Art

This work, done in acrylics, is a vibrant celebration of colors and emotions. Through abstract art, I have sought to express the effusiveness and irregularities that we find in daily...

John Hultberg (1922-2005). Untitled, ca. 1945-50. Oil on canvas measures 25 x 30 inches; 31.5 x 36.5 inches framed. Very good condition with minor areas of paint loss and cracking consistent with age. No damage or conservation. Signed and dated lower left. Biography: John Hultberg was born in Berkeley, California in 1922. He studied at the California School of Fine Arts with Clay Spohn...

Artist: William Cavendish (English, 1593-1676) Title: "Captain Mazin Rides, and the Marquis Gives the Lesson" (Plate 17, Page 76) Portfolio: Methode et Invention Nouvelle de Dresser ...

88.-R. Poch. two women. colors. ice creams original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising pr...

This work, done in acrylics, is a vibrant celebration of colors and emotions. Through abstract art, I have sought to express the effusiveness and irregularities that we find in daily...

This work, done in acrylics, is a vibrant celebration of colors and emotions. Through abstract art, I have sought to express the effusiveness and irregularities that we find in daily...

Frank Chiodo is a contemporary painter whose dynamic work centers on organic abstraction. Through the interplay of color and gesture on the canvas, he creates a compelling dialogue t...

Frank Chiodo is a contemporary painter whose dynamic work centers on organic abstraction. Through the interplay of color and gesture on the canvas, he creates a compelling dialogue t...

Mythological Figures in Woodland Glade Dutch School, late 17th century oil on wood panel, unframed panel: 11 x 9 inches provenance: private collection, UK condition: minor surface sc...

“Oceania Celebration” is an original abstract painting in blue colors that gives joy and a feeling of celebration. Water is a symbol of the fundamental principle of everything, i...

Landscape. 1966, paper, gouache, 49. 5 x 45. 5 cm Gunars Klava (1933 – 1989) Gunars Klava was born in 1933 in Priekule. 1953 - graduated from J. Rosenthal Art School 1964 - began t...

This artwork is about a hidden place, that no one knows about, where I like to go, it is hidden away. The work is in the style of abstract expressionism. This artwork is painted on ...

118 x 77 in Acrylic on canvas Unstretched Vicky Barranguet found her own voice and colorful expression of life, emotions, and music through her studies with master painters, Larry P...

Primary Process, Violet, Nancy Hillis. Red violet, blue violet, white, and gold abstract expressionist large scale acrylic and mixed media painting on paper. 56.5" x 42". Gestural ex...

This special painting set includes two original oil with gold leaf paintings by Shizico Yi, painted at the turn of late winter and spring. - Midnight Jasmines -Golden Sunlit-Magic B...

118 x 77 in Acrylic on canvas Unstretched Vicky Barranguet found her own voice and colorful expression of life, emotions, and music through her studies with master painters, Larry P...

118 x 77 in Acrylic on canvas Unstretched Vicky Barranguet found her own voice and colorful expression of life, emotions, and music through her studies with master painters, Larry P...

Francesca Owen is one of the foremost Expressionist artists in the UK. Her works are heavily influenced by the sights, sounds and colours of India where she travels extensively and w...

Scott Burdick's "The Poet" is an original abstract oil painting featuring a man wearing a bandana looking with confidence at the viewer, surrounded by abstract shapes of green and o...

118 x 77 in Acrylic on canvas Unstretched Vicky Barranguet found her own voice and colorful expression of life, emotions, and music through her studies with master painters, Larry P...

118 x 77 in Acrylic on canvas Unstretched Vicky Barranguet found her own voice and colorful expression of life, emotions, and music through her studies with master painters, Larry P...

The Gentleman Courtier Portrait of an Elizabethan Gentleman English School, late 20th century oil on canvas, framed framed: 45 x 35 inches board: 40 x 30 inches provenance: private c...

118 x 77 in Acrylic on canvas Unstretched Vicky Barranguet found her own voice and colorful expression of life, emotions, and music through her studies with master painters, Larry P...

Mid Century Modern, American Abstract Expressionist Painting on artist board. This lively action painting has wonderful interjections of color within the predominantly black and whi...

This superb Dutch Old Master oil painting is attributed to Pieter Bodding van Laer. Painted circa 1635 during the Dutch Golden Age the composition depicts a number of figures and ani...

This work, done in acrylics, is a vibrant celebration of colors and emotions. Through abstract art, I have sought to express the effusiveness and irregularities that we find in daily...

This work, done in acrylics, is a vibrant celebration of colors and emotions. Through abstract art, I have sought to express the effusiveness and irregularities that we find in daily...

This work, done in acrylics, is a vibrant celebration of colors and emotions. Through abstract art, I have sought to express the effusiveness and irregularities that we find in daily...

This work, done in acrylics, is a vibrant celebration of colors and emotions. Through abstract art, I have sought to express the effusiveness and irregularities that we find in daily...

This work, done in acrylics, is a vibrant celebration of colors and emotions. Through abstract art, I have sought to express the effusiveness and irregularities that we find in daily...

This work, done in acrylics, is a vibrant celebration of colors and emotions. Through abstract art, I have sought to express the effusiveness and irregularities that we find in daily...

This work, done in acrylics, is a vibrant celebration of colors and emotions. Through abstract art, I have sought to express the effusiveness and irregularities that we find in daily...

This work, done in acrylics, is a vibrant celebration of colors and emotions. Through abstract art, I have sought to express the effusiveness and irregularities that we find in daily...

This work, done in acrylics, is a vibrant celebration of colors and emotions. Through abstract art, I have sought to express the effusiveness and irregularities that we find in daily...

Untitled Engraving, drypoint & carborundum, c. 1960's Signed and numbered in pencil lower margin (see photos) Edition: 25 (9/25) Printed by the artist Condition: Adhesive residue on ...

German School, Figure Study, c.1890, Oil on canvas, 64cm x 39cm, (74cm x 50cm framed). The painting has been recently cleaned and is in a new period style frame. This wonderfully t...

With beautiful, warm tones and generously applied oil paint Paul Wadsworth creates stunning paintings redolent of the hot, atmospheric sunshine of southern India. These expressive pi...

The Summer Bloom Series is an ongoing project that Shizico Yi returns to each summer, painting en plein air in her garden. She began gardening in 2015 to create a healing space for h...

Artist: Samuel Rush Meyrick (English, 1783-1848) Title: "John Duke of Somerset" (Vol. 2, Plate XLIX) Portfolio: A Critical Inquiry into Antient Armour Year: 1824 (First edition) Medi...

John Chamberlain Hand Signed Letter re: Leo Castelli Exhibition, 1982 Typewriter on paper (hand signed) 6 1/2 × 8 1/2 inches Hand-signed by artist, Signed in purple felt tip marker Hand signed telegraph/letter refers to Chamberlain's exhibition at the legendary Leo Castell Gallery. A piece of history! John Chamberlain Biography John Chamberlain (1927 – 2011) was a quintessentially American artist, channeling the innovative power of the postwar years into a relentlessly inventive practice spanning six decades. He first achieved renown for sculptures made in the late 1950s through 1960s from automobile parts—these were path-breaking works that effectively transformed the gestural energy of Abstract Expressionist painting into three dimensions. Ranging in scale from miniature to monumental, Chamberlain’s compositions of twisted, crushed, and forged metal also bridged the divide between Process Art and Minimalism, drawing tenets of both into a new kinship. These singular works established him as one of the first American artists to determine color as a natural component of abstract sculpture. From the late 1960s until the end of his life, Chamberlain harnessed the expressive potential of an astonishing array of materials, which varied from Plexiglas, resin, and paint, to foam, aluminum foil, and paper bags. After spending three years in the United States Navy during World War II, Chamberlain enrolled in the Art Institute of Chicago and Black Mountain College, where he developed the critical underpinnings of his work. Chamberlain lived and worked in many parts of the United States, moving between New York City, Long Island, Los Angeles, Santa Fe, Connecticut, and Sarasota, before finally settling on Shelter Island. In many ways, each location provoked a distinct material sensibility, often defined by the availability of that material or the limitations of physical space. In New York City, Chamberlain pulled scrap metal and twelve-inch acoustic tiles from the ceiling of his studio apartment. He chose urethane in Los Angeles in 1965 (a material he had been considering for many years), and film in Mexico in 1968. He eventually returned to metal in 1972, and, in Sarasota, he expanded the scale of his works to make his iconic Gondolas (1981 – 1982). The movement of the artist and the subsequent evolution of the work is indicative not only of a kind of American restlessness but also of Chamberlain’s own personal evolution: he sometimes described his use of automobile materials as sculptural self-portraits, infused with balance and rhythm characteristic of the artist himself. Chamberlain refused to separate color from his practice, saying, ‘I never thought of sculpture without color. Do you see anything around that has no color? Do you live in a world with no color?’. He both honored and assigned value to color in his practice—in his early sculptures color was not added, but composed from the preexisting palette of his chosen automobile parts. Chamberlain later began adding color to metal in 1974, dripping and spraying—and sometimes sandblasting—paint and lacquer onto his metal components prior to their integration. With his polyurethane foam works, color was a variable of light: ultraviolet rays or sunlight turned the material from white to amber. It was this profound visual effect that brought the artist’s personal Abstract Expressionist hand into industrial three-dimensional sculpture. Chamberlain moved seamlessly through scale and volume, creating material explorations in monumental, heavy-gauge painted aluminum foil in the 1970s, and later in the 1980s and 1990s, miniatures in colorful aluminum foil and chromium painted steel. Central to Chamberlain’s works is the notion that sculpture denotes a great deal of weight and physicality, disrupting whatever space it occupies. In the Barges series (1971 – 1983) he made immense foam couches, inviting spectators to lounge upon the cushioned landscape. At the end of his career, Chamberlain shifted his practice outdoors, and through a series of determined experiments, finally created brilliant, candy-colored sculptures in twisted aluminum foil. In 2012, four of these sculptures were shown outside the Seagram Building in New York, accompanied by playful titles such as ‘PINEAPPLESURPRISE’ (2010) and ‘MERMAIDSMISCHIEF’ (2009). These final works exemplify Chamberlain’s lifelong dedication to change—of his materials, of his practice, and, consequently, of American Art. Chamberlain has been the subject of numerous solo exhibitions, including two major Retrospectives at the Solomon R. Guggenheim Museum in New York NY in 2012 and 1971; ‘John Chamberlain, Squeezed and Tied. Foam and Paper Sculptures 1969-70,’ Dan Flavin Art Institute, Dia Center for the Arts, Bridgehampton NY (2007); ‘John Chamberlain. Foam Sculptures 1966–1981, Photographs 1989–2004,’ Chinati Foundation, Marfa TX (2005); ‘John Chamberlain. Current Work and Fond Memories, Sculptures and Photographs 1967–1995,’ Stedelijk Museum, Amsterdam, Netherlands (Traveling Exhibition) (1996); and ‘John Chamberlain. Sculpture, 1954–1985,’ Museum of Contemporary Art, Los Angeles CA (1986). Chamberlain’s sculptures are part of permanent exhibitions at the Chinati Foundation in Marfa TX and at Dia:Beacon in upstate New York. In 1964, Chamberlain represented the United States in the American Pavilion at the 32nd International Exhibition of the Venice Biennale. He received many awards during his life, including a Doctor of Fine Arts, honoris causa, from the College for Creative Studies, Detroit (2010); the Distinction in Sculpture Honor from the Sculpture Center, New York (1999); the Gold Medal from The National Arts Club Award, New York (1997); the Lifetime Achievement Award in Contemporary Sculpture by the International Sculpture Center, Washington D.C. (1993); and the Skowhegan Medal for Sculpture, New York NY (1993). -Courtesy Hauser & Wirth Leo Castelli Leo Castelli was born in 1907 in Trieste, a city on the Adriatic sea, which, at the time, was the main port of the Austro-Hungarian Empire. Leo’s father, Ernest Kraus, was the regional director for Austria-Hungary’s largest bank, the Kreditandstalt; his mother, Bianca Castelli, was the daughter of a Triesten coffee merchant. With the outbreak of World War I in 1914 the Kraus family relocated to Vienna where Leo continued his education. A particularly memorable moment for Leo during this period of his life was the funeral of Emperor Francis Joseph which he witnessed in November of 1916. Leo and his family returned to Trieste when the war ended in 1918. With the fall of the Austro-Hungarian Empire Trieste embraced its new Italian identity. Motivated by this shift Ernest decided to adopt his wife's more Italian-sounding maiden name, Castelli, which his children also assumed. In many ways the Castelli’s return Trieste after the war marked an optimistic new beginning for the family. Ernest was made director of the Banca Commerciale Italiana, which had replaced the Kreditandstalt as the top bank in Trieste. This elevated position allowed Ernest and Bianca to cultivate a cosmopolitan life-style. Together they hosted frequent parties which brought them in contact with a spectrum of political, financial, and cultural luminaries. Growing up in such an environment fostered in Leo and his two siblings, Silvia and Giorgio, a strong appreciation of high culture. During this time Leo developed a passion for Modern literature and perfected his fluency in German, French, Italian, and English. After earning his law degree at the University of Milan in 1932, Leo began his adult life as an insurance agent in Bucharest. Although Leo found the job unfulfilling and tedious, the people he met in Bucharest made up for this deficiency. Among the most significant of Leo’s acquaintances during this time was the eminent businessman, Mihail Shapira. Leo eventually became friendly with the rest of the Shapira family and in 1933 he married Mihail's youngest daughter, Ileana. In 1934 Leo and Ileana moved to Paris where, thanks to his step-father’s influence, Leo was able to get a job in the Paris branch of the Banca d'Italia. In the same year, Leo met the interior designer René Drouin, who became his close friend. In the spring of 1938, while walking through the Place Vendôme, Leo and René came across a storefront for rent between the Ritz hotel and a Schiaparelli boutique. The space immediately impressed them as an ideal location for an art gallery, a plan which became reality the following spring in 1939. The Drouin Gallery opened with an exhibition featuring painting and furniture by Surrealist artists including Léonor Fini, Augene Berman, Meret Oppenheim, Max Ernst, and Salvador Dali. Despite the success of this initial exhibition, the gallery proved short-lived. Germany invaded Poland on September 1, 1939 marking the start of World War II and consequently the temporary end of the Drouin gallery. René was called to serve in the French army, while Leo, Ileana, and their three-year-old daughter Nina moved to the relative safety of Cannes, where Ileana’s family owned a summer house. As the war escalated, it became evident that Europe was no longer safe for the Castelli family—Leo and Ileana were both Jewish. In March of 1941, Leo, Ileana and Nina fled to New York bringing with them Nina’s nurse Frances and their dog, Noodle. After a year of moving around the city, the family took up permanent residence at 4 East 77 Street in a townhouse Mihail had bought. Nine months after his arrival in New York, in December of 1943, Leo volunteered for the US army, expediting his naturalization as a US citizen. Owing to his facility with languages, Leo was assigned to serve in the U.S. Army Intelligence Corp, a position which he held for two years, until February 1946. While on military leave in 1945 Leo visited Paris and stopped by Place Vendôme gallery where René had once more set up business selling work by European avant-garde artists such as Jean Dubuffet and Jean Fautrier. The meeting not only rekindled René and Leo’s friendship but also the latter’s interest in art dealing, a pursuit which Leo began to view as more than a mere hobby but as a potential career. After reconnecting, the two friends decided to go back into partnership with Leo acting as the New York representative for the Drouin Gallery. Working in this capacity, Leo began to form relationships with some of the New York art world’s most influential figures, including Peggy Guggenhiem, Sydney Janis, Willem De Kooning, and Jackson Pollock. By the late 40s Leo’s ties with René Drouin had begun to slacken, while his alliance with the dealer Sydney Janis became closer. Janis opened his New York gallery in 1948 and in 1950 invited Leo to curate an exhibition of contemporary French and American artists. The show drew a significant connection between the venerable tradition of European Modernism and the emerging artists of the New York School. Not long after this, in 1951, Leo was asked by these same New York School artists to organize the groundbreaking Ninth Street Show. This exhibition was instrumental in establishing Abstract Expressionism as the preeminent art movement of the post-war era. Leo founded his own gallery in 1957, transforming the living room on the fourth floor of the 77th Street townhouse into an exhibition space. Perhaps the most critical moment of Leo’s career occurred later that year, when he first visited the studios of Robert Rauschenberg and Jasper Johns. In 1958 Leo gave Johns and Rauschenberg solo shows, in January and March respectively. For Johns, this was the first solo show of his career. These exhibitions received wide critical acclaim, solidifying Leo’s reputation not only as a dealer but as the arbiter of a new and important art movement. Over the course of the 1960s Leo played a formative role in launching the careers of many of the most significant artists of the twentieth century including Roy Lichtenstein, Andy Warhol, Claes Oldenberg, Cy Twombly, Donald Judd, Dan Flavin, Robert Morris, Bruce Nauman, Richard Serra, Joseph Kosuth and Lawrence Weiner. Through his support of these artists Leo likewise helped cultivate and define the movements of Pop, Minimalism, Conceptual Art, and Post-Minimalism. As business expanded over the course of the 60s and artistic trends shifted in favor of larger artworks, Leo realized that his townhouse gallery was not sufficient to meet these new demands. Indicative of the trend toward maximal art...

Francesca Owen is one of the foremost Expressionist artists in the UK. Her works are heavily influenced by the sights, sounds and colours of India where she travels extensively and w...

Mushrooms and mountains. 1968, paper, gouache, 83,5x59,5 cm Gunars Klava (1933 – 1989) Gunars Klava was born in 1933 in Priekule. 1953 - graduated from J. Rosenthal Art School 1964...

Born in Havana, Cuba, in the late 70s during a well-documented time of religious and political oppression, abstract expressionist artist Mirtha Moreno, immigrated to the United State...

Sophie Dumont is a highly regarded artist whose work has captured the attention of collectors worldwide. Known for her distinctive approach to abstract landscapes, Sophie has develop...

Classical Still Life of Flowers by the Miguel Canals Studio, Spain oil on canvas, unframed canvas: 23.5 x 18 inches Provenance: Private collection Condition: very good condition Fo...

Abstract with vase. 1965, paper, gouache, 79 x 59,5 cm Gunars Klava (1933 – 1989) Gunars Klava was born in 1933 in Priekule. 1953 - graduated from J. Rosenthal Art School 1964 - be...

Abstraction 3. 1972, paper, gouache, 55x35 cm with paper edge defects Gunars Klava (1933 – 1989) Gunars Klava was born in 1933 in Priekule. 1953 - graduated from J. Rosenthal Art ...

R. Poch. 121 original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cosa de la...

Signed

Francesca Owen is one of the foremost Expressionist artists in the UK. Her works are heavily influenced by the sights, sounds and colours of India where she travels extensively and w...

Franz Werner Von Tamm known as Monsieur Daparait (Hamburg 1658-Vienna 1754) Attributed to Still life of fruit with lizard Oil on canvas, 58 x 74 cm. Framed 76 x 92 cm. This magnifi...

Mid Century Modern, American Abstract Expressionist Painting on artist board. This wonderful work combines unique shades of orange yellow and purple and comes house in a contemporar...

A fine oil painting portrait of Madonna & child done in the old master style by Florentine artist Egisto Manzuoli (19th c). Manzuoli is known to have painted after the old masters of...

Franz Werner Von Tamm known as Monsieur Daparait (Hamburg 1658-Vienna 1754) Attributed to Still life of fruit with lizard Oil on canvas, 58 x 74 cm. Framed 76 x 92 cm. This magnifi...

There's A Storm Front Coming (Abstract painting) Acrylic / mixed media on canvas - Unframed. This work is exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resist...

This superb Italian 17th century Old Master religious portrait oil painting is attributed to circle of Bartolomeo Schedoni. Painted circa 1610 it is a portrait of the Holy Family. Ma...

Nautical freighter with subtle lavenders in this oil painting are not typical, yet it is very appealing to the eye and looks magnificent above your mantle. An extremely collectible...

Willem de Kooning de Kooning in East Hampton (Hand Signed), from Estate of Alan York, 1978 Offset lithograph poster (Hand signed by de Kooning) Boldly signed in green marker on the f...