Art

Artist: Jack Graves III (American, 1988-) Title: "Diana Sculpture II" Series: Sculpture *Signed, titled, and dated by Graves on bottom Year: 2022 Medium: Original Acrylic Painted Cast Marble Sculpture Dimensions: 17" tall x 6.88" wide x 6" deep Weight: 3 pounds Condition: In mint condition Notes: This is a unique work, not from an edition. The raw white cast marble sculpture itself was not created by the artist; it is a found object which Graves has hand-painted and transformed with his own design. The sculpture is cast marble: over 90% natural crushed Greek Marble stone with a small amount of resin poured into a mold, made in Heraklion, Greece. Diana is a goddess in Roman and Hellenistic religion, primarily considered a patroness of the countryside, hunters, crossroads, and the Moon. She is equated with the Greek goddess Artemis, and absorbed much of Artemis' mythology early in Roman history, including a birth on the island of Delos to parents Jupiter and Latona, and a twin brother, Apollo, though she had an independent origin in Italy...

Dimitris Kritsas, a fashionable young couturier, poses among the gleaming white Doric columns of the temple to Poseidon at Sounion, Greece, 1967. Posing with him, four models show off colorful dresses of red, salmon, turquoise, and pastel yellow. This iconic photo depicts a scene of vintage glamour set against a classic Greek blue sky. Slim Aarons Dmitris Kritsas at the Temple to Poseidon, Sounion, Greece Estate Edition of 150 1967, Printed Later 48 x 48 inches $4500 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $2500 Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Site Details: The Temple of Poseidon is an ancient Greek temple on Cape Sounion, Greece, dedicated to the god Poseidon. There is evidence of the establishment of sanctuaries on the cape from as early as the 11th century B.C. Sounion’s most prominent temples, the Temple of Athena and the Temple of Poseidon, are however not believed to have been built until about 700 B.C., and their kouroi (freestanding Greek statues of young men) date from about one hundred years later. The material and size of the offerings at the Temple of Poseidon indicate that it was likely frequented by members of the elite and the aristocratic class Approximately 13 kilometers south of Thorikos in the southern most region of Attica, the deme of Sounion is most well known for its sanctuaries of Poseidon and Athena. Its placement at the foot of Attica allowed it to function as a border deme as it could easily been seen by ships nearing Attica. The temple of Poseidon at Sounion was constructed from 444 to 440 BC. This was during the ascendancy of the Athenian statesman Pericles, who also rebuilt the Parthenon in Athens. The temple of Poseidon was built on the ruins of a temple dating from the Archaic period, about which the Greek geographer Strabo noted: "Geraistos [in Euboia] . . . is conveniently situated for those who are sailing across from Asia to Attica since it is near Sounion. It has a sanctuary (hieron) of Poseidon, the most notable of those in that part of the world, and also a noteworthy settlement. The main temple we see today is mainly made out of marble with an intricate taenia (the fancy borders on the ceiling). The marble is an Agrileza marble. The marble used on the Temple of Poseidon at Sounion came from the marble quarries, a place where marble is removed from the earth, in the Agrileza mines. This type of marble was 'coarsed grained' meaning that it had a rougher texture than smooth, shiny marble. As indicated by literary and archaeological evidence, the "leveled summit" on the coast of Cape Sounion was likely a cult site from as early as the end of the eighth century BC. Two cult centers dedicated to Athena and Poseidon respectively are believed to have been established by 700 BC. Subject: The name of Greek fashion designer...

an homage to Caspar David Friedrich, towering thunder clouds over the Mediterranean Sea, captured with a large format camera to allow epic scale photograph...

168.07.12 is a limited-edition black & white photograph by contemporary artist Klaus Kampert from the series entitled Wrapped. In this series, Klaus Kampert uses fabric...

A contemplative Audrey Hepburn with a dove perched on her shoulder, 1966. TITLE: Hepburn with a Dove 1966 PHOTO: Terry O’Neill SIGNED LIMITED EDITION (LAST AVAILBLE COPY OF THIS SIZ...

LARGE POOL is a unique sculpture by Spanish contemporary artist Ramon Enrich. Painted iron sculpture, oxidized patina and wax finish, 11 cm × 49 cm × 15 cm. Halfway between a sculpt...

This work represents a beautiful view of New York's rooftops under the snow and pink-tinted sky. It is a celebration of love, tenderness and passion between two beings. It could ther...

Heat reflecting glass and half mirror, 29 cm × 12 cm × 8 cm. Limited edition of 8. Delivered with a certificate of authenticity signed by the artist. In t...

163.08.12 is a work by contemporary photographer Klaus Kampert, from the 'Water Creatures' series. In this series Klaus Kampert plunges his model into water. Partially submerged the ...

Marfa ( Texas ) by Frank Schott country road view in West Texas, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd 46 x 72 i...

This photograph printed in platinum is exceptional. The image suits the color and style of a platinum print. Printed by a master of the medium under the guise of Kim Weston...

Artist: Dan May (American, 1955-) Title: "I Need Him but I Should Leave Him" *Signed and numbered by May in pencil lower left Year: 1984 Medium: Original Screenprint on Rives BFK pa...

This surreal landscape comes from the inner sanctum of artist Christina Haglid. Two paper orbs combine and reveal a portal to another dimension. The artist invites the viewer to take a closer look at nature, to question what is seen and to enter into a newly created world. Meticulous in her execution, Haglid uses watercolor as one might use a colored pencil. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75. Christina Haglid Nest, 2020 watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH051 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...

A female nude dances in a private moment yet the figure in the background seems to be watching. The figure's face is obscured adding to the intrigue of the subject. Loose brushwork, thick with expressive, bold colors and strong contrast in shadows, add to the overall aesthetic. Georgia Hinaris...

"Untitled 8" Painting 12" x 18" inch by Gosha Ostretsov Born in 1967, in Moscow Lived in Paris for ten years (1988 - 1998), now lives and works in Moscow. PUBLIC COLLECTIONS: The...

Six sides to a cube by British artist Richard Perry (b. 1960). Unique work. Mansfield red sandstone sculpture, 26 cm × 22 cm × 22 cm // 10.24 x 8.66 x 8.66 in. This piece is typical ...

Coal, resin, tar, steel, acrylic, LED. 45 cm × 220 cm × 35 cm. This artwork is available on commission. It will be created on the same basis as shown in the images and under the same conditions. Each piece is unique due to the creative process used. Counterpart III is one of Tom Price...

Artist: Augustus Edwin John (Welsh, 1878-1961) Title: "Portrait of a Lady" *Signed by John lower right Circa: 1910 Medium: Original red and black Chalk Drawi...

Key by Patricia Volk. Fired clay constructed, painted and mounted on MDF, 55 cm × 31 cm × 31 cm. Patricia Volk is a member of the Royal Society of Sculpt...

An elegantly curved column of corten steel appears to almost float in mid-air in this arresting outdoor sculpture by Claude Millette. The Quebec artist whose career spans four decade...

Sezione Aurea - A13 is a wall sculpture by Italian contemporary artist Mattia Bosco. Palissandro marble and gold leaf, 82.5 cm × 15 cm × 9.5 cm. Unique wo...

Caniform is a unique Irish blue limestone sculpture by contemporary artist Richard Perry, dimensions are 26 × 37 × 37 cm (10.2 × 14.6 × 14.6 in). The sc...

Blackbird by British artist Richard Perry (b. 1960). Irish blue limestone sculpture (Kilkenny), 35 × 35 × 35 cm/ 13.78 x 13.78 x 13.78 in. This sculpture...

Landscape mixed media on canvas 50x50 cm Original Art Ready to Hang her painting tells of the relationship between man, nature and time, the landscape, the sign and the trace, thr...

A poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, in Palm Springs, January 1970. Featured in the group are: industrial designer Raymond Loewy (189...

Fine Art Print on Etching Hahnemühle paper. Prints available in two dimensions: - 60 x 90 cm, edition of 10. - 70 x 105 cm, edition of 8. Hamlet is a limited edition photograph by ...

Arabesque is a limited-edition photograph by British contemporary artist Gina Soden. This photograph is sold unframed as a print only. It is available in 3 dimensions: *44.64 × 44.6...

The artist is a master at storytelling. He sets the stage for the viewer to bring the events to a particular scene. Here, the artist has set two wine glasses, napkins and a small plate of desserts on a geometrically patterned table cloth, draping so it almost appears to be falling over the frame. The viewer is required to ask the questions about the scene but the answers may only lie in their own imagination. The painting, which is painted on canvas then mounted to a panel, is framed in a simple wooden frame measuring 21 x 30 inches. John Hrehov Dessert, 2022 oil on canvas on panel 20h x 29w in 50.80h x 73.66w cm JHR008 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN. 2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY. 2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne. 2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY. Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL. 2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY. 2002 Paintings. Denise Bibro Fine Art, New York, NY. 2001 Charcoal. Indiana University - Purdue University Fort Wayne. John Hrehov, Paintings and Drawings. Wood Street Gallery, Chicago, IL. 2000 The Picture Proper. Denise Bibro Fine Art, New York, NY. Fearful Symmetry. Fort Wayne Museum of Art, Fort Wayne, IN. Allegories in Contemporary Life. Yvonne Rapp Gallery, Louisville, KY. 1999 Paintings and Working Drawings. Adams Hall Gallery, Wheaton College, Wheaton, IL. 1998 John Hrehov. Denise Bibro Fine Art, New York, NY. John Hrehov: Paintings and Drawings. Wood Street Gallery, Chicago, IL. 1997 Object Lesson, Paintings, and Drawings by John Hrehov. Yvonne Rapp Gallery, Louisville, KY. 1995 John Hrehov. Trinity Art Gallery, Trinity Christian College, Palos Heights, IL. 1993 John Hrehov: Selected Works 1980-1992 Indiana University - Purdue University Fort Wayne. Group Exhibitions 2019 2019 Alumni Exhibition. Reinberger Gallery at The Cleveland Institute of Art, Cleveland, OH. Out Of The Closet. Denise Bibro Fine Art, New York, NY. 1026 West Berry Street: The Fort Wayne Art School. Fort Wayne Museum of Art, Fort Wayne, IN. 2018 Artlink Regional Exhibition. Artlink Contemporary Art Gallery, Fort Wayne, IN. 2017 Sola Grace-Faith-Scripture: An Exhibition of Sacred Visual Art. Good Shepherd Institute at Concordia Theological Seminary, Fort Wayne, IN. Norman Bradley...

Artist: Thomas McKnight (American, 1941-) Title: "Sagaponack" Portfolio: The Hamptons *Signed by McKnight in pencil lower right Year: 1987 Medium: Original Screenprint on soft-white Somerset paper Limited edition: 143/175, (there were also 40 artist's proofs) Printer: Willco Fine Art, New York, NY Publisher: Chalk & Vermilion, New York, NY Sheet size: 21" x 23" Image size: 16" x 18.13" Condition: Never framed, has been professionally stored away in its original green silk boxed portfolio for decades. In mint condition Notes: Numbered by McKnight in pencil lower left. Comes from McKnight's 1987 "The Hamptons" portfolio of twelve screenprints. Artist's copyright stamp lower right on verso. Biography: Thomas McKnight (born 1941) is a U.S. artist. He was born in 1941 in Lawrence, Kansas. He attended Wesleyan University, a small liberal arts college in Middletown, Connecticut, where he was one of only five art majors. He spent his junior year in Paris. After a year of graduate work in art history at Columbia University, in 1964 McKnight found a job at Time Magazine where he would work for eight years, interrupted by a two-year stint in the U. S. Army in South Korea. In 1972 McKnight left Time, summered on the Greek island of Mykonos, and commenced painting in earnest. In 1979 in Mykonos, McKnight met Renate, a vacationing Austrian student, and married the following year. Throughout the 1980s McKnight’s art, mainly limited edition serigraph prints, became increasingly popular. In 1994 he was commissioned by the White House to paint the first of three images for President Clinton...

Robert Indiana ERR 1963: A rare, sought-after early Robert Indiana print defined by surreal, experimental cinematic-like energy. Hand-signed by Indiana on the lower right. Medium: Photoengraving and etching on Rives BFK. Dimensions: 4 1/2x6 inches (including margins). Very good overall vintage condition. Signed, dated and inscribed "Artist's Proof 'E'" and "CHI" in pencil, lower margin. Rare Trial proof, aside from the main edition of 60. Printed by the artist at the School of the Art Institute of Chicago. Further background: According to Susan Sheehan, Indiana printed only six progressive trial proofs at the School of the Art Institute of Chicago, where he learned printmaking from 1949 to 1952, under the supervision of Vera Berdich (inscribed "CHI"). Additionally 13 trial proofs were printed at the Pratt Graphic Art Center, New York (these inscribed "NYC"). The regular edition was printed by Atelier Georges Lablanc, Paris and published by Galleria Schwarz, Milan to be included in International Anthology of Contemporary Engraving: The International Avant-Garde: America Discovered, Volume 5. The plate used for this print was originally given to the School of the Art Institute of Chicago by the R.R. Donnelly Company, printers of Life magazine. Indiana discovered the plate while visiting Berdich at the school and decided to use it in his contribution to the Avant-garde portfolio. Sheehan 29. Robert Indiana 1991: "When I went back to the Art Institute of Chicago at that particular time - I think I was judging a show - I learned that Vera Berdich (Indiana's former teacher) was still there and the idea occurred to me, wouldn't it be fun to do a visiting artist etching, and she concurred. There on the floor was a box of copper plates and the images had been defaced on each one. These copper plates had been donated by the R.R. Donnelly Company, which put out Life magazine. I used to work for Donnelly. My only commercial art job was with them doing the little drawing that appear in the Yellow Pages, like lawnmowers and vacuum cleaners and things like that. Anyway, the idea being that the student was supposed to turn the plate over to use the back side and forget about the image on the front. But I found this image of this actress sitting on her bed with her ironing board and decided it was only very lightly defaced, so I asked if I could use it. And the word "Err" was actually added in New York; it was not in the first proofs in Chicago. Two weeks later, I was thumbing through LIFE magazine and there was this actress in the same page..." About the artist: Robert Indiana is best known for his iconic “LOVE” image, which has appeared across media including sculptures, prints, and paintings and epitomizes the artist’s graphic, predominantly text-based Pop art practice. Throughout his career, Indiana reimagined the aesthetics of American advertisements...

Blue Shadows is an original Painting by Eleanor Woolley. Blue Shadows is one of a series of shadow paintings interested in light, shade and shadow. The artist is exploring the relati...

"Untitled wp4" Abstract Painting 22" x 18" inch by Gayatri Gamuz Watercolor on archival paper In search of silence, in search of the self. Her work emerges from the silence within ...

Black Palissandro marble and gold leaf, 46.5 cm × 21 cm × 22 cm. Unique piece. In his contemporary sculpture, Italian artist Mattia Bosco seeks to create ...

Aluminium and nickel sculpture, 200 cm × 50 cm × 75 cm. Unique work. In this sculpture, the artist works on an important subject in his production, to which he attributes an important symbolic value: trees. Ondřej Oliva...

Resin, tar, acrylic, LED. 28.8 cm × 29.5 cm × 29.5 cm. In the Synthesis series, Tom Price forces resin and tar to live in the same space, experimenting with the chemical reactions t...

Elegantly curved deep red glass pieces in twos are suspended on fine black steel cables in this dramatic new wall sculpture by Canadian artist John Paul Robinson. His glass work is i...

"Untitled wp19" Abstract Painting 22" x 18" inch by Gayatri Gamuz Watercolor on archival paper In search of silence, in search of the self. Her work em...

Loup-ve is a unique smoke-fired stoneware sculpture by French contemporary artist Cécile Raynal, dimensions are 110 × 110 × 50 cm (43.3 × 43.3 × 19.7 in)...

SW6 is a unique sculpture by contemporary artist Mattia Bosco. This sculpture is made of Black Palissandro marble and gold leaf, dimensions are 49 × 30 × ...

Words: Now I think that I should have known that he was magic all along. I did know it but I should have guessed that it would be too much to ask to grow old with and see our children grow up together so now he is a legend when he would have preffered to be a man. the Children have been a wonderful gift to me, and I'm thankful to have once again seen out world through their eyes they restore my faith in the familys future One must not let oneself b overwhelmed by sadness can anyone understand how it is to have lived in the White House and then, suddenly to be living alone as the presidents widow? Christina Major was born in Concord, New Hampshire in 1982. She has lived all over the world including Hawaii, France, New York and more currently Florida. Christina has achieved her MFA at Florida Atlantic University and has exhibited throughout South Florida. Her work has been collected both nationally and internationally. Christina Major is a portrait painter interested in the ways the identity of both artist and subject can coexist in a painting. Major's graduate thesis exhibition, Components of self, evolved from her desire to combine large scale portrait painting with writing. She developed methods of using paint...

The Bus (2017), by contemporary photographer Christophe Jacrot. From his Norilsk series. Inkjet print on Rag Canson paper 315 gr. Prints are available in two dimensions : 60 x 90 c...

Artist: (after) Pablo Picasso (Spanish, 1881-1973) Title: "Untitled (Verve No. 29-30)" Portfolio: Verve: Suite de 180 Dessins de Picasso (Vol. V...

Large aluminum sculpture, by Czech artist Ondřej Oliva. 397 cm × 110 cm × 130 cm. Unique work. In this sculpture, the artist works on an important subject...

This framed original 18th century etching is entitled "Fregio antico di marmo con Ippogrifi, nel cortile del palazzo della Valle" (Ancient Marble Frieze with Hippogriffs in the Courtyard of The Palace of the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones...

Paul César Helleu is regarded among the most sought-after society portraitists of his era, and his Belle Époque works rival those of his contemporaries John Singer Sargent and Giovanni Boldini. He is best remembered for capturing the era's most beautiful socialites, including Consuelo Vanderbilt, the Duchess of Marlborough, the Comtesse de Loriol Chandieu and the Comtesse Mathieu de Noailles, among others. This work, however, stands out in that it captures the charming likeness of one of his art world cohorts, Mathilde See, a Parisian-born decorator and painter of floral still lifes. She is the essence of the modern woman, captured in her fashionable dress as she strolls along the flower-lined streets of Paris. Commanding in size, Portrait de Mathilde See fully displays Helleu's mastery over the medium of pastel. The muted palette of greys and blues is typical of the artist, bringing a harmony and cohesiveness to the composition. Furthermore, Helleu cleverly alludes to See's own artistic output with a backdrop of vibrant floral blooms, enlivening the canvas and complementing the greens and blues of the peacock feather adorning her hat. The portrait is all the more significant thanks to its provenance. It was previously in the collection of A. Alfred Taubman, one of America's most successful entrepreneurs and one-time owner of Sotheby's. Considering Taubman encountered some of the most noteworthy and beautiful works of art ever made through his auction house, the fact that he chose this portrait by Helleu to grace his collection is a testament to its import. Born in Brittany in 1859, Helleu moved to Paris in 1876 in order to study at the École des Beaux-Arts. Like so many other artists of his generation, he was trained there under the Academic master Jean-Léon Gérôme. That same year, he also attended the Second Impressionist Exhibition...

This work represents two elements that come together and complete each other like two soul mates. It is a celebration of love, tenderness and passion between two beings. It could therefore be the ideal romantic gift to express your feelings to your loved one on Valentine's Day, whether it's your crush, your fiancé or your life partner! Embrace by Patricia Volk...

Krankenhaus is a limited-edition photograph by British contemporary artist Gina Soden from the Palac series. 80.2 x 80.2 cm, edition of 10 + 2 A.P. All prints are signed and numbered...

The tunnel, Vercors is a limited edition photograph by French artist Christophe Jacrot, form the series Vercors. The series features snowy landscapes in the French region of Vercors....

Landscape 2020, Artist signed and titled verso. Jerzy Kubina Polish/American Artist: Jerzy was born in Zamosc, Poland, 1956. Studied at the Academy Of Fine Arts in Krakow 1981/1986 i...

Outsider Folk Art American Mid-Century Naive WW2 Self Taught WPA Depression Era "Victory for Now" Ralph Fasanella (1914-_1997) "Victory and After,” gouache on paper. Signed, titled...

"Il lago nel cielo" Painting 30" x 24" inch by Emanuele Tozzoli Mixed media on board 30" x 24" inch 75 x 60 cm ABOUT THE ARTIST Born in Italy in 1989, Emanuele discovered painting in the very first years of his life together with his father, Dario, who is also an artist and has been painting and creating sculptures with all types of material for over 40 years. At the age of 7, Tozzoli created his first small sculpture by assembling objects, and painted his first informal abstracts, discovering a side of creative and fascinating art. Deeply attracted by the most intimate nature of artistic research, in the following years, he extended his studies to the field of music, forming adolescence as a sound engineer. From 2007 he began composing electronic music, carrying out his research in the field of sound. In the following years, he studied musical composition and played his productions in clubs in Italy and Europe, also published on various underground record labels. He learned the restoration of antique...

School Corridor by contemporary artist Gina Soden. Prints are available in two dimensions: 44.6 cm × 64.9 cm, edition of 15. 74.2 cm × 109 cm, edition of 10 Both dimensions include ...

154.03.11 is a limited-edition black & white photograph by contemporary artist Klaus Kampert from the series entitled Dancing the Cubes. This picture from the 'Dancing the Cubes' se...

Post Dogmatist Painting on Canvas, signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagos...

Greek Temple, Pergamon Museum, Berlin 50 x 62.5 inches ed. of 10 $6,000 60 x 75 inches ed. of 7 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed ...

French Post-Impressionist painter Georges d’Espagnat captures a charming moment between a mother and her child in this vibrant oil on canvas. Rendered with a studied use of complementary colors and bold brushstrokes, the painting showcases the artist's unique Post-Impressionist style. Remembered as one of the most individualistic artists of the 20th century, his distinctive canvases bring together the loose brushwork of the Impressionists and the bold color palette favored by the Fauves. Together, they achieve a vibrant spontaneity that lends itself well to the carefree subjects of the present work. Masterfully composed, La lecture au jardin moves beyond the Impressionist instinct to capture a fleeting moment on canvas. Rather, d'Espagnat succeeds in creating a deep feeling of harmony in the work. Warm colors are perfectly balanced with cool tones, while vertical and horizontal lines are softened by the curves of the foliage and his subjects' figures. Through his simplification of forms and intentional use of color and line, he creates a scene that is carefully designed and thoroughly modern. A similar view of a mother and her child by d'Espagnat is currently in the collection of the Metropolitan Museum of Art (New York). The Post-Impressionist painter was an individualist since his youth, choosing to forgo traditional schooling in order to independently study the Old Masters in the Louvre. He soon became involved with the most prominent Impressionist and Post-Impressionist painters of the age, including Pierre-Auguste Renoir and Paul Signac, who themselves existed outside the traditional norms of French Academic training. In 1891, he exhibited at the Salon des Refusés, and again the following year at the Salon des Indépendants. By 1895, he held his first one-man show in Paris, and just three years later his success earned him a solo show at the prestigious Durand-Ruel Gallery. Between 1905 and 1910 he made several trips to visit Renoir on the Côte d’Azur. Their close friendship resulted in a group exhibition at Marcel Bernheim...

Masquerade, a traditional yet playful composition by Fortunato Galli, reflects the realism and intricacy that defined Italian sculpture at the end of the 19th century. Magnificently ...

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Ballota (Horehound); Marrubium (White Horehound)" (Didynamie, Gymospermie, Plate 508) Portfolio: Histoire N...