Art

Offset lithograph with hand-colouring, 1959, on wove paper, from the edition of unknown size, with the offset lithographic title page printed in black on the reverse as issued, with the inkstamps of The Estate of Andy Warhol and Andy Warhol Foundation for the visual Arts on the reverse, 44.3 x 57 cm. This work was part of an unbound set of works kept by The Warhol Estate and comes directly from the Estate. ‘Wild Raspberries’, circa 1959, is a portfolio of uniquely hand-coloured offset lithographs displaying Warhol’s signature...

Offset lithograph with hand-colouring, 1959, on wove paper, from the edition of unknown size, with the offset lithograph ‘Sheep’s Trotter Poulette’ printed in black on the reverse as issued, with the inkstamps of The Estate of Andy Warhol and Andy Warhol Foundation for the visual Arts on the reverse, 44.3 x 57 cm. This work was part of an unbound set of works kept by The Warhol Estate and comes directly from the Estate. ‘Wild Raspberries’, circa 1959, is a portfolio of uniquely hand-coloured offset lithographs displaying Warhol’s signature...

Offset lithograph, circa 1954, on wove paper, with the Estate of Andy Warhol and the Warhol Foundation ink stamps on the reverse, 49.1 x 34.2 cm. (19¼ x 13½ in.) From the '25 Cats Name[d] Sam and One Blue Pussy' series. 25 cats name[d] Sam, and One Blue Pussy, circa 1954, was one of Warhol’s first illustrated bound books. Produced with Seymour Berlin of Record Offset Corporation in New York, and written by Charles Lionsby, Warhol illustrated 25 cats name[d] Sam, and One Blue Pussy with sixteen drawings of cats...

With Lou Reed Written on box in Andy Warhol’s hand: Louis – 2 copies Written on box: Tri-X Rev. 2 copies. 1+ Written on back in Andy Warhol’s...

The complete set of ten screenprints in colors, on Lenox Museum Board, the full sheets. all S. 40 x 32 in. (101.6 x 81.3 cm) All signed and numbered 196/200 in pencil 40 x 32 inches ...

Screenprint in colors with diamond dust on Lennox Museum Board. Signed and numbered in pencil. Sheet: 38 by 38 in. 965 by 965 mm. Framed dimensions: 38½ by 38½ in. 979 by 981 mm. Ed...

Andy Warhol Record Art 1982-1986: Set of 4 Andy Warhol illustrated record covers (accompanied by their original records): Warhol's classic rendition of Miguel Bose, Aretha Franklin, ...

Ink on paper. This work is unique. Work comes with a Certificate of Provenance. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. F...

Andy Warhol The Philosophy of Andy Warhol (From A to B & Back Again) - Hand Signed by Andy Warhol, 1975 Hardback book with cloth backed color boards and du...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

A set of two photographs by Andy Warhol. “Farrah Fawcett Photo Shoot” is a set of two silver gelatin prints by American Pop Artist Andy Warhol. The artw...

Andy Warhol Record Art: 1983 1st pressing, Miguel Bose, Mad In Spain Vinyl Album featuring Original Cover Art by Andy Warhol. Catalogue Raisonne: Paul Mare...

Date: 1990 Medium: Ink and Conte Crayon over Graphite on Board Dimensions: 10.00" x 12.50" Signature: Signed Lower Right John Elway, from the middle part of his career, when he was throwing to the Three Amigos...

Screen print in colors on Essex Offset Kid Finish paper. Hand signed and numbered by Andy Warhol. Published by Dr. Frank Braun, Düsseldorf. Hand numbered AP 21/35. From the Artist ...

Synthetic polymer drawing on paper. Unsigned. Warhol Foundation stamp on verso. Sheet size 31.5 x 23.5 inches. Custom framed as pictured. Artwork is in excellent condition. Cert...

ANDY WARHOL (1928-1987) Andy Warhol's 'Cow' (F&S.II.11A) is a 1971 screenprint, on wallpaper with trimmed margins. This unsigned print comes from a publication of an unknown size (aside from approx. 100 signed impressions), printed by Bill Miller...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

ANDY WARHOL (1928-1987) This Warhol 'Witch' print from Any Warhol's Myths series is a 1981 screenprint in colors on Lenox Museum Board. It is a numbered print Ed. 26/200 in colors, ...

Offset lithograph with hand-coloring, on wove paper. From an edition of unknown size. Estate of Andy Warhol and Andy Warhol Art Authentication Board Inc. stamps on verso. With ini...

From Hand-Colored Flowers portfolio. Screen print uniquely hand-colored with Dr. Martin’s aniline watercolor dyes on Arches and J. Green paper. Initialed lower right; signed, dated...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

Screen print on Rives BFK paper. From the Love Portfolio. Hand signed and numbered lower front by Andy Warhol. Numbered 12/100 (there were also 10 AP's, 2 PP's, 5 EP's and 7 HC's). ...

Screen print on Lenox museum board. From the Cowboys And Indians Portfolio. Hand signed and numbered lower front by Andy Warhol. Numbered 124/250 (there were also 50 AP's, 15 PP's, 15 HC's and 10 numbered in Roman numerals). Published by Gaultney, Klineman Art, Inc., New York. Printed by Rupert Jasen Smith, New York. The artwork is in excellent condition. Certificate of authenticity issued by Gallery Art included. All reasonable offers will be considered. In Cowboys and Indians, Warhol interspersed recognizable portraits of well-known American heroes with less familiar Native American images and motifs. It demonstrates his ironic commentary on America’s collective mythologizing of the historic West. Rather than portraying Native Americans within their historical landscape, Warhol chose to portray a romanticized version of the American West. The West that he chose to represent is familiar to everyone and can be seen in novels, films, and television series. Warhol’s Cowboys and Indians suite...

ANDY WARHOL (1928-1987) This 'Mick Jagger' piece is a 1975 screenprint in colors on Arches Aquarelle paper that is signed and numbered ‘Andy Warhol...

Grevy's Zebra, from Endangered Species. Screen print in colors on Lennox Museum Board. Hand signed and numbered by Andy Warhol. Edition 61/150 (there were also 30 AP's, 5 PP's, 5 EP's, 3 HC's, 10 numbered in Roman numerals, 1 BAT, and 30 TP's). Printed By Rupert Jansen Smith, Ny. Published By Ronald Feldman Fine Art Inc., NY. Artwork is in excellent condition. Certificate of authenticity issued by Gallery Art included. All reasonable offers will be considered. From the Endangered Species portfolio, which premiered in 1983. Warhol was commissioned by environmentalists and gallerists Ronald and Frayda Feldman to depict 10 endangered animals, bringing attention to their fragility. The US federal government had passed the Endangered Species Act (ESA) in 1973, making clear criteria for assigning the status of “endangered” to animals that had seen massive attrition of their populations. This designation has been adopted internationally and Warhol’s Endangered...

Screen print with Diamond Dust on Lenox Museum Board. Hand signed and numbered by Andy Warhol. Printed by Rupert Jasen Smith, New York and published by Kennedy for President Committee, Washington D.C. Hand numbered 72/300 (there were also 25 AP's, 3 PP's, 10 HC's, 15 TP's, 1 TPPP's). Frame size approx 44 x 36 inches. The artwork is in excellent condition. Gallery Art issued COA included. All reasonable offers will be considered. Edward Kennedy...

Screen print on Lenox museum board. From the Cowboys And Indians Portfolio. Hand signed and numbered lower front by Andy Warhol. Numbered 131/250 (there were also 50 AP's, 15 PP's, 15 HC's and 10 numbered in Roman numerals). Published by Gaultney, Klineman Art, Inc., New York. Printed by Rupert Jasen Smith, New York. The artwork is in excellent condition. Certificate of authenticity issued by Gallery Art included. All reasonable offers will be considered. In Cowboys and Indians, Warhol interspersed recognizable portraits of well-known American heroes with less familiar Native American images and motifs. It demonstrates his ironic commentary on America’s collective mythologizing of the historic West. Rather than portraying Native Americans within their historical landscape, Warhol chose to portray a romanticized version of the American West. The West that he chose to represent is familiar to everyone and can be seen in novels, films, and television series. Warhol’s Cowboys and Indians suite...

Screen print on Lenox museum board. Hand-signed and numbered by Andy Warhol. Numbered 56/60 (there were also 10 AP's, 3 PP's and 15 TP's). Each print is unique. Published by the artist. The artwork is in excellent condition. Certificate of authenticity issued by Gallery Art included. All reasonable offers will be considered. The Dollar Sign series from 1982 was the ultimate manifestation of Andy Warhol’s love...

From the Ladies and Gentlemen Portfolio. Screenprint in colors on arches paper. Hand signed and numbered by the artist on verso. Numbered 37/125 (there were also 25 AP's). Publis...

Screen print on Lenox museum board. From the Cowboys And Indians Portfolio. Hand signed and numbered lower front by Andy Warhol. Numbered 138/250 (there were also 50 AP's, 15 PP's, 15 HC's and 10 numbered in Roman numerals). Published by Gaultney, Klineman Art, Inc., New York. Printed by Rupert Jasen Smith, New York. The artwork is in excellent condition. Certificate of authenticity issued by Gallery Art included. All reasonable offers will be considered. In Cowboys and Indians, Warhol interspersed recognizable portraits of well-known American heroes with less familiar Native American images and motifs. It demonstrates his ironic commentary on America’s collective mythologizing of the historic West. Rather than portraying Native Americans within their historical landscape, Warhol chose to portray a romanticized version of the American West. The West that he chose to represent is familiar to everyone and can be seen in novels, films, and television series. Warhol’s Cowboys and Indians suite...

ANDY WARHOL (1928-1987) Andy Warhol's 'Happy Butterfly Days' 1955 is an offset lithograph with extensive hand-coloring. While working as a commercial artist early in his career, And...

Pine Barren's Tree Frog, from Endangered Species. Screen print in colors on Lennox Museum Board. Hand signed and numbered by Andy Warhol. Edition 114/150 (there were also 30 AP's, 5 PP's, 5 EP's, 3 HC's, 10 numbered in Roman numerals, 1 BAT, and 30 TP's). Printed By Rupert Jansen Smith, Ny. Published By Ronald Feldman Fine Art Inc., NY. Artwork is in excellent condition. Certificate of authenticity issued by Gallery Art included. All reasonable offers will be considered. From the Endangered Species portfolio, which premiered in 1983. Warhol was commissioned by environmentalists and gallerists Ronald and Frayda Feldman to depict 10 endangered animals, bringing attention to their fragility. The US federal government had passed the Endangered Species Act (ESA) in 1973, making clear criteria for assigning the status of “endangered” to animals that had seen massive attrition of their populations. This designation has been adopted internationally and Warhol’s Endangered...

Andy Warhol Deluxe Signed Edition of Film Festival Lincoln Center (Feldman & Schellmann, II.19), 1967 Silkscreen, die-cut on opaque acrylic Edition 2/200 (Signed and numbered on the back with engraving pen) Hand-signed by artist, As this work was done on acrylic, Warhol signed and numbered it by hand on verso with an engraving needle. Stamped and dated with copyright Frame included: Elegantly framed in a museum quality wood frame with UV plexiglass. A die-cut window has been created in the back of the frame to reveal Warhol's incised signature and edition Publisher: Leo Castelli, New York Printer: Chiron Press, New York Catalogue Raisonne: Feldman & Schellmann, II.19 This work is often hung and displayed both vertically and horizontally - see photos for inspiration This work is one of only 200 done on opaque acrylic rather than wove paper, signed and numbered on the opaque acrylic by Andy Warhol with an engraving pen. (Separately, there was an unsigned edition of 500 on wove paper). What distinguishes this rare, extremely desirable signed edition of 200, other than that it is signed and numbered by hand by Andy Warhol, is that the black graphic text FIFTH NEW YORK is placed directly over the text Film Festival of Lincoln Center; whereas in the edition of 500, the text black text FIFTH NEW YORK is placed on top of the white text. An innovative feature that appears in this special edition is a perforated line running across the surface of the print, at its triangular cut out sides, mimicking the tear line present in real commercial movie admissions tickets. Chiron Press commissioned by Lincoln Center, devised a special process expressly to imprint the edition with this perforation using a die cut stamp. This work is quintessential early Warhol, with characteristic bright neon colors, featuring text, along with the artist's very recognizable flower motif. The Lincoln Center ticket simultaneously reflects Warhol's central preoccupations with commercial culture (the ticket is, par excellence, an object that is bought and sold), as well as his fascination with Hollywood - as the ticket, quite literally, represents an entree into the world of film. Warhol's appropriation of the flower - an otherwise sentimental and decorative motif, transforming it into a symbol of the Pop Art movement, is a hallmark of his early style and innovations. Andy Warhol's vibrant vintage color silkscreen Lincoln Center Ticket from the fabulous Sixties is considered one of the more iconic and recognizable Warhol images. It is also one of Warhol's earliest prints. The Vera List...

Hand signed and numbered by the artist. From the edition of 5/60 (there were also 10 artist's proofs). Unique screenprint on Lenox Museum Board. Printed by Rupert Jasen Smith, New ...

EDITION 2/60 with 10 artist’s proofs) Printed by Rupert Jasen Smith and published by the artist, New York. See F. & S., II. 274-279 and IIa., 274-279. Perhaps no other series reflect mass identity, luxury and wealth as prominently as Warhol’s Dollar Sign Series from 1982. The prints from this series are recognizable for repeatedly featuring the American dollar...

Andy Warhol (1928-1987) Campbell’s Soup Can ink marker drawing on title-page of the Philosophy of Andy Warhol book, 1975 Signed and inscribed in ink 8 ¼ x 5 ½”. The name of American artist Andy Warhol is all but synonymous with Pop art, the movement he helped shape in the 1960s. He is known for his clever appropriation of motifs and images from popular advertising and commercials, which he integrated into graphic, vibrant works that utilized mass-production technologies such as printmaking, photography and silkscreening. Later in his career, Warhol expanded his oeuvre to include other forms of media, founding Interview magazine and producing fashion shoots and films on-site at the Factory, his world-famous studio in New York. Born and educated in in Pittsburgh, Warhol moved to New York City in 1949 and built a successful career as a commercial illustrator. Although he made whimsical drawings as a hobby during these years, his career as a fine artist began in the mid-1950s with ink-blot drawings and hand-drawn silkscreens. The 1955 lithograph You Can Lead a Shoe to Water illustrates how he incorporated in his artwork advertising styles and techniques, in this case shoe commercials. As a child, Warhol was often sick and spent much of his time in bed, where he would make sketches and put together collections of movie-star photographs. He described this period as formative in terms of his skills and interests. Indeed, Warhol remained obsessed with celebrities throughout his career, often producing series devoted to a famous face or an object from the popular culture, such as Chairman Mao or Campbell’s tomato soup. The 1967 silkscreen Marilyn...

The series of three polaroids of Donald Baechler sold together. Donald Baechler is an American painter and assemblage artist who came into recognition amid the bourgeoning art scene ...

This work is unique. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. Work comes with a Certifica...

A wonderful piece of unknown edition by Andy Warhol. A silkscreen print on a Cellulose and Cotton dress. Fearing the artist's trade mark Campbell's soup can. In very good condition.

Paloma Picasso, from Hommage à Picasso. Screenprint in colors on Arches. Hand signed and numbered on verso by the artist. Published by Propyläen-Verlag, Berlin, and Pantheon Presse, ...

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Arts...

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Arts...

This is a unique work. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Ar...

The photograph features a portrait of young Reza Pahlavi, son of Mohammad Reza Pahlavi, the last Shah of Iran. This is a unique work. Stamped twi...

Screenprint in colours, 1975, on textured watercolour Arches paper, signed by the artist in pencil on the reverse, numbered from the edition of 250 (there were also 50 artist’s proofs in roman numerals), published by Mazzota Editore, Milan, 95.2 x 64.8 cm. (37½ x 25½ in.) The ‘Ladies and Gentlemen...

This work is unique. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. Work comes with a Certifica...

This is a unique work. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Ar...

This is a unique work. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Ar...

This is a unique work. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Ar...

"Between 1982 and 1987 Andy Warhol produced several hundred works each comprising several identical photographs stitched together with thread. At the edges of the work excess thread ...

This is a unique work. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Ar...

This work is unique. Embossed Andy Warhol on front of the photo. Provenance: Fred Torres Collaborations, Jablonka Galerie. Image rights: The purchaser is acquiring ownership rights o...

The work depicts Michael Chow, Adele Lutz, David Byrne and Tina Chow celebrating Michael's birthday. This is a unique work. Stamped on verso by The Estate...

This is a unique work. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Ar...

This is a unique work. Stamped on verso by The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. Annotated with Foundation inventory number. The work comes wi...

This is a unique work. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Ar...

This is a unique work. Stamped on verso by The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. Annotated with Foundation inventory number. The work comes wi...

From the "ADS" portfolio. Screen print on lenox museum board Hand signed and numbered by the artist. From the PP (Printers Proof) edition of 5 (There is a main edition of Edition of 190, 30 AP, 5 PP, 5 EP, 10 HC, 10 numbered in Roman numerals, 1 BAT, 30 TP). Published by Ronald Feldman Fine Arts, Inc., NY. Printed by Rupert Jasen Smith, NY. Frame size approx 43.5 x 43.5 inches. Artwork is in excellent condition. All reasonable offers will be considered. Warhol was inspired by Judy Garland’s advertising campaign for Blackglama Fur company and their ubiquitous tagline “What becomes a Legend most?” Many legends of style and pop culture have modeled for the company over the years, including: Diana Ross, Bridget Bardot, Lauren Bacall, Julie Andrews, Ray Charles and Marlene Dietrich. Known for her starring role in the 1939 film, The Wizard of Oz, Judy Garland was described by Fred Astaire as “the greatest entertainer who ever lived.” She also had major roles in movies like Meet Me in St...