Landscape Paintings

Ann Wyeth McCoy (1915 - 2005) Afternoon Sun Watercolor on paper Sheet 24 x 18 inches Signed lower left Provenance: Somerville Manning Gallery Private ...

In creating this piece, I melded the fluidity of acrylics with the richness of oils to give life to a scene where the vibrancy of expressionism, the elegance of fine art, and the sof...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed and dated verso oil painting on canvas, unframed canvas size: 20 x 20 inches condition: overall very...

Green,Village ,Russian Art,Impressionist ,countryside Nikolaj LATYSHENKO (Artjomovsk, Ucraina, 1937) Born in Ukraine in 1937, he first studied in Saratov and in 1957 he joined the R...

“10th Hole, Gardiner Bay” is an oil painting by contemporary American painter Kelly Carmody. Painted en-plein-air at the Gardiner's Bay Country Club on Shelter Island, it shows rolli...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

"Italian Hillside" is a 48x60 oil painting on canvas by renowned artist Anne Packard. This expansive landscape painting leads the viewers eye through rolling hills of lush green foliage. A grouping of structures stand atop, catching the last bit of an afternoon sun. Signed to lower left. About the artist: Anne has brought to her work an instinct and skill drawn from a deep family well of American and European painters. A third generation Provincetown painter, she is a bona fide Cape Cod artist. Her grandfather, Max...

Impasto Oil Painting of River Tree Scene British Postwar & Contemporary Artist, Terry Evans Terry Evans is a British Postwar & Contemporary Painter born i...

Antique Israeli modernist street scene painting by Jacob Eisenscher (1896 - 1980). Gouache and watercolor on paper. Signed. Framed. Measuring 20 by 25 inches overall and 13 by 19 pai...

"Getting lost in the infinite" is a meditation on a motif dear to painters of all times and all continents: the mass of water lilies. For Linda Clerget, ...

This superb Dutch 17th century Golden Age Old Master cityscape oil painting of Amsterdam is by noted artist Jacobus Storck. Painted circa 1670, ...

5160 Antique winter landscape oil painting Framed . Image size 15.5x19.5" Signed H.Katz 1945

The Rat Catcher English School, 1920's signed, dated, "R. Esom" oil on canvas, framed framed: 12 x 16 inches canvas : 8 x 12 inches Provenance: private collection, Cotswolds, Englan...

The painting was painted Plein Air, in Artist's own garden of the memorial roses she planted. This is Rosa Albertine, the first Old English variety Artist Shizico Yi planted in her garden in 2016, before her late dog died. Old English Roses...

Title: Catalyst for Consciousness Flow Contemporary Abstract Showpiece Bright Lively This series expresses our unity and our interconnectedness. We are dancing to a traverse tune ...

Barbara Mauldin Fredericksburg Artist Size: 9 x 12 Frame: 13 x 16 Medium: Oil "Can't Make Up My Mind" Blooming Prickly Pear Cactus Barbara and her husband Chuck moved to Fredericksburg in 2005 after living many years in Louisiana, where she taught art at Baton Rouge Lutheran School. Soon after moving home to Texas, she began painting seriously. She has studied with Ian Roberts, Kevin Macpherson, Jill Carver, Lori Putnam, and (of course!) Chuck Mauldin. Barbara’s work has been accepted in several art events, such as the Women Artists of the West National Show, Contemporary Masters Invitational Art Show in Fredericksburg, the Mountain Oyster Club Art Show, the Plein Air Artists Colorado National Juried Art Exhibition, The Museum of Western Art (Kerrville, TX) “The Party” Art Exhibition and Sale, and others. Her paintings are characterized by color. “I like to emphasize the color that I see, as a creative and emotional response to the landscape.” She works with a limited palette, using a small number of pigments to mix colors, which results in beautiful color harmony. Barbara has focused her attention on the Texas landscape, especially on prickly pear cactus. Cactus is fun to paint. It has a multitude of interesting colors, which are an expression of the harshness of the environment and the amount of direct sun. In spring the colors are lighter and more mellow, and the flowers of late spring are a vibrant yellow and rose, sometimes orange. She enjoys plein air work, accepting the challenges of color, design, and the environment (critters and weather). Texas abounds with variety and inspiration; there is always another painting just around the corner! Her interest in art had always been a part of the fabric of her life. She works mainly in oil, and she also dabbles in pastels, watercolor, church banner...

Edwin Henry Boddington Canvas Size: 20 x 32" (51 x 81cm) Outside Frame Size: 29 x 41" (74 x 104cm) A very good and typical example of his work which has been relined for preservation only. He lived 1836 - 1905 Landscape and River Scene Painter. Son of Henry John Boddington, he painted mainly scenes of the Thames. He developed a very personal and recognisable style. His river scenes are usually painted in a pale evening light, using a range of very dark greens and browns. Address: Lonsdale Villa, Barnes, London 6 Upper Ranalagh Place, Pimlico, London Exhibited 1853 – 1869 Exhibited at:- British Institution, London Portland Gallery, London Royal Academy Royal Society of British Artists The following works were exhibited at the Royal Academy: On the River Lodden 1854 On the Welsh Hills...

Jodi Miller captivates with her atmospheric landscapes, inspired by the vast skies of her prairie upbringing and her global travels in the Royal Canadian Air Force. Influenced by the...

Jacob Dhein's "Chicago Rain" a 2023 original oil on panel, stands at 17.7 x 23.6 inches. This piece highlights Dhein's ability to capture reflection, diffusion, and a beautiful impre...

Le Grand Basin des Tuileries. Oil on canvas, 74x93 cm

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Rafael Duran Benet (1931-2015) - Port Lligat Cadaques Spain - Oil Oil on canvas glued to cardboard. Measures work 50x61 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona...

This evocative autumnal scene, painted in 1885, coincided with Schultzberg’s breakthrough at the Royal Academy’s Spring Exhibition. At only 23 years old, he garnered the attention of...

Antique American modernist flower still life painting. Signed lower right. Framed.

There is something about my imagination. Something expansive and wandering, a never-ending story. I live there so much of the time. I must say that I have often wondered if I am made...

This artwork "Harbor Scene" c.1975 is an oil painting on canvas by Austrian artist M. Edward Griff. It is signed at the lower right corner by the artist. ...

Jean Salabet’s La Fontaine Médici, Paris, France captures the serene beauty of the historic fountain nestled within the Luxembourg Gardens. Rendered in his distinctive impressionisti...

Jesus at the House of Mary & Martha Italian artist, 1600's oil on canvas, unframed Canvas: 32.5 x 56.5 inches Provenance: Private collection, England Condition: for a work of such mo...

Early naturalistic nautical painting by Danish painter Niels Peter Bolt. Known for his still life paintings of large floral bouquets, this work is a testament to his artistic range. ...

£975.00 ADD GIFT NOTE BEFORE YOU BUY ADD TO CART ABOUT THIS WORK OF ART Maria Floyd Echoes Original Abstract Expressionist Painting Mixed Media on Board Framed Size: H 41cm x W 125...

This series of paintings is inspired by the relationship between the artist and the Fontainebleau forest region. Here we're talking about the Episy marsh, a sensitive, protected natu...

George Turner British, (1843-1910) Harvesting near Barrow-on-Trent Oil on canvas, signed & dated (18)86, further inscribed verso Image size: 19.25 inches x 29.25 inches Size includ...

Alberto Ulloa Burgos (1 January 1950 – 1 October 2011). Street After Rain (Santiago de Chile), 1970. Oil on masonite panel measuring 20 x 24 inches; 26 x 30 inches framed. Signed and dated lower right. Original frame with export label stamp. Alberto Ulloa Burgos was a painter, sculptor, and poet from Altamira, Dominican Republic. He was a student of the distinguished Latin American painter Jaime Colson...

Hubert Glansdorff Belgian 1877 – 1963 Signed bottom right Picture Size: 19 x 28" (47 x 70cm) Outside Frame Size: 27 x 36" (67 x 90cm) A rare chance ...

Radiating both opulence and emotional depth, "The More I See You, The More I Like You" is a captivating large-scale circular painting by artist Anastasia Gklava. This mesmerizing wor...

Two good matched paintings for the price of one! Charming pair of original oil paintings on canvas, the pair is from the 19th century, Victorian era in the Scottish style by Scott...

The organic aesthetic and textures of Peter Kuttner’s original boho minimalist artworks are the result of patient layering and unique uses of media. Through a combination of collage ...

Macy's Parade, Sponge Bob Part of a series of 11 paintings, some sold. An oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases images from ...

‘A Day in the Country’ by William Frederick Witherington R.A. (1785-1865). The painting – which depicts a group of Victorian figures on a summer’s day before an extensive landscape ...

"The Salamander Pond" (2024) by Deb Komitor (United States) is a handmade landscape oil painting that is ready to hang. Deb Komitor was born and raised in Ohio and now resides in C...

Mid Century Fingerpainted Landscape in Acrylic, in Diamond-Shaped Frame Unique landscape by Hollywood, California artist Genevieve"Gen" Matucha (American, 1903-1989). The scene dep...

The secret Place Oil on panel (Dibond) 85 x 160 cm Framed 95 x 170 cm This painting is by Dutch Impressionist painter Erik van Elven. This young ar...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 13.75 x 20 Frame Size: 20 x 27 Medium: Pen, Pencil, Crayon, Marker "Daddy Playing in the Mud" Biography Johnny Banks (1912-1988) In my opinion one of the greatest Texas folk artists of all time. The following information was compiled and submitted by Stephanie Reeves: John Willard Banks, San Antonio, Texas, African American Folk Artist John Willard Banks, black self-taught artist, the son of Charlie and Cora Lee (McIntyre) Banks, was born on November 7, 1912, near Seguin, Texas. At the age of five his parents took him to San Antonio, where he attended Holy Redeemer School until the age of nine, when his parents were divorced and John returned to his grandparents' farm near Seguin. From childhood Banks's favorite pastime was drawing pictures on his Big Chief tablet. He later recalled, "As a kid I used to lie flat on my stomach, drawing and drawing. . . . My mother had to kick me off the floor to sweep." While helping out on his grandparents' farm, Banks completed the tenth grade before striking out on his own. His favorite activities during his youth were singing in a gospel quartet and playing baseball. In his adult years he worked in oilfields and cotton fields, drove a truck, and tended a San Antonio service station. During World War II he joined the army; he held the rank of sergeant and was stationed in the Philippines. After the war he returned to San Antonio, where he worked as a custodian at Kelly Air Force Base, at Fort Sam Houston, and at a local television station. Banks married Edna Mae Mitchell in 1928, and they had five children. The marriage ended in divorce around 1960. In 1963 he married Earlie Smith. His art career began in 1978 while he was recuperating from an illness for which he had been hospitalized. Banks's wife admired her husband's drawings and secretly took several of them to a San Antonio laundromat. There she hung the drawings on the wall, offering them for sale at the price of fourteen dollars. They were purchased and taken to a gallery for framing. Quite by chance, a San Antonio physician and collector of works of art by black artists...

"Shore Birds" by Gerald Purdy, oil on panel, 11 1/2 X 14 inches (framed size: 17 X 21 1/2 inches), $2,800. "I chose narrative art from the menu and have ...

Title: Mid 20th Century Post Impressionist Acrylic of a Nude Female Figure by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Acrylic on unframed paper Size: 25.75 i...

Artist/ School: David Hicks, British late 19th century, signed Title: The Scottish Highlands Medium: signed oil painting on canvas, oak wood framed Size: framed: 27.5 x 23.5 inch...

Large and impressive modernist landscape painting. Oil on canvas. Framed. Signed illegibly.

Rural English Cottage Scene English School, 19th century oil on canvas, framed Framed: 12 x 16 inches Canvas : 8 x 12 inches Provenance: privat...

Contemporary impasto oils in rich deep color, this is a traditional landscape scene of croft and loch with a modern aesthetic. Stunning contrast from mountains that raise off the can...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Ghost Ranch Encantado 22 x 22" image size watercolor, unframed. Shrink-wrapped on poster board. I document the essence of the landscape everyday. I am interested in those untouched...

Arabian Horse in Landscape British School, late 20th century oil on canvas, framed canvas: 25.5 x 37 inches framed: 31 x 41 inches the painting is in overall very good and sound cond...

Steven Nederveen's art is a testament to the complex and ever-evolving relationship between humans and nature. His vivid nature scenes, often seemingly uplifting and idyllic, also reveal the darker aspects of our connection with the natural world. Through his work, Nederveen explores the dualities of our relationship with nature - the love and destruction that can coexist within us. His masterful use of color and light illuminates the beauty and mystery of natural environments such as oceans and...

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

Unidentified Artist, 20th Century – "View of Samarkand" Medium: Oil on canvas Dimensions: 106 x 73 cm (unframed), 130 x 92 cm (framed) Signature: Lower left corner (illegible) Pro...

#5-3061 Impressionistic Seascape,a figurative Impressionistic style , oil on board displayed in a gilt wood frame, signed by Millian lower left.Image size 13.5 H x 13.25 W