Horizontal Abstract Paintings

Antique American school signed abstract oil painting. Oil on canvas. Signed. Framed. Image size, 19L x 13H.

This 11" x 14" oil on canvas painting is by Boston-based artist, Anthony Dyke. The painting is an example of geometric abstraction, composed through an arrangement of rectilinear forms, each rendered in bold, saturated color. Dominating the left side is a deep green vertical rectangle and adjacent to it is a narrow red vertical stripe, generating a visual dialogue between the broader green plane and the surrounding forms. A field of light blue occupies the top portion above. mid-composition, a horizontal mint green band stretches across the surface, and on top rests a tilted rectangular form shifting from white to warm red in a subtle gradient. To the far right, a tall blue vertical bar intersects with a fine yellow line. The base of the painting features a complex layering of darker hues: a black horizontal stripe, accompanied by stacked rectangles in red, purple, and yellow. Anthony Dyke was born in Norwich, Vermont and attended the School of the Museum of Fine Arts at Tufts University earning a BFA and MFA in painting. As an artist and arts educator, he relocated from New York City to his downtown Oklahoma City studio, working there for two decades before returning to Boston in 2020. Coming from Vermont where the seasons are distinctly different from one another, his shift from a pastoral setting to an urban environment set up a dichotomy in the work, both visual and emotional. Tony has an extensive education in painting, photography, graphic design and figure sculpture. These mediums intersect in his work through many years of creating artworks and currently speak to his interest in abstract painting. During his senior year in the BFA Program at the School of the Museum of Fine Arts in Boston, my large painting “Natole” was chosen by Frank Stella (the juror) into the highly competitive and prestigious Dana Pond...

Modern Cubist inspired figurative painting by the iconic Houston based artist David Adickes. The work features the side profile of a female figure with swirling, wild, warm toned hai...

Oil paint and mixed media on repurposed bulletin board. Note, the wood border is part of the artwork, not to be mistaken for an actual "frame."

Carefully ordered patterns, geometric shapes and lines in vibrant prismatic shades of red, yellow, bright green, orange and teal against a soft, atmospheric light lemon green and blu...

Contemporary abstract figurative painting by Frisco Pete, The Wild West Art Wrangler. The work features a pair of cowboys, one pointing at a gunshot wound and the other a skeleton, s...

Title: French Impressionist Harbour Scene with Fishing Boats and Whitewashed Houses By Fanch Lel Size: 15 x 18.25 inches (height x width) Oil painting on cardboard, unframed Conditio...

Ruslan Perekucha was born in 1967. Since childhood, he was interested in the history of art, and he loved modernism most of all. This prompted him to collect antiques and art in the ...

“Desert Landscape” is a captivating 1960s abstract painting by acclaimed New Mexico and Colorado artist Ann Sink, celebrated for her evocative interpretations of the Southwestern env...

Elizabeth Geisler’s dazzling contemporary water reflection acrylic paintings bridge realism with abstraction. Up close, the paintings appear ambiguous and loose, yet with a little di...

This depicts civil rights icon MLK, the Statue of Liberty, Iwo Jima, an assemblage of mixed media photographic images and painted collaged elements. A powerful, moving work, an ode to the black civil rights movement. John M. Mitchell is originally from North Carolina, and as an art student at North Carolina Central University, he was involved with the Civil Rights movement including participating and getting arrested at a sit-in protest in Durham in 1963. After graduating, he was one of the first art teachers to take a position at the newly integrated schools in his home state. Mitchell continued his education in the 1990s and earned an MFA in painting from the Savannah College of Art and Design in 1993. He later served as a professor there from 1998-2006. Of his inspiration to create, Mitchell says: "A lot of my work is based on my experiences during the Civil Rights movement," he says. "I see art making as a 'record' of experiences. My bittersweet past, growing up in the segregated South, inspires the content, focus and narrative of my work." Savannah-based artist John Mitchell believes that a home is more than a simple edifice. Rather, he argues that the sociological, psychological, architectural, and historical associations embedded in the structure “tell us about our culture, our lives. It tells us about where we come from.” Mitchell's signature shotgun house constructions, crafted from found materials and scraps of newspaper headlines, reference his childhood in North Carolina, where such modest architectural structures were once commonplace. In "ALA 1963," he uses the shotgun shape to create a heartfelt memorial to a group of African-American girls killed in a racially motivated church bombing in Alabama nearly 50 years ago. He also incorporates the shotgun symbol in "Victims," a powerful reflection upon crime in Savannah in the early 1990s, which reveals how little has changed over the past two decades. Mitchell's mixed media constructions operate, in many ways, like memory itself. Scraps, fragments and pieces loosely cohere around a central idea, making symbolic and metaphorical connections. In these richly narrative and boldly stream-of-conscious assemblages, the whole truly is greater than the sum of its parts. Mitchell's jazz collages...

Ruz- original abstract acrylic painting. Virtual frame Original work of the artist RUZ Acrylic on paper Perfect state While contemplating the painting of Ruz, we are inclined to ta...

Title: French Coastal Oil Painting of Moored Boats and Walled Seaside Town in Pastels By Fanch Lel Size: 13 x 16.25 inches (height x width) Oil painting on board, unframed Condition:...

Joanna Mrozowska Born in 1976 in Warsaw. Studied in the Department of Painting in the Academy of Fine Arts in Warsaw; she graduated with a Master’s degree in painting, with the cycle...

Robert Lawson (1892-1957) Abstract Acrylic on Canvas measuring 40 x 40 inches. The work bears a thin metal frame measuring 40 1/4 x 40 1/4 x 1 3/8 inches. The painting is signed lowe...

"Unbreakable Thread" 2025, 60" H x 84" W. Abstract, horizontal, mixed media painting consisting of acrylic, pencils, and oil pastels on canvas by Argentine-born artist Karina Gentine...

Antique American modernist abstract painting. Watercolor, and pastel on paper. Framed. Signed. Image size, 6.5H by 10L

Original oil and acrylic painting on canvas titled “Sandscape 2” by the well known American artist, Syd Solomon. Signed Syd Solomon lower left. Signed and dated Syd Solomon 1972 and inscribed as titled on the reverse. 22 × 30 inches. Overall very good to excellent condition. No notable issues detected during inspection. No signs of restoration under UV inspection. The painting is in its original wood with silver reveal floating frame. Overall framed measurements are 24.25 by 32.25 inches. Provenance: A private collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Pathway in Provence by Andre Guilou (French 1925-2017) signed and dated 2000 oil on canvas, unframed canvas: 24 x 29 inches provenance: private collection, France condition: very goo...

Ricky Hunt’s work is influenced by Egyptian hieroglyphs, graffiti, and his tumultuous past that led to a paradigm shift in his creative life. He covers the canvas with unique imagery...

Vintage American modern abstract oil painting. Oil on canvas, circa 1960. Unsigned. Image size, 48L x 36H. Unframed.

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In "The Treasures of Unfinished Symphonies" by Annie King, the...

I can make commissioned works_ -Specialist in large painting___ _ intuitive painting, trying to share the happiness of the creating experience. thank you, Ángel Rivas

Large Abstract Expressionist color field painting. Similar in the manner of the colorful abstract works of Paul Jenkins. This one is a bit more muted in color. Lamar Briggs (1935-2...

Twist is a contemporary Artwork realized by the artist Alfredo Pizzi. It is made on jute canvas, painted in acrylic in 2022. The author has a multifacet...

This is a fabulous, large tribal painting on cloth canvas with dung wash and white paints. Anil Vangad, Cloth size: 87 x 119 cm, Image size 78.5 x 110.5 cm, white colour on dung wa...

2024, Shizico Yi takes on an innovative project she named it "The Weaver," inspired by the heritage of family's Tartan, the rich lineage and history of the Clan. Within the patterns...

'Expressions in Bloom: Portraits from the 20th Century IV', oil on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings throu...

20 Factory 25 130 x 100 cm. acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cos...

Contemporary Art, Abstract Painting Acrylic on canvas 204x340cm Signed FREE SHIPPING ROLLED UP About the artist Enrique Pichardo (Mexico City, 19...

In this contemporary abstract painting in oil on canvas, thoughtfully combined sections of varying textures and areas of pattern, stripes, circles, dots and undulations are cheerful ...

"Psico-Freud" original abstract mixed media painting RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Ba...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

"Triple Toast" by Amy Dixon – Veuve Clicquot Champagne Painting, Mixed Media on Canvas, 11x14 in Celebrate in style with Triple Toast, an 11x14 inch mixed media painting by Amy Dixon...

Jazzu Être ici vivant 2025 Acrylique sur papier fort 2025 42 x 29,7 cm 490 euros

Abstract Expressionism by Contemporary British Artist, Angela Wakefield. Art measures 12 x 10 inches Frame measure 18 x 16 inches Angela Wakefield has twice been on the front cov...

Title: French Impressionist Village Snow Scene with Cottages and Trees By F Le Lay Signed: Yes Size: 10.5 x 16.25 inches (height x width) Oil painting on board, unframed Condition: T...

Original abstract painting on canvas I like to work in an intuitive manner without any clear idea of the finished work instead letting the process direct the finished form of the wo...

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.75 x 18.25 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lo...

Title: French Impressionist Village Harbour with Boats at Dusk by Fanch Lel By Fanch Lel Signed: Yes Size: 19.25 x 20.5 inches (height x width) Oil painting on cardboard, unframed C...

Young Woman By The Sea Cost Artist signed lower right, canvas 35hx39w Nicola Simbari was born in Italy and grow up in Rome. He studied at the Accademia di Belle Arti di Roma, and in ...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed. Measuring 17 by 21 inches overall and 16 by 20 painting alone. In excellent original condition. Hands...

Renowned artist Hunt Slonem's "Finches on Gold" is a 24x 36 colorful gold background oil painting on wood board of contemporary abstract finches in blue, yellow, green, red, pink, an...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

“PEACE” is sentimental to the artist. A painting she refused to sell for quite some time. Her grandmother, an artist herself, gifted ETTE a tube of gold paint before she passed away....

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

"Blue Spring" embodies a unique characteristic that differentiates it from other paintings. It can be experienced both individually and in conjunction with another piece from the ser...

This painting features hues of orange, pink and blue. It's created across three irregular shaped panels. Atlanta-based multimedia artist Bonnie Maygarden’s “Uncanny Valley” is a ser...

Elysium II is a unique oil on canvas painting by contemporary artist Joachim van der Vlugt, dimensions are 130 × 180 cm (51.2 × 70.9 in). The artwork is signed, sold unframed and com...

This framed 26.5" x 31" oil painting by an unknown French constructivist artist uses a dynamic palette of bright colors in a geometric abstraction to create an industrial assemblage ...

"Untitled" 2019, 25" x 31" horizontal drawing on paper by Argentine-born artist Karina Gentinetta (featured in Architectural Digest, Elle Decor, the...

A vibrant and expressive marine painting by Sula Repani, this artwork features a richly colored fish rendered in oil on wood. The brushwork is loose and atmospheric, blending bold re...

Beth Munro’s original paintings, whether composed of still life, landscape, or abstract forms, focus on pattern, color, and texture. Munro is inspired by everything from the impressi...

Very impressive mid 20th century cubist abstract. Oil on canvas. Framed.

Louisa Chase’s work is represented in the permanent collections of a number of major museums, the Whitney Museum of Art in New York; the Museum of Modern Art, New York (MOMA), the Me...

acrylic & oil on canvas

Emily Kame Kngwarreye (1910-1996) Title: « Anooralya Yam » 91x121 cm - 1993 Acrylic on canvas Aboriginal Art Australian Provenance: Delmore Gallery Aborigène Galerie Paris, France E...

Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2024 Style: Impressionism Title: Near to Cliffs Size: 29" x 39" x 0....

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...