Prints and Multiples

Charles Pachter is one of the most collected and cherished Canadian artists. His iconic, uplifting and patriotic images have independently earned their place in the nation's museums...

Original vintage travel poster for Romantic Malaya (now Peninsular Malaysia and Singapore) featuring a stunning night time illustration of an idyllic sandy beach scene with a calm se...

Artist: Mel Ramos (American, b. 1935) Title: Titleist Tillie Year: 2007 Medium: Lithograph, signed and numbered in pencil Edition: 199 Size: 45 in. x 30 in. (114.3 cm x 76.2 cm)

Artist: Roy Ahlgren, American (1927 - 2011) Title: Eve (Pink) Year: 1974 Medium: Silkscreen, signed and numbered in pencil Edition: AP Image Size: 18 x 18 inches Size: 20 x 20 in. (5...

Color monoprint Burckhardt's Debris monoprints are meant to conjure a Western landscape, with Big Sky expanses coupled with flood washed rubble. The prints are not intended to be ...

ABOUT THE PIECE: The Colorsafe paintings are an exploration of the use of color and pattern. They are constructed from 'vintage' catalogs of the late 1960s / early 70s, a particularl...

Artist: Quinn, Marc Title: At the Far Edges of the Universe V Series: At the Far Edges of the Universe Date: 2010 Medium: Pigment Prints Unframed Dimensions: 27.25" x 41"...

Rinding in Love by Mackenzie Thorpe Framed Serigraph on Paper. Edition XXXIV/C Framed Dimensions: 29.125 x 41.875 inches Handling time may exceed 10 bu...

Artist: Tony Bechara, Puerto Rican (1942 - ) Title: Cuernavaca Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition: 250 Paper Size: 30 x 22 inches

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Color Woodcut, Edition 20. In “The Night Prism”, angled surfaces meander in an ornamental fashion delineating a human figure. This constructed body, the central motif of the print...

SOUS LES PALMIERS is an original hand drawn limited edition lithograph printed in vivid colors on archival Somerset paper 100% acid free by the Dutch artist known as CORNEILLE(Guilla...

Paul Jones. (1921-1997) Flora Superba. London, 1971. Edition of 406. Flora Magnifica. London, 1976. Edition of 506. Lithographs. The portraits of flowers by Paul Jones ...

Original vintage travel advertising poster for Danish Airlines - Det Danske Luftfartselskab (DDL). Great design featuring a lady passenger on a plane looking out of the cabin window ...

mesmerizing large scale photographic capture of strikingly abstract water surface shimmering in soothing tones of cobalt, admiral, azur and lapis blue Wave I (Abstract) by Christian...

How we read visual signs and information and how we construct meaning as a result of our reading are central issues in my work. In my Jacquard tapestries I examine the twin pract...

How we read visual signs and information and how we construct meaning as a result of our reading are central issues in my work. In my Jacquard tapestries I examine the twin practices...

Wave I by Christian Stoll 40 x 40 inches (102 x 102cm) edition of 25 signed 58 x 58 inches (147 x 147cm) edition of 7 signed 48 x 48 inches (122 x 122cm) edition of 7 signed arch...

An original mid century modern abstract expressionist monotype print by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) Yovanovich was a painter/printmaker whose ...

Emily Joyce The Third of May, Mauve, 2013 10 color screenprint on BFK Rives 25 x 18 inches edition of 10, signed and numbered (printed by Gray Area Print, Los Angeles) there ...

Artist: Mel Ramos (American, b. 1935) Title: Hav a Havana #8 Year: 2011 Medium: Lithograph, signed and numbered in pencil Edition: 199 Image Size: 22 x 37 inches Size: 29.5 in....

An abstract screen print by Post War artist Josef Albers. Signed lower right, "Albers '72". Editioned lower left, "LC 134/144".

Color lithograph, Edition 20 Evan Colbert is an artist of the information age. He appropriates visual images from the relentless onslaught that bombards us. In his work he incorporates logos, trademarks, icons, symbols, pictograms, signage and other ubiquitous images in befuddling and often humorous juxtapositions. Eye Candy...

FLORA’S FEAST A Masque of Flowers Walter Crane, Illustrator Cassell & Co., Publisher Color Lithograph London, 1889 Born in Liverpool, 15 August 1845, Walter Crane first studied art in his father Thomas’ studio. After both moving to London and losing his father, Crane obtained an apprenticeship as William Linton’s engraving shop. This position exposed the young Crane to political reform which would become a major influence on his future work. As in illustrator, Crane became part of an influential group of political and religious radical movements. A supporter of the Liberal Party, Crane was outspoken in his support of the Communard’s attempt to overthrow the French government in 1871. It is seemingly ironic that at this time that Crane’s reputation as an illustrator of children’s books began to blossom. Within a decade Crane would join his life-long friend William Morris’s Arts and Crafts...

Publisher GKM. Unframed. Edition of 150 ex. Signed by the artist. Free shipment worldwide. Reality or fantasy? What is the difference between fantasy and fact, between night and day...

Soviet / American Array VI is a 1991 color intaglio by Robert Rauschenberg. Soviet / American Array VI is part of a larger series entitled Soviet / American Array where Rauschenberg pairs pictures of the Soviet Union with those of the United States. Soviet / American Array VI is from an edition of 59 plus artist and printers proofs. Soviet / American Array VI is signed by Rauschenberg.

Paul Henry Ramirez has shown throughout the United States and Europe. He has had numerous one-person museum exhibitions including the Contemporary Arts Center in Cincinnati, the Whit...

This image would pair well with Besler's "Caryophyllus Major" which is also listed. BASIL BESLER (1561 – 1629). Hortus Eystettensis. Konrad Bauer. Altdorf, 1613, 1640, 1713 – 50....

Original color silkscreen, unknown year. Jean-Michel Folon was a Belgian contemporary artist, illustrator, painter and sculptor. During his diverse artistic career, Folon experimente...

Created in 2015, this color screenprint is hand signed by John Baldessari (National City, 1931- Los Angeles, 2020) in pencil in the lower right margin and is from the edition of 50. ...

Digital print. Unique, 1 of 1 piece. Léo & Steph are a Franco-Brazilian duo passionate about "Pop Art" who like to transform everyday objects into unique and exclusive works of ar...

With the simplest of line akin to a drawing by Matisse, Alex Katz renders Ada (Purple) in elegant simplicity. Created in 2022 as an original one-color woodcut in an edition of just ...

Ales Katz- Purple Tulips 2 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper, 2021 Edition: 100 Signed and numbered (41/100) in pen...

This unique monoprint, from Badillo’s ‘War Period’ combines elements of colorful abstraction against a dark ground with cryptographic lettering across the top of the piece that inter...

Work on paper, oil and collage. Limited edition. Cerj Lalonde moves smoothly from the canvas to the camera, from computers to installations, producing and showcasing an extraordinarily rich and complex body of work created during the last 30 years. His purpose is to pursue a direct, and, in each case, a different communication with the spectator. It can be said that Lalonde works as a team with himself, not only to develop his artwork, but also to sharpen his personal ideas about contemporary culture, trends... Lalonde is putting a lot of time, energy and thought into his new media and technology productive structure, where he can directly address his issues... His paintings, installations, photographs and web pages, are intended to function each in its own way, as an overt revision and critique of the contemporary art system, as they establish parallel dialogues between the artist, the public, and the curatorial values. "Lalonde, the painter" Cerj Lalonde works his painting with a conceptual approach, as an attempt to restate the validity of painting as a practice per-se. His abstract language ranges from lyric abstractionist pieces to many personal interpretations on art history masterpieces, as specific reflections upon geometric abstract paintings like Malevich´s black square series, or Albers study of color, among others. Lalonde holds many layers as an artist. His years of experience as a painter and thirst for art history and critique have helped him develop into a consciously literate artist. Formally, his domain of techniques ranges from drawing, printing, and primarily acrylic painting by means of a wild contrasting palette. But more than any type of formalism, Lalonde´s work is a strong statement about painting itself and how he approaches abstraction from a conceptual viewpoint. His paintings celebrate the power and meaning of color and texture, the imperative voice of contrast and stridence, and the million of possible solutions for a white canvas. I also see in his artwork a psychoanalytical interpretation of art, and a curiously unintentional approach to oriental philosophy appears throughout his multi sized body of work. In many of his canvas, the presence of the square has been integrated as an element of equilibrium and unity to the soul of the artwork itself. Lalonde is specifically interested in the qualities of painting as a media: “What Painting and only Painting can do”. Of all arts, painting is perhaps the most intimate and personal of art languages. It reaches the viewer at a last phase, in the gallery, or museum, or exhibition space. In the meanwhile, there is a time frame between the moment when the artist finishes his work and it gets shown. This space of time is silence. It can be said that the gap between the act of painting and its way out of the studio has had Lalonde wondering about other strategies of approaching the viewer, the critic, and to challenge the art world as a system. New media's and technology In his body of work related to the Internet, the use of language can be established as the first notable addition where the silent scream that comes from his paintings invades the screen and transforms it into words. We can feel the imperative urge to communicate. Lalonde addresses everyone and no one, and a certain/uncertain dialogue is established between him and the anonymous viewer/Web surfer/browser who reads it. Lalonde has produced multiple web sites. With this media, he has taken over a physical/nonphysical space to express his ideas about the act of seeing, of looking, and getting intoxicated by the gaze, by the sight, by the cognitive look, and the subjective one. Another interesting aspect is the inclusion of his images as an artist in several ways. For example, in SELF PORTRAIT AS A FAMOUS ARTIST he presents himself in all the archetypical attire of the romanticized representation of the artist. Lalonde has reverted all his irony and sarcasm as images that appear as brushstrokes on his Web sites. Another image that frequently appears is the sweet face of a very young woman, who looks at the browser with sweetness and nostalgia. As websites are build through layers, Lalonde has as well, constructed layers of impact, thought, and reflection, by means of the multiplicity of images that appear, ranging from his own paintings, installations, portraits, and text. He is interested in what defines art, who validates artwork, how artist’s success has a strong pull to media and critic dependency. Lalonde points out these issues as loud as a silent scream. Phrases such as the Dominance of Curatorial Ideology, Global Mono Cultural Art Discourse or Hegemony of the Global Curatorial Class are samples of titles that frame parts of his Web visual discourses. In his installations and performances such as THE NO SHOW, and WORKING TO BECOME RICH AND FAMOUS SO YOU CAN LOVE ME FOREVER, Lalonde discusses the notion of the self and identity, the artist as a social figure, and the severe critique of the contemporary art system, and society at large. He questions the validity and the ideology of the curatorial establishment, the marketing methods, and the issues of the self - as he queries the conventional paradigm of the artist. On his Web pages, Lalonde metamorphoses from an anonymous painter in his studio to a more public personae. His gaze looks at the viewer, his open mouth screams and questions the browser constantly, sometimes as an outsider and sometimes from the hypothetical voice of the viewer’s conscience. In SEEING, a photographic installation that can be considered as a milestone in his work, he presents a dark room that has many different sized eyes that are looking at the viewer. An interesting aspect of Lalonde’s digital work is the presence of a perpetual reflection that not only shows the act of seeing itself, but in a more profound way it presents the subconscious mind of the viewer. He inverts his role of an artist and establishes a dialogue with the unconscious of the spectator, both through his installations and digital art work...

Archival pigment inks on Innova 315 gsm paper Edition of 100

Digital print mounted on plexiglass. Unique. Léo & Steph Franco-Brazilian duo passionate about "Pop Art" who likes to transform everyday objects into unique and exclusive works of...

Created as a matching pair of images by Damien Hirst in 2016, Mickey and Minnie are two very fun and highly collectible screenprints, each measuring 34 ½ x 27 ...

Pochoir printed in colours, 1947. From: Jazz, Plate VI. From the book edition of 270. Printed on Arches paper by Edmond Vairel, Paris. Published by Teriade, Paris. (Duthuit Livre...

This iconic lithograph in colors with cold stamping and high gloss varnish was created in 2011 by Takashi Murakami. Hand-signed in ink, numbered and ...

Original lithograph printed in colors on BFK Rives wove paper. Hand-signed in pencil Sam Francis. A superb impression of the only state, from the edition of 16, numbered in pencil ...

Edition of 50 This work is registered in the Steve Kaufman (SAK) Catalogue Raisonné.

TECHNICAL INFORMATION: Victor Vasarely Sinlag II 1990 Cast paper relief in colors 29 3/4 x 29 3/4 in. Edition of 120 Pencil Signed and Numbered Acc...

Günther Förg (German, 1952-2013) Untitled, 1990 Medium: Woodcut in colors on wove paper Dimensions: 103 x 80 cm Edition of 20: Hand signed, numbered and dated in pencil Condition: Ve...

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. In another piece created in the “Framed Colored Squares” series, JCW experim...

A very fun and highly collectible screenprint in colors, Minnie (Pink Glitter) was created by Damien Hirst in 2016. Measuring 34 1/2 x 27 1/2 in. (87.5 x ...

Signed in pencil, l.r. Edition of 200 Contact gallery for price This work is offered by ClampArt in New York City.

Hand signed in pencil verso, numbered 5/50 verso. Published by Other Criteria, London. Screenprint in colors with glitter on heavy wove paper. Additional images available upon requ...

After Victor VASARELY Geometric Screen Print Signature printed in the plate On paper 101 x 64 cm (c. 40 x 26 inch) Made for the Olympic Games in Munich, 1972 Excellent condition

Signed in pencil verso, numbered from the edition of 16. Printed on wove paper by Stoneman Graphics, Cornwall. Published by The Paragon Press, London. (Kemp 201).

Christopher P. Green (b. 1983, Dorset, UK) lives and works in London. He studied Art and Design at The Arts Institute, Bournemouth and Graphic Design at Southampton Institute and is ...

A very fun and highly collectible screenprint in colors, Mickey (Blue Glitter) was created by Damien Hirst in 2016. Measuring 34 1/2 x 27 1/2 in. (87.5 x ...

Serigraph in colors on paper. Hand signed and numbered by the artist. From the edition of 150. Sheet size 20 x 26.25 inches. Image size 19 x 23.25 inches. Frame size approx 27 x...

Dr. Seuss Singing Cats Serigraph on paper 26 x 36 inches Adapted posthumously from the pre-production large-scale illustration for the 1967 book The Cat in the Hat Songbook This pr...

This piece is a color silkscreen, constructed from various pieces of propaganda that Kitaj encountered while studying in Vienna in 1951. It also includes photographs of Kitaj himself...

Brigitte Parusel's works are underlined by an emphasis on experimentation and her interest in working within the limitations of a system. Her drawings are part of an ongoing exploration of a geometric pattern of interconnected circles. The pattern is the basis for her large-scale installations, spatial sculptures and folded works. The drawings explore the geometric relationship of the patterns components and its potential as a blueprint for constructing form, shape and structure. Brigitte Parusel's animation 'After Albers...

Edward Donovan (1768-1837) The Natural History of British Fishes London, 1802-1808 Engravings with Original Hand-Coloring Born in Ireland, Don...

Edward Donovan (1768-1837) The Natural History of British Fishes London, 1802-1808 Engravings with Original Hand-Coloring Born in Ireland, Donova...