Animal Prints

A dynamic mid 20th century copy of a lithograph that depicts Englishmen on horseback giving chase with a pack of beagle-type dogs running in the background. by John Frederick Herring...

"Fast Trotting in the West (Milwaukee Race)" is an original hand-colored lithograph published by Currier & Ives. It depicts two horses pulling racing carts. The text below the picture reads "Fast Trotting in the West...Lucy and Goldsmith Maid...trotting their closely contested race over the cold spring course Milwaukee, Wis. Sept. 6th 1871...Where Goldsmith Maid won the 2nd heat in 2:17!! The fastest Mile heat in harness on record. Purse $4000 $2500 to 1st $1500 to 2nd horse____ 8 in. in harness. TIME 2:20 1/2 2:17 2:20" 16 3/4" x 26" image 22" x 27 3/4" paper 35 3/4" x 41 7/8" frame Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders...

Greyhound 1773-1802 Engraving 14 x 10 inches Framed: 24 x 21 inches

Art Deco original pochoir print. Please find the dimensions of the artwork: 20 x 15 cm - Dimensions of the image 26 x 20 cm - Dimensions of the paper 28 x 22,5 cm - Framed dimensi...

Deer horns is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. ...

Artist: Mark Sabin Title: Noah's Ark - 1980 Medium: Screenprint on Somerset Paper 34'' x 26'' Edition: Signed in pencil, titled, dated and marked 203/250 image size : 31" x 23.25" inches Mark Sabin is a fantasy painter, blending elements in a juxtaposition that surprises the audience. Sabin is quoted describing his work as "unconscious dictation." Sabin’s paintings are in various collections including the Museum of American Folk Art in New York City. His works have appeared on magazine covers, record jackets, and brochures. The artist is a graduate of the University of Michigan and Columbia University School of Law. He attended New York University...

SEVEN SISTERS ROAD is an original limited edition lithograph printed using hand lithography techniques on archival Arches printmaking paper, 100% acid free, by the Iowa born artist Jim Buckels. SEVEN SISTERS ROAD presents a finely detailed fantasy rural landscape scene depicting a lone country road running through rolling green hills, a moonlit sky, friendly sheep and classic contemporary farmhouse with precise architectural details including a gray turret roof, veranda, arched window, light sage green siding with crisp white and light brick red trim. Verdant shades of grass greens, blue and peach twilight sky, taupe gray, Indian red, rusty orange, olive, viridian green, brown, white, gray and black create a peaceful, bucolic setting. SEVEN SISTERS ROAD is a beautifully detailed picturesque Iowa country landscape very pleasing to look at and enjoy! Print size - 27." x 27" square image, no margins, impressive hand crafted original limited edition print, pencil signed by Jim Buckels Edition size - 300, plus proofs Year published - 1988 Printer - JK Fine Art Editions Co., NY JIM BUCKELS Artist statement- "On one level, I think of myself as a decorative artisan, or at best a scene painter. I don't mind this distinction, because many of my heroes never achieved much more. It's a modest but honorable aspiration. The artists who have influenced me are quite dissimilar and usually less prominent in the pantheon of art history: Canaletto, the Flemish scene painters, the Hudson River artists...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

This surreal floral portrait print by Natasha Lelenco is part of her Fetiches series and explores the fusion of botanical elements with human portraiture through a surrealist lens. F...

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray wrote ”A visit to the studio of Alexander Calder led to the chance discovery of some hundred masterful circus drawings completed over thirty years ago. We publish, for the first time, a choice of sixteen from that group.” With signed introduction by Miro. These whimsical drawings, done in the style of wire sculpture, include acrobats, clowns, jugglers, trapeeze artists, an elephant, dog and lion. they are great. Alexander Calder is widely considered to be one of the most important American sculptors of the 20th century. He is best known for his colorful, whimsical abstract public sculptures and his innovative mobiles, kinetic sculptures powered by motors or air currents, which embraced chance in their aesthetic. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943. Major retrospectives were also held at the Solomon R. Guggenheim Museum (1964) and the Museum of Contemporary Art, Chicago (1974). Calder’s work is in many permanent collections, most notably in the Whitney Museum of American Art, but also the Guggenheim Museum; the Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Centre Georges Pompidou. He produced many large public works, including .125 (at JFK Airport, 1957), Pittsburgh (Carnegie International prize winner 1958, Pittsburgh International Airport) Spirale (UNESCO in Paris, 1958), Flamingo and Universe (both in Chicago, 1974), and Mountains and Clouds (Hart Senate Office Building, Washington, D.C., 1976). Although primarily known for his sculpture, Calder was a prodigious artist with a restless creative spirit, whose diverse practice included painting and printmaking, miniatures (such as his famous Cirque Calder), children’s book illustrations, theater set design, jewelry design, tapestry and rug works, and political posters. Calder was honored by the US Postal Service with a set of five 32-cent stamps in 1998, and received the Presidential Medal of Freedom, posthumously in 1977, after refusing to receive it from Gerald Ford one year earlier in protest of the Vietnam War. Calder moved to New York and enrolled at the Art Students League, studying briefly with Thomas Hart Benton, George Luks, Kenneth Hayes Miller, and John Sloan. While a student, he worked for the National Police Gazette where, in 1925, one of his assignments was sketching the Ringling Bros. and Barnum & Bailey Circus. Calder became fascinated with the action of the circus, a theme that would reappear in his later work. In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio at 22 rue Daguerre in the Montparnasse Quarter. In June 1929, while traveling by boat from Paris to New York, Calder met his future wife, Louisa James (1905-1996), grandniece of author Henry James and philosopher William James. They married in 1931. While in Paris, Calder met and became friends with a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Cirque Calder (on view at the Whitney Museum of American Art at present) became popular with the Parisian avant-garde. He also invented wire sculpture, or "drawing in space," and in 1929 he had his first solo show of these sculptures in Paris at Galerie Billiet. Hi! (Two Acrobats) in the collection of the Honolulu Museum of Art is an early example of the artist's wire sculpture. The painter Jules Pascin, a friend of Calder's from the cafes of Montparnasse, wrote the preface to the catalog. A visit to Piet Mondrian's studio in 1930, where he was impressed by the environment-as-installation, "shocked" him into fully embracing abstract art, toward which he had already been tending. Dating from 1931, Calder’s sculptures of discrete movable parts powered by motors were christened “mobiles” by Marcel Duchamp, a French pun meaning both "motion" and "motive." At the same time, Calder was also experimenting with self-supporting, static, abstract sculptures, dubbed "stabiles" by Jean Arp in 1932 to differentiate them from mobiles. Public commissions increasingly came his way in the 1960s. Notable examples are .125 for JFK Airport in 1957, Spirale for UNESCO in Paris 1958 and Trois disques, commissioned for Expo 67 in Montreal, Quebec, Canada. Calder's largest sculpture at 25.7 meters high was El Sol Rojo, constructed outside the Aztec Stadium for the 1968 Summer Olympics "Cultural Olympiad" events in Mexico City. Many of his public works were commissioned by renowned architects; I.M. Pei commissioned his La Grande Voile (1966), a 25-ton, 40-foot high stabile for the Massachusetts Institute of Technology. Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a production of the Erik Satie symphonic drama Socrate (1936), and later, Works in Progress (1968). In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. He picked up his study of printmaking in 1925, and continued to produce illustrations for books and journals.As Calder’s professional reputation expanded in the late 1940s and 1950s, so did his production of prints. Masses of lithographs based on his gouache paintings hit the market, and deluxe editions of plays, poems, and short stories illustrated with fine art prints by Calder became available for sale. One of Calder's most celebrated and unconventional undertakings was a commission from Dallas-based Braniff International Airways to paint a full-size Douglas DC-8-62 four-engined jet as a "flying canvas." Calder created over 2,000 pieces of jewelry over the course of his career, many of them as gifts for friends and relatives. For his lifelong friend Joan Miró, he set a shard of a broken porcelain vessel in a brass ring. Peggy Guggenheim received enormous silver mobile earrings and later commissioned a hammered silver headboard...

Imagine Eagle Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 20 in Edition of 15 40 x 27 in Edition of 12 60 x 40 in ...

Domestic Cats is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publi...

Penelope Ellis (1935-2016) Up with the Rooster Woodblock print 15 x 11 cm Provenance: From the artist's estate sale. ​Penelope Mary Ellis (1935–2016) was a British artist celebrat...

Lon Megargee 1883-1960 "Self Portrait" Wood block print Signed in plate, lower right Image size: 15.63 x 12 inches Frame size xx x xx inches Creator of S...

This is a contemporary photograph of a Tiger by Shane Russeck. 60x40 Printed on archival paper using archival inks Unsigned print Shane Russeck is a modern day photographer, adve...

The Propositions is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harva...

Georges BRAQUE Leda and the Swann Stone lithograph (Art-Litho workshop, Paris) Printed signature in the pate Limited to 399 copies unumbered On Arches vellum 18 x 23" (45 x 58 cm) E...

Keith Haring Into 84/Keith haring Painted Man 1983: Announcement card for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this ser...

ARTIST: Salvador Dali TITLE: Saint Lucie MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Michelle Broutta, Paris EDITION NUMBER: 268/450 MEASUREMENTS: 35.5" x 25" YEAR: ...

This Blue Dog work consists of 3 animals sitting in a warm park scene of pink sky, blue bushes, black tree and green grass. The main animal is the blue dog with a gray cat on one side and a brown & white dog...

This artwork titled " Etoile de Mer Rouge (Red Star Fish)" From the suite "Si je Mourais la Bas" is a rare original color woodcut on L.B hand made paper ...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

Listing includes framing with non-glare UV plexiglas and a 14 day return policy. Also available for local pick up at our Los Angeles gallery. Shipping services available worldwide at a discounted rate. Friends in Need, Juna Mahal, Dungarpur Palace, 2020 48 x 60 inches (52 x 64 x 2.5 inches framed) Archival pigment print Edition 4 of 5 (last edition available) Signed on separate artist certificate Artist Biography - While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on pap...

This is a contemporary black and white photograph of an African Lion by Shane Russeck. 36x48 edition of 12 Signed and numbered Printed on archival paper and using archival inks Fra...

This is an original John James Audubon hand-colored lithograph entitled "Canvass Back Duck, 1. Male 2. Female, View of Baltimore, Maryland", No. 79, Plate 395 from Audubon's "Birds o...

A Hare Out of Place I (Outer-Space) is a lithograph on paper, 9 x9" image size. From the edition of 395, numbered 122/275 (there were also 100 Roman and 20 AP). Robert Deyber’s lith...

LITTLEWOODS is an original hand drawn, limited edition lithograph by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

The original vintage poster by Emil Cardinaux for the Jungfrau Railway in the Bernese Oberland, Switzerland, is a classic example of early 20th-century travel advertising. Emil Cardi...

Gould, John and Richard Bowdler Sharpe. A Monograph of the Trochilidae, or Family of Hummingbirds. London, 1849-61. This plate: Orthorhynchus Ornatus. Original lithographs hand-co...

This is an original John James Audubon hand-colored lithograph entitled "Yellow Crowned Night Heron, 1. Adult Male Spring Plumage, 2. Young in October", No. 73, Plate 364 from Audubo...

Available sizes: 32x47 inches (80 x 120 cm) - Edition of 20 Archival Pigment Print Unframed Ask us for framing options. Björn Persson is an internationally renowned artist based i...

Elephant Engraing, 1957, printed 1988 Signed, dated, and titled in pencil by the artist Dedicated: "For Jon From Ray" Edition: 100 in two printings This is an artist's proof from th...

Original vintage travel poster: Chicago - Fly TWA. UP UP and Away Trans World Airline. Artist: David Klein. Size 25" x 40" Dated 1960's. ...

This is a hand-colored folio-sized lithograph entitled "Otidiphaps Nobilis" (Pheasant Pigeon) by John Gould from his monograph "The Birds of Asia", published in London in 1862-1879. The print, which was drawn by Gould and H. C. Richter and lithographed by Walter, depicts two Pheasant Pigeon birds...

Kenny Scharf Untitled from the environmental portfolio "Columbus: In Search of a New Tomorrow", 1992 Color silkscreen on Fabriano paper with blind stamp, held in the original portfol...

TwoTurle Doves by Kate Heiss [2017] Limited edition Linocut Hand signed by the artist Edition of 30 Oil based inks on 300gsm Somerset Velvet soft white paper Image Size: H:30cm x W:30cm Complete size of unframed work (sold in mount) H:40cm x W:40cm x D:0.1cm Two visiting Turtle doves perched in a hawthorn bush who have survived their migratory journey to spend the summer in the English countryside. The Turtle Dove is now the UK’s fastest declining breed of bird. Between 1995 and 2004 the number of breeding turtle doves in the UK fell by 93%. This print is featured in a new book called “When Turtle Doves Fly” produced in conjunction with Operation Turtle dove (a branch of the RSPB dedicated to saving Turtle Doves from extinction) Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss Selfridge and the Japanese fashion designer Michiko Koshino...

Andre Derain, French (1880 - 1954) - Man with Cow, Medium: Woodblock on laid paper, Image Size: 2.75 x 3.75 inches, Size: 3.75 x 5 in. (9.53 x 12.7 cm), Description: From the collect...

This is a contemporary photograph of an African Lion. 40x60 Edition of 10. Signed by Shane. Printed on archival paper and using archival inks Framing available. Inquire for rates...

Dr Seuss THEODOR GEISEL "KNOX IN BOX" Limited Edition - Fine Art Pigment Prints on Acid- Free Paper Authorized Estate Edition Edition Size: Limited Edition of 2500 Arabic Numbers, 15...

Penelope Ellis (1935-2016) Heading out to Pasture Woodblock print 11 x 16 cm Provenance: From the artist's estate sale. ​Penelope Mary Ellis (1935–2016) was a British artist celeb...

16 colour screen print with a two varnish overlay on Somerset Satin Tub sized 410 gsm Edition of 125 75 x 56 cm (30.1 x 22.5 in) Signed and numbered Mint. Minor imperfections may app...

This signed and numbered lithograph on Japon paper is from a portfolio of 17 prints by Modern artist Karel Appel. He admired the domestic house cat for its aloof, yet instinctive, de...

“Carrier Pigeon,” 2012, Limited edition silkscreen print by Baltimore street artist Gaia. Three-color hand-pulled silkscreen on Coventry Rag, 100% Cotton Archival Paper. Edition 25/...

This Blue Dog work consists of the dog sitting on a red background with a frame of blue. The dogs ears are in the shape of Absolut Vodka bottles. The dog has soulful yellow eyes. ...

Lithograph on Sicar paper 310 gr/m2, paper size 50cm x 70cm, work size 34cm x 50cm. Ellent condition. Cynthia Segato was born in Rome in 1958. She graduated in Astronomy and attended...

This is an original 19th century John James Audubon hand colored lithograph entitled "Raccoon", No. 13, Plate LXI, 61, from Audubon's "Quadrupeds of North America", printed and color...

Rocca Luis César Luna llena (Full Moon), 2023 Serigraph in five colors 21.70 x 21.70 in Edition of 30 This serigraph (silkscreen or screen print) is part of a limited edition of 30....

The Rabbit is an original woodcut print by Giselle Hallf in the first half of the 20th Century. Good conditions. The artwork is depicted through strong strokes in a well-balanced c...

Artist: Slonem, Hunt Title: White Bunnies VI Series: Bunnies Date: 2017 Medium: Lithograph on Paper Unframed Dimensions: 24" x 16" Framed Dimensions: 29" x 22" Signature: Sig...

Abstract French lithograph, circa 1980. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Archival plasti...

Metamorphosis Insectorum Surinamensium, Plate No. 58; Ice Cream Bean Plant, Cloudless Sulphur Butterfly and Caterpillar with Mot...

'The Porculine Opossum' (Bandicoot) Copper-line engraving with original hand-colouring. Circa 1795, by Richard Polydore Nodder (fl.1770 – 1800). 155mm by 125mm (platemark) 225mm by...

My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s land in the United Kingdom as far as I can remember. I have heard them calling to...

'Torch Light Fishing in N America' Colour aquatint by Merke after John Heavenside Clark (c1770-1863). From Samuel Howitt's 'Foreign Field Sports'. Samuel...

This vintage original lithograph by renowned artist Mary Chenoweth features an abstract depiction of birds in flight, showcasing her unique technique of layering various textures of ...

This Blue Dog work consists of a Reflective Chrome Paper background with the wording and markings for the Rodrigue 20th Anniversary for the New Orleans Studio. There is a single blue...

This is a hand-colored engraving depicting the natural history of Pinkunderwing Moths, Cream Spotted Tyger Moths in their natural botanical environment, which is plate 4 from Moses H...

Mr. Monkey Drowning Himself is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published by Mane...