Post-Impressionist Prints and Multiples
POSTIMPRESSIONIST STYLE
In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.
The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.
The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.
The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.
Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.
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Style: Post-Impressionist
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Lady at the Races, Lithograph by Casals Pons
Located in Long Island City, NY
Artist: Amadeu Casals Pons, Spanish (1930 - )
Title: Lady at the Races
Year: circa 1975
Medium: Lithograph on Arches, signed in pencil
Edition: EA
Size: ...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph
Pavillon dans les Arbres (Pavilion in the Trees) /// Impressionist Henri Sidaner
Located in Saint Augustine, FL
Artist: Henri Le Sidaner (French, 1862-1939)
Title: "Pavillon dans les Arbres (Pavilion in the Trees)"
Portfolio: Henri Le Sidaner (Camille Mauclair)
*Issued unsigned, though signed by Sidaner in the plate (printed signature) lower left
Year: 1928
Medium: Original Etching on Rives BFK paper
Limited edition: Unknown
Printer: Unknown
Publisher: Galeries Georges Petit and Henri Floury, Paris, France
Reference: Bibliothèque Nationale No. 12
Sheet size: 11" x 8.38"
Image size: 9.25" x 7.13"
Condition: Some minor foxing on verso. It is otherwise a strong impression in excellent condition
Notes:
Printed in one color: bistre. Comes from Camille Mauclair's 1928 book publication "Henri Le Sidaner" which contained two bound original drypoint etchings by Sidaner. Comes with its original tissue cover...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Drypoint, Etching, Intaglio
Sous la neige from Notre Pain Quotidien
Located in Chatsworth, CA
This piece is from the portfolio, entitled "Notre Pain Quotidien", which consists of 13 lithographs from the original watercolors and gouaches by Maurice de Vlaminck, printed in 1963...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
After Raoul Dufy - Birds - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Raoul Dufy
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Di...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Lithograph
The Bow
Located in New York, NY
Artist’s in-plate monogram lower left
Category
19th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Marcel Gromaire (after) - Homage to Dufy - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Marcel Gromaire
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signatur...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Lithograph
Chemin forestier from Notre Pain Quotidien
Located in Chatsworth, CA
This piece is from the portfolio, entitled "Notre Pain Quotidien", which consists of 13 lithographs from the original watercolors and gouaches by Maurice de Vlaminck, printed in 1963...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Rupestral Painting - Original lithograph, Handsigned
Located in Paris, IDF
Jules CAVAILLES
Rupestral Painting
Original lithograph
Handsigned in pencil
Justified EA (artist proof)
On Arches vellum 36 x 20 cm (c. 14 x 8 in)
Excellent condition
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Au Coin d'une Rue, from Poesies Antillaises
Located in Washington, DC
Artist: Henri Matisse
Title: Au Coin d'une Rue
Portfolio: Poesies Antillaises
Medium: Lithograph
Year: 1972
Edition: 250
Sheet Size: 14 7/8" x 11 1/8"
Image Size: 14 7/8" x 11 1/8"
S...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Dame a la Toque", fabulous drypoint etching by Paul Cesar Helleu
Located in Hinsdale, IL
HELLEU, PAUL CÉSAR
(1859 - 1927)
"La Dame a la Toque"
(Lady in Fur Hat)
Drypoint printed in colors on pale cream wove paper, c. 1906
Signed in black crayo...
Category
Early 20th Century Post-Impressionist Prints and Multiples
Materials
Drypoint
"Anemones" Floral Silk Scarf, Unframed
By Raoul Dufy
Located in Austin, TX
By Raoul Dufy
34.5" x 34.5"
Silk Screen Print on wearable scarf.
Category
1950s Post-Impressionist Prints and Multiples
Materials
Silk, Screen
"Daphnis et Chloe (Two Bulls & Person in Water), " Lithograph signed by Bonnard
Located in Milwaukee, WI
"Daphnis et Chloe (Two Bulls & Person in Water)" is an original lithograph by Pierre Bonnard, signed in lower left. It is a black and white work ...
Category
Early 1900s Post-Impressionist Prints and Multiples
Materials
Lithograph
La Balustrade (The Railing) /// Impressionist Henri Le Sidaner Landscape Garden
Located in Saint Augustine, FL
Artist: Henri Le Sidaner (French, 1862-1939)
Title: "La Balustrade (The Railing)"
Portfolio: Gazette des Beaux-Arts
*Issued unsigned, though signed by Sidaner in the plate (printed signature) lower left
Year: 1911
Medium: Original Lithograph on pale blue smooth wove paper
Limited edition: approx. 1,500
Printer: Maison Fortier and Marotte, Paris, France
Publisher: Gazette des Beaux-Arts, Paris, France
Reference: Sanchez and Seydoux 1911, No. 13
Sheet size: 10.75" x 7.13"
Image size: 8.13" x 5.75"
Condition: One skillfully repaired tear upper left. Some minor toning in margins. It is otherwise a strong impression in very good condition
Notes:
This lithograph was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002.
Biography:
Sidaner, (7 August 1862 – July 1939), an intimist painter, born to a French family in Port Louis, Mauritius. In 1870 he and his family settled in Dunkirk. Le Sidaner received most of his tutelage from the École des Beaux-Arts under the instruction of Alexandre Cabanel but later broke away due to artistic differences. Between 1885 and 1894 Le Sidaner lived the year round at the Etaples art colony and was joined there by his childhood friend Eugène Chigot...
Category
1910s Post-Impressionist Prints and Multiples
Materials
Lithograph
Raoul Dufy (after) - Autoportrait - Lithograph
By Raoul Dufy
Located in Collonge Bellerive, Geneve, CH
(after) Raoul Dufy
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Dimensions: ...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Lithograph
En Rade, from Poesies Antillaises
Located in Washington, DC
Artist: Henri Matisse
Title: En Rade
Portfolio: Poesies Antillaises
Medium: Lithograph
Year: 1972
Edition: 250
Sheet Size: 14 7/8" x 11 1/8"
Image Size: 14 7/8" x 11 1/8"
Signature: ...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph
Dotty, Digital on Paper
Located in Yardley, PA
Dotty is one of my favorites in the Dotography serie. It's kind of the culmination of the project: Wild, abstract, final, and still fresh and appealing. The artwork is an 11-color fi...
Category
2010s Post-Impressionist Prints and Multiples
Materials
Digital
New York, Digital on Canvas
Located in Yardley, PA
New York, landscape, clouds, pointillism, ocean, city, dynamics :: Digital :: Pointillism :: This piece comes with an official certificate of authenticity signed by the artist :: Rea...
Category
2010s Post-Impressionist Prints and Multiples
Materials
Digital
Le Pont (The Bridge)
Located in Boston, MA
Bouvet 66. Trial proof showing variation in the foreground, most noticeably the presence of a dog. From the series "Some Scenes of Parisian Life" published by Vollard. With collector...
Category
19th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Les Deux Chaumieres
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Les Deux Chaumieres, 1927-28, etching and engraving, signed in pencil lower left and numbered lower right. Laboureur 356, second state (of 4). One o...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Engraving, Etching
Soldiers - Lithograph by Luc-Albert Moreau - Early 20th Century
Located in Roma, IT
Soldiers is an Lithograph on ivory-colored paper realized by Luc Albert Moreau.
The artwork is in good condition.
Hand-signature on the lower right corner, numbered on the left.
L...
Category
Early 20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Soldiers - Lithograph by Luc-Albert Moreau - Early 20th Century
Located in Roma, IT
Soldier is an Lithograph on ivory-colored paper realized by Luc Albert Moreau.
The artwork is in good condition.
Hand-signature on the lower right corner, numbered on the left.
Lu...
Category
Early 20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Elegant Man - Lithograph by Luc-Albert Moreau - Early 20th Century
Located in Roma, IT
Elegant Man is a Lithograph on ivory-colored paper realized by Luc Albert Moreau.
The artwork is in good condition, included a white cardboard passpartout (50x32.5 cm).
Not signed.
Luc-Albert Moreau (1882-1948) is a French painter, engraver, lithographer, and illustrator, close in his early days to the group known as the Black Band, then to the Golden Section.
Category
Early 20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Elegant Man - Lithograph by Luc-Albert Moreau - Early 20th Century
Located in Roma, IT
Elegant Man is a Lithograph on ivory-colored paper realized by Luc Albert Moreau.
The artwork is in good condition, included a white cardboard passpartout (50x32.5 cm).
Luc-Albert Moreau (1882-1948) is a French painter, engraver, lithographer, and illustrator, close in his early days to the group known as the Black Band, then to the Golden Section.
Category
Early 20th Century Post-Impressionist Prints and Multiples
Materials
Lithograph
Composition - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Raoul Dufy
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Di...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Lithograph
Post-impressionist prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Post-Impressionist prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Luc-Albert Moreau, Henri Matisse, (after) André Derain, and Maria Bertrán. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist prints and multiples, so small editions measuring 3.55 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $50 and tops out at $250,000, while the average work sells for $761.