1930s Art

CHET LA MORE (1908 – 1980) NON COMBATANTS c. 1937 Lithograph, signed and titled in pencil. Image 10 ½ x 14 3/8”, sheet 12 3/8 x 15 7/8. With the FEDERAL ART PROJECT / NYC - WPA stam...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Firmado en la parte inferior Estado de conservación bueno La obra se presenta enmarcada Medidas obra: 24 cm altura x 38 cm ancho. Medidas marco: 36 cm altura x 50 cm ancho.

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Ducks by Josette HEBERT-COEFFIN (1906-1973) Sculpture made in stone signed on the base "J. H. Coëffin" France circa 1930 height 10 cm width 16,5 cm depth 14,1 cm Biography : Jose...

AUGUSTE BOUVARD 1882-1956 Pseudo : Mard ALDINE View of Venice with characters Oil on canvas signed low right "Aldine" Framed by Gault (Paris Fbg St-Honoré) Dim canvas : 50 X 65 cm D...

Inscribed and Signed Lower Right "To / Olive Godwin / Neysa McMein" "Looking Into the Mirror." Cover for Woman's Home Companion, published June 1938, with their stamp on verso. Past...

Wood engraving, 1930, edition small, Physick 642 / 643. Initialed in pencil. Two blocks printed on a single sheet: fine impressions on cream laid Japan with full margins (1 1/2 to 2...

American Scene Painting - Social Realism. The present work is a Depression Era account of working-class men and women. Philip Howard Francis Dixon Evergood (born Howard Blashki; 190...

MODERNIST DRAWING New Hope Mid-Century WPA Abstract Non-Objective Jazz Modern. Signed with a "Ramstonev" stamp lower right. RAMSTONEV Cooperative Art Project (1937-1939). In the late 1930s, Charles Ramsey became close friends with Charles Evans and Louis Stone. He persuaded them to join him teaching his New Hope summer classes in non-objective painting. Soon, a history-making collaboration began. In 1937, meeting in Evans' studio at the rear of Cryer's Hardware store on Main Street in New Hope, a decision was made to establish the Co-Operative Painting Project. They were intrigued by the cooperative ad-lib process by which jazz musicians created their music. Believing this to be the quintessential American contribution to music, they theorized that a similar result might be obtainable with art, a "visual jam session." This particlarly fascinated Ramsey, who was a jazz buff and had a large collection of jazz records. The objective was to jointly collaborate in the creation of a painting as well as applying collective criticism during its creation. By creating forward movement by general consent, they believed they could produce a higher level of beauty. By consensus it was decided that subject matter would be non-objective. Up to eight people would participate and stop when the painting "felt" finished by common agreement. These co-operative works were done in several different mediums- the majority in pastel, but some in watercolor, gouache, graphite or cut paper collage. On occasion, the group would create a series, as opposed to a single work, created in steps by three or four artists. One of the occasional participants was famed New Hope poet, Stanley Kunitz. These series could range in number from four to sixteen paintings in each. The first of a series would be very basic and the last a fully finished work. In the scope of importance among the New Hope Modernist...

A striking winter landscape watercolor by American artist Elisabeth Compton Chase, dated 1948, depicting a rural road leading past a red barn and farmhouse set within a snow-covered ...

SOLD UNFRAMED Femme Debout by Georges Henri Manzana Pissarro (1871 - 1961) Pencil on paper 26.7 x 21 cm (10 ¹/₂ x 8 ¹/₄ inches) Signed with estate stamp lower right, Manzana Pissar...

Notre Dame Cathedral by Maurice Falliès (French, 1883-1965), an artist who specialised in Paris street scenes. His work was recently shown at the Musée...

Harold E. Keeler worked in Hollywood as a set designer. That seems especially important here because the Water Fall looks a little as though it could be a w...

Art Sz: 8 3/4"H x 11 3/4"W Frame Sz: 16 1/4"H x 19 1/4"W Paul Desmond Brown (1893-1959) SIGNED LR Paul Desmond Brown was an illustrator and horse artist. He was born in Mapleton, ...

Image Sz: 8 1/8"H x 7"W Sheet Sz: 12 3/8"H x 9 1/2"W *Vertical crease over plate*

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Mother and Child by BÉLA KÁDÁR (1877-1955) Gouache on paper 86 x 56.8 cm (33 7/8 x 22 3/8 inches) Signed lower right Kádár Béla This work is accompanied by a certificate of authenticity signed by Gábor Einspach on behalf of The First Hungarian Painting Expert's Office. Provenance Private collection, Israel The Hungarian artist Béla Kádár was born in Budapest in 1877 to a working-class Jewish family. Following his father’s death, he was forced to start working from an early age after only six years to primary schooling and was apprenticed as an iron-turner. In 1902, Kádár attended the Academy of Fine Arts in Budapest. After leaving the Academy, he worked at a mural painting company. Only when he visited Berlin and Paris and being exposed to the avant-garde art of the time, did Kádár direct his attention to painting once again. In 1910, the artist won the Kohner prize, and the same year he was awarded his first solo exhibition at the Hungarian National Gallery. By 1918, Kádár moved to Western Europe. Today he is one of the most famous members of the early twentieth-century Hungarian avant-garde. Over the course of his time living in Berlin, Kádár’s style changed. His expressionistic, graphic works were gradually replaced by paintings that were more romantic and delicate in nature. Incorporating and often synthesising stylistic elements of Cubism, Futurism, Constructivism, Neo-Primitivism and German Expressionism, Kádár’s decorative and metaphysical subject matter was often based upon traditional Hungarian folklore, and his subject-matter became increasingly narrative. His paintings in this period often feature surrealistic dream-like imagery, reminiscent of compositions by Marc Chagall. Despite his variety of subjects, ranging from abstracted figures and landscapes to interiors and objects, his paintings are typically rendered in a bright, jewel-toned palette and feature a fractured approach to rendering space. In 1923 in Berlin, Kádár was invited by Herwath Walden to exhibit at the highly influential Galerie Der Sturm...

Jim’s of Lambertville is proud to offer this artwork by: Morris Hall Pancoast (1877 – 1963) Born in Salem, New Jersey, Morris Hall Pancoast was a painter, illustrator, and cartoonist. He took night courses at Drexel University and enrolled at the Pennsylvania Academy of the Fine Arts under Thomas Anshutz...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Here for your consideration is an early original oil on canvas painting of boats on Sebago Lake in Maine by the American artist, Thomas Elston Thorne. Signed lower right and dated 19...

COSSON, Jean Louis Marcel (1878 – 1956) The Bunch and The Maid circa 1930 Oil on canvas signed up left Framed by GAULT (Paris) Dimensions canvas : 56 X 46 cm Dimensions frame : 74 X...

David Margolis (b.1911). Outdoor Market, ca. 1935. Charcoal on paper, image measures 7 x 9.5 inches. Framed measurement 13 x 15.5 inches. Signed lower right. David Margolis (Septem...

BEATON, Cecil [67] pp. Duckworth 1930 11 1/8" x 9" Exceedingly rare with the jacket Illustrated with a coloured frontispiece from the author's drawing of Queen Alexandra, 27 collotype reproductions of his photographs, and 100 line drawings in the text. I have tried to make my book an analysis of modern beauty, a collection of the loveliest ladies I have ever seen, and, in time, it may become a sentimental document for our granchildren, to marvel at all the types of beauty to-day; the latest varieties of Venus as well as the counterparts of former belles. The Book of Beauty is Cecil Beaton's first book. It is an unashamed paean to the beauty of the women who inhabit his world. The book is inspired by books of beauty published in the Victorian period and by his childhood fascination with the theatricality and glamour of the opposite sex. Photographs of women are accompanied by flowery descriptions. Sitters include Baba and Nancy Beaton, Edith Sitwell, Tallulah Bankhead, Tilly Losch...

Jim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...

Le Corbusier (1887-1965) Man and Shadow, 1938 Original lithograph Signature printed in the plate Dated in the plate On light vellum 21 x 27 cm (c. 8 x 11 inch) Very good condition,...

An important American modern landscape by Ashcan school artist Alexander O. Levy. This painting was featured in the retrospective for the artist held at the Burchfield Penney Art Ce...

Original cover for Good Housekeeping magazine, published March 1931

Signed and dated "Paul Mathey 1932" in the lower right corner. A refined Impressionist landscape depicting a serene countryside set against a backdrop of distant alpine mountains. Painted in 1932, this work captures a peaceful rural scene with gently rolling fields, a line of slender trees, and a wooded foreground rendered in warm autumnal tones. The composition is structured with a strong sense of depth, leading the eye from the textured foreground across cultivated land toward the soft blue and violet hues of the mountains. The presence of tall, cypress-like trees and blossoming vegetation suggests a southern European or alpine setting, evoking a quiet harmony between nature and cultivated land. Executed with confident, visible brushwork, the artist employs a fresh, luminous palette of greens, ochres, and soft blues. The paint handling is lively yet controlled, characteristic of late Impressionist practice, with an emphasis on light, atmosphere, and seasonal color. The painting reflects a sensitive observation of the natural environment and would appeal to collectors of European landscapes, Impressionist works, and tranquil pastoral scenes. impressionist landscape, alpine painting, mountain landscape, countryside scene, autumn landscape, European landscape art, 1930s painting, pastoral scene, rural landscape, impressionist oil painting, nature painting, cypress trees painting...

Port Scene in Brittany by Georges Manzana Pissarro (1871 - 1961) Charcoal on artist's board 50 x 66 cm (19 ³/₄ x 26 inches) Signed on the reverse This work is accompanied by a certi...

Look at this Roma travel poster, and you're seeing Rome through Retrosi's architectural eye. The 1930 design by Virgilio Retrosi captures the eternal city's grandeur in bold lithogra...

Irving Place Burlesque Etching, 1930 Unsigned (as usual for the Whitney edition) Numbered in pencil lower left Blind stamp of the Whitney Museum (WM) lower right From: Reginald Marsh...

An original silver gelatin black and white photograph by Ralph Young Studios, San Francisco. View of the Sir Francis Drake Hotel building in 1930. Features: Original silver gelatin p...

Linen-backed original 1939 James Montgomery Flagg vintage poster: You're in Trust; we must protect it from fire. "If we would have forests--we must prevent fires: Maryland Stat...

This luminous landscape is perfectly capturing the light of early spring. A boy is climbing over wooden farm gates, with a backdrop of rolling hills. The painting has a gloriously fr...

Marie Laurencin: 1883-1956. Very well listed French artist who has had Auction results as high as $187,000 for a watercolor and ink on paper. Although she is best known for her color...

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and published in 1938 in a limited edition of 1500 by the Yale Universi...

Few posters capture the glamour and optimism of pre-war alpine tourism as clearly as this striking advertisement for the Kreuzeckbahn in Garmisch-Partenkirchen, one of Germany’s lead...

Original oil on wood panel attributed to the hand of the Russian/American artist, Nahum Tschacbasov. Circa 1938. Unsigned. Estate stamped verso twice. Original artist inventory la...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Signed lower right. Description A socio-political play on the smoky, masculine enclave scene of a card game, seven men from all walks of life appear in a dim room, the table beari...

Art Sz: 9 1/2"H x 12 1/2"W 1933 Proof Plate for 'Spills and Thrills' Published by Charles Scribner's Sons New York 1933

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Signed "H. Dufaux" in the lower left corner. Titled and dated "Au bord du lagon à Mooréa 1935" on the reverse. Dimensions with frame: 47,8 x 60,8 x 5,5 cm. This atmospheric oil on c...

Famed Art Deco Sculptor Boris Lovet-Lorski depicts his signature "Stallion." in this stunningly elegant drawing. It features a nude female that is c...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Gorgeous still life lithograph of a a vibrant purple Iris made in the 1930's by artist unknown in the style of Georgia O'Keeffe.

Antique Expressionist Painting of Ibiza by the American Artist Martin Baer (1894-1961), 1935. Baer was born in Chicago and early in his career worked in Germany, North Africa, and Pa...

This work is an exceptional example of Kádár's mature Cubist style. It's effortlessly designed around a complex composition of nude men and women tending to horses in a surreal landscape with Greek columns, friezes, and marshmallow clouds set against a rich, saturated blue sky. Kádár was a Hungarian painter influenced by Der Blaue Reiter...

Paul Landacre, 'Verdi', wood engraving, 1936, edition 60, (only 14 printed), Wien 188. Signed, titled, and numbered '10/60' in pencil. A fine impression, on cream, laid Japan paper, ...

A couple on Park Avenue, NYC

Ida Ten Eyck O'Keeffe The Fish, 1935 Signed and dated in pencil lower right Monotype on paper Image 6 x 8 1/2 inches Exhibited Dallas Museum of Art, Ida O'Keeffe: Escaping Georgia's...

Beautiful 1930's California seascape of the rocky Monterey coast, with numerous smooth stones on the water's edge depicted in great detail, by San Jose,...

This striking original circa 1930 enamel advertising plaque for St Raphaël Quiquina, designed by the celebrated French poster artist Charles Loupot, stands among the finest examples ...

Signed lower right, 'W.H. McConnell' (American, 19/20 century) and dated 1936. A member of the Association of United Scenic Artists in Hollywood, W.H. McConnell worked as a backdrop...

Arturo Martini (Treviso 1889 - Milan 1947), La Botola (1930 / 1933) Terracotta sculpture 34 x 42 x 9 cm signed lower left; label of Galleria del Milione, Milan, on back. Provenance...

Elegant watercolour portrait of a dapper gent in evening cutaway attire c1930s Art Sz: 12 1/4"H x 8 3/4"W Frame Sz: 17"H x 13 1/2"W in gilt bamboo

M Leonard Untitled, c. 1930 Oil on board 14 3/4 x 21 in. Framed: 21 1/8 x 27 1/2 in. Signed lower right: M Leonard

Art Sz: 9 1/2"H x 12 1/2"W 1933 Proof Plate for 'Spills and Thrills' Published by Charles Scribner's Sons New York 1933

Original cover for Liberty magazine, published August 29, 1931. Lil and Sandy have been enjoying their summer weekends together as they begin to search for a new vacation home. Howe...

Jan Boedts (1904-1973). Hulde ann Jonkheer Roelants, ca. 1935. Bronze cast mounted to stone base measuring 20.5" h, 10.5" d, 8" w. The piece was commissioned by the court of King ...