1960s Abstract Prints

Facsimile on paper, 1964 Printer : Daniel Jacomet (Paris) Dedication "Per René Métras, affectionately" and printed signature LCD4603

Soleil Recercle Color woodcut, 1966, on wove, Signed and Numbered ed. 50 Cat. Rais. Arntz Sheet Size: approx. 22 x 17.5 inches Framed Size: approx. 24 x 20 inches Jean Arp was a p...

Image dimensions: 13.7 x 32.1 cm. La Distruzione is an amazing original colored serigraph on paper, realized by the Italian artist and one of the pioneer of the Abstract art, Mario ...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy m...

Artist: Gordon House, British (1932 - 2004) Title: Series 40 C Year: 1965 Medium: Screenprint, signed and numbered in pencil Edition: 13/50 Image Size: 16 x 15.5 inches Frame Size: 2...

FLUXUS POSTER. Intermedia Art Festival. Tokyo, January 1969. Offset. Conceived by de Sugihura and the prestigious artists of "The Map" by Kawada, Barakei, Hosoe and Saint Marco of Narahara. The Festival was organized by Kosurgi and Chiomi. The participating artists were Junzo, Ishiko, Tukumi Kazekara, Akimichi Takeda, Koichi Tanigawa and Li-Lan and the wonderful work of George Brecht...

Original AIR FRANCE EUROPE, Editions Perceval, artist: Jacques Nathan Garamond. Professional acid-free archival linen backed vintage travel post...

Hand signed, dated and numbered lithograph. Sheet size 20 x 24 inches. Custom framed as pictured. From the edition of 100. Artwork is in excellent condition. Certificate of Authen...

"Pour Daniel-Henry Kahnweiler Figure in Landscape" is an original lithograph by Yves Rouvre. The artist signed the piece lower right. It features an abstracted figure in fields of co...

Image dimensions: 46 x 34 cm. Lithograph representing a abstract composition. Dated, numbered and hand-signed with pencil on lower margin by the Italian artist, Vasco Bendini. Editi...

Lithograph, 1965 Handsigned by the artist in pencil and numbered 33/50 LCD4402

Composing is an original lithography realized by Raoul Ubac in 1964, for the Art Magazine Derrière Le Miroir no. 142. The picture is in very good conditions, the title "Derriere le...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy m...

Homage to Klee is an original etching realized by Sergio Barletta, in 1960. The state of preservation is very good. Hand-signed on the lower right corner. Including a passepartout cardboard cm 49 x 34. Image dimensions: 16x12 cm. This original artwork is one of few examples. Sergio Barletta (Bologna, 1934) is an Italian cartoonist and illustrator. Very young he made his debut for the Saturday insert of the Gazzetta del Popolo, and in the same years he collaborated with several magazines as an illustrator. In 1968 he created Mr. Manager's comic strip for Rinascita, but following the magazine's refusal to publish it because he was too politicized, the strip landed in the magazines Ca Balà and Eureka, to which it also contributed self-contained tables. Later he worked as a satirist with Italian and European magazines. For his irreverent and merciless style he was compared to Jules Feiffer.

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

Original lithograph by Marc Chagall from The Bible of 1960 Noémi et ses belles-filles Unsigned 35 x 26 cm Excellent condition

Bright and colorful abstract lithograph by French artist Chevolleau, 1965. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a st...

Hand signed and numbered. Edition of 100 prints. Very good conditions.

"Venus Noire" by Rufino Tamayo is a Figurative Abstraction lithograph limited edition measuring 30x22 in. The piece is framed beautifully with a white mat in a gold and black frame u...

Holocaust is an original contemporary artwork realized by the Italian artist Gianfranco Ferroni (Livorno, 1927 - Bergamo, 2001) in 1963. Original copper Etching on paper. 173 x 23...

Mid-Century Modern abstract expressionist monotype print by American artist Toma Yovanovich (1931- 2016). Yovanovich's work is found in many public and private collections all over t...

A lesser known side of Barbara Hepworth’s artistic oeuvre are her works on paper. Showcasing her incredible draftmanship, the artist said of her ‘Opposing Form’s’ series, that the dr...

Image dimensions: 49 x 38 cm. Interesting b/w lithograph representing a abstract composition. Dated, numbered and hand-signed with pencil on lower margin by the Italian artist, Vasc...

Sam Francis Chinese Wall 1969 Lithograph, Edition of 20 76.5 x 57.2 cms (30 1/8 x 22 1/2 ins) SF15156

Irma la Douce ("Irma the Sweet") is a 1963 American romantic comedy film based on the 1956 French stage musical Irma La Douce by Marguerite Monnot and Alexandre Breffort. It was dire...

Richard Florsheim - Paris Seine - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 B...

Hayter, Stanley William. ONDE VERTE. B/M 290. Soft-ground, etching, and scorper in three colors, 1965. Edition of 50, numbered 25/50 and signed in pencil. Published by Editions Alect...

Artist: Ludwig Wilding, German (1927 - 2010) Title: Untitled - Circle Year: 1967 Medium: Lithograph, signed and numbered in pencil Edition: 38/100 Image Size: 15.5 x 15.5 inches Size...

after Sonia Delaunay Full-page, colour pochoir after costume designs by Sonia Delaunay Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paintings. [Milano, Edizioni del Naviglio, 1969]. Jacques Damase. Robes Poèmes, Introduction. Text by Guillaume Apollinaire and Blaise Cendrars. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...

Signed lower right, 'Ynez Johnston' (American, b. 1920) and dated 1964; additionally inscribed 'imp' lower right, titled lower center 'Tribal Coast' with number and limitation, 198/210', lower left. Framed Dimensions: 21.25 H x 26.5 W x 1.5 D Inches Born in Berkeley, California, Johnston first studied drafting, painting and printmaking at the University of California with Worth Ryder, Erle Loran and Margaret Peterson...

Artist: Alexander Calder Medium: Original lithograph Title: Cover (Derriere le Miroir #141) Portfolio: Derriere le Miroir #141 (Stabiles) Year: 1963 Edition: Unnumbered Framed Size: ...

Composition of 1968 is an original lithography realized by Raoul Ubac in 1963 for the Art Magazine "Derrière Le Miroir" no. 142. The picture is in very good conditions, no number no...

Artist: Joan Miro, After, Spanish (1893 - 1983) Title: Cartones 22: Femme et Oiseau Year: 1965 (after 1963 original) Medium: Pochoir Edition: 1200 Size: 12.5 in. x 8.75 in. (31.75 ...

Alfred Manessier - Abstract Blue Composition - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourl...

Compared with his peers, the original Abstract Expressionist posse (Arshile Gorky, Hans Hoffmann, Jackson Pollock and Mark Rothko) Adolph Gottlieb arguably created the most easily re...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy made. Unsigned and unumbered ...

This elegant mezzotint print, entitled, "Nature morte au coquetier", was realized by the esteemed artist Mario Avanti in France, 1962. It depicts a stylized rendition of a dove as a ...

This large, striking color etching and aquatint is an artist's proof, aside from the edition of 20. Signed, titled and inscribed "AP" in pencil by Barnet.

Jacques VILLON (after) Abstract Cubist Composition Stone Lithograph (engraved by Deschamps after the painting of Villon) Printed signature in the plate Printed in Mourlot workshop i...

Image dimensions: 25 x 43.5 cm. Une Aile is a beutiful etching and aquatint on paper, realized in 1962 by the French burin master Louis-René Berge. Signed and dated in pecil on the...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy m...

"Morning" by celebrated Italian sculptor Marino Marini (1901 - 1980) is a limited edition etching on Rives (28/50) created in 1963 for his twin sister Egle Marini's poetry album titl...

Lithograph printed in colours, 1969, signed in pencil and numbered from the edition of 60, on handmade Barcham Green paper, printed and published by the Curwen Studio, with their bli...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 0 Year: 1968 Medium: Silkscreen, signed in pencil Edition: AP Size: 12.5 x 19 in. (31.75 x 48.26 cm)

Mid-Century Modern abstract expressionist monotype print by American artist Toma Yovanovich (1931- 2016). Yovanovich's work is found in many public and private collections all over the world. Circa 1960. This work signed and comes with a modern archival...

This stunning lithograph, was realized by the celebrated Italian artist Marino Marini in 1969. Part of the series “From Color to Form” by Marino Marini (Italian, 1901-1980), this pie...

The present unique collagraph is an excellent example of Joseph Rozman's pictographic style. The composition is organized like a tiled floor, each square containing an abstracted ima...

Alistair Grant was a familiar feature of the London art scene. Best known as a printmaker, his entire teaching career was spent in the printmaking department at the Royal College of Art, where he was to become Professor. Over the years he taught printmaking to many who were to become leading UK artists. Grant was at the top of his profession and a groundbreaker in his explorations of mixed media techniques. Grant was also a wonderful painter. In the early 1980s his imagery had turned to an open expressionist style, with sweeping brush marks and the introduction of new vibrant colour. Inspired by the Normandy coastline around Etaples and Le Touquet. Grant would create cyphers from the shapes and forms in the landscape, which he would offset against curtains of colour. They evoke bright or misty days, blazing skies or sunsets, beaches or harbours. The paintings and prints are descriptions of places he loved and constantly returned to. One could describe him as a French reflection of the St. Ives School where painters explored the landscape in similar fashion, as they still do. There is a wonderful sense of freedom in these images, and a great joie de vivre. Grant was a supreme colourist. He also co-authored an important book on the life and works of fellow English artist Henry Moore, whom his abstract figurative style resembles. This print is from the late 1960s and show the strong influence of figurative abstraction and surrealist elements in his work. Although best known as a printmaker, Grant also painted throughout his career and in the 1980s he adopted an expressionist style using vibrant colours. He was born in London and studied at Birmingham College of Art (1941-43). After serving during the war, Grant returned to art school and the Royal College, where he was taught by Carel Weight and Ruskin Spear. Grant was to work in the printmaking department of the Royal College for 35 years (1955-90), ending his career as Emeritus Professor of Printmaking at the RA. He showed with Julian Trevelyan. Grant showed at the Royal Academy, Artists International Association, and New English Art Club, and was a prize-winner at the Krakow Print Biennale in 1972. The TATE, The Victoria & Albert Museum, British provincial and many overseas galleries hold Grant’s work. His work is amongst the finest of modern British printmaking alongside richard smith, joe tilson, peter blake, patrick caulfield, alan davie, terry frost, david hockney and howard hodgkin. Select Group Exhibits 1951 New Editions Group,Auckland,New Zealand 1952-54,78 Redfern Gallery, London 80,83,84,86 1956 Nutida Engelsk Grofik, Stockholm 1957 National Arts Council of Southern Rhodesia 'Looking at People', South London Art gallery 1959 Tel Aviv Museum, Israel Arte Britonico Maderno Figurotiro, Galeria,Buchloz, Bogota The London Group 1960 Graven Image, Whitechopel Gallery, London Sixteen Pointers, A I.A. Gallery, London 1961 Museo de Arte, Barcelona Senfelder Group, Arts Council, London 1962 Towards Art Gulbenkian,R.C.A .London Contemporary British Pointers, Birmingham 1964-66 Curwen Gallery 1966 Crabowski Gallery, London 1967 A.A.A. Gallery, New York Schuman Gallery, New York 1968 Camden Arts Centre, London 1969 Pratt Centre, New York Art for lndustry, Arts Council, London 1970 University of South Florida, Miami 1971 Portland Museum,Oregon 1972 Art...

White Horse is an original lithograph realized by Marino Marini in 1966. Hand signed in pencil on the lower right margin. Edition of 55 prints. Good condition except for some small r...

Man Ray (Emmanuel Radnitsky, aka) Dream Flowers, Irène, 1969 Handsigned original etching On vellum, 23 x 17 cm (c. 9 x 6,6 inch) Numbered /50 copies INFORMATIONS : This etching i...

Mid-Century Modern abstract expressionist monotype print by American artist Toma Yovanovich (1931- 2016). Yovanovich's work is found in many public and private collections all over t...

Artist: Joan Miro, Spanish (1893 - 1983) Title: untitled from Cartones Year: 1965 Medium: Lithograph on White Wove Paper Edition Size: 1200 Size: 12.5 in. x 17 in. (31.75 cm x 43.1...

César Baldaccini, CESAR Light spectrum, 1961 Original lithograph (Printed in Pons Workshop) On wove paper 31 x 24 cm (c. 12 x 10 in) Edition San Lazarro, 1961 Excellent condition

François Fiedler - Lithograph From the literary review "XXe Siècle" 1960 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unumbered ...

Composition is an original lithograph on cardboard, realized by Ton Van Os in 1969. Hand-signed and numbered at the bottom, edition 2/20. The state of preservation is very good. S...

Maurice de Vlaminck (French 1876 - 1958), "Le Bassin" ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh...

This lithograph is by Emerson Woelffer (1914-2003), a noted American abstract artist. The print is untitled, but it depicts a pair of lips, an image that Woellfer used in a number of...

Artist: Giuseppe Uncini, Italian (1929 - 2008) Title: Ferrocemento Year: circa 1970 Medium: Mixed Media Print, signed and numbered in pencil Edition: 110/150 Image Size: 16.5 x 13 in...