Art

An original 1920s silver gelatin print by photographer Tina Modotti, showing a fresco, "The Spirit of Fire", in the Agricultural School-Chapingo, Mexico by artist Diego Rivera. Phot...

Unknown Artist (Bowman) (early twentieth century) Girl with Roses Watercolor on paper, 5 x 8 inches Framed: 13 x 16 inches Signed and dated at lower right: “Bowman/.06”

Raymond WOOG Paris, 1875 - Neuilly-sur-Seine, 1949 Seascape with a boat Painting, oil on cardboard Signed lower right Painting: 19 x 24 cm Modern natural oak frame (American box): 28...

Piatto in vetro avventurina di Murano blu cobalto con screziature d'oro per tutta la superficie. ll vetro avventurina, noto anche come goldstone, è una particolare lavorazione inven...

An original 1920s silver gelatin print by photographer Tina Modotti, that shows a fresco in the Secretariat of Education Buiilding, Mexico City that illustrates a popular ballad. Ph...

Etching on vélin d'Annonay, des frères Montgolfier paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Dix filles dans un pré. Ballet imaginaire. Avec ...

Will good ultimately triumph over evil? Or is it a perpetual tug of war? WPA Artist Leonard Lopez paints a complex figural work addressing the theme of "the fight between good and e...

An original 1920s silver gelatin print by photographer Tina Modotti, showing a drawing of soldiers and families by Clemente Orozco. Photo is stamped “Photographs-Tina Modotti Mexico...

An original 1920s silver gelatin print by photographer Tina Modotti of the Diego Rivera mural "Lightning Striking Down the Destructive forces in Society Mother Nature, Harmony Betwe...

Etching on vélin d'Annonay, des frères Montgolfier paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Dix filles dans un pré. Ballet imaginaire. Avec ...

Kristians Tonny (French, born Holland; 1907-1977) Circus Oil on prepared board, 16 1/2 x 13 inches Framed: 22 x 19 inches (approx.) Inscribed on reverse: (in pencil) "cadre noir/ave...

Edouard Jean DAMBOURGEZ 1844-1931 Paris, the Seine under the arts bridge Painting, oil on cardboard Signed Painting: 19 x 24 cm (7.5 x 9.4 inches) Frame: 28 x 33 cm (11 x 13 inches) ...

Etching on vélin d'Annonay, des frères Montgolfier paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Dix filles dans un pré. Ballet imaginaire. Avec ...

Original “Brasserie Schneider” horizontal vintage poster. Professional archival linen backed in very good to excellent condition. Art nouveau style, ready to frame. Fantastic an...

Louis HAAS Skikda (Algeria), 1870 - Bandol, 1923 Saint-Tropez, boat on the point (France) Signed Painting: 24.5 x 41.5 cm (9.6 x 16.3 inches) 19th century frame: 33 x 50 cm (13 x 19....

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Louis HAAS Skikda (Algeria), 1870 - Bandol, 1923 Saint-Tropez, boat on the point (France) Signed Painting: 24.5 x 41.5 cm (9.6 x 16.3 inches) 19th century frame: 33 x 50 cm (13 x 19....

An original 1920s silver gelatin print by photographer Tina Modotti, showing a fresco by artist Diego Rivera. Photo is stamped “Photographs-Tina Modotti Mexico, D.F.” on reverse. A...

The Anchor. 1930. Etching. Hurst catalog 268 state ii. 7 x 6 3/4 (sheet 10 3/4 x 7 5/8). Edition 275. A rich impression with plate tone printed on antique 'GR' laid paper with a hunting horn countermark. As published in J. Lauer's volume, A complete catalogue of the Etchings and Drypoints of Arthur Briscoe. One spot in the right-hand sheet; otherwise in excellent condition. Signed in ink Housed in a 16 x 20-inch archival mat, suitable for framing. The Roaring Forties is the name given to strong westerly winds found in the Southern Hemisphere, generally in the areas between the latitudes of 40 and 50 degrees south in the Southern Hemisphere, where the prevailing winds blow persistently from the west. The roaring forties have strong, often gale-force, winds throughout the year. They were named by the sailors who first entered these latitudes. Norman Wilkinson also etched the subject. In 1899 he acquired a studio in Malden, Essex, and bought a 3 ton cutter which, with his young family, he would spend eight or nine months a year, sailing to Calais, along the Belgian coast and through the Dutch waterways, constantly sketching and painting in both oil and watercolor. In 1922, after a meeting with the etcher James McBey, Briscoe returned to etching once more producing plates of some of his sea sketches. The two artists sailed together in Briscoe's, forty-ton yacht, the "Golden Vanity...

An English Caricature Watercolour painting signed with the artists monogram & dated 1902 . A beautiful painting of a tamp playing a trumpet on a winters day , outside a house that i...

A unique original silver gelatin black and white photograph. On the 12th of April, 1927, the iconic "Foire au Jambon" (Ham Fair), was a well-known outdoor antique show in Paris. Feat...

A unique original silver gelatin black and white photography. International Decorative Arts Exhibition in Paris, October 1925. The view from inside the USSR Pavilion. Features: Origi...

Very impressive early 20th century impressionist winter landscape. A view of the Palisades. Great color and a panoramic view. Nicely framed.

Etching on vélin d'Annonay, des frères Montgolfier paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Dix filles dans un pré. Ballet imaginaire. Avec ...

This painting called "Sunset over the Field" by Elias Erdtman captures the serene beauty of lonely tree standing proudly in the foreground against a backdrop of a lush green meadow, ...

Femme Mettant Son Bas by Georges Manzana Pissarro (1871 - 1961) Oil on canvas 100 x 56 cm (39 ⅜ x 22 inches) Signed and dated lower left, G. Manzana 1905 This work is accompanied by...

Emile BOIZOT Paris, Luxembourg Garden - 1920 Original woodcut Handsigned in pencil Numbered /165 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind...

Railroad Bridge over the Marne at Joinville by Ludovic-Rodo Pissarro (1878-1952) Oil on canvas 33 x 41 cm (13 x 16 ¹/₈ inches) Signed lower right, Ludovic Rodo. Executed circa 1905 ...

Antique American impressionist landscape with a nude bather by Henrik Hillblom (1863 - 1948).

MEDIUM Lithograph on paper DIMENSIONS Unframed: 16 ½ x 12 ½ inches Framed: 24 x 20 inches SIGNATURE lower right Geo Bellow / G.B.B.

The Close of Day, nr. Dorking, Surrey by Joel Owen (British, signed and dated 1919) oil on canvas, framed framed: 25 x 35 inches canvas: 20 x 30 inches provenance: private collection...

An original silver gelatin black and white photograph by Press Agency ROL, Paris. February 1929, Notre Dame Cathedral, and the Ile de la Cité. Features: Original silver gelatin print...

Children Amongst Foxgloves - Female Illustrator of The Golden Age by a female illustrator of The Golden Age Watercolor on paper, signed 'A. Bowerley' lower left. 11 x 20 in. (sight)...

Joaquin Terruella Matilla (1891-1957) - Landscape - Oil cardboard Oil measures 33x41 cm. Frame measures 47x55 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla,...

"Silent Night, 1921" by Gottfrid Kallstenius is a wonderful painting that captures the beauty of the Swedish archipelago in moonlight. In our opinion, we think that this painting is ...

Louise ALIX 1888-1980 Still life in the garden: flowers, grapes and hat Painting, oil on canvas Signed Painting: 80 x 60 cm (31.5 x 23.6 inches) Modern natural oak frame (American bo...

This is a very rare to find painting that was exhibited by Alexis Gritchenko at the Athens Museum of Byzantine Art in 1923. Originally, 36 encaustic on cardboard pieces from the Gree...

Oil on canvas by Jules Gouillet (1826-), France, 1907. Architectural and floral composition. Measurements : with frame: 113x87 cm - 44.5x 34.3 inches, without frame: 73x60 cm - 28....

Oil On Canvas "Still life with flowers and Chinese vase" By Julien Stappers Biography: Julien Stappers was a Belgian painter who was born in 1875. Stappers's work has been offered ...

Louise ALIX 1888-1980 The table in the garden, flowers at tea time Painting, oil on canvas Signed Painting: 73 x 60 cm (28.7 x 23.6 inches) Modern frame in natural oak (American box)...

Albert Gleizes, 'Descente de Croix', color pochoir, 1928, edition c. 50. Signed and dated in pencil. A fine, painterly impression, with fresh colors, on heavy, cream wove paper; the full sheet with margins (3 to 4 inches), in very good condition. The publisher's ink stamp 'EDITIONS MOLY-SABATA' beneath the image, lower left. Matted to museum standards, unframed. Image size 12 x 14 inches (305 x 356 mm); sheet size 18 x 22 inches (457 x 559 mm). ABOUT THE IMAGE After the 1927 painting 'Descente de Croix', one of three religious-themed works that Gleizes developed as preliminaries for murals at the church at Serrières, France, the project was terminated at its final phase, and Gleizes commissioned master printer Robert Pouyaud to create prints of the paintings, closely overseeing the production. ABOUT THE MEDIUM Pochoir is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Albert Gleizes (1881-1953), born in Paris, France, was a pioneering figure in the development of abstract art and one of the leading proponents of Cubism. His contributions to the art world extended beyond his paintings; he was also a prolific writer and theoretician, advocating for a new approach to art that emphasized the geometric abstraction of form and a departure from representational traditions. Gleizes initially studied painting at the Académie Julian and the École des Beaux-Arts in Paris, where he was exposed to the academic conventions of the time. However, his artistic vision was profoundly influenced by encounters with avant-garde movements, including Fauvism and the work of Paul Cézanne. These influences led Gleizes to experiment with form and color, gradually moving away from traditional representation toward a more abstract and geometric style. After completing his secondary schooling, Gleizes spent four years in the French army and then began pursuing a career as a painter, primarily doing landscapes. Initially influenced by the Impressionists, he was only twenty-one years of age when his work titled ‘La Seine à Asnières’ was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year, he was part of the first Salon d'Automne and soon came under the influence of Fernand Léger, Robert Delaunay, Jean Metzinger, and Henri Le Fauconnier. In 1907, Gleizes and some of his friends pursued the idea of creating a self-supporting community of artists that would allow them to develop their art free of any commercial concerns. For nearly a year, Gleizes  , with other painters, poets, musicians, and writers, lived at a large house in Créteil, but a lack of funds forced them to give up their facility in early 1908, and Gleizes moved temporarily into La Ruche, the artist commune in the Montparnasse Quarter of Paris. In the early 1910s, Gleizes became associated with the Cubist movement, which was spearheaded by artists such as Pablo Picasso and Georges Braque...

Aubrey Hammond's circa 1920 original travel poster titled "One Two Three and then we're off!" by Orient Line exudes an irresistible charm that encapsulates the excitement and anticip...

Really rare and well painted American still life by Harry Lane (1891 - 1973). Oil on board. Framed in a period modernist wood frame. Signed. Image size, 12 by 16 inches. Arti...

LAURENCE HENRY IRVING, OBE (1897-1988) Gypsy Camp in a Chalk Pit Signed with monogram Oil on canvas Framed 16 by 21 ½ in.; 40.5 by 54.5 cm. (frame size 60 by 65 cm., 23 ½ by 25 ½...

A British Female Illustrator paints a warm and fuzzy scene from a child's imagination, with ducks and teddy bears gazing at a "Mr Willoughby's eyeglass" standing on it's edge as it l...

Composition 20 is an original painting realized by Clément Kons (1879-1956). The artwork is on tempera, in very good conditions and mounted on a cardboard (49x34). Image Dimension...

Painting, oil on canvas, measuring 100 x 80 cm without frame and 125 x 100 cm with frame depicting the Piazzetta of Cogne by the painter Leonardo Bazzaro, signed and dated 1927. The...

Really rare and well painted American still life by Harry Lane (1891 - 1973). Oil on board. Framed in a period modernist wood frame. Signed. Image size, 12 by 16 inches. Arti...

In the realm of travel ephemera, Antonio Simeoni's circa 1925 original poster promoting the Lago di Garda and Riva through E.N.I.T. (Ente Nazionale Italiano per il Turismo) emerges a...

Automne (Autumn) Crayon and brush and tusche lithograph with scraping, 1927 Signed, titled, and annotated in brown ink (see photos) Condition: Good Signature and inscrption fade...

The 1906 original exhibition poster by Thorn Prikker Johann promotes the "Niederländisch-Indische Kunstausstellung" (Dutch East Indies Art Exhibition) held in Krefeld at the Kaiser W...

Léopold SURVAGE (1879-1968) La rue du village Oil on canvas Size: 50 x 61 cm Signed lower right Provenance: Private collection in Normandy. Oil on canvas in good condition. Small...

Portrait Of An Irish Terrier, 19th Century signed top right "EMMS" Circa 1900 English portrait of the Head of A Irish Terrier Dog, oil on board, signed "Emms". Good quality and con...

Black chalk heightened with white chalk on blue paper, 19cm x 15cm, (32cm x 27cm framed). First exhibiting at the Royal Academy in 1904, Philpot was elected as an Academician in 19...

Seascape, 19th Century attributed to William Page Atkinson WELLS (1872-1923) 19th century English Seascape, oil on canvas attributed to W...

A beautiful oil on panel circa 1900 by French impressionist painter Emilio Boggio. The piece depicts a coastal scene. The blue-green water crashes against the rocks on a grey day. S...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Tête de Femme Blonde by Pierre-Auguste Renoir (1841-1919) Oil on canvas 26.1 x 19 cm (10 ¹/₄ x 7 ¹/₂ inches) Signed upp...

This drawing by Nils Kreuger, created in 1909, captures a serene moment in nature featuring a group of horses, some grazing while others are in motion, se...