Post-Impressionist Landscape Paintings

Title: Landscape with Figures Artist: Sebastià Congost i Pla (1919-2009) Technique: Oil on panel Dimensions: 13 x 16 in (without frame) / 17.7 x 20.9 in (with frame) Signature: Signe...

Provencal Landscape by Louis Bellon (French 1908-1998) signed From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed measurements: 11 x...

Cagnes sur Mer by Josine Vignon (French 1922-2022) signed and inscribed verso dated 1960 oil painting on canvas, unframed canvas: 18 x 13 inches Colors: Grey colors, green, beige, ...

Original oil on artist board painting by the Russian/American artist Ben Benn. Signed lower right and signed titled and dated in pencil verso. 1929. Overall in custom contemporary ...

Oil on canvas by Jallais, France, 1960s. Boats in port. In its pretty dark brown wooden frame. With frame: 68x58 cm - 26.8x22.8 inches, without frame: 61x50 cm - 24x19.7 inches. 12F ...

Like every true master painter, André Bourrie had a unique, distinctive style - an inimitable blend of neo-impressionism and pointillism which, while dra...

Immerse yourself in the atmosphere of silence and natural abundance with this expressive work, where a picturesque garden appears in bloom - with a riot of greenery, flowering plants...

Original oil on board painting by Frederick Tordoff. Signed lower right and titled verso. Overall size in gold and black nautical style frame 25 by 35 inches. Condition: good; no restoration. Frame has some old repairs. This painting depicts the second race of the 1885 America's Cup between Puritan of Boston's Eastern Yacht Club...

Signed fauvist oil on canvas laid on panel riverscape circa 1925 by French painter Louis Valtat. The work depicts a boat being rowed on the Bois de Boulogne lake in Paris, France. It...

Title: French Mid-Century Ink and Wash Drawing of Parisian Boulevard and Rooftops by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Graphite and Ink on unframed pap...

Betsy Podlach (American, born 1964) "Hudson River" 2021 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. Betsy Podlach’s "Hudson River" is an expressive...

Bench Overlooking the Azure Mediterranean Tony Minartz (French, 1873 - 1994) watercolour on artist paper painting : 17 x 13 inches Provenance: private collection in the South of F...

Le Marche by Regine David (female French artist, 1910-2018) signed verso oil on board, unframed board : 15 x 18 inches inscribed verso Provenance: the artists estate, France Conditio...

This painting by Jurgen Winter depicts a beautiful figure with a parasol overlooking the scene along the Seine river in Paris France, a popular subject of the times painted by many i...

Scottish Highland Seascape Shoreline Impasto Painting of An Teallach, Gruinard Bay, Wester Ross by Royal Society Artist, Sheila Macleod Robertson RSMA, SWA. Presented in a vintage wo...

A Cottage In The Forest by Harold Storey ( 1888 - 1965) signed & dated 1940 oil on board, unframed board : 6.5 x 9.5 inches Provenance: private collection Condition: sound & good con...

Summer Woodland by Josine Vignon (French 1922-2022) signed verso, dated 1954 oil painting on canvas, unframed canvas: 21 x 29 inches Very good condition Provenance: from the artis...

Danish-American artist Søren Emil Carlsen paints a post-impressionist landscape that blurs the line between representation and abstraction. With its open composition, the artist capt...

This atmospheric landscape from 1910 offers a rare glimpse into a lesser-known side of Sam Uhrdin’s work. Painted before his formal art education, the canvas reveals an emerging arti...

Designs by Josine Vignon (French 1922-2022) signed pastel/watercolor on paper, unframed painting: 13 x 20 inches good condition provenance: from the artists estate, France Josine V...

Francis Biard (mid 20th century) titled verso signed oil on canvas, framed framed: 22 x 26.5 inches canvas: 21 x 25 inches Provenance: private collection, France Condition: very goo...

Neuquelman Lucien Paris 1909 – 1988 French Painter 'Old Harbor of Honfleur - Normandy' Signature: Signed bottom right Medium: Oil on board Dimensions: Image size 50 x 65 cm, frame s...

A masterful oil painting depicting a view of a riverside wooded park in a beautiful sunny day at the early fall season. A figure seated on a blue bench with a bridge behind, a couple...

'Spring in Provence' for Cheri-Anne Charles Fargue, 1927. Paris, Salon d'Automne, Post-Impressionist Woman Artist ---- Signed lower right 'Cheriane' for Cheri-Anne Charles Fargue, ...

"Paris" signed by Regine David (female French artist, 1910-2018) painting on artist paper, unframed panting: 12.5 x 19.5 inches condition: This painting is in excellent condition, wi...

This is an original work by Andre Kohn. Growing up near the Caspian Sea, Kohn's received a formal art education from the University of Moscow where he studied with members of the la...

Rafael Duran Benet (1931-2015) - Landscape - Oil on canvas Oil measurements 60x73 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter...

Studying art in college helped prepare Julie for 17 years of traveling the world as a professional location photographer. Houck’s travels throughout Europe, Asia and across the Unite...

View over Nice Tony Minartz (French, 1873 - 1994) signed watercolour on artist paper painting : 12.75 x 17 inches Provenance: private collection in the South of France, Condition: v...

Signed and titled oil on canvas circa 1990 by French painter Hugues Claude Pissarro. The piece depicts a woman in a red dress collecting apples in an orchard. Signature: Signed lowe...

Lavender Fields by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 18 x 22 inches Provenance: all the paintings we have by this artist have come from the artists es...

A charming depiction of Snow in New York City by Washington Square Park on a cold snowy evening with city lights and buildings captured in the distanc...

Lausanne signed by Regine David (female French artist, 1910-2018) oil painting on canvas, unframed measures: 18 x 13 inches condition: the painting is in very sound and presentable c...

Artist/ School: Suzanne Crochet (French c. 1930), female French Impressionist artist Title: The Old Cottage Medium: oil on board, unframed Size: board: 9.5 x 13 inches Provenance: private collection, France Condition: The painting is in overall good and sound condition, there are a few minor marks and scuffs to the surface - curved board

"The Bridge upon the Sauceron at Nesles la Vallée (Val d'Oise), 1918" Maurice Walter Edmond de Lambert (French, 1873-1952) Oil on cardboard Signed and dated lower right 10 3/4 x 8 3/...

This expressive mid-century landscape painting captures a rugged mountain setting with bold, gestural brushwork and a vivid, modernist palette. Likely painted by a European post impr...

The Old Olive Trees at the Fountain signed by Regine David (female French artist, 1910-2018) dated 82' gouache painting on artist paper, unframed board: 15.5 x 22 inches inscribed ve...

This elegant oil on mounted canvas is by André Hambourg (France, 1909-1999) and features a seaside composition. The artwork is signed in the bottom left corner. The landscape is a lo...

Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...

EDOUARD LÉON CORTÈS French, 1882 - 1969 PARIS EVENING signed "EDOUARD CORTÈS" (lower right) oil on canvas 25-3/4 x 36-1/4 inches (65 x 91.5 cm.) unframed This work is accompanied by a certificate of authenticity issued by "Comité Édouard CORTÈS" PROVENANCE Private Collection, France Edouard Léon Cortès (1882–1969) was a French post-impressionist artist of French and Spanish ancestry. He is known as "Le Poète Parisien de la Peinture" or "the Parisian Poet of Painting...

In this oil painting, I've captured the vivacious essence of a bustling harbor. Each stroke is imbued with the dynamic interplay of light and shadow, reflecting the fleeting moments ...

Signed oil on canvas figures in landscape circa 1950 by French post impressionist painter Marcel Dyf. The work depicts doing a late summer harvest in Provence, France. Signature: Si...

Pink Step Pathway Harold Storey ( 1888 - 1965) signed and dated 1925 verso oil on board, unframed board : 14 x 10 inches Provenance: private collection Condition: some scuffs and pa...

The Luberon Hilltop Perched Village French Impressionist artist, signed lower corner, inscribed verso dated 2016 oil on canvas, unframed canvas: 32 x 39.5 inches provenance: private...

Artist: Henri Renard, French (1920 - ) Title: French Street Scene Year: circa 1950 Medium: Oil on Canvas, signed l.r. Image Size: 24 x 36 in. (60.96 x 91.44 cm) Frame Size: 31.5 x 44...

A dynamic oil painting depicting a high energy horse race with abstract details and bursts of energy showcased with use of fast brush work and thick impasto oil paint. Jockeys, weari...

Jordi Freixas Cortés (1917-1984) - Spanish village landscape - Oil on canvas Oil measures 65x54 cm. Frameless. Jordi Freixas Cortés (1917-1984) Jordi...

Rafael Duran Benet (1931-2015) - Cadaques - Oil on canvas on cardboard Oil measurements 33x41 cm. Frame size 43x51 cm.. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Ca...

Signed and titled post impressionist figures in landscape oil circa 1980 by French painter Max Michel Agostini. The work depicts park-goers on a path beside a lake on a sunny spring ...

ARTIST: Benjamin Mowll RSMA ROI (1967-) British TITLE: “Faversham Creek” SIGNED: lower right MEDIUM: oil on board SIZE: 75cm x 60cm inc frame CONDITION: excellent DETAIL: Ben Mowll h...

This artwork presents a vibrant and intricate bouquet of irises, masterfully blending a spectrum of purples, blues, and yellows. The composition captures the fluidity and elegance of...

Provencal Landscape by Louis Bellon (French 1908-1998) Signed and dated 1947 From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed mea...

"Salinas Valley Farm" - Fauvist Landscape in Oil on Artist's Board Bright and saturated landscape by Will H. Light (American, 1926-2004). The viewer stands at the edge of a farm, lo...

A finely detailed landscape of Eilean Donan, a 13th Century castle in the highlands of Scotland, under the night sky, by Fresno, California artist David D...

Coastal Scene by Regine David (female French artist, 1910-2018) oil painting on board, unframed board: 15 x 18 inches condition: This painting is in excellent condition, with vibran...

The Ploughing Field by Josine Vignon (French 1922-2022) stamped verso oil painting on board, unframed board: 21 x 29 inches very good condition provenance: from the artists estate, ...

Le Pont Neuf - Paris. Oil on canvas by Spanish artist Joan Raset. Dimension with frame 84 cm H x 104 cm W x 4 cm D Dimension without frame 73 cm H x 92 cm W x 2 cm D Beautiful Pa...

Title: Mid-20th Century Post-Impressionist Pastel of Beachgoers with Sailboat by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 12.5 inches (heig...

Modernist Countryside Landscape Suzanne Vattier, French 1901-1996 gouache painting on artist paper, framed size: 8 x 10.5 inches Suzanne Vattier (1901-1996) was a pupil of the famou...

A fine 20th Century Modernist figurative oil painted by Christian Pedersen Bellinge (1897-1984) oil on canvas 60cm x 70cm painted wooden frame 68cmx 78cm A good late work by the well...