Art

Pablo Picasso (1881–1973), Femme se coiffant, (Woman Combing Her Hair) 1975. Lithograph on paper, signed in the plate. This elegant lithograph depicts a woman arranging her hair, a...

Offset lithograph postcard Hand signed in ink by Roy Lichtenstein Published by the Museum of Modern Art The original 1963 painting was acquired by MoMA in 1971. This postcard was acq...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

The Metal Worker by John Edwards (1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collection, UK Condition: very good c...

Meredith Walker's “All Living Things” is a stunning example of contemporary folk art that blends botanical motifs and symbolic imagery to evoke a sense of interconnectedness and harm...

This painting invites us to see strength in a different light, not as something loud or forceful, but as something calm, grounded, and quietly powerful. There’s a gentle confidence i...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 25021 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Beach Day I Study is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases a beautiful day at the beach and sailboats on the horizon hous...

This work echoes the theme of a quiet inner decision — that moment when a willingness to open up to the light is born from within. White blossoms appear as a language of softness tha...

This contemporary expressive impressionist floral piece with a touch of abstract and art brut, Morning’s Rose Bloom, was created by French artist Natalya Mougenot in her Lyon studio ...

Green hills and cypress trees, olive groves and mountains, all this is a typical Spanish landscape. Nature enchants, inspires and we never cease to admire it.These are wonderful land...

Mid-Century earthenware vase with painted owl decoration, by Pablo Picasso, Vallauris, France (1952). This is a vintage, limited edition earthenware creation, in a run of 500 (Edition Picasso) at the Madoura pottery...

This intimate landscape from 1888 belongs to Anton Genberg’s early mature period and reveals the qualities that would later establish him as one of Sweden’s foremost painters of atmo...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. circa 1750. Gouache and ink with heightening in gold on li...

A beautiful oil on canvas painting by the French artist, Te Pencke. Pencke was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is...

2023 II – 3 is a unique textile (double weave, handwoven cotton stretched on frame) artwork by contemporary artist Christiane Maurer, dimensions are 100 × 90 cm (39.4 × 35.4 in). Th...

Structure Silencieuse is an original oil on canvas by French contemporary artist Sophie Dumont. Through a carefully balanced composition of interlocking geometric forms, the painting...

Vignel N3 is a unique oil on canvas painting by Spanish contemporary artist Calo Carratalá, dimensions are 114 × 162 cm (44.9 × 63.8 in). The artwork is signed, sold framed and come...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Miro, Joan Untitled, 1963 Color Lithographs Based on Unique Watercolors Printed on Marais Onion Skin Paper 14 x 11 1/2 in. From the limited edition of 100 Published by Maeght Editeur

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 25047 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Antique French interior portrait oil painting by Charles August Corbineau (1835 - 1901). Oil on canvas. Signed. Framed. Measuring: 38 by 44 inches overall, and 29 by 36.5 painting al...

Offset lithograph poster Signed exhibiton poster for the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. Hand signed, dated '88 and inscribed 'To Osc...

Artist Comments
A chicken wanders down a quiet suburban street on a spring morning, staring at a five-dollar bill left on the ground. Using oil paint and ink, artist Keith Thom...

A masterful oil painting depicting a view of Flower Vendors by La Madeleine in Paris. This piece is a pertinent example of the works produced during the 20th Century by the artist wi...

Medium: original lithograph. Printed in 1966 for the art revue Derriere le Miroir (issue number 160) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 277 mm). Published ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

In "Ghost Town", I explore the poignant themes of isolation, anxiety, and a distinct, cinematic suspense. The landscape takes on the eerie quality of a ghost town, yet simultaneously...

shipped in roll “Spring. Awakening” reflects the first quiet shift of the season — a moment when light, color, and space begin to open. Soft layers of pale tones, subtle pinks, and g...

In my world, colors aren't always reliable. I often struggle to tell where a deep blue ends and a purple begins, or where a red turns into wine, and deep yellows turn into oranges. I...

Hyperreal large clear glass water bag sculpture - solid and hollow glass by Dylan Martinez. Martinez's hyperreal sculptures are hot sculpted glass hand-molded entirely by the artist...

Blush of Spring II captures a quiet moment of early bloom. Delicate pink buds and soft white petals emerge along slender branches, floating gently across a pale green background. The...

JAVIER CALLEJA - Pop Top' Planter Pot Date of creation: 2020 Medium: Ceramic, crystal Edition: 500 Size: 17 x 21 x 18 cm Condition: In mint condition, brand new and never framed The...

William Hughes British, 19th Century Study of Apples, circa 1870 Oil on panel Monogrammed lower right A finely observed and intimate still life by William Hughes, painted circa 1870, depicting a small grouping of apples arranged upon a simple wooden surface. Executed with quiet restraint and technical assurance, the composition reflects the enduring appeal of Victorian still life painting, where humble subjects are elevated through careful observation and painterly sensitivity. The apples, shown attached to a slender branch with leaves, are rendered with particular attention to texture and natural variation. Subtle transitions of colour—soft greens, warm russets, and touches of golden ochre—capture the ripeness and individuality of each fruit. The surfaces are delicately modelled, with highlights and imperfections thoughtfully described, lending the work both realism and charm. Set against a rich, dark background, the fruit is brought into sharp relief, a compositional device that enhances both depth and focus. The contrast between the illuminated forms and the shadowed ground creates a sense of quiet drama, while the horizontal line of the wooden ledge anchors the composition with stability and balance. Hughes’ handling is confident yet controlled, combining fine brushwork with a painterly softness that avoids excessive detail. The leaves and stems are treated with a lighter touch, providing a natural counterpoint to the more solid forms of the apples. This balance between precision and atmosphere is characteristic of well-executed 19th-century British still life painting...

In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and i...

Elegant Georgian Lady Portrait In Ornate Rococo Gilt Frame Oil Painting Canvas 19th Century English School, unsigned Oil on canvas, framed in highly elaborate gilt frame Framed: 30 ...

The Garden View French School, early 20th century signed with initials lower corner watercolour painting on artist paper, framed Glass covering framed: 13 x 10.5 inches board: 10 x 8...

Ornate Still Life of Classical Flowers by Frank Lonsdale, British early 20th century signed oil on board, unframed dated 1936 or 8 board : 28 x 25 inches Provenance: private collecti...

Dimensions with frame: 37 x 45 x 3,5 cm Signed along the lower edge. This refined still life painting presents an elegant arrangement of fruit set upon a wooden table against a dark...

Francesco Cairo (Milan 1607 – 1665), workshop of Queen Artemisia with a Cupid Oil on canvas 129 x 109 cm – Framed 143 x 125 cm. Reference bibliography: Francesco Cairo 1607–1...

Young Woman Portrait by Enrico Crespi Signed Located Dated Italian Watercolor Beautiful and evocative watercolor technique painting by the great Milanese school artist Enrico Crespi...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Tranquil Pastures by Thomas Spinks (British, 1847-1927) signed and dated (18)91 oil on board framed framed: 9.5 x 12.5 inches board : 7 x 10 inches Provenance: private collection, En...

Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: Harwood Museum of Art, New Mexico Museum of Art, Phoenix Art Museum, Scottsdale Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...

Huertas Aguiar (1923-2010) Argentina, Illinois, New York, Texas Artist (American Citizen) Image Size: 36 x 48 Frame Size: 47 x 59 Medium: Oil on Canvas Signed 1998 "Valley of Mist" W...

4066 Art Deco Lady in blue pastel painting Set in a white frame

Raphaël Nannini (Italian, 1852-1925) Napoleon Bust, Late 19th Century Bronze on marble base Signed on back 17 x 11 x 8 inches Raphael Nannini was born in Florence. He exhibited at t...

This vibrant artwork captures a serene rural landscape, where rustic charm meets vivid color. A cluster of barns, their roofs painted in striking hues of red and blue, sit nestled am...

Sunset over the Highland Loch by F. E. Jamieson (British 1895-1950) signed (with pseudonym) oil on canvas, framed framed: 26 x 36 inches canvas: 20 x 30 inches provenance: private co...

Black Essence' captures the unbreakable spirit of every woman who has long been the pillar of strength in their community. With a steadfast gaze, the subject embodies determination a...

Figurative Surrealism Original Painting Artist: Ashot Yan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Surrealism, Title: Sti...

Archival inkjet print created for The Royal Academy of the Arts for the ongoing show, "Kerry James Marshall: The Histories." Part of the Vignette series produced on fine 330gsm textu...

Portrait of a Nobleman, English School Oil Painting, Early 18th Century English School, early 18th century oil on canvas, unframed Canvas: 38.5 x 33 inches Provenance: private col...

Three boys stand near a periscope on a boardwalk, one using it to peer out beyond into the vastness of the waterfall before them. The composition is simple and resembles a style that would be used in traditional Japanese ukiyo-e woodblock prints. From the Mother Goose Portfolio, this print is signed and numbered in pencil by the artist. Three Children on the Ice Guy Billout...

Moon Sliver oil/panel 8 x 10 unframed 13.50 x 15.50 x 2 framed. Signed LR Moon Sliver is an oil painting on canvas by award winning contemporary artist Michael Budden that showcase...

Light purple hyperreal glass water balloon sculpture with glass droplets by Dylan Martinez. Dylan Martinez’s hyperrealistic water balloons are made of solid sculpted glass sandbla...

Artist: Marilina Marchica Title: Blue Landscape Year: 2026 Medium: Oil on canvas Dimensions: 60 × 90 × 2 cm (23.6 × 35.4 × 0.8 in) Signature: Signed on the back Certificate of Authen...

This landscape was painted during the first visit of the artist to Hawaii, on the North Shore of Oahu. Daria chose a view of the well-known Three Tables Beach — located right next to...

Original black steel still life sculpture combining geometric figurative forms, graphic silhouettes and contemporary three-dimensional design. *Bodegón* is an original sculpture by ...

Medium: original lithograph. Printed in 1961 for Derrière le Miroir (issue number 124) and published in Paris by Maeght. Size: 15 x 22 inches (377 x 557 mm). There is text on verso w...