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Prints and Multiples For Sale
Style: Impressionist
Style: Post-Impressionist
Lucien Guitry et Jeanne Granier
Located in New York, NY
Artist’s in-plate monogram lower left
Category
19th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
"Baigneuse Debout, a mi-jambes" original etching
Located in Henderson, NV
Medium: original etching. Catalogue reference: Delteil 23. This is a lifetime impression published in 1910 for the rare first edition of "Manet & the French Impressionists" by Theodo...
Category
1910s Impressionist Prints and Multiples
Materials
Etching
Renoir, Les Laveuses, Les Lithographies de Renoir (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper.
Year: 1951
Paper Size: 12.5 x 9.5 inches; image size: 6.69 x 9.05 inches
Inscription: Unsigned and ...
Category
1950s Impressionist Prints and Multiples
Materials
Lithograph
“Tending the Sheep”
Located in Southampton, NY
Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches.
Biography
Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster.
Life and work
Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News.
On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades.
Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...
Category
1880s Impressionist Prints and Multiples
Materials
Lithograph, Watercolor, Gouache
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Reading
Located in Fairlawn, OH
Reading
Lithograph, 1879 and 1887
Signed in the stone with the Butterfly (see photo)
A proof laid paper printed before the edition of 100 impressions printed for Art Notes
Watermark:...
Category
1870s American Impressionist Prints and Multiples
Materials
Lithograph
The Nymphs in Giverny - Lithograph - 300 copies
By Claude Monet
Located in Paris, IDF
Claude MONET (after)
The Nymphs in Giverny
Lithogrpah after a painting
Printed signature in the plate
Number / 300 copies
On vellum 30 x 59 cm (c. 12 x 24 in)
Excellent condition
Category
Late 20th Century Impressionist Prints and Multiples
Materials
Lithograph
Normandy : Beach of Deauville - Original Lithograph Handsigned and Numbered
Located in Paris, IDF
Urbain HUCHET
Paris : Normandy : Beach of Deauville, c. 1980
Original lithograph
Handsigned in pencil by the artist
Numbered / 350 copies
On Arches velllum 12 x 18 cm (c. 5 x 7 in)
...
Category
Late 20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Henri Matisse, "Nu Au Coussin Bleu", lithograph, hand signed and numbered
Located in Chatsworth, CA
Henri Matisse
Nu Au Coussin Bleu, 1924
Original lithograph, hand signed in pencil
From the edition of 50 on arches vellum paper, numbered 5/50.
Sheet measures: 29.5 x 22 inches
Frame...
Category
1920s Impressionist Prints and Multiples
Materials
Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Bonnard, L´Enfant a la lampe, Bonnard Lithographe (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage filigrané paper.
Year: 1952
Paper Size: 9.5 x 12.5 inches; image size: 7.87 x 10.63 inches
Inscription: Unsigned and unnumbered, as issued
No...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Bonnard, Le Verger, Bonnard Lithographe (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage filigrané paper.
Year: 1952
Paper Size: 9.5 x 12.5 inches; image size: 9.05 x 10.24 inches
Inscription: Unsigned and unnumbered, as issued
No...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Bonnard, Marchand des quatre-saisons, Bonnard Lithographe (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage filigrané paper.
Year: 1952
Paper Size: 9.5 x 12.5 inches; image size: 8.27 x 9.45 inches
Inscription: Unsigned and unnumbered, as issued
Not...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Paris : Before the Show at Opera - Original Lithograph Handsigned and Numbered
Located in Paris, IDF
Urbain HUCHET
Paris : Before the Show at Opera, c. 1980
Original lithograph
Handsigned in pencil by the artist
Numbered / 350 copies
On Arches velllum 12 x 18 cm (c. 5 x 7 in)
Exce...
Category
Late 20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Japanese Woodblock Artist French Lithograph Fauvist Colors School of Paris
Located in Surfside, FL
Shungo Sekiguchi, (Japanese, 1911-2002):
Lithograph in color on Rives paper
Hand signed in pencil lower right, hand numbered
It appears to be the village of Montmarte in Paris
T...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
"L'Estaque" pochoir
Located in Henderson, NV
Medium: lithograph with pochoir coloring (after the 1883 watercolor). Printed in 1948 on Johannot paper for the rare "Seize Aquarelles et Sanguines de Renoir" portfolio and published...
Category
1940s Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Over Cape Cod
Located in New York, NY
"Over Cape Cod" is an etching created by Frank W. Benson in 1932. Benson only printed trial proofs of this plate - there is no edition. This impression is a first state of four. There are six impressions of the first state, three impressions of the second, four impressions of the third, and eight of the fourth state have been recorded. Signed in pencil in the lower left under the image. The image size is 7 15/16 x 14 7/8" (20.1 x 37.8 cm) and sheet size 11 9/16 x 18 3/8" (29.3 x 46.7 cm).
FRANK W. BENSON (1862-1951)
Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
Mid-20th Century American Impressionist Prints and Multiples
Materials
Etching
Miseres Humaines, souvenir de Bretagne
Located in Henderson, NV
This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 7 3/4 x 11 3/...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Lithograph
'Baigneuse Debout, à Mi-Jambes' — French Impressionism
Located in Myrtle Beach, SC
Pierre Auguste Renoir, 'Baigneuse Debout, à Mi-Jambes (Woman Bathing, Standing Up to Her Knees in Water)', 1910, etching, edition not stated, Delteil 23. Unsigned as published. A fin...
Category
1910s Impressionist Prints and Multiples
Materials
Etching
Le Divan Japonais (after) Henri de Toulouse-Lautrec, 1966
Located in New York, NY
Artist: Henri de Toulouse-Lautrec
Medium: Lithographic Poster, 1966
Dimensions: 27.5" x 19.75", 70 cm x 50 cm
Heavy Poster Paper - Perfect Condition A
This lithographic reproduction was created in 1966 after the lithograph Le Divan Japonais...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Pierre-Auguste Renoir - Le Chapeau Épinglé (2e planche).
Located in Los Angeles, CA
PIERRE-AUGUSTE RENOIR
Le Chapeau Épinglé (2e planche).
Color lithograph, 1898. 600x488 mm; 23 5/8x19 1/4 inches, full margins. Edition of 200. With the second printed signature in the stone, lower left. Printed by Auguste Clot, Paris. Published by Vollard, Paris. A very good impression of this important lithograph with strong colors.
Renoir (1841-1919) was, along with Edgar Degas, Claude Monet and Camille Pissarro, a founder of the Société Anonyme Coopérative des Artistes, Peintres, Sculpteurs, Graveurs and a key organizer of the 1870s Impressionist exhibitions. He is best known for his renditions of the sensuous and monumental bathing nudes that he produced from the 1880s onward, many of which were inspired by the works of Titian, Rubens, and 18th-century French painters such as Boucher and Fragonard.
Like many of his contemporaries, Renoir embraced printmaking as a medium that allowed for more freedom of expression and experimentation. Ambroise Vollard, the eminent Parisian dealer and publisher, and Auguste Clot, the famed lithography printer, were both extremely instrumental in Renoir's foray into printmaking. They greatly encouraged and facilitated his practice of the medium. Vollard met Renoir during the height of Renoir's career and saw the opportunity for lithography to help disseminate the artist's ever popular work, and Clot worked closely with Renoir to masterfully capture the delicate quality of his pastels in color lithography.
Renoir began producing lithographs and etchings in the late 1880s and created an oeuvre over the following two decades consisting of 25 etchings and 29 lithographs, many of them commissioned for various albums or books. His most famous prints reproduce popular compositions he had established in earlier paintings. The current lot is based on an 1893 oil and pastel painting which represents the artist Berthe Morisot's daughter pinning a flower on her cousin's hat. The same subject was reproduced in a series of etchings by Renoir...
Category
18th Century Impressionist Prints and Multiples
Materials
Lithograph
Grand Canyon of Arizona from Hermit Rim, Vintage 1912 Chromolithograph
By Thomas Moran
Located in Denver, CO
The Grand Canyon in Arizona from Hermit Rim by Thomas Moran. Early 20th century vintage color lithograph printed in 1912, signed and dated within plate lower left, titled lower cent...
Category
1910s American Impressionist Prints and Multiples
Materials
Lithograph, Color
Bright Seascape in Capri, Nautical Cyanotype Triptych, Mediterranean Blue Waves
By Kind of Cyan
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...
Category
2010s Post-Impressionist Prints and Multiples
Materials
Paper, Lithograph
"The Aunties" - Figurative Abstract Limited Edition Print, 20/100
By Anne Ormsby
Located in Soquel, CA
Beautiful figurative giclée and watercolor limited edition print titled "The Aunties", a homage to the classical figurative sculpture The Three Graces, by Anne Ormsby, a Aptos, Calif...
Category
1990s American Impressionist Prints and Multiples
Materials
Paper, Watercolor, Giclée
La Barricade - Lithograph by Edouard Manet - 1871
Located in Roma, IT
Rare and beautiful lithograph by Edouard Manet .
"La Barricade " illustrates a group of soldiers executing a band of rebels on a street corner. This artwork deals with a subject in...
Category
1870s Impressionist Prints and Multiples
Materials
Paper, Lithograph
La Danseuse sur un Tabouret - Lithograph by Henri matisse - 1927
Located in Roma, IT
Hand Signed. Edition of 130 pieces.
This artwork is from the collection "Dix danseures"
Ref. Duthuit 481
Very good condition.
Category
1920s Fauvist Prints and Multiples
Materials
Lithograph
Lady Washington's Levee - 1932 Etching on Paper
Located in Soquel, CA
Lady Washington's Levee - 1932 Etching on Paper
1932 black and white etching titled "Lady Washington's Levee" (from the portfolio "The Bicentennial Pageant of George Washington"), 1...
Category
1930s American Impressionist Prints and Multiples
Materials
Laid Paper, Etching
"La Femme et la Folie Dominent le Monde II" - 1886 Print on Paper
Located in Soquel, CA
"La Femme et la Folie Dominent le Monde II" - 1886 Print on Paper
("The Woman and the Madness Overlooking The World II")
1886 French illustration from Felicien Rops (Belgian, 1833-...
Category
1880s Impressionist Prints and Multiples
Materials
Etching, Paper, Ink
The Absinthe Drinker - Original Etching (Guerin #9 Fisher #9)
Located in Paris, IDF
Edouard MANET
The Absinthe Drinker, 1860
Original etching
Printed signature in the plate
On Japan paper 45 x 40 cm (c. 18 x 16 inch)
REFERENCES : Catalog raisonnes Guerin n°9 and F...
Category
1860s Impressionist Prints and Multiples
Materials
Etching
MARC CHAGALL L'acrobate rouge
By Marc Chagall
Located in Los Angeles, CA
MARC CHAGALL 1887 - 1985
L'acrobate rouge
1974
Colour lithograph
69x51.5 cm, image; 83x64 cm, sheet size
Signed by the artist in pencil lower right "Marc...
Category
1970s Impressionist Prints and Multiples
Materials
Paper, Lithograph
Loguivy le Soir (Loguivy at Evening)
Located in New York, NY
Henri Rivière (French, 1864-1951), Loguivy le Soir (Loguivy at Evening), 1904,Plate 7 for Le Beau Pays de Bretagne. Published by Eugène Verneau, Paris. Color...
Category
Early 1900s Post-Impressionist Prints and Multiples
Materials
Lithograph
Original Paris SAS, Scandinavian Airlines System vintage travel poster
Located in Spokane, WA
Original Paris SAS, Scandinavian Airlines System vintage travel poster. Archival linen backed in excellent condition, Grade A, ready to frame. Images shown are of the exact poster you will receive. The artist signs his work with his initials ‘ON” and always places an airplane somewhere. in the SAS travel poster design.
The Paris SAS vintage poster...
Category
1960s American Impressionist Prints and Multiples
Materials
Offset
The Pink Tablecloth - Original etching
Located in Paris, IDF
Henri LE SIDANER (1862-1939)
The Pink Tablecloth, 1928
Original drypoint etching
Signed in the plate
On vellum, 28 x 20.5 cm
Very good condition, minor flaws at the edges of the page
Category
1920s Impressionist Prints and Multiples
Materials
Drypoint, Etching
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Joe DiMaggio - The Cut
By LeRoy Neiman
Located in Cumming, GA
Published 1998.
Limited Edition Serigraph.
(Image Area) Dimensions 30.75″ x 38.5.”
Numbered 105/458
Signed and numbered by LeRoy Neiman.
Also signed by Joe DiMaggio - as was the enti...
Category
1990s American Impressionist Prints and Multiples
Materials
Screen
Soutine, Paysage à Cagnes, Soutine, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper
Year: 1966
Paper Size: 20 x 26 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the folio, Soutine, I, Collect...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Tahitian Ladies - Lithograph and Watercolor stencil
Located in Paris, IDF
Paul GAUGUIN (after)
Tahitian Ladies
Lithograph and Watercolor stencil
Printed signature of the Monogram in the plate
On thin vellum 47 x 58 cm (c. 19 x 25 inch)
Edited by Jacomet ...
Category
1950s Impressionist Prints and Multiples
Materials
Watercolor, Lithograph, Stencil
Single engine monoplane in flight
Located in Wilton Manors, FL
Don Swann (1899-1954). Monoplane in flight. Etching, plate measures6 x 7.25 inches. Edition of 300. Signed and numbered in pencil lower margins.
Don Swann was an important American...
Category
1930s American Impressionist Prints and Multiples
Materials
Etching
Londres (London)
Located in New York, NY
Pencil signed by both Luce and Jacques Villon (Villon etched the image) and numbered 120/200 in pencil, lower margin. Published by Galerie Bernheim-Jeune, Paris.
Catalogue Raisonne:...
Category
1920s Pointillist Prints and Multiples
Materials
Etching, Aquatint, Color
Utrillo, Composition, Éloge de Maurice Utrillo (after)
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), This book was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnès for typography and by the Mourlot Frères for lithographs. It was shot on Vidalon blanc. Two hundred numbered copies from 1 to 200, including the first twenty with a suite on vélin paper of the Marais. It has been attached to each copy a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Une Femme Assise by Lucien Pissarro - Etching
Located in London, GB
Une Femme Assise by Lucien Pissarro (1863-1944)
Etching
23 x 13 cm (9 x 5 ¹/₈ inches)
Stamped lower right, L.P. and numbered lower left, 10/20
Provenance: John Bensusan Butt
Private...
Category
1890s Impressionist Prints and Multiples
Materials
Etching
Vuillard, La Vague, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
“Sur le Bord de la Mer”
Located in Southampton, NY
Sheet sight size 11 by 13 inches.
Colored etching pulled from the master copper plate originally done in 1919. After Renoir. Executed at a later date by the estate of Ambrose Vol...
Category
1910s Impressionist Prints and Multiples
Materials
Etching
Marinot, Intérieur, Fauves, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper
Year: 1972
Paper Size: 26 x 20 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the folio, Fauves, VII, Collec...
Category
1970s Fauvist Prints and Multiples
Materials
Lithograph
Querelle d'amoureux. (Quarreling). 1
By James Tissot
Located in Storrs, CT
En plein soleil. (In the Sunlight). 1881. Etching and drypoint. Tissot 54, Béraldi 45, Wentworth 54. 7 13/16 x 11 1/2 (sheet 11 1/4 x 15). Edition about 100. Mat line and two hinge s...
Category
19th Century Impressionist Prints and Multiples
Materials
Drypoint, Etching
Marche aux Legumes a Pontoise
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830- 1903)
MARCHE AUX LEGUMES A PONTOISE, 1891 (D. 97ii/ii)
Etching and aquatint, Unsigned as published in Le Peintre-graveur Illlustre: Pissarro, Sisley,...
Category
1890s Impressionist Prints and Multiples
Materials
Aquatint
Au bord de la mer (At the Sea Side)
Located in Fairlawn, OH
Au bord de la mer (At the Sea Side)
Etching and drypoint, 1880
Signed in the plate middle left edge (see photo)
Edition: c. 100
A very rich impression, full of burr and contrasts
Pri...
Category
1880s Impressionist Prints and Multiples
Materials
Etching
Signac, Rotterdam, Signac Dessins (after)
By Paul Signac
Located in Fairfield, CT
Medium: Lithograph on vélin de Lana paper
Year: 1950
Paper Size: 9.75 x 12.5 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the album, Signac Dessins, 1950. Publi...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Snaffles: 'The Huntsman' signed lithograph - "The 'oss loves the 'ound"
Located in London, GB
To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search.
C...
Category
1930s Impressionist Prints and Multiples
Materials
Lithograph
Henri Matisse Loan Exhibition vintage exhibition poster " Beverly Hills
Located in Spokane, WA
Original vintage exhibition poster: HENRI MATISSE EXHIBITION. Linen baked in excellent condition, ready to frame. The background is a flat...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Signac, St-Matthieu. Le Sémaphore, Signac Dessins (after)
By Paul Signac
Located in Fairfield, CT
Medium: Lithograph on vélin de Lana paper
Year: 1950
Paper Size: 9.75 x 12.5 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the album, Signac Dessins, 1950. Publi...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Signac, St-Paul-de-Vence, Signac Dessins (after)
By Paul Signac
Located in Fairfield, CT
Medium: Lithograph on vélin de Lana paper
Year: 1950
Paper Size: 9.75 x 12.5 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the album, Signac Dessins, 1950. Publi...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Signac, Antibes, Signac Dessins (after)
By Paul Signac
Located in Fairfield, CT
Medium: Lithograph on vélin de Lana paper
Year: 1950
Paper Size: 9.75 x 12.5 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the album, Signac Dessins, 1950. Publi...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
Femme avec Parapluie, Framed Modern Lithograph by Marc Chagall 1964
By Marc Chagall
Located in Long Island City, NY
Artist: Marc Chagall, Russian (1887 - 1985)
Title: Femme avec Parapluie from Derriere le Miroir
Year: 1964
Medium: Lithograph
Size: 14.5 x 21.5 in. (36.83 x 54.61 cm)
Frame Size: 23 ...
Category
1960s Impressionist Prints and Multiples
Materials
Lithograph
'Erinnerung (Remembrance)' — Turn-of-the Century Romanticism
By Max Klinger
Located in Myrtle Beach, SC
Max Klinger, 'Erinnerung' (Remembrance), original etching with aquatint, 1896. A fine, richly inked impression on off-white, wove paper, with full margins (1 3/4 to 3 1/8 inches), in...
Category
1890s Post-Impressionist Prints and Multiples
Materials
Etching, Aquatint
Renoir, L'arbre roux, Seize Aquarelles et Sanguines de Renoir (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin d’Arches Johannot paper
Year: 1948
Paper Size: 15 x 10.75 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the folio, Seize ...
Category
1940s Impressionist Prints and Multiples
Materials
Lithograph
Renoir, Paysage, Seize Aquarelles et Sanguines de Renoir (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin d’Arches Johannot paper
Year: 1948
Paper Size: 10.75 x 15 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the folio, Seize ...
Category
1940s Impressionist Prints and Multiples
Materials
Lithograph
Renoir, Le Chemin tournant, Seize Aquarelles et Sanguines de Renoir (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin d’Arches Johannot paper
Year: 1948
Paper Size: 10.75 x 15 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the folio, Seize ...
Category
1940s Impressionist Prints and Multiples
Materials
Lithograph
Fine Art Prints for Sale — Animal Prints, Abstract Prints, Nude Prints and Other Prints
Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.
Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.
Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.
Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.
Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.
“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.
Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.
For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)
Find fine art prints for sale on 1stDibs today.