Landscape Paintings

"Le Port de Marseille" Eugène Galien Laloue (French, 1854-1941) Gouache and watercolor on paper, original carved and gilded frame. 12 3/8 x 7 3/4 (14 1/2 x 9 5/8 frame) inches Signe...

Windermere Shadows is an Original Painting by Eleanor Woolley. This painting depicts the banks of lake Windermere, dotted with people. The grassy banks are of bright green with shado...

This rare mythological scene depicting the Greek author Homer on the island of Scyros. You will notice the Trojan War being fought in the background. Our painting, dating from 1864, is unsigned, but has a solid attribution to academic artist Henri-Léopold Lévy...

This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Wonderful mid century landscape titled "Late Afternoon in Novato" by Ted Lewy (American, 1912-1963). Presented in a rustic wooden frame. Signed "Ted Lewy" and dated "1962" lower righ...

"Bridge Scene" by Camille Meriot (French 1887-1975) watercolour on unframed paper paper: 6.5 x 8.75 inches Fine original French Impressionist painting...

William C. Grauer (American, 1895-1985) Scrub and Pines, 1929 Oil on canvas Signed lower right 18 x 20 inches 24.5 x 26.5 inches, framed Exhibited: Cleveland Museum of Art, May Show ...

This romantic late 19th-century landscape depicts an idyllic woodland scene bathed in warm, golden light, featuring graceful deer gathered beneath towering trees. Signed, dated and i...

In the painting you will see a fusion of expressionism, realism and fine art, expressed in passionate oil paints. This work embodies the tremendous energy and inexorable changes of n...

This artworl "Landscape" c. 1935 is an oil painting on hardboard by renown California artist Frank Joseph Girardin, 1856-1945. It is signed at the lower right corner. The hardboard size is 20 x 30 inches, framed size is 30.5 x 40.5 inches. Framed in a wooden beige frame, with fabric liner. It is in excellent condition. About the artist: Born in Louisville, Kentucky in 1856, Frank joseph Girardin began his art instruction in 1870 under Frank Noble and later Frank Duveneck at the Cincinnati Art Academy. A semi-pro baseball player in Cincinnati, he was best known for his beautiful landscapes of both Indiana and California. An extremely active participant in the development of the Art Association of Richmond and original member of the local Sketch Club, he served on the Board of Directors of Art Association for several years. He was considered ranked next to the late John E. Bundy in talent and skill by the former Art Association Director, Mrs. Ella Bond Johnston. It was during his time in Indiana, that he received the most recognition for his work. In 1903, he won first prize for his painting, "Lingering Snow" at the Cincinnati Art Club Show. This would be one of numerous prizes and awards the he would receive during his time in Indiana, including the coveted Mary T...

Artist/ School: Huguette Ginet-Lasnier (French 1927-2020), signed lower front Ginet-Lasnier, the wife of the painter Jean Lasnier, was born in the Seine-Maritime region of France an...

The recent paintings of Atlanta artist David Kidd continue an evolving series of images inspired by and based upon natural forms, specifically the shadows cast by trees and other veg...

Gorgeous early 20th Century American Impressionist landscape of New England Farm by George M. Bruestle (American, 1871 - 1939), Circa 1914. Signed lower left and on verso. Presented in gilt-toned wood frame. Image size: 8"H x 10"W. George Matthew Bruestle is an American Realist/Impressionist painter known for his intimate landscapes. Born and raised in New York City, Bruestle studied at the Art Students' League of New York in 1886 at the young age of fifteen and later in Paris. That same year, Bruestle visited Essex, CT and eventually purchased a second home in Hadlyme, Old Lyme as the Art Colony formed. Bruestle's main studio was in New York City. Inspired by Jean-Baptiste-Camille Corot [1796-1875] and other French landscape painters, Bruestle's style was a mix of Early Realism and Early Impressionist techniques. He was an adept draftsman and his paintings favored earlier European examples but, later took on a brighter Impressionist palette and brushy quality of the Old Lyme Art...

Sophie Dumont is a contemporary painter who explores the intersection between abstraction and landscape, blending energy and serenity. Her intuitive and subtle approach is inspired b...

Herb Booth (1942 - 2014) Texas Artist Image Size: 29 x 41 Frame Size: 39 x 51 Medium: Watercolor "Waterfowl" Geese, ducks, more Herb Booth (1942 - 2014) Wat...

Pocket Pink Rose with Leaf 2 is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil...

Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...

Glen Head, County Donegal Ireland by William Henry Burns (1924-1995) signed oil on canvas, framed Framed: 25.5 x 35.5 inches Canvas : 20.5 x 35 inches Provenance: private collection...

Bright Summer Harbour Signed by Fanch Lel Size: 11 x 14 inches (height x width) Oil painting on canvas , unframed Condition: Good condition overall with minor surface handling marks ...

Provenance Acquired by the gallery directly from the artist. FRAMED: 28.125" x 32.125" x 1.25" UNFRAMED:20" x 24" Artist Statement "I am always looking for different ways to capture the beauty of the San Gabriel Mountains as they loom above Pasadena. I found this view while scouting and exploring the Arroyo Seco...

A very interesting set of five mid-20th-century Italian oils on copper. All five are classical landscape subjects and are signed Roger, though we don't know which artist with the n...

Traveller in Landscape French School style, late 20th century oil on canvas, unframed canvas : 36 x 24 inches provenance: private collection, Cornwall, England condition: very good a...

Henry John Livens was born in 1858, in St Pancras, London the direct descendant of Jan Liebens who had left his native Holland in the 1600’s to paint a portrait of the King and subse...

A wonderful impressionist pastoral landscape in the Autumn season with beautiful color tones throughout. Waltsak has portrayed this piece in a most intimate, yet energetic way, and h...

Leading them Home English School, mid 19th century oil on board laid on canvas, framed framed: 18.5 x 15.5 inches painting : 14 x 11 inches Provenance: private collection, the City o...

"Autumn Harvest IV" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Mil...

Sunlit Forest French School, 1970's signed by J.Bredeche ( French School) oil on canvas, unframed Canvas : 21 x 25.5 inches Inscribed verso Provenance: private collection, Paris Cond...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The River Path Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12.75 in...

Impressive early American modernist abstracted forest landscape oil painting. Framed. Oil on canvas. Image size, 24H by 36L.

In this luminous landscape, Oscar Lycke invites us to experience the serene vastness of Sweden’s northern interior. Likely painted in the region surrounding Liden along the Indalsälv...

Antique French impressionist seascape signed oil painting. Oil on board. Signed. Framed. Image size, 28L x 20H.

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2025 Style: Impressionism, Title: Spring Trees, Size: 30" x 45" x 1''...

"The Barque" oil/canvas 25.25 x 30 image The painting is lined and would benefit from a cleaning. The canvas has shifted a little in the frame and needs to be moved back as seen in p...

Title: French Street Scene with Windmill and Figures in Impressionist Style by Fanch Lel (French b. 1930) Size: 10.5 inches (height) x 8.75 inches (width) Gouache painting on board, ...

Famous Edinburgh scene with the foggy Castle on the Mount from the North Bridge, and a bustling city scene below. Impressionist style, dating to mid 1920s/1930s, presenting a glimps...

Antique American school modernist landscape painting. Oil on canvas. Framed. Signed.

Dutch painter (18th-19th century) - The spanking. 60 x 99 cm without frame, 67 x 106 cm with frame. Antique oil painting on panel, without frame (not signed). Condition report: Wo...

Walking out to Porthtowan [August 2022] original and hand signed by the artist Oil Paint on Canvas Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:15 cm x W:15 cm x ...

A Summer’s Day by William Miller Frazer (1864-1961) depicts a tranquil countryside scene of sheep grazing and resting. Frazer’s sheep find numerous ways to enjoy the pleasantries of ...

Title: Miniature Watercolor Paintings of Bristol Cathedral and School from Canons Marsh by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measu...

Park Here - The painting was created in 2024 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. Dixon’s w...

Cliff Cavin "Near San Saba" Texas Texas Artist Size: 14 x 18 Frame: 22.25 x 26.25 Medium: Oil 2021 "Near San Saba" Biography Cliff Cavin Cliff Cavin, a native of San Antonio, Texas,...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Thatched Cottages with Wild Flowers & Village Church in the English Countryside by British Artist Art measures 24 x 18 inches Frame measures 29 x 23 inches This exquisite original ...

An expressive landscape scene depicting a valley dwelling at dusk. The artist captures the composition in gestural brushstrokes and a vibrant colour palette. Well presented in a comp...

Vivid desert foothill landscape impasto painting by Michael Wright (American, 20th century). Inscribed "M. Wright" and dated "17" on the bottom center r...

This delightful summer scene depicts figures on a woodland river bank. A boat gently carries a man fishing down the calm river. In the distance there is a lock before houses and more...

Coral Pieces is a bold and immersive abstract painting that draws inspiration from organic marine forms, interpreted through vibrant color fields and dynamic gestures. Vivid blues an...

Michael Magrin's ( US based) "Southern Colorado Skies" is an original, handmade oil painting of a vast sky above the Colorado plains. This piece is fram...

Pocket Wild Apple [2022] original and hand signed by the artist Oil paint on canvas Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:5 cm x W:5 cm x D:2cm Frame Size:...

Antique American impressionist flower landscape painting by Arthur William Best (1859 - 1935). Oil on board. Signed. Framed. Image size, 14L x ...

José WEISS Neuilly-sur-Seine, 1859 - Houghton (England), 1919 Oil on wooden panel Signed lower left “José Weiss” 40 x 61.5 cm (54 x 75 cm with the frame) Joseph Vincent Nicholas Fr...

"Haven" is a green floral abstract painting dedicated to peace in a struggling world. It is an imaginary abstract landscape made with lush greens and earth tones, with hints of crims...

Landscape, c. 1930-40s, oil on panel, signed lower right, 16 x 20 inches Jeanette Maxfield Lewis was a California-based landscape painter and etcher. Born in Oakland, she spent much...

From London with Love is a drawing series by Shizico Yi, composed of en plein air studies capturing quiet and private moment between the artist and the city in corners of London. Shi...

We might share with you the biography of Texas-born Steven Seymour Thomas (1868-1956), but it would take pages. Consider his precocious talent, which catapulted him to fame in New Yo...

Jodi Miller captivates with her atmospheric landscapes, inspired by the vast skies of her prairie upbringing and her global travels in the Royal Canadian Air Force. Influenced by the...

For Canada’s beloved pop artist, Charles Pachter, the barn reimagined in graphic form is a reminder of Canada’s early rural history and the pioneers that helped shape this country. T...