Art

Joan Miro (Spanish, 1893-1983) The Seers, 1970 Hand-signed Lithograph on Rives paper 26 x 20 inches Edition of 75

Artist: Joan Miro Medium: Lithographic Poster, 1984 Dimensions: 20.5 x 28.5 in, 52.1 x 72.4 cm Classic Poster Paper - Perfect Conditon A+

An etching by Joan Miro from 1963. A classic piece by Miro that showcases his abstract, figurative style. Artist: Joan Miro, Spanish (1893 - 1983) Title: Preparatifs d'Oiseau IV (D...

Separe is an original offset and lithograph realized by George Grosz. The artwork is the plate n.22 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-Ve...

This artwork titled "Poetes, Sculpteurs, Peintres" 1960, is an original color lithograph on Rives paper by renown artist Joan Miro 1893-1983. It is hand signed (monogramed) and numb...

1970s Joan Miró Lithograph Portfolio: Derriere Le Miroir, 1973. Published by: Galerie Maeght, Paris. Off-set lithograph in colors. 15x22 inches. Center fold-line as issued; very g...

Medium: original lithograph. Catalogue reference: Mourlot 209. Executed in 1953 and issued in an edition of 1350 for the rare exhibition catalogue "Miro Recent Paintings", published by the Pierre Matisse...

Original Lithograph. Not signed. Plate VIII from the suite of 11 lithographs realized for the catalogue "Mirò Lithographe I" edited by Graphis Arte, Livorno and Toninelli Arte Modern...

Medium: original lithograph. Catalogue reference: Mourlot 672. Printed in 1970 for the art revue Derrière le Miroir (issue number 186) and published in Paris by the Maeght atelier. S...

Lithograph, 1972 Handsigned by the artist in pencil and numbered 17/150 Publisher : Municipalité de Passy Plateau d'Assy Printer : Arte Adrien Maeght, Paris Catalog : [Maeght n°870 p...

Medium: original lithograph. Catalogue reference: Mourlot 346. Printed in 1963 for the art revue Derriere le Miroir (issue number 139-140 devoted to Miro and Artigas) and published i...

"Miró Lithographe I - Plate VII" is a vintage lithograph realized by Joan Miró in 1972. Perfect conditions. It comes from the set of 11 lithographs realized for the catalogue "Mi...

Joan Miró Les Revolutions Sceniques Du XXe Siecle - I Color lithograph Year: 1975 Size: 12.2×9.4in on 14.7×10.4in Unsigned as issued From an edition with unknown size (pres. <1,500)...

Joan Miró (Spanish, 1893-1983) Signed: Miro (Lower, Right) " Archipel Sauvage IV ", 1970 (Titled on Verso) Etching Aquatint Printed in Colours Numbered: 22/35 Sheet Size: 29 5/...

Medium: original lithograph. Printed in 1956 for the art revue Derriere le Miroir (issue number 87-88-89) and published in Paris by Maeght. Size: 15 x 21 3/4 inches (380 x 555 mm). T...

Artist: Joan Miro Medium: Original lithograph Title: Joan Miro (Plate 6) Portfolio: Joan Miro Year: 1956 Framed Size: 16 3/4" x 15 1/2" Image Size: 7 1/2" x 9" (19 x 22.8 cm) Sheet S...

Medium: original lithograph. Catalogue reference: Mourlot 300. Executed for Derriere le Miroir in 1961, and published in Paris by Maeght. Sheet size: 14 1/2 x 11 inches (370 x 277 mm...

An original etching by Joan Miro, 1957. It was created as a title page for the series consisting of 23 original engravings, 6 of which were chosen to illustrate "La Bague d'Aurore" ...

Medium: original lithograph. Printed by Mourlot in 1981 and published for the "Miro Lithograph IV" catalogue raisonne. Size: 12 1/2 x 9 1/2 inches (318 x 245 mm). Not signed.

Hard Times from is an original offset lithograph realized by George Grosz. The artwork is the plate n.27 from the portfolio Ecce Homo published between 1922/1923, edition of Der Ma...

Medium: original lithograph. Executed in 1976 for XXe Siecle (issue number 46) and published in Paris by San Lazzaro. Sheet size 12 1/8 x 9 1/4 inches (308 x 235 mm). Not signed.

Frame: 47.5 x 39.5 x 2 Picture: 32.5 x 22.5 Frame has a lot of ware Picture itself is in excellent condition

Abstract Composition - Mirò Lithographe is a beautiful color lithograph on paper, realized in 1974 by Joan Miró for the second volume of his " Mirò Lithographe III ", composed by an ...

According to the frontis these were produced by Hand Lithography. According to the Museum of Modern Art (MOMA NY) website "Edition:300 announced; only approx. 42 issued (including regular edition of 30, deluxe edition of approx. 10, and 2 artist's proofs)" I believe these are from the deluxe edition as they are on Mould made BFK Rives French paper and the dimensions are larger than stated in the MOMA website. the sheet size here is 40X29 cm. Date 1936. Publisher:Black Sun Press, New York. Printer:George C. Miller & Son, New York. most of them are plate signed. George Grosz (July 26, 1893 – July 6, 1959) was a German artist known especially for his Satire and Caricature drawings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic before he emigrated to the United States in 1933. He studied at the Dresden Academy of Fine Arts, where his teachers were Richard Müller, Robert Sterl, and Oskar Schindler. He subsequently studied at the Berlin College of Arts and Crafts under Emil Orlik. Grosz left the Communist Party KPD in 1922 after having spent five months in Russia and meeting Lenin and Trotsky, because of his antagonism to any form of dictatorial authority. Along with Otto Dix, he is widely considered one of the most important artists of the Neue Sachlichkeit. Bitterly anti Nazi, Grosz left Germany shortly before Hitler came to power. In June 1932, he accepted an invitation to teach the summer semester at the Art Students League of New York. In October 1932, Grosz returned to Germany, but on January 12, 1933 he and his family emigrated to America. In 1946 he published his autobiography, A Little Yes and a Big No. In the 1950s he opened a private art school at his home and also worked as Artist in Residence at the Des Moines Art Center. Grosz was elected into the National Academy of Design as an Associate Academician in 1950. In 1954 he was elected to the American Academy of Arts and Letters. Grosz worked in a style influenced by Expressionism and Futurism, as well as by popular illustration, graffiti, and children's drawings.The City (1916–17) was the first of his many paintings of the modern urban scene. Other examples include the apocalyptic Explosion (1917), Metropolis (1917), and The Funeral, a 1918 painting depicting a mad funeral procession. In his drawings, usually in pen and ink which he sometimes developed further with watercolor, Grosz did much to create the image most have of Berlin and the Weimar Republic in the 1920s. Corpulent businessmen, wounded soldiers, prostitutes, sex crimes and orgies were his great subjects His draftsmanship was excellent although the works for which he is best known adopt a deliberately crude form of caricature. His oeuvre includes a few absurdist works, and also includes a number of erotic artworks. ("Ecce Homo" which saw him accused of pornography) My Drawings expressed my despair, hate and disillusionment, I drew drunkards; puking men; men with clenched fists cursing at the moon. ... I drew a man, face filled with fright, washing blood from his hands ... I drew lonely little men fleeing madly through empty streets. I drew a cross-section of tenement house: through one window could be seen a man attacking his wife; through another, two people making love; from a third hung a suicide with body covered by swarming flies. I drew soldiers without noses; war cripples with crustacean-like steel arms; two medical soldiers putting a violent infantryman into a strait-jacket made of a horse blanket ... I drew a skeleton...

Medium: original lithograph. Printed by Mourlot on quality Arches wove paper and published in 1975. Sheet size: 13 1/2 x 10 inches (340 x 250 mm). Not signed.

Covr for derrière Le Miroir is a Lithograph realized in 1963 by Joan Mirò (1893-1983). Published on "Derrière Le Miroir, no. 139-140. The description on the rear. Good conditions...

Joan Miro Terres Grand de Feu (one plate from Artigas) Medium: Original lithograph Size: 14.1875 x 19.625 in Year: 1956 Edition: 1,500 Unsigned Printed text on verso as issued Portf...

Medium: original color woodcut. Reference: Dupin 1293. Published for the Jacques Dupin catalogue raisonne "Miro Graveur III" in 1992. Sheet size: 12 1/2 x 9 3/4 inches (320 x 248 mm)...

Original poster for the 75th Anniversary of "Futbol Club Barcelona" by Joan Miro. Printer: Poligrafa, Barcelona. Publisher: Futbol Club Barcelona. Reference: M.931

Medium: original lithograph. Printed in 1965 for the art revue Derriere le Miroir (issue number 151-152) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 277 mm). There ...

Lithograph, 1976 Handsigned by the artist in pencil and numbered 71/99 70.00 cm. x 50.00 cm. 27.56 in. x 19.69 in. (paper) lithography and carborundum This lithograph is based on the poster created for the inauguration of the Joan Miró Foundation...

"Miró Lithographe II - Plate II" is an original lithograph realized by Joan Miró in 1975. Perfect conditions. It comes from the set of 11 lithographs realized for the catalogue "M...

Execution from Ecce Homo is an original offset and lithograph, realized by George Grosz. The artwork is the plate n. 84 from the portfolio Ecce Homo published between 1922/1923, edi...

Joan Miró Les Revolutions Sceniques Du XXe Siecle - II Color lithograph Year: 1975 Size: 12.2×9.4in on 14.7×10.4in Unsigned as issued From an edition with unknown size (pres. <1,500...

Etching and aquatint, 1972 Handsigned by the artist in pencil and Annotated "HC" Edition : 70 Publisher : XXe Siècle (Paris) Printer : Morsang (Paris) Catalog : Dupin 564 66.00 cm. x 50.00 cm. 25.98 in. x 19.69 in. (paper) 40.00 cm. x 45.00 cm. 15.75 in. x 17.72 in. (image) Arches paper A few...

Miró's La Sorcière (The Sorcerer), 1969 is a monumental piece whose abstract forms work in combination with splashes of green and red. Each element coexists in perfect harmony, echoi...

Medium: original lithograph. Printed in 1965 for the art revue Derriere le Miroir (issue number 151-152) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 277 mm). There ...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe IV Catalogue Raisonne. Nicely framed. Lithographs II ...

Medium: original lithograph. Catalogue reference: Mourlot 891. Printed in 1973 for the art revue Derriere le Miroir (issue number 203) and published in Paris by the Maeght atelier. S...

Etching and aquatint, 1973 Handsigned by the artist in pencil and numbered 52/75 Publisher : Pierre Matisse (New-York) Printer : Morsang (Paris) Catalog : Dupin 608 63.00 cm. x 91.00 cm. 24...

Medium: original lithograph. Printed by Mourlot on quality Arches wove paper and published in 1975. Sheet size: 13 1/2 x 10 inches (340 x 250 mm). Not signed.

Poemas para mirar. 1976 Colour lithograph Edition 12/125 Signed in pencil lower right: Miró. Image 48 × 75 cm on wove paper by Arches 55 × 78 cm Published by Editor D. Blanco, Gen...

Joan Miró "Untitled" (one plate from "Maitres-Graveurs Contemporains" - Berggruen & Cie, 1970) Color lithograph Year: 1970 Size: 9.0 × 9.8 on 9.4 × 11.1 inches Catalogue raisonné: C...

Medium: original lithograph. Printed in 1965 for the art revue Derriere le Miroir (issue number 151-152) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 277 mm). There ...

signed on lower right, numbered 2/30 lower left

Joan Miró Lithographie Originale II Color Lithograph Year: 1981 Size: 12.5 × 9.6 inches Catalogue Raisonné: Cramer 177, Der Lithograph IV, 1969-1972 Publisher: Maeght Editeur, Paris,...

Medium: original lithograph. Printed by Mourlot in 1981 and published for the "Miro Lithograph IV" catalogue raisonne. Size: 12 1/2 x 9 1/2 inches (318 x 245 mm). Not signed.

Les Revolutions Sceniques du XXe Siecle - II (Cramer 207) Joan Miro, Spanish (1893–1983) Date: 1975 Lithograph Image Size: 12 x 9.5 inches Size: 14.5 in. x 10 in. (36.83 cm x 25.4 cm...

Maravillas con Variaciones Acrosticas is an Original Mixed colored lithograph on Guarro Paper, realized in 1975 by Joan Mirò (1893-1983) Good conditions. Joan Miró (20 April 1893 ...

The Visit is an original offset and lithograph realized by George Grosz. The artwork is the plate n. 11 from the portfolio Ecce Homo published between 1922/1923, edition of Der Mali...

Studies is an original offset and lithograph realized by George Grosz. The artwork is the plate n.10 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-V...

Mirò Lithographe VII is a color lithograph on paper, realized by Joan Miró for the second volume of his catalog " Mirò Lithographe III " in 1974. A beautiful plate from a series c...

Exhibition poster Created on the occasion of the exhibition in Barcelona in 1982 In good condition

Hunger is an original litograph, realized by George Grosz in 1924, from Hunger Hilfe Von Künstlern, edition of Neuer Deutscher Verlag, Included a frame. In very good conditions. Here representing a family, with a child, outside of bakery shop looking with desire and despair through the bread of shop, the title of the artwork, Hunger, critically demonstrated an allegorical and dramatic representation of Grosz's moral perspective regarding war. George Grosz (1893 -1959) was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic. He studied drawing at the Dresden Academy 1909-11 and at the School of Arts and Crafts in Berlin 1912-14, He was in the army 1914-15 and again for a short time in 1917, but spent the rest of the war in Berlin where he made violently anti-war drawings, in which his main focus was attacking the social corruption of Germany (capitalists, prostitutes, the Prussian military caste, the middle class). His artworks had great impact in the Berlin Dada movement 1917-20 and collaborated with John Heartfield and Raoul Hausmann in the invention of photomontage. Many of his drawings were published in albums (Gott mit uns...

Exhibition poster Created on the occasion of the exhibition in Barcelona in 1982 In good condition

The cobweb is an original offset and lithograph realized by George Grosz. The artwork is part of the suite of 10 offset and lithographs realized by Grosz for the book "Kobes". 1st ...

Joan Miró Album 21, Plate 16, 1978 is a playful yet thought-provoking work that exhibits Miró’s iconic handling of line and shapes. Cutting across t...

Joan Miro Surrealist Birds (Sculptures), 1974 Original lithograph Printed signature in the plate On heavy paper 28 x 57 cm (c. 11 x 23 inch) REFERENCE : catalog raisonne Mourlot / ...