Art

Giorgio Sansoni Title: La memoria del nonno Media : oil on canvas Size: 100x100 cm

"The Final Judgment." Illustration for the same-titled story published in The Saturday Evening Post, with their stamp on verso, circa 1960. Signed in image, lower left (disguised as ...

Initialed Lower Left

Signed Center Right by Artist Collier's Magazine Cover, December 23 1916

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Burgoyne Diller (1906 – 1965). Born in New York City in 1906, Burgoyne Diller began drawing when he was stri...

Etching, Edition of 25 45 x 45 cms (17.5 x 17.5 ins)

Sir William Russell Flint, R.A., P.R.W.S.1880-1969 Scottish A Study of Two Models Signed "WRussell Flint" (bottom right) Ethereal and sen...

the painting is being offered with a work and authenticity certificate

Leon Kossoff Head 4 1984 Etching, Edition of 25 23 x 17 cms (9 1/16 x 6 11/16 ins) (paper size) 5 x 3.7 cms (1 15/16 x 1 7/16 ins) (plate size)

"Untitled" screenprint by artist Georgy Litichevsky (Georgij Litischewskij) from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise money to house families ...

This is an original drawing by Jankel Adler and as probably painted in the early 1940's. Provenance: Acquired by the grandfather of the previous owner in the south of France (possib...

Etching and aquatint in colours (colour variation) by Max Ernst. "Terre des nébuleuses", 1965 38 x 27,5 cm Copy essai 1/1

The artist has worked with various materials, but many of his works were created on paper. Although he began painting abstractly at an early age, Staudacher’s roots lie in the figura...

Fritz Aigner (1930 - 2005) was an Austrian artist who has been a solitary figure in the Austrian art scene of the 20th century throughout his life, defying any categorisation of art ...

A mixed media piece by Richard Artschwager. "Diving Boy II" is a mixed media wall sculpture, acrylic and rubberized hair on masonite in a black palette by American Pop Artsit Richard...

This sexy joke cartoon with thought balloons and some bathroom humor was done by the brilliant humorist cartoonist for Mad Magazine, Al Jaffee. The joke's...

A set of four (4) photographs by Andy Warhol. “Donald Baechler” is a set of four Polaroids, Polacolors by American Pop Artist Andy Warhol. The artwork is numbered FA05.00957, FA05.00...

PABLO PICASSO (1881-1973) Arrastro (A. R. 423) Terre de faïence plate, 1959, dated, numbered 32/50, partially glazed and painted, with the Empreinte Originale de Picasso and Madour...

A painting by Gregory Sumida. “Tree Study, Whittier, CA” is a landscape painting, watercolor on watercolor board in an earth-tone palette by American artist...

Nude is an original drawing in pencil on paper realized by Simon Goldberg(1913-1985). With the stamp of “Atelier Simon Goldberg, Delavenne Lafarge” on the lower left. The state of p...

Titled 'Polo' and signed 'Louis Claude' in pencil below the image. Printed in Paris for the Paris Etching Society, New York. 465mm by 595mm (pla...

SAM FRANCIS 1923-1994 San Mateo, California 1923 – 1994 Santa Monica (American) Title: Untitled SFE-003 (Blue, Red and Yellow), 1982 Technique: Original Hand Signed and Inscribed E...

This Blue Dog work consists of a blue dog in the center of a yellow circle on a purple background. The dog has soulful yellow eyes. This pop art animal original silkscreen print on...

Original watercolor and gouache artwork on archival paper of a Christmas scene used by the Fravessi Card Company as a holiday card. Signed lower left. Artist name and address and da...

FRANCESCO CLEMENTE b. 1952 Naples 1952 (Italian) Title: Morning, 1981/82 Technique: Original Hand Signed, Dated, Titled and Inscribed Woodcut in Colours on Japan Paper Paper size...

Wylye by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22 inches titled *FREE SHIPPING ON THIS PAINTING*: AMERICAN, EUROPE & UNI...

A set of four. photographs by Andy Warhol. "Julian Schnabel 4 Polaroids" is a set of four Polaroids, Polacolor by pop artist Andy Warhol. The work is numbered FA05.01027, FA05.01022,...

Jim’s of Lambertville is proud to offer this artwork by: Ramstonev Co-operative Project (1937 - 1939) In the late 1930s, Charles Ramsey became close friends with Charles Evans and ...

A sculpture by Felipe Castaneda. Mujer con Guitarra"" is a figurative sculpture, white and gray marble by Mexican contemporary artist Felipe Castaneda. The artwork is unsigned. Felip...

Born in Philadelphia, Ben Wilson was a New York abstract expressionist painter. His work was exhibited frequently from the mid-thirties through sixties, and less frequently but consi...

Medium: Oil on Board Signature: Signed Lower Right Maclean's Magazine Cover, September 15th, 1930

Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of Italian immigrants from poverty-stricken Southern Italy. But Stella was not a child of poverty. His father was a notary and respected citizen in Muro Locano, a small town in the southern Appenines. The five Stella brothers were all properly educated in Naples. Stella’s older brother, Antonio, was the first of the family to come to America. Antonio Stella trained as a physician in Italy, and was a successful and respected doctor in the Italian community centered in Greenwich Village. He sponsored and supported his younger brother, Joseph, first sending him to medical school in New York, then to study pharmacology, and then sustaining him through the early days of his artistic career. Antonio Stella specialized in the treatment of tuberculosis and was active in social reform circles. His connections were instrumental in Joseph Stella’s early commissions for illustrations in reform journals. Joseph Stella, from the beginning, was an outsider. He was of the Italian-American community, but did not share its overwhelming poverty and general lack of education. He went back to Italy on several occasions, but was no longer an Italian. His art incorporated many influences. At various times his work echoed the concerns and techniques of the so-called Ashcan School, of New York Dada, of Futurism and, of Cubism, among others. These are all legitimate influences, but Stella never totally committed himself to any group. He was a convivial, but ultimately solitary figure, with a lifelong mistrust of any authority external to his own personal mandate. He was in Europe during the time that Alfred Stieglitz established his 291 Gallery. When Stella returned he joined the international coterie of artists who gathered at the West Side apartment of the art patron Conrad Arensberg. It was here that Stella became close friends with Marcel Duchamp. Stella was nineteen when he arrived in America and studied in the early years of the century at the Art Students League, and with William Merritt Chase, under whose tutelage he received rigorous training as a draftsman. His love of line, and his mastery of its techniques, is apparent early in his career in the illustrations he made for various social reform journals. Stella, whose later work as a colorist is breathtakingly lush, never felt obliged to choose between line and color. He drew throughout his career, and unlike other modernists, whose work evolved inexorably to more and more abstract form, Stella freely reverted to earlier realist modes of representation whenever it suited him. This was because, in fact, his “realist” work was not “true to nature,” but true to Stella’s own unique interpretation. Stella began to draw flowers, vegetables, butterflies, and birds in 1919, after he had finished the Brooklyn Bridge series of paintings, which are probably his best-known works. These drawings of flora and fauna were initially coincidental with his fantastical, nostalgic and spiritual vision of his native Italy which he called Tree of My Life (Mr. and Mrs. Barney A. Ebsworth Foundation and Windsor, Inc., St. Louis, illus. in Barbara Haskell, Joseph Stella, exh. cat. [New York: Whitney Museum of American Art, 1994], p. 111 no. 133). Two Wood Ducks...

Date: 1932 Medium: Oil on Canvas Dimensions: 18.00" x 20.00" Signature: Signed Lower Right A New Year's themed cover painting by Leslie Thrasher for the January 9, 1932 edition of L...

This work is unique. Work comes with a Certificate of Provenance from The Andy Warhol Foundation for the Visual Arts issued by Christie’s. Stamped on the verso by the Estate of the A...

A photograph by Tseng Kwong Chi. "Jean-Michel Basquiat" is a contemporary Cibachrome print in a palette of whites, purples, and browns by East Village artist Tseng Kwong Chi. The art...

Medium: Watercolor and Graphite on Illustration Board Signature: Unsigned, Christies Stamp Verso. In silver molded frame, french-lined mat, glazed. OS: 18 1/2" x 22", SS: 11" x 15". Shinn took over from Joseph Urban as the Art Director on the William Randolph Hearst's Cosmopolitan Pictures film, shot in New York City and Tarrytown, NY. Directed by E. Mason Hopper, starring Marion Davies...

Signed & Dated Lower Right

Medium: Pen and Ink Cardstock Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) of the lovely Patricia Morison recreating her...

Medium: Oil on Canvas Dimensions: 20.00" x 29.00" Signature: Signed Lower Right

Painting for a Woodstock film's poster.

Sotheby's New York . work is elegantly matted and framed with the Sotheby's sticker on verso

Complex and masterfully thought out the composition of rifle, gun shells, target shapes, and buck shots. Most likely done for a ad or men's magazine. Signed lower right Atherton. Housed in a rustic House of Heydenryk frame...

Joe Goode Grey Folded Clouds - II Blue and white (blue paper sky) 1971 Lithograph, Edition of 50 41 x 61 cms (16 x 24 ins)

The Staring Figures by Max Weber (1881-1961) Ink, pencil, and watercolor on paper 10 ½ x 7 ½ inches unframed (26.67 x 19.05 cm) 16 ½ x 11 ½ inches framed (41.91 x 29.21 cm) Descript...

Medium: Mixed Media on Paperboard Signature: Unsigned This piece was an advertisement for Lowney's Crest Chocolates. Edward Nudelman, Jessie Willcox Smith expert and biographer describes Merry Christmas: Two Children Before the Fireplace, “A wonderful mixed media painting by Jessie Willcox Smith, published as an advertisement for Lowney's Crest Chocolates, reminiscent of her paintings for Twas the Night...

Date: 1944 Medium: Oil on Board Dimensions: 19.00" x 13.00" Signature: Signed Upper Left Advertisement for Gulf Oil, 1944.

Shipping should be around $100. New building rises as old building falls and a new Miami is created. Shot on Brickell Avenue. Signed, dated and numbered 3/15 lower left recto , unf...

Grosset & Dunlap, Illustration, Art Seiden was a top children's book illustrator in the 1950' - 1060's Work comes in two parts that are butted together by the artist

Medium: Oil on Canvas Signature: Signed Lower Right Revere F. Wistehuff was one of the central group of cover artists in the New Rochelle Art Colony in the 1920's, '30s, '40s which ...

Boys' Life, The Boy Scouts' Magazine Cover, February 1922 Harold Anderson studied at the Fenway Art School in his native Boston. Among his instructors were Chase Emerson, Harold Brett, and Arthur...

From the Estate of John McLaughlin. Signed center left. William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists...

Pigeon, by Gustave Miklos, Animals, Drawing, Work on paper, Sculpture study Pigeon Circa 1957 Pencil, watercolor and gouache on paper 26 x 38.5 cm / 60...

Watercolor on paper

Part of the ring-wall of the Taj Mahal, Agra, India, 1914 Signed with initials and dated bottom right Black chalk on paper, 45.5 x 53 cm Literature: Ernst Braches en J.F. Heijbro...

Red Chalk and Brown Ink

Original vintage watercolor painting by twentieth century San Francisco woman artist, Hildegarde Haas (1926-2002). "Bach - English Suite No.2 in A Minor...

This is a unique work. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Ar...

Medium: Oil on Canvas Signature: Signed Lower Right This illustration dates circa 1950.