Art

Artist: Jacob Kainen Title: Untitled Year: 1978 Medium: Mixed media Framed dimensions: 27.5 inches width; 33 inches high; 1" depth Framed in a beautiful gold gilt frame

Tony Khawam is an established contemporary artist known for his figurative abstract work, and a technique based on accumulative singular strokes or lines in a chaotic but controlled ...

Tony Khawam is an established contemporary artist known for his figurative abstract work, and a technique based on accumulative singular strokes or lines in a chaotic but controlled ...

In this healing and metamorphic new series we explore the countless and brilliant facets of GAIA (to the ancient Greeks) or TERRA (in the Roman pantheon). GaIa was a Mother Earth God...

"Summer" by Katheryn Holt is a 48" x 48" mixed media canvas that encapsulates the languid warmth of the season. The piece blends a soothing palette of soft, sun-bleached greens and a...

The sun is shining, the flowers are blooming, the crickets are chirping......whether it's breakfast outside, walking barefoot, admiring fireflies, a barbecue with friends or enjoying...

"Like-Minded" diptych is all about finding your soulmate. It's a perfect example of Hunter's highly fluid, expressionistic style -- which so often results in arresting images with a ...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Introducing the captivating masterpiece by Lu Hong, entitled "Spirit of Tropics." This Limited Edition Serigraph on Rice Paper is a true testament to the artist's vision, meticulously hand-signed and numbered as 51/300.Featuring two women seated back to back within a spiritual setting, the graceful pose and serene ambiance evoke a sense of tranquility and connection. The color palette chosen by Lu Hong is nothing short of enchanting, with shades of blue and purple dominating art work. As a Limited Edition piece, "Spirit of Tropics" holds a special place in the realm of art, and being hand-signed by the artist adds a personal touch that enhances its uniqueness. The numbered edition, 51 out of 300, underscores the exclusivity of this serigraph, making it a rare and cherished addition to any art connoisseur's collection. Lu Hong's "Spirit of Tropics" transcends the boundaries of conventional art, inviting viewers to immerse themselves in a world of beauty, symbolism, and spiritual resonance. This serigraph is not just a creation; it is an experience—one that speaks to the soul and lingers in the heart. Dimensions: Framed 47.5” H x 47.5” W x 1.25” D About the artist : Lu Hong was born in 1959, in Qin Huangdao, a city on the coast of northeastern China. He graduated high school in 1981 when his uncle Ting Shao Kuang...

I am inspired by the colors of nature .I focuses on structure ,texture ,arrangement and unity . The painting is ready to hang with hooks on the back .The painting is signed on the ba...

Inspiration came from nature .Layering and texture serves as the foundation for my painting .The painting is ready to hang with a hooks on the back .The painting is signed on the ba...

This beautiful 18th century Italian Old Master oil painting is something rather special. Painted circa 1750 the subject matter is Saint John the Baptist as a very young child. He is ...

This is an original one of a kind expressionist abstract painting by artist Sherry Krulle-Beaton. Its dimensions are 40"x 30". It is unframed. A certificate of authenticity will foll...

Oil on copper Comes with a certificate by dr. Jan De Maere 20/01/2023) Dimensions: 26 x 20 cm, 36 x 30 cm (framed) Johann König was a German painter and follower of Adam Elsheime...

A very good impression of this color screenprint on Arches. Signed, dated and numbered 125/150 in pencil by Gottlieb. Printed by Kelpra Studio, London, with the ink stamp verso. Publ...

Painting: Acrylic and enamel Imagínate un cuadro de gran tamaño, lleno de colores brillantes y vibrantes que se mezclan y se superponen de manera caótica y expresiva. Los trazos son ...

Red Strike - Abstract Expressionist Composition in Acrylic on Paper A bold abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). This piece is a ...

The painting is made in an abstract style in juicy, warm colors. Its dynamic composition is dominated by linear movement dressed in orange, interspersed with blue and white colors ag...

Monochrome, horizontal composition refers to the landscape. The painting is multi-layered, structural paste was used to obtain a spatial effect. The landscape can be associated with ...

This painting is one of ‘Aleppo and Kyiv Urban Landscape No.2’ series featuring many windows gazing at the world. This is a collection of different neighborhoods in Aleppo city that ...

Abstract expressionist painting of a lily pond. This painting is a continuation of Yektai's Silver Pond series, but instead of using his usual oversized canvas, Yektai created a silv...

Water for life offers possibilities of redemption, renewal, a cleansing. This 60x48 original abstract expressionist acrylic landscape explores the multitude of layers that reveal the...

Vinyl and Acrylic painting on Linen Canvas - Original Painting, Abstract Geometric, Interior Design Work Title : Multiple #2 Artist : Christophe Drodelot (French artist, Born in 1965...

"Sunset Willow" is a bright neo-abstract expressionist oil painting of a pond and weeping willow. Artist Bio Darius Yektai was born in Southampton NY, in 1973. He lives and works o...

This Beautiful British 18th century British Old Master portrait oil painting is by noted artist Joseph Highmore. Painted circa 1740 it is a half length portrait of a young woman, Eli...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper - Artist Authorized reproduction Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

THE TRIBE: this art is an abstract expressionism of a cultural heritage of the mask faces of the etsako tribe in okpella town Edo state Nigeria

RAZA Sayed Haider Tree and Bindu Original lithograph Hand signed in pencil Numbered / 150 On vellum 43 x 22" (110 x 55 cm) Editor stamp on the backside Excellent condition

Sophie Dumont, with her work entitled "entrelacement", offers us a captivating vision of a countryside reinterpreted through her unique artistic prism. The chosen palette, dominated...

"Obsession" by Masri is a 20" x 16" expressionist portrayal that captures the intensity of fixation through chaotic yet deliberate strokes. The warm palette of amber, crimson, and bu...

Shipped rolled in a tube without frame The dance of colors generates a scene of great beauty. The strength of the movement and the shapes created with its colors convey a dream towa...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) watercolour painting on board unframed: 17 x 12 inches condition: excellent provenance: all the paintings we have f...

This stunning British Old Master landscape oil painting, with excellent provenance, is by George Lambert. Lambert was a pioneer of British landscape in art for its own sake. Painted in 1744, the painting is entitled View of a Manor House and Cottages in Elizabeth Einberg's 63rd volume of the Walpole Society 2001 and is described as follows: In the foreground a road emerges from a wood to cross a ford and then leads up the hill to the right, towards a manor house seemingly built into the remains of a medieval or Tudor edifice. The main track, crowded with sheep and rustic figures, passes the massive square gateposts lower down the hill on the left. Further to the left is a thatched cottage with smoke coming out the chimney. In the distance is a wide coastal view. The main buildings, which are in the dead centre of the composition, represent almost certainly an as yet unidentified English view. The colouring and detail in the trees and foliage are superb. This is an excellent Old Master oil painting by one of the all time great British landscape artists with extensive provenance. Signed and dated 1744 lower left on rock in black. Provenance. Elizabeth Einberg, “Catalogue Raisonnè of the works of George Lambert” The Annual Volume of the Walpole Society, 2001 Vol. 63, page 149 no P1744, fig.71. Antonacci Efrati Antichità Rome Gallery. Burden sale, Parke Bernet, New York, 20-21, April 1938 (376 repr.) Robert E. Peters, Sotheby Parke Bernet, New York, March 1975 (41 repr.) Lit. Schnackenburg 1995, pp 83-84, cat. no.14 fig 13. Condition. Oil on canvas, 54 inches by 52 inches and in good condition. Frame. Housed in an ornate gilt frame, 64 inches by 62 inches and in good condition. George Lambert (1700-1765) was an English landscape artist and theatre scene painter. With Richard Wilson he is recognised as a pioneer of British landscape in art, for its own sake. Lambert was born in Kent and studied art under Warner Hassells and John Wootton, soon attracting attention by the quality of his landscape painting. He painted many large and fine landscapes in the style of Gaspar Poussin and Salvator Rosa. Many of his landscapes were finely engraved by François Vivares, James Mason (1710–1785), and others, including a set of views of Plymouth and Mount Edgcumbe (painted conjointly with Samuel Scott), a view of Saltwood Castle in Kent, another of Dover, and a landscape presented to the Foundling Hospital in London. Lambert also obtained a great reputation as a scene-painter, working at first for the Lincoln's Inn Fields Theatre, in London, under John Rich. When Rich moved to Covent Garden Theatre, Lambert secured the assistance of Amigoni, and together they produced scenery of far higher quality than any previously executed. Lambert was a man of jovial temperament and shrewd wit, and frequently spent his evenings at work in his painting-loft at Covent Garden Theatre, to which men of note in the fashionable or theatrical world resorted to share his supper of a beef-steak, freshly cooked on the spot. Out of these meetings arose the well-known "Beefsteak Club" which long maintained a high social reputation. Most of Lambert's scene-paintings unfortunately perished when Covent Garden Theatre was destroyed by fire in 1808. Lambert was a friend of William Hogarth and a member of the jovial society that met at 'Old Slaughter's' Tavern in St Martin's Lane. In 1755 he was one of the committee of artists who proposed a royal academy of arts in London. He was a member of the Society of Artists of Great Britain, exhibited with them in 1761 and the three following years, and during the same period contributed to the Academy exhibitions. In 1765 he and other members seceded and formed the Incorporated Society of Artists of Great Britain, of which he was elected the first president. In conjunction with Samuel Scott, Lambert painted a series of Indian views for the old East India House in Leadenhall Street. He also etched two prints after Salvator Rosa. Lambert was associated in 1735 with George Vertue, Hogarth, and John Pine (engraver, 1660–1756) in obtaining a bill from parliament securing artists a copyright on their works. Lambert's portraits were painted by Thomas Hudson, John Vanderbank (engraved in mezzotint by John Faber the younger in 1727, and in line by H. Robinson and others), and Hogarth. Lambert's most famous painting is "A view of Box Hill, Surrey" (1733) which depicts a well-known beauty spot south of London. Hogarth considered Lambert a rival to the famous French landscape painter Claude Lorrain (1600–1682) with respect to his use of soft light to unify the scene in this painting. Though he never visited Italy he was inspired by the classical tradition of landscape painting. Lambert died on 30 November 1765 at his home on the Piazza in Covent Garden. His pupils included John Inigo Richards...

"Rust" by Katheryn Holt is an 18" x 18" mixed media canvas that speaks in the subtle language of contemporary landscape abstraction. Soft, ethereal whites and greys form a serene hor...

Frida Willis's "Platinum", a 60" x 48" oil on canvas is a testament to contemporary abstract expressionism. The piece is a serene expanse of muted grays, soft whites, and understated...

Circle of Guido Reni (Bologna 1575 - Bologna 1642) - Cupid. 73.5 x 60cm. Antique oil painting on canvas, without frame. - The painting is taken from an original by Guido Reni (Bol...

Chaotic thoughts, a swirling sea, A storm inside, a tempest free. Ideas clash, collide, entwine, A symphony of chaos, thoughts malign. Lost in the frenzy, mind untamed, A labyri...

A very good impression of this color screenprint on J. B. Green paper. Initialed and numbered 134/150 in pencil by Motherwell. Printed by Kelpra Studio, London. Published by Marlboro...

A delightful large oil on canvas of a wooded landscape which dates to circa 1830 and is attributed to Irish artist James Arthur O’Connor. A superb painting and an excellent example o...

This superb Old Master later 17th/early 18th century oil painting is attributed to Baroque painter and German born animal artist Philipp Peter Roos. He was active in and near Rome fr...

One of a large series of brilliantly colored small square Abstract Expressionist paintings, measuring 8" x 8" each, by Linda Holt whose fluid style and gorgeous palette come together...

The outlook from a high place is soothing—details and immediate difficulties blur and recede, the panorama of place brings perspective and context. A view of the horizon is centeri...

My work develops intuitively and incorporates diverse layers, which alternate consecutive, conscious, deliberate, and unpredictable interventions. 'Resolution' is a mixed media abstr...

Hans Van de Bovenkamp's abstract-figurative sculpture "Androgynous Nano" is a subtly feminine piece with a sensuous balance of rounded and angular forms. This small, elegant bronze i...

Antichità Castelbarco SRLS is proud to present: Painter active in Rome late 16th - early 17th century Andromeda and the monster Oil on canvas 137 x 102 cm. - In frame 152 x 118 cm. The subject of the painting, derived from Ovid's Metamorphoses, is inspired by the myth of the princess Andromeda, daughter of the King of Ethiopia Cepheus and Queen Cassiopeia. The heroine's misfortune was to have a mother who praised her beauty as superior even to that of the Nereids, the sea nymphs daughters of the god Poseidon. According to mythology, the girl was therefore chained to a cliff and offered as a sacrifice to the terrible monster sent to appease the wrath of the nymphs, offended by Cassiopeia's unforgivable pride. Consider that the depiction of this myth, and in particular its climax with Andromeda offered to the monster, had great fortune in Roman Baroque painting...

Multitasking & timeframes inspired this work. A nod to being pulled in different directions or a focus on a certain direction during distracting & turbulent times. I hope the viewe...

Peach blossom is the most beautiful and popular flower in the North of Vietnam, loved by many people and displayed during Tet. Peach tree is considered the quintessence of the Five ...

A very good impression of this color lithograph on Arches. Signed, dated and numbered 14/100 in pencil by Gottlieb. Published by Marlborough Graphics, Inc., New York. Catalogue refe...

“Sailing in the Sun” The passion for sailing, ocean beauty and the colourful sky reflection on the ship have inspired the creation of this artwork. She expresses sailing emotion on c...

Sweet Meditation 2023 Artist signed. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a scholarship from the Minist...

A contemporary take on Vincent Van Gogh's most famous painting "Starry Night". Darius Yektai, a contemporary painter based in New York's beach enclave The Hamptons, uses resin along ...

Combinations of color in layers inspired this work. I painted this piece outside during a few weeks in the spring when the landscape was emerging from winter. My hope is the viewer w...

WITHOUT YOU Painting Size - 30 x 48 inches Wall Sculpture size - 18 x 10 inches ( Sculpture Made of Wood Panel, Raw Canvas, Acrylic paint and Epoxy Resin ) My challenge in this series is to make a wall sculpture and painting combo that can stand together or alone. I hope these pieces conveys great energy and movement together or alone. HAND PAINTED original stretched on raw canvas - signed + sealed. Please know that colors will vary slightly from screen to screen Copyright ©POOVI ART...

I wanted to work with some different & lighter colors in this work. I was thinking about strong sunlight along with pinks & corals in broad strokes. :: Painting :: Abstract Expressi...

My daughter inspired & helped me design this piece. I have made smaller studies of this work over the last year, this painting has different layers & textures as well as a purple hue...

The outlook from a high place is soothing—details and immediate difficulties blur and recede, the panorama of place brings perspective and context. A view of the horizon is centeri...

Marco Ricci (Belluno 1676 - Venice 1730) attributable to Coastal landscape with port city and boats oil painting on canvas 82 x 126 cm., In gilded frame 93 x 137 cm. Provenance: purchased by the previous owners around 1970 in Vienna, at the Hofstätter Gallery (as Marco Ricci) We present with great pleasure this vast and harmonious composition of a coastal view with a fortified city overlooking the sea and a rocky cove in the foreground with several boats, including a vessel. The work, coming from a prestigious Austrian collection, bears a historical attribution to the sphere of Marco Ricci (Belluno 1676 - Venice 1730) who, by virtue of the stringent compositional and stylistic similarities that we can find with the autograph works of the Venetian master, we feel we can confirm. Our marina wisely combines elements taken from life with elements drawn from the author's imagination, set within a wide-ranging perspective framework; the canvas is then enveloped in a diffused but natural luminosity, evoking that sense of atmosphere which is a prelude to eighteenth-century vedutism, but without having those markedly rocaille characteristics. Among the innovations introduced by Marco Ricci in landscape painting, and which we find in our beautiful painting, there is the experimentation of light in its possibilities of atmospheric rendering. The painting in question shares many details with the master's works, such as the mountain ranges that dissolve into the background taking on silvery tones, the tree motif in the foreground and the classic rocky spur, as well as the small figures that animate the scene and still the city ​​on the coast dotted with bell towers and towers, in addition to the compositional cut of the view that expands in depth in a modulated succession of perspective plans. Finally, we can trace the characteristic light effects of the master, highlighted here by the cleaning intervention just carried out in our restoration laboratory, previously obscured by an amber paint that prevented the correct reading of the pictorial material. Trained on the study of the great Venetian tradition and, above all, on Titian's models, Marco Ricci had started his painting activity in the workshop of his uncle Sebastiano. After an important trip to England and Holland, the direct knowledge of Nordic painting - in particular of the works of Johann Anton Eismann, Pieter Mulier...

This 14" x 11" work titled "Glitch" by Masri embodies 'Shattered Cubism', where the essence of a face is captured in a constellation of fragmented shapes and vibrant colors. Against ...