Art by Medium: Engraving

Early 20th Century European Architecture Drypoint Etching c.1930 This fine etching is pencil signed in the lower right corner (illegible - see i...

Hand signed. Artist's proof. Etching and drypoint on ivory colored paper. In excellent condition. Image Dimensions : 48 x 32 cm Reference: I Selection, Plate IV, Propyläen, berlin,...

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...

Seated beggar and his dog is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late editi...

Hand-colored steel engraving of a the Turkish section of the Great Exhibition of 1851 by Lowes Cato Dickinson (British, 1819-1908). On verso i...

MAE WEST IN A FURRY SLED (UNFRAMED) Drypoint, Chine collee and paste 23 x 25 in 58 x 64 cms First Edition of 30 Signed and inscribed with Edition No. Artist biography: Kate Boxer, a...

Medium: drypoint on chine collé Edition of 180 Image Size: 4.5 X 9 inches Signed, titled and numbered, from the edition of 180. A view of a bridge over the Seine River in Paris wit...

Ragged Peasant with His Hands behind Him, Holding a Stick is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piec...

Le Professeur Granarius is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Condit...

Drypoint and monotype, signed and numbered by the artist. Jenny Robinson’s Untitled (Sign) transforms the framework of an aging roadside sign into a monumental study of industrial s...

Artist: John James Audubon (American, 1785-1851) Title: "Sandwich Tern (with Florida Cray Fish) (Florida Keys)" (Plate CCLXXIX - 279; part No. 56) Portfolio: The Birds of America (Ha...

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Landscape is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late edition of ...

Browne, George Elmer (American, 1871-1946). THE TRAWLERS. Drypoint, not dated. Edition size not stated. Titled and signed in pencil. In excellent condition.

Portrait is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of the 19th ce...

London: Thomas McLean, 1825. Aquatint with engraving and handcoloring in watercolor on wove paper, 8 7/8 x 10 3/4 inches (225 x 272 mm), wide margins. Light handling wear and four s...

London: Allen & West, 1797. Engraving with hand coloring in watercolor on cream wove paper, 8 1/8 x 10 5/8 inches (213 x 270 mm), wide margins. Scattered toning, mat tone, and dog-e...

William Woollett (1735–1785) William Woollett was one of the most accomplished British engravers of the 18th century, renowned for his technical precision and his ability to translate the subtleties of painting into the language of print. Born in Maidstone, Kent, Woollett trained under John Tinney in London and quickly established himself as a master of landscape and historical engraving. He became particularly celebrated for his engravings after works by artists such as Richard Wilson, Claude Lorrain, and Benjamin West — notably The Death of General Wolfe (after West), which became one of the most famous British prints of its age. Woollett’s exceptional skill in combining line engraving with etching allowed him to reproduce painterly effects of light, texture, and atmosphere with remarkable delicacy. Elected an Associate Engraver of the Royal Academy in 1775, Woollett elevated the status of printmaking to that of a fine art. His works, characterized by technical brilliance and tonal richness, remain benchmarks of 18th-century British engraving. George Stubbs (1724–1806) George Stubbs is regarded as one of Britain’s greatest animal painters, celebrated for his scientific observation, anatomical accuracy, and artistic sensitivity. Born in Liverpool, he studied anatomy independently, dissecting horses to understand their musculature and structure — research that culminated in his celebrated publication The Anatomy of the Horse (1766). Stubbs’s paintings...

Moses Harris ( British 1731-1785 ) Plate XXXVIII ,The Aurelian, A Natural History of English Moths and Butterflies Hand colored engraving 1778 edition 17.88 x 11.00 Very good condi...

The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. His surreal constructions of Kastani (chestnut...

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Cup and Strawberry by Tomoe Yokoi, Japanese (1942) Date: 1987 Mezzotint, signed and numbered in pencil Edition of 100 Size: 7 x 11 in. (17.78 x 27.94 cm)

Cherry and Violine by Tomoe Yokoi, Japanese (1942) Date: Circa 1985 Mezzotint on BFK Rives, Signed in Pencil Size: 20 x 26 in. (50.8 x 66.04 cm)

Floral Print is an original artwork realized in 1971 by the italian Contemporary artist Leo Guida (1992 - 2017). Etching, drypoint and embossing on ivory-colored cardboard. Hand...

This hand-colored engraving comes from "Histoire Naturelle Des Oiseaux," a famous set of volumes edited by Georges Louis Leclerc, le comte de Buffon (1707-1788). The book was publish...

Self-Portrait, Frowning is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition...

Signed and numbered from the edition of 20. Completed to accompany the exhibition of his work 'Squaring the Circle', at the Latvian National Museum of Art, Riga in 2017. The illusi...

Portrait of Rembrandt's Mother is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt. This wonderful piece of art belongs to a late ed...

Signed and numbered in pencil from the edition of 9. Finely detailed Black and white landscape of trees along the top of a rocky outcropping. Veronique Bonnardel was born in 1961 i...

This luminous nocturnal mezzotint by Art Werger depicts a quiet American neighborhood arranged in a circular pattern, glowing under the soft spill of streetlights. Seen from an eleva...

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement...

The Leper is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late edition of ...

The Artist’s Mother is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of ...

Owl is an etching on paper, realized by the French artist and print-maker master Mario Avati (1921-2009). Hand-signed on the lower right and numbered on the lower left in pencil. Ed...

James Whistler, The Little Putney, 1879, etching and drypoint, signed with the large butterfly lower right (also with the butterfly in the plate). Glasgow 187, third state (of 3). 12...

Nursing is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized through s...

Wonderful aquatint figurative titled, "Majestic Fiqure" by Lenore Simon (American, b. 1928). Signed lower right corner below edge. Titled below lower middle edge with medium "Aquatin...

Peaches in the Sack by Tomoe Yokoi, Japanese (1942) Date: circa 1973 Mezzotint, signed and numbered in pencil Edition of 75 Image Size: 13 x 10.75 inches Size: 25.5 x 19.5 in. (64.77...

Signed edition 74/ 99 Line engraving in Arches paper Image size 19 x 11 1/in Paper size 26 x 19 1/2 in. Matted 29.5 x 21 Inches

Bugle by Tomoe Yokoi, Japanese (1942) Date: circa 1973 Mezzotint, signed and numbered in pencil Edition of 100 Image Size: 12 x 13.5 inches Size: 19.5 x 26 in. (49.53 x 66.04 cm)

Happy by Tomoe Yokoi Japanese (1942) Date: 1975 Mezzotint on BFK Rives, signed in Pencil Image Size: 4.5 x 3.5 inches Size: 6.5 in. x 5.5 in. (16.51 cm x 13.97 cm)

Broom by Tomoe Yokoi, Japanese (1942) Date: 1973 Mezzotint on BFK Rives, Signed in Pencil Edition of XIV/XXX Image Size: 14 x 12 inches Size: 26 in. x 20 in. (66.04 cm x 50.8 cm)

On the Table by Tomoe Yokoi, Japanese (1942) Date: 1975 Mezzotint on BFK Rives, Signed in Pencil Edition of 19/75 Image Size: 11 x 13 inches Size: 18 in. x 22 in. (45.72 cm x 55.88 c...

Watering Jug and Brush by Tomoe Yokoi, Japanese (1942) Date: circa 1973 Mezzotint, Signed and Numbered in Pencil Edition of 150 Size: 19.5 in. x 25.5 in. (49.53 cm x 64.77 cm)

Funnel and Fruit Cups by Tomoe Yokoi, Japanese (1942) Date: circa 1973 Mezzotint, Signed and Numbered in Pencil Edition of 150 Size: 19.5 in. x 25.5 in. (49.53 cm x 64.77 cm)

Fork and Lemon by Tomoe Yokoi, Japanese (1942) Date: circa 1985 Mezzotint, signed and numbered in pencil Edition of 2/75 Image Size: 13 x 10.5 inches Size: 16 x 14 in. (40.64 x 35.56...

Sliced Watermelon by Tomoe Yokoi, Japanese (1942) Date: Circa 1985 Mezzotint on BFK Rives, Signed in Pencil Size: 13 x 17 in. (33.02 x 43.18 cm)

Self-Portrait is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late edition...

Corn and Pepper by Tomoe Yokoi, Japanese (1942) Etching with Aquatint, signed and numbered in pencil Edition of 39/75 Image Size: 5.75 x 6.75 inches Size: 13.5 x 11 in. (34.29 x 27.9...

Artist: (after) Pancrace Bessa (French, 1772-1846) Title: "Lantana aculeata (Common Lantana)" (T.6. No. 38) Portfolio: Traité des Arbres et Arbustes que l'on Cultive en France en Ple...

Portrait in Fur Cap is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belong...

hand watercolored drypoint etching on extremely fine Japanese paper, edited in 1969 limited edition of 145 copies water-colored , numbered in lower left corner ea ( artist proof ) signed in pencil by artist in lower right corner paper size: 38.5 x 28.5 cm framed size: 65 x 55 cm very good conditions Bibliography: Salvador Dalí Catalogue Raisoneé of etchings and mixed media prints Ref 369 pag 178 Fast and Tracked shipping with express currier DHL . We offer professional packaging and tracked shipping with DHL Express courier ( shipping time: 24 hours for European countries and 4 to 6 days for America and other non-eu countries...

Artist: John Latham (English, 1740-1837) Titles: "Kamtschatkan Thrush" (Plate LXXXIII - 83), "Spotted-sided Grosbeak" (Plate LXXXIX - 89), "Crimson-bellied Flycatcher" (Plate CI - 101), and "Black-headed Grosbeak" (Plate LXXXVIII - 88) Portfolio: A General History of Birds Year: 1821-1828 (second edition) Medium: Set of Four Original Hand-Colored Engravings on watermarked wove paper Limited edition: Unknown Printer: Jacob & Johnson, Winchester, UK Publisher: John Latham, Winchester, UK Sheet size (each): approx. 11.25" x 8.88" Image size (each): approx. 4.5" x 4.5" Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376 Condition: "Kamtschatkan Thrush", "Crimson-bellied Flycatcher", and "Black-headed Grosbeak" have some light offsetting to their sheets. "Spotted-sided Grosbeak" has some minor foxmarks and some light discoloration upper left in margin. They are all otherwise in very good condition with strong colors Rare Notes: Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "Kamtschatkan Thrush" and "Crimson-bellied Flycatcher" have an unidentified "1821" watermark lower right and upper right respectively. "Spotted-sided Grosbeak" has a "1820" watermark lower right. Biography: John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...

Cécile Reims (French, 1927–2020) Cécile Reims’s work is distinguished by its masterful technique, intricate detail, and deep engagement with themes of transformation and the natural ...

Ras Prince Monolulu is a hand coloured limited edition carborundum, drypoint print on paper by artist Kate Boxer. This is a bright artwork by Kate Boxer depicting the West-Indian bor...

Nicola Tyson is known for her assertive depictions of the human body, typically odd arrangements of patched-together, distorted, or missing parts rendered in a bright but reduced col...

Mixed Media (Drypoint Etching, watercolor and digital retouch), Archival Giclée print Limited Edition of 30. Fred Borghesi is an Italian artist born in 1987 who lives and works in L...

Pierre François Beaumont (ca. 1719-1777) after Philips Wouwerman (1619-1668). Inscribed in French in plate: 'Alte Flemish Painting which is in the Gallery of H. E. Mr. Count de Bruhl...

Fishermen is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realize...

The Meeting is an etching realized by Eugène Burnard (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized through short ...