Prints and Multiples

Original collotype created from Gustav Klimt’s The Swamp, painted in 1900. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Sta...

Bit of a mystery here. Really well done colored Linocut A very expressionistic style of a landscape with trees. I’m pretty sure it’s signed in Hebrew but cannot translate. A very low...

RF ART Road to Nowhere (Street Art, Pop Art, Frankenstein, Comic, Nuclear, Mushroom) 3D-construction Year: 2021 Signed and numbered by hand Edition: 50 Size: 23...

Wishing on You 19 x 25 Inches Silkscreen Ink on Lenox 100 Archival Paper Signed, Stamped & Embossed Edition of 195 FAILE is a Brooklyn-based artistic collaboration between Patrick M...

Set of 3 screen prints on paper includes "Animal", "Saviour", and "Poison Reality". AP of 10. Matching editions. Each print measures 19.69 x 19.69 inches. Artwork is in excellent ...

Artist: Jean Jansem (French/Armenian, 1920-2013) Title: Les Quais a Venise Year: 1966 Medium: Color lithograph Edition: Numbered 127/160 in pencil Paper: Arches paper Image size: 18....

“A voice is heard in Ramah, mourning and great weeping, Rachel weeping for her children and refusing to be comforted, because they are no more.” This verse from Jeremiah 31:15 is the subject of this woodcut print by Jacob Steinhardt, depicting Rachel, who was the mother of the tribes of Joshua and Benjamin, and who was the wife of Jacob who was Israel, weeping for her children which is to be understood as after the destruction of the First Temple in Jerusalem, the Israelites were clustered into Ramah, the home of the Benjaminites, before being taken into the Babylonian captivity; Rachel is weeping for the destruction and expulsion of her descendants. This work is exemplary of the Jewish themes of Jacob Steinhardt, a German Jew...

Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury. Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession. In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings. Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...

L'Ouverture sur L' Été is an original hand drawn limited edition lithograph by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded the 20th Century experimental art movement CoBrA recognized for their spontaneous, rebellious style of painting that was heavily inspired by the art of children and the mentally ill. Corneille devises his colorful fantastic imagery with exotic plant forms, sensuous female bodies, animals and lively pattern design. L'Ouverture sur L' Été depicts a bold reclining female nude whose mint green body with cobalt blue delineated details and face rests upon a deep green background amidst the heat of summer - red horizon with blazing yellow sun and an exotic blue bird hovering above. Print size - 19.5 x 25.5 inches, unframed, full bleed image, no margins, pencil signed by Corneille Edition size - 200, plus proofs Year published - 1981 Printer - J K Fine Art Editions Co., NY About the artist Corneille - Guillaume Corneille was born in Liege, Belgium on July 3, 1922. Corneille studied drawing at the Amsterdam Rijksakademie, but as a painter he was entirely self-taught. After having attended courses at the School of Fine Arts in Amsterdam, he started his painting experience influenced by Surrealism. Corneille, also known as Corneille Guillaume Beverloo, was a painter and graphic artist who radicalized the conservative Dutch art world in the early 1950s. He is co-founder with Karel Appel, Eugene Brands...

Plate #3 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...

A unique oil print by Romare Bearden circa 1980. A bright city scene illustrated in a modern expressionist style. Artist: Romare Bearden, American (1911 - 1988) Title: Bridgetown, ...

Plate #15 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Kl...

Artist: Estelle Ginsburg, American Title: Women of Intellect #6 Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 150 Size: ...

TITLE Mark Drew Diptych Print Set Exclusive "Time to Grind" & "Keep Their Heads Ringing" The Peanuts Charles Schulz YEAR 2019 CLASSIFICATION Limited editio...

'Improvisation 7' second ed. woodcut from 'Klänge' is a woodcut print created by Wassily Kandinsky. The present woodcut print comes from the second edition of 'Klänge (Sounds),' a book of original graphics and poetry by Wassily Kandinsky. The title of the album and of this print, 'Improvisation,' demonstrated Kandinsky's interest in music and how abstract musical forms could be translated into images on a two-dimensional surface. This particular composition is difficult to read, but through the abstraction, one can make out various figures and a landscape beyond. Originally carved and printed in 1911, this second edition print was done ca. 1938. It is a woodcut in black ink on woven paper. Signed with encircled 'K' in the block, lower right (from the book, signed in ink, ed. 117/300) Image Size: 7 1/2" x 5 inches Frame Size: 22 1/4" x 18 3/4" Ref. Roethel 124 Artist Bio: The Museum of Modern Art described 'Klänge (Sounds)' as follows: Vasily Kandinsky's self-described "musical album," Klänge (Sounds), consists of thirty-eight prose-poems he wrote between 1909 and 1911 and fifty-six woodcuts he began in 1907. In the woodcuts Kandinsky veiled his subject matter, creating increasingly indecipherable images (though the horse and rider, his symbol for overcoming objective representation, runs through as a leitmotif). This process proved crucial for the development of abstraction in his art. Kandinsky said his choice of media sprang from an "inner necessity" for expression: the woodcuts were not merely illustrative, nor were the poems purely verbal descriptions. Kandinsky sought a synthesis of the arts, in which meaning was created through the interaction of, and space between, text and image, sound and meaning, mark and blank space. The experimental typography shows his interest in the physical aspects of the book. Klänge is one of three major publications by Kandinsky that appeared shortly before World War I, alongside Über die Geistige in der Kunst (Concerning the Spiritual in Art) and the Blaue Reiter almanac...

Studies is an original offset and lithograph realized by George Grosz. The artwork is the plate n.10 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-V...

The Cryptik Movement is dedicated to helping humanity evolve towards greater awareness and understanding through public art. The purpose of the Movement is to facilitate the developm...

A screen print on arches paper. Produced in 1990. Edition of 33 + 5 Artist Proofs. This being number 27/33. Littmann P.182. Signed and numbered in pencil by the artist. This work wa...

Javier Calleja Little Mickey Plush (set of 2): Standout, highly decorative limited edition Javier Calleja Mickey Mouse art toys created by Calleja in ...

CB Hoyo titled Overthinking Will Fucking Kill You. Condition: Brand New Signature: Signed and Numbered by Artist in Pencil, C.B. HOYO. Dated 2020. Frame: Not included Edition of onl...

Engagement is an original offset and lithograph realized by George Grosz. The artwork is the platen. 17 from the portfolio Ecce Homo published between 1922/1923, edition of Der Mal...

Screen print cutout on Saunders Waterford 425gm HP Hi-White paper. Hand signed, dated and numbered by the artist. Artwork size 10.5 x 8 inches. Custom framed as pictured. Frame si...

Peace & Dove Metal Sign Screenprint Comes ready to hang and the Certificate Of Authenticity is on the verso. Edition Details: Year: 2021 Class: Street Art Print Metal Sign Status: O...

Original lithograph of Josef Fenneker’s German Expressionist poster design for the 1920 silent film Hass (Hate) directed by Manfred Noa. J...

Signed by Ted Soqui and Shepard Fairey. Edition 164/600 Based on photos taken by Ted Soqui during the LA riots of spring 1992. "Ted has a long history of photographing activists and...

Original collotype lithograph of a reclining nude drawing from Gustav Kilmt’s handzeichnungen (sketch) in 1922 by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwo...

Mark Drew is an acclaimed artist known for his unique fusion of music and visual art. Hailing from a background deeply rooted in the world of hip-hop and urban culture, Drew brings h...

This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for export regardless of t...

Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...

Old lad glory is an original offset and lithograph print, realized by George Grosz. The artwork is the plate n. 52 from the porfolio Ecce Homo published between 1922/1923,edition of...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...

Hard Times from is an original offset lithograph realized by George Grosz. The artwork is the plate n.27 from the portfolio Ecce Homo published between 19...

Title: IHeart Screenprint "The Night Shift" Glow In The Dark Inks Contemporary Street Art Year: 2018 Classification Limited edition Medium Type Print Medium/Materials Hand Pulled Screen Print On 100# (260/m2) French Cover Stock Categories Silkscreen / Graffiti and Street Art / Pop and Contemporary Pop / Nude / Feminist Art and Contemporary Feminist Provenance Comes With C.O.A. From The Artist. Additional Info Print Glows in the Dark with Special UV Inks. Signature Signed & Numbered In Pencil By The Artist, I Heart Stencil...

Poison Apple 2 - Midnight Green Edition: Available for the first time as a screen print edition, Poison Apple 2.0 marks 5 years of the original exhibition at D...

La Hage, Pyrenees , France  by French artist J.J. Regal is an original signed, limited edition aquatint etching printed on BFK Rives paper. This is a very bold design with an or...

Color screen print on 300 graphite plike paper. Hand signed and numbered on front by Snik. From the edition of 21. Frame size approx 30 x 30 inches. Artwork is in excellent condi...

London, England is an original signed limited edition aquatint etching by French artist J.J. Regal printed on BFK Rives paper. This is a very bold design with an original depict...

Screen print in colors on 300gsm paper. Hand signed lower right by Mark Drew. Hand numbered 134/200 lower left. Sheet size 16.5 x 11.6 inches. Frame size 18 x 13 inches. Artwork...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, . Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Déco...

Artist: Hermann Max Pechstein (German, 1881-1955) Title: "Weib Vom Manne Begehrt (Woman Desired by Man)" Portfolio: Deutsche Grapiker der Gegenwart (German Printmakers of Our Time) *Unsigned edition Year: 1919, (published 1920) Medium: Original Woodcut Engraving on cream wove paper Limited edition: 500, (there was also a signed and numbered edition of 30) Printer: Unknown Publisher: Klinkhardt & Biermann, Leipzig, Germany Reference: "Das Graphische Werk Max Pechsteins" - Krüger No. 224; Fechter No. 157; Rifkind No. 2252; Söhn I, page 108-114 Sheet size: 12.75" x 9.5" Image size: 9.88" x 6.25" Condition: One small skillfully repaired tear lower left in margin. It is otherwise a strong impression in excellent condition Notes: Provenance: private collection - Kiel, Germany. Comes from the 1920 "Deutsche Grapiker der Gegenwart (German Printmakers of Our Time)" portfolio of fifteen lithographs, eight woodcuts, eight reproductions, and one lithographed cover by various artists. The artists who contributed to this portfolio were George Grosz, Ernst Barlach, Lovis Corinth, Richard Seewald, Heinrich Campendonk, Erich Heckel, Otto Mueller, Karl Schmidt-Rottluff, Lyonel Feininger, Conrad Felixmüller, Max Unold, Karl Caspar, Max Lieberman, René Beeh, Adolf Ferdinand Schinnerer, Ludwig Meidner, Max Beckmann, Richard Seewald, Käthe Kollwitz, August Gaul, Rudolf Grossman, Alfred Kubin, and Paul Klee. This very same work is within many permanent museum collections including the Museum of Modern Art, New York, NY. "Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)" brings together woodcuts, lithographs, and reproductions by thirty-one artists representing a cross-section of styles from Impressionism to Expressionism, uniting under a single cover works ranging from naturalistic self-portraits to left-wing political caricatures. It features works by artists associated with the Berlin Secession (an exhibiting society comprised primarily of German Impressionists), with Expressionist groups like the Brücke and Der Blaue Reiter, and with the political Novembergruppe, as well as artists like Max Beckmann who were not affliliated with any group. In his introduction, art historian Kurt Pfister identified Expressionism as the leading force in German art at the time, while stressing the plurality of approaches to style and subject matter that the movement encompassed. Pfister emphasized the openness of German artists to foreign sources, and cited the importance of Paul Cézanne, Edvard Munch, and Pablo Picasso as well as Japanese, Indian, African, and Gothic art for the development of German art. There was a fifty-year difference in age between the oldest artist, Max Liebermann, and the youngest, Conrad Felixmüller, featured in the collection. The volume also included Lyonel Feininger, an American who had lived in Germany since 1896, as well as Austrian artists Oskar Kokoschka and Alfred Kubin. Biography: Pechstein was born in Zwickau, the son of a craftsman who worked in a textile mill. Early contact with the art of Vincent van Gogh stimulated Pechstein's development toward expressionism. After studying art first at the School of Applied Arts and then at the Royal Art Academy in Dresden, Pechstein met Erich Heckel and joined the art group Die Bru¨cke in 1906. He was the only member to have formal art training. Later in Berlin, he helped to found the Neue Sezession and gained recognition for his decorative and colorful paintings that were lent from the ideas of Van Gogh, Matisse, and the Fauves. His paintings eventually became more primitivist, incorporating thick black lines and angular figures. From in 1933, Pechstein was vilified by the Nazis because of his art. A total of 326 of his paintings were removed from German museums. Sixteen of his works were displayed in the Entartete Kunst (Degenerate Art...

Letterpress on cream cotton paper with hand-deckled edges. Obey publishing chop in lower left corner. Manufacturer: Obey Giant Edition Details: Year: 2018 Class: Fine Art Print Stat...

Heart by Alessio-B, Contemporary Street Art Print. Dimensions 70 x 50 cm with release in 2016 from an edition of 25. Beautiful piece perfect for families, in a nursery where children...

This depicts a wedding scene in a style of German Expressionism. hand signed and hand painted in watercolor. Ilya Shenker, Russian/American (1922 - ) As a soldier in World War II, he survived where millions perished. Upon returning to his home town of Odessa, felt abandoned and alone. He studied Art and Architecture in Odessa, but, one of a number of Russian Jewish artists allowed to emigrate, he left for America when the opportunity arose. He settled in New York City, a choice that has forever impacted his oeuvre. Many of his pictures depict New York cityscapes and lifestyle; however, they remain typically Russian. His subject matter often comes from memory and includes the life that he left behind, family, and friends. Drawing upon his Jewish heritage for inspiration, Shenker also paints historical events, such as "On the Eve of the Assault" in which he portrayed the last night before the destruction of Jerusalem. He has also illustrated a number of classics of Russian literature including Alexander Pushkin. His use of imagination also applies to the figures in his expressionist paintings—fictional characters such as the Spanish literary character Don Quixote make appearances in his work. He has also placed figures such as Rembrandt and Picasso in modern settings: in "Rembrandt Visiting our Family," Shenker sits his most favored artist at his family table, in a tribute to someone he describes as a "peoples artist." He is one in a long line of great Soviet Russian Judaica Jewish artists beginning with Yehuda Pen, who founded Russia's first art school for Jews in Vitebsk in 1897 continuing with his students, including Marc Chagall and El Lissitzky, Natan Altman, Leon Bakst and Robert Falk...

Rittersporn und Fingerhut (Larkspur and Foxglove) Color woodcut, printed on wove paper with mica flecks, 1916 Signed lower right (see photo) Inscribed lower left (see photo) Reference: Merx 276 Condition: good-very good One spot of staining on the far left edge of the composition (see photo) Color very fresh and vibrant Full sheet as issued Image size: 19 x 13 3/8 inches Carl Thiemann...

Andy Warhol Jean-Michel Basquiat 400% Bearbrick Vinyl Figure c.2021: A unique, timeless collectible trademarked & licensed by the estates of Jean-Michel Basquiat & Andy Warhol. The ...

Screen print in colors on wove paper. Hand signed, dated and numbered by KAWS. 93 from the edition of 100 (there were also 15 artist's proofs). Published by KAWSONE, Brooklyn. Fra...

Silkscreen on vélin d’Arches paper. Paper Size: 14 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks in the Pages of Life, 1998. Published by The Limited Editions Club, New York; printed by Drexel Press, Inc. Long Island City, 1998. Excerpted from the folio, CCC examples, designed, hand-set in Monotype Perpetua, printed, and hand-bound by Michael and Winifred Bixler, Skaneateles, New York. Paper made in France at Arches. Silkscreens printed by the Drexel Press, Inc. Long Island City, New York. PHOEBE BEASLEY...

Javier Calleja Little Mickey Grey: A standout limited edition Javier Calleja Mickey Mouse art toy created by the artist in conjunction with the noted 2021 J...

Hebru Brantley Flynamic Duo 66' (set of 2 individual works)/Hebru Brantley Batboy & Sparrow: Hebru Brantley’s highly collectible take on the caped crusad...

Edvard Munch (1863-1944) Kristiania Boheme I (or Kristiania Bohemians I; Drinking Session/Drinking Bohemians), etching, drypoint and burnishing, 1895, signed in pencil lower right, a...

Original collotype created from Gustav Klimt’s Schloss Kammer on Lake Attersee II (Das Werk Gustav Klimts), originally painted in 1909. Publishe...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

"I’ve made several images over the years addressing police brutality, and I think humor and absurdity help make such a heavy topic more digestible. There is a violent history of poli...

Artist: Bernard Buffet, French (1928 - 1999) Title: Ourisns et Lampe à Petrole Medium: Lithograph with pochoir Edition: 15/300 Portfolio: Douze Aquare...

After Gustav Klimt, Max Eisler #12, Aus dem Stoclet-Fries: Erwartung; multi-color collotype after the cartoon for the 1910-1911 mosaic frieze on the west wa...

Francisco Zuniga, Mexican (1912–1998) Date: 1984 Lithograph on Somerset, signed, numbered, and dated in pencil Edition of 3/250 Image Size: 11.25 x 10 inches Size: 18.5 x 14.5 in. (46.99 x 36.83 cm) Printer: American Atelier...

Title page numbered: 263/450

Medium: original lithograph. This impression on chine-colle paper was printed in 1900 and published in Paris by the Revue de l'Art ancien et moderne. Image size: 7 1/2 x 5 1/2 inches...