic Edition 2/200 (Signed and numbered on the back with engraving pen) Hand-signed by artist, As this work was done on acrylic, Warhol signed and numbered it by hand on verso with an engraving needle. Stamped and dated with copyright Frame included: Elegantly framed in a museum quality wood frame with UV plexiglass. A die-cut window has been created in the back of the frame to reveal Warhol's incised signature and edition Publisher: Leo Castelli, New York Printer: Chiron Press, New York Catalogue Raisonne: Feldman & Schellmann, II.19 This work is often hung and displayed both vertically and horizontally - see photos for inspiration This work is one of only 200 done on opaque acrylic rather than wove paper, signed and numbered on the opaque acrylic by Andy Warhol with an engraving pen. (Separately, there was an unsigned edition of 500 on wove paper). What distinguishes this rare, extremely desirable signed edition of 200, other than that it is signed and numbered by hand by Andy Warhol, is that the black graphic text FIFTH NEW YORK is placed directly over the text Film Festival of Lincoln Center; whereas in the edition of 500, the text black text FIFTH NEW YORK is placed on top of the white text. An innovative feature that appears in this special edition is a perforated line running across the surface of the print, at its triangular cut out sides, mimicking the tear line present in real commercial movie admissions tickets. Chiron Press commissioned by Lincoln Center, devised a special process expressly to imprint the edition with this perforation using a die cut stamp. This work is quintessential early Warhol, with characteristic bright neon colors, featuring text, along with the artist's very recognizable flower motif. The Lincoln Center ticket simultaneously reflects Warhol's central preoccupations with commercial culture (the ticket is, par excellence, an object that is bought and sold), as well as his fascination with Hollywood - as the ticket, quite literally, represents an entree into the world of film. Warhol's appropriation of the flower - an otherwise sentimental and decorative motif, transforming it into a symbol of the Pop Art movement, is a hallmark of his early style and innovations. Andy Warhol's vibrant vintage color silkscreen Lincoln Center Ticket from the fabulous Sixties is considered one of the more iconic and recognizable Warhol images. It is also one of Warhol's earliest prints. The Vera List...

ANDY WARHOL (1928-1987) Andy Warhol 'Paloma Picasso' is a Screenprint on Arches paper. It is signed in pencil on the back Ed. 46/90 and dated 1975. Printed by Alexander Heinrici Pri...

Alone from Ecce Homo is an original offset and lithograph, realized by George Grosz. The artwork is the plate n. 67 from the porfolio Ecce Homo published between 1922/1923, edition ...

Unique acrylic painting and silkscreen on canvas. Hand signed and dated by Andy Warhol on verso. Authenticated on verso by Andy Warhol Authentication Board. Custom framed as pictu...

Andy Warhol- Mick Jagger (F&S II 140) Medium: Screen print on Arches Aquarelle (rough) paper Printer & Publisher: Printed by Alexander Heinrici, New York, 1975 Published by Seabird...

Screenprint in colours, 1969, on wove paper, signed in ball-point pen and numbered with a rubber stamp, verso, 91 from the edition of 250 (there were also 26 artist's proofs lettered...

Andy Warhol is arguably the most important American artist of the 20th century. In the 1950s, he was an in-demand and celebrated illustrator working for New York's toniest publications (like Harper's Bazaar) and elegant shops (such as Bonwit Teller) in addition to many smaller independent fashion companies. Throughout the decade, Warhol received numerous awards and accolades for his illustrations - yet he found it difficult to surpass the designation of “commercial artist”. It wasn’t until the mid-1950s when Warhol completed a successful campaign for shoe retailer Miller & Sons, that he was finally granted widespread recognition for his renderings. "Greengages a la Warhol," is a delightful paradigm from this era. This whimsical lithograph is an output from Warhol's self-published cookbook, "Wild Raspberries...

Champagne is an offset lithograph, realized by George Grosz. The artwork is the plate n. 77 from the porfolio Ecce Homo published between 1922/1923, edition of Der Malik-Verlag Berl...

Andy Warhol The Thirteen Most Wanted Men (Dossier No. 2357) screen-print & exhibition catalog: Scarce 1967 Warhol Sonnabend exhibition catalog which includes the sought-after Andy Wa...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

Andy Warhol illustrated advertising poster New York, 1979: 1970s Andy Warhol illustrated "Lighthouse Footwear Reptile Shoes," poster (New York, 1979). An elegant & well-sized vintage Andy Warhol poster executed during the artist’s lifetime. Warhol printed signature appears lower right. Catalog Raisonne: Andy Warhol: The Complete Commissioned Posters, 1964-1987 (entry 12; Marechal). Looks fantastic framed. Offset lithograph in colors on wove paper. Linen backed. 30 x 45 inches (76.1 x 114.3 cm). Well-preserved and in very good overall vintage condition with the exception of perhaps some minor signs of handling. Poster is linen backed and ready for framing. Printed Warhol signature...

Andy Warhol Record Art: 1983 1st pressing, Miguel Bose, Mad In Spain Vinyl Album featuring Original Cover Art by Andy Warhol. Catalogue Raisonne: Paul Mare...

Artist: George Grosz (1893-1959) Title: Man and Woman with Lamp Year: circa 1940 Medium: Pen and Ink on Paper, signed l.r. Paper Size: 23.5 in. x 18 in. (59.69 cm x 45.72 cm) Frame ...

Andy Warhol is arguably the most important American artist of the 20th century. In the 1950s, he was an in-demand and celebrated illustrator working for New York's toniest publications (like Harper's Bazaar) and elegant shops (such as Bonwit Teller) in addition to many smaller independent fashion companies. Throughout the decade, Warhol received numerous awards and accolades for his illustrations - yet he found it difficult to surpass the designation of “commercial artist”. It wasn’t until the mid-1950s when Warhol completed a successful campaign for shoe retailer Miller & Sons, that he was finally granted widespread recognition for his renderings. "A + P Surprise" is a delightful paradigm from this era. This whimsical lithograph is an output from Warhol's self-published cookbook, "Wild Raspberries...

Separe is an original offset and lithograph realized by George Grosz. The artwork is the plate n.22 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-Ve...

Andy Warhol Index (Book) 1967 Hand signed by Warhol on the cover and multiple other pages in the book Numbered 122/365 from the edition of 365. Publis...

Andy Warhol Record Art 1982-1986: Set of 4 Andy Warhol illustrated record covers (accompanied by their original records): Warhol's classic rendition of Miguel Bose, Aretha Franklin, ...

Artist: Andy Warhol (American, 1928-1987) Title: "Peaches" Portfolio: Space Fruit: Still Lifes *Signed by Warhol in felt pen lower right Year: 1979 Me...

Execution from Ecce Homo is an original offset and lithograph, realized by George Grosz. The artwork is the plate n. 84 from the portfolio Ecce Homo published between 1922/1923, edi...

Unique Silver Gelatin print from circa 1977 by Andy Warhol. Andy Warhol carried a camera with him obsessively. Similarly to his tape recorder, he used t...

Screen Print on Lenox Museum Board Stamped by Estate, Sticker, Label, Unsigned, Authenticated by AWAAB, with COA

The Visit is an original offset and lithograph realized by George Grosz. The artwork is the plate n. 11 from the portfolio Ecce Homo published between 1922/1923, edition of Der Mali...

Studies is an original offset and lithograph realized by George Grosz. The artwork is the plate n.10 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-V...

Working Trial Proof Silkscreen Serigraph Includes Documentation and Official Stamps Please note this artwork is not hand signed or editioned

Andy Warhol The Philosophy of Andy Warhol (From A to B & Back Again) - Hand Signed by Andy Warhol, 1975 Hardback book with cloth backed color boards and du...

According to the frontis these were produced by Hand Lithography. According to the Museum of Modern Art (MOMA NY) website "Edition:300 announced; only approx. 42 issued (including regular edition of 30, deluxe edition of approx. 10, and 2 artist's proofs)" I believe these are from the deluxe edition as they are on Mould made BFK Rives French paper and the dimensions are larger than stated in the MOMA website. the sheet size here is 40X29 cm. Date 1936. Publisher:Black Sun Press, New York. Printer:George C. Miller & Son, New York. most of them are plate signed. George Grosz (July 26, 1893 – July 6, 1959) was a German artist known especially for his Satire and Caricature drawings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic before he emigrated to the United States in 1933. He studied at the Dresden Academy of Fine Arts, where his teachers were Richard Müller, Robert Sterl, and Oskar Schindler. He subsequently studied at the Berlin College of Arts and Crafts under Emil Orlik. Grosz left the Communist Party KPD in 1922 after having spent five months in Russia and meeting Lenin and Trotsky, because of his antagonism to any form of dictatorial authority. Along with Otto Dix, he is widely considered one of the most important artists of the Neue Sachlichkeit. Bitterly anti Nazi, Grosz left Germany shortly before Hitler came to power. In June 1932, he accepted an invitation to teach the summer semester at the Art Students League of New York. In October 1932, Grosz returned to Germany, but on January 12, 1933 he and his family emigrated to America. In 1946 he published his autobiography, A Little Yes and a Big No. In the 1950s he opened a private art school at his home and also worked as Artist in Residence at the Des Moines Art Center. Grosz was elected into the National Academy of Design as an Associate Academician in 1950. In 1954 he was elected to the American Academy of Arts and Letters. Grosz worked in a style influenced by Expressionism and Futurism, as well as by popular illustration, graffiti, and children's drawings.The City (1916–17) was the first of his many paintings of the modern urban scene. Other examples include the apocalyptic Explosion (1917), Metropolis (1917), and The Funeral, a 1918 painting depicting a mad funeral procession. In his drawings, usually in pen and ink which he sometimes developed further with watercolor, Grosz did much to create the image most have of Berlin and the Weimar Republic in the 1920s. Corpulent businessmen, wounded soldiers, prostitutes, sex crimes and orgies were his great subjects His draftsmanship was excellent although the works for which he is best known adopt a deliberately crude form of caricature. His oeuvre includes a few absurdist works, and also includes a number of erotic artworks. ("Ecce Homo" which saw him accused of pornography) My Drawings expressed my despair, hate and disillusionment, I drew drunkards; puking men; men with clenched fists cursing at the moon. ... I drew a man, face filled with fright, washing blood from his hands ... I drew lonely little men fleeing madly through empty streets. I drew a cross-section of tenement house: through one window could be seen a man attacking his wife; through another, two people making love; from a third hung a suicide with body covered by swarming flies. I drew soldiers without noses; war cripples with crustacean-like steel arms; two medical soldiers putting a violent infantryman into a strait-jacket made of a horse blanket ... I drew a skeleton...

Turtle (FS II.360A) 1985 Limited edition of 250 Screenprint on Lenox Museum Board. Signed in pencil and numbered with the blindstamp of the printer. Frame size 90 cm x 110 cm

Offset lithograph with hand-colouring, 1959, on wove paper, from the edition of unknown size, with the offset lithographic title page printed in black on the reverse as issued, with the inkstamps of The Estate of Andy Warhol and Andy Warhol Foundation for the visual Arts on the reverse, 44.3 x 57 cm. This work was part of an unbound set of works kept by The Warhol Estate and comes directly from the Estate. ‘Wild Raspberries’, circa 1959, is a portfolio of uniquely hand-coloured offset lithographs displaying Warhol’s signature...

Offset lithograph with hand-colouring, 1959, on wove paper, from the edition of unknown size, with the offset lithograph ‘Sheep’s Trotter Poulette’ printed in black on the reverse as issued, with the inkstamps of The Estate of Andy Warhol and Andy Warhol Foundation for the visual Arts on the reverse, 44.3 x 57 cm. This work was part of an unbound set of works kept by The Warhol Estate and comes directly from the Estate. ‘Wild Raspberries’, circa 1959, is a portfolio of uniquely hand-coloured offset lithographs displaying Warhol’s signature...

Offset lithograph, circa 1954, on wove paper, with the Estate of Andy Warhol and the Warhol Foundation ink stamps on the reverse, 49.1 x 34.2 cm. (19¼ x 13½ in.) From the '25 Cats Name[d] Sam and One Blue Pussy' series. 25 cats name[d] Sam, and One Blue Pussy, circa 1954, was one of Warhol’s first illustrated bound books. Produced with Seymour Berlin of Record Offset Corporation in New York, and written by Charles Lionsby, Warhol illustrated 25 cats name[d] Sam, and One Blue Pussy with sixteen drawings of cats...

Hard Times from is an original offset lithograph realized by George Grosz. The artwork is the plate n.27 from the portfolio Ecce Homo published between 1922/1923, edition of Der Ma...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

The cobweb is an original offset and lithograph realized by George Grosz. The artwork is part of the suite of 10 offset and lithographs realized by Grosz for the book "Kobes". 1st ...

Acrylic and silkscreen ink on paper 101.5 by 151.5 cm. 40 by 59⅝ in. framed: 112 by 161.6 cm. 44⅛ by 63⅝ in. Executed in 1980. Stamped by The Estate of Andy Warhol and The Andy Warh...

Greeting is an original offset and lithograph realized by George Grosz. The artwork is the plate n. 5 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik...

The complete set of ten screenprints in colors, on Lenox Museum Board, the full sheets. all S. 40 x 32 in. (101.6 x 81.3 cm) All signed and numbered 196/200 in pencil 40 x 32 inches ...

Unique Silver Gelatin print from circa 1977 by Andy Warhol. Andy Warhol carried a camera with him obsessively. Similarly to his tape recorder, he used this technology not only as an...

Hunger is an original litograph, realized by George Grosz in 1924, from Hunger Hilfe Von Künstlern, edition of Neuer Deutscher Verlag, Included a frame. In very good conditions. Here representing a family, with a child, outside of bakery shop looking with desire and despair through the bread of shop, the title of the artwork, Hunger, critically demonstrated an allegorical and dramatic representation of Grosz's moral perspective regarding war. George Grosz (1893 -1959) was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic. He studied drawing at the Dresden Academy 1909-11 and at the School of Arts and Crafts in Berlin 1912-14, He was in the army 1914-15 and again for a short time in 1917, but spent the rest of the war in Berlin where he made violently anti-war drawings, in which his main focus was attacking the social corruption of Germany (capitalists, prostitutes, the Prussian military caste, the middle class). His artworks had great impact in the Berlin Dada movement 1917-20 and collaborated with John Heartfield and Raoul Hausmann in the invention of photomontage. Many of his drawings were published in albums (Gott mit uns...

Screenprint in colors with diamond dust on Lennox Museum Board. Signed and numbered in pencil. Sheet: 38 by 38 in. 965 by 965 mm. Framed dimensions: 38½ by 38½ in. 979 by 981 mm. Ed...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...