Landscape Paintings

"Abstract Composition" signed by Armand Rottenberg (French 1903-2000) oil painting on card, unframed painting: 26 x 19.5 inches Superb original painting by the French abstract a...

This original vintage oil painting on canvas is a beautiful example of Dutch-style winter landscape art, inspired by the Dutch Golden Age and the 19th-century Romantic revival. Sign...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Deb Komitor's "The Forest Never Sleeps" is an original, handmade oil painting that depicts an evening landscape where the full moon's bright light illuminates the foliage and underbr...

Three Sisters in the Cascade Range, Oregon Landscape scene depicting three snowcapped mountains, also known as "The Three Sisters," surrounded by evergreen trees by John Englehart...

I am fascinated by the architecture of Richard Neutra in Palm Springs. The painting shows a scene at dusk and the predominant colours are greys, blues, oranges and pinks. The eye is ...

Impressive early American impressionist coastal seascape oil painting. Feels like a Maine scene with a bustling dock! Nicely framed. Oil on canvas. Signed illegibly. Image size,...

This artwork titled "San Jacinto Peak" c.1970, is an oil painting on canvas by noted Palm Spring artist Darwin Taylor, 1921-1975. It is signed at the lower right corner by the artist...

Jos Leurs is a Dutch Impressionistic Plein Air Painter who lived in France for almost 30 years. Since 2011 he lives in Holland again. His work is very popula...

This is a large, glorious and dramatic oil painting of a dark, cloud-filled sky. It is painted on all edges so there is no need for framing. It is wired with all installation hardware and ready to hang. Signed on the back. Bucks County, PA landscape artist Kirby Fredendall...

Work on canvas Dimension with frame 53 x 69.5 x 4 cm On the way to school. This captivating work depicts a picturesque rural scene, imbued with tranquility and nostalgia. The winding...

"Clouds In The Luberon" is an exceptional oil painted on location in Provence by Maria Bertrán, this Contemporary Impressionist landscape captures the beauty of Spring in the South o...

In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and i...

Work on canvas Frame in plaster and molded and gilded wood 67 x 59.5 x 6 cm

The Italian Mountainside Italian School, early 20th century Indistinctly signed oil on canvas, framed framed: 18 x 21 inches canvas: 14 x 17 inches Provenance: private collection C...

Antique American ashcan school modernist cityscape painting by Judith Chamberlain (1893 - 1965). Oil on board. Framed. Signed. Excellent ready to hang condition.

Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...

Mediterranean Coastal Scene with Rural Property & Trees in French Countryside, by 20th Century French Artist, Jean-Pierre Vignat (Born 1913) Art measures 21 x 14.5 inches Frame me...

oil pastel, charcoal & acrylic on raw linen

Francesco Tammaro was born in Naples in 1939 where he attended the Instituto D'Arte di Napoli, one of the most reputed Fine Art schools in Italy. Shortly after graduation he traveled...

Octavius Thomas CLARK Oil on canvas Picture Size: 24 x 42" (60 x 105cm) Outside Frame Size: 32 x 50" (80 x 125cm) Signed bottom left An impressive example of O. T. Clark's work. Su...

Provenance Acquired by the gallery directly from the artist Exhibited Fleeting Moments 2nd Biennale: Works en Plein Air, American Legacy Fine Arts, November 22 – December 15, 2019 ...

Coastal Serenity signed by Fanch Lel (French b. 1930) dated 80' Size: 15 x 18 inches Oil painting on board, unframed Condition: The painting is in good condition, with minor signs of...

Dynamic California coastal scene by an unknown artist. The orientation of brushstrokes in this piece create a sense of movement in the trees and the grass, hinting at the way the win...

5-3048 Oversized red floral painting on canvas applied to board Set in a vintage wood frame Neapolitan artist P. Russo

Elizabeth Geisler is best known for her dazzling contemporary water reflection paintings that bridge realism with abstraction. Up close, the paintings appear ambiguous and loose, yet...

This romantic late 19th-century landscape depicts an idyllic woodland scene bathed in warm, golden light, featuring graceful deer gathered beneath towering trees. Signed, dated and i...

An oil on panel signed and dated in the lower left depicting two riders on horseback sharing a drink outside a country inn. The painting measures 17.75" x 21.75" including the frame. Provenance: Private collection CT Bradbury Art and Antiques, Wiscasset, ME Heywood Hardy (25 November 1842 – 20 January 1933) was a British artist, in particular an animal painter and painter of horse riding scenes. He also painted landscapes and portraits, especially equestrian portraits. Horses and horse riding were the subjects of much of Hardy’s later work. His pictures of horse riding by the seashore...

How often do we connect with ourselves in this moment, truly enchanted by the beauty of nature? "When you change your thoughts, you change your world," said Lao Tzu. I focus on wha...

Seth Winegar's (US based) "Prism Sky" is an original, handmade oil painting that depicts a landscape with a brilliant sunset illuminating a cloudy sky. Bio/artist statement: Seth W...

Mid-Century impressionist oil on board by Italian artist J. Torrelli. This painting of a lakeside at dusk, reminiscent of the 'Barbizon School', showcases impressionist painting tec...

The River Cottages English School, 19th century indistinctly signed "E. Hunt"?? dated oil on canvas, framed in antique original period gilt frame. framed: 20 x 28 inches canvas: 12...

Waves crashing in on the rocks at Polzeath Oil Paint on Canvas 18 H x 23 W x 3 D cm (7.09 x 9.06 x 1.18 in) Sold framed Image size: Height: 15cm (5.91 in) Width: 20cm (7.87 in) Co...

Abstracted seascape of three boats near the shore with broad, painterly strokes of blue, turquoise, and neutrals by Robert Canete (American, b. 1948). Signed lower right. Image: 16"H...

Winged Victory of Los Angeles, c. 1960, oil on masonite, signed lower right, artist’s name and title verso, 33 x 34 1/2 inches, exhibited: 1) Edward Biberman, Heritage Gallery, Los A...

Vintage American school abstract expressionist oil painting. Oil on canvas. Vibrant color and confident composition.

Bernard Myers (British, 1925–2007) Tower of London Oil on paper Signed ‘B. Myers’ (lower left) 24 x 31.75 in. (61 x 80.7 cm), including frame Provenance: From the estate of the artis...

3919a Antique German oil painting river crossing in a gilt wood frame Image size 12x12"

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed, inscribed verso oil painting on canvas, unframed canvas size: 18 x 22 inches condition: overall ver...

Title: French Monochrome Harbour Scene with Boats and Medieval Tower by Fanche Lel Signed: Yes Size: 8.25 inches (height) x 11 inches (width) Watercolor painting on paper, unframed C...

Impressive early American modernist abstract oil painting. Framed. Oil on board. Signed.

This superb 17th century French Old Master oil painting is attributed to Jean Francois Millet. Painted circa 1670 it is a classical landscape with figures by a bend in a river in the...

If you’ve been dreaming of owning a piece of Wyoming or Montana, this wide-horizons painting deserves a spot over your stone fireplace. Photographic in its crisp detail, the artist c...

In this work, I've infused the canvas with the serene elegance of the twilight hour, using oils to capture the dance of light upon water. The impressionist approach enhances the scen...

3701 Oil on stretched canvas Set in a vintage hand painted frame Image size 15x19"

Very rare and well painted Formula Two racing painting. Oil on canvas. Unsigned. Nicely framed.

The Military Encampment Dutch School, 17th century circle of Philips Wouwermans (Dutch 1619-1668) oil painting on canvas, in 18th century gilt frame canvas measures: 19.5 x 17 inches...

Antique American modernist cityscape oil painting. Oil on canvasboard. Framed. Measuring: 21 by 17 inches overall, and 12 by 16 painting alone.. In excellent original condition. Han...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism, Subject: Cobalt Spring, Size: 31" x 44" ...

This superb Dutch Old Master marine oil painting is attributed to the circle of Jacob de Heusch. Painted circa 1690 the setting is an Italian coast with fish...

Work on canvas

Incredible early American Hudson River School landscape painting by William Hart (1823 - 1894). Oil on board. Framed. Signed. Measuring 15 by 17 inches overall and image size, 1...

Provence by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 24 x 28 inches Provenance: all the paintings we have by this artist have come from the artists estate in...

Nicely painted American impressionist tropical beach landscape. Oil on board. In excellent original condition. Handsomely framed in a period wood molding. Excellent condition, re...

Contemporary realistic Texas landscape nature painting by Houston based artist Jerry Greenberg. The work features a path winding through a stand of lush trees. Signed in the front lo...

A wonderful impressionist pastoral landscape in the Autumn season with beautiful color tones throughout. Waltsak has portrayed this piece in a most intimate, yet energetic way, and h...

Charles Martin Powell (Chichester 1775-1824) Dutch shipping in a choppy sea Signed 'CPowell' lower right Oil on canvas Canvas Size - 16 x 19 in Framed Size - 23 x 25 in Provenance: The Parker Gallery...

"Meditation on Water II" is a mesmerizing original lake water painting by the accomplished Irina Cumberland. This captivating artwork, born from the realm of contemporary realism, be...