Post-Impressionist Prints and Multiples

Mévisto - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripple along th...

Monogram of the artist on plate. Pierre Bonnard was a French painter and printamaker, one of the most famous exponents of the Post-Impressionism. His first exhibition was at the Gale...

Hand signed and signed on plate. A copy of this print is in the collection of the Van Gogh Museum in Amsterdam. Includes passepartout : 53 x 37cm Image Dimensions : 23.5 x 15.5 cm H...

"May Belfort" 1974 reproduction of an 1895 poster by Henri Toulouse-Lautrec produced under the auspices of the Lautrec Museum in Albi, France. Authenticated with museum seal authoriz...

Hand signed. Edition of 50 prints.Original Prints. Image Dimensions : 31 x 23 cm Passepartout included : 69 x 49 cm This artwork is shipped from Italy. Under existing legislation, a...

Jean-Emile Laboureur (1877-1943), Les Deux Chaumieres, 1927-28, etching and engraving, signed in pencil lower left and numbered lower right. Laboureur 356, second state (of 4). One o...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. A Post-Impressionist figural monotype showing a woman standing beneath a tree in t...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

"Daphnis et Chloe (Two Bulls & Person in Water)" is an original lithograph by Pierre Bonnard, signed in lower left. It is a black and white work ...

Poster. Measures 22.5 x 17.5 inches and is Unframed. Good/Fair Condition-signs of wear consistent with age and handling. Exhibited at Sterling & Francine Clark Art Institute, Massac...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...

Painted by Victor Di Gesu (American, 1914-1988) circa 1955 and stamped, verso, with Victor di Gesu estate stamp. A bold, expressionist monotype showing two young women seated side b...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Provenance: Janet Ament De La Roche, from estate stamp verso. A cabinet sized, Pos...

HENRI MATISSE, Le Cateau Cambrésis 1869 - Nice 1954 Acrobates, 1952- 1958 Color lithograph, from papier gouache-découpé. Bibliography: Claude Duthuit, Catalogue raisonné des ouvrage...

"Car La Race" is an original woodcut on blue paper by Louis Auguste LePere. It depicts a centaur capturing a nude human woman in a flurry of motion and muscle. 16" x 13 3/8" art 16...

"Matinee a l'Odeon" is an original etching by Maurice Asselin. The artist signed and titled the print below the image. This piece is edition 13/30 and depicts three figures watching ...

“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being splashed by accompanying literature from a medical physician. However, his illustrations did not depict people drinking wine...

François Desnoyer - Free Child Original Lithograph Handsigned Dimensions: 38 x 28 cm François Desnoyer was a French visual artist who was born in ...

(after) André Marchand Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique P...

Three Hens by Georges Manzana Pissarro (1871-1961) Pochoir 31.8 x 48.3 cm (12 ½ x 19 inches) Signed with Estate stamp and épreuve d'état Provenance Private Collection, London Artis...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions: ...

(after) Marcel Gromaire Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signatur...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...

(after) Jean Lurçat Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions: ...

Oval Portrait by Ludovic-Rodo Pissarro (1878 - 1952) Woodcut 15.1 x 11.3 cm (6 x 4¹/₂ inches) Initialled, inscribed and dated 1918 in the plate Signed lower right, Ludovic Rodo and n...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...

Procede by Georges Manzana Pissarro (1871-1961) Coloured monotype with gold, silver and pencil 24 x 30 cm (9¹/₂ x 11³/₄ inches) Signed lower right, Manzana Artist biogaphy Like all ...

RAOUL DUFY 1877-1953 Le Havre 1877-1953 Forcalquier (French) Title: Little Horses, Bathers and Seashell Petits Chevaux, Baigneuses et Coquillage, 1925 Technique: Original Hand Si...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Rupert Rides by Orovida Pissarro (1893-1968) Etching 31 x 23.5 cm (12 ¼ x 9 ¼ inches) Signed and dated lower righ...

Quincaillerie by Ludovic-Rodo Pissarro (1878 - 1952) Wood engraving 10.4 x 12.6 cm (4 ¹/₈ x 5 inches) Initialled in the plate, signed lower right, Ludovi...

Charlotte and Amalia by Lélia Pissarro (b. 1963) Etching 22.7 x 27.5 cm (9 x 10 ⁷/₈ inches) Signed lower left, Lélia Pissarro Numbered lower right, 2/15 Artist biography: Born in P...

Dotty is one of my favorites in the Dotography serie. It's kind of the culmination of the project: Wild, abstract, final, and still fresh and appealing. The artwork is an 11-color fi...

'La Bergère Turque' (The Turkish Shepherdess) by Georges Manzana Pissarro (1871-1961) Etching 33.5 x 27 cm (13 ¼ x 10 ¾ inches) Signed lower left, Manzana Pissarro, titled and inscri...

After Tea by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 12 x 13.2 cm (4 ³/₄ x 5 ¹/₄ inches) Initialled and titled in the plate Executed circa 1917 Artist biography Ludovic-Rod...

New York, landscape, clouds, pointillism, ocean, city, dynamics :: Digital :: Pointillism :: This piece comes with an official certificate of authenticity signed by the artist :: Rea...

York Road by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 13.2 x 9 cm (5 ¹/₄ x 3 ¹/₂ inches) Initialed and titled in the plate, signed lower right, Ludovic Rodo and numbered lowe...

SOLD UNFRAMED The Four Seasons - Winter by Lélia Pissarro (b. 1963) Serigraph image size: 49.5 x 60 cm (19 ½ x 23 ⅝ inches) sheet size: 60.5 x 70 cm (23 ¾ x 27 ½ inches) Signed and numbered, 230/300 Printed in an edition of 300 Artist biography Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro. She was raised, however, in the loving care of her grandparents Paulémile Pissarro, Camille’s youngest son, and his wife Yvonne, in Clécy, Normandy. From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age. When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié. With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes. In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London. In 2005 following a long break in painting because of cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint. To coincide with a major exhibition at Stern Pissarro gallery...

Chatter by Orovida Pissarro (1893-1968) Etching 26 x 19 cm (10 ¹/₄ x 7 ¹/₂ inches) Signed and dated lower right Orovida 1927 Inscribed lower left Trial proof no. 18/25 and titled lower middle Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE The Calf by Orovida Pissarro (1893-1968) Watercolour, hand-coloured over an etching 17.5 x 23.2 cm (6 ⅞ x 9 ⅛ inc...

Still Life by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 14.5 x 10.8 cm (5 ³/₄ x 4 ¹/₄ inches) Initialed LR in the plate Exhibition Fort Lauderdale, Museum of Art, Camille Pis...

The buyer, according to his taste, chooses a frame for himself, the buyer receives only a print. :: Digital :: Pointillism :: This piece comes with an official certificate of authent...

abstract still life of a composition. color, spots, spring, impression, gift, mood. The composition is written under the influence of mood and the desire to produce something that co...

MAURICE DE VLAMINCK 1876-1958 Paris 1876-1958 Rueil-la-Gadelière, Eure-et-Loir (French) Title: Young girl Combing her Hair Jeune fille se coiffant, 1906/1957 Technique: Original Hand Signed and Numbered Woodcut...

RAOUL DUFY 1877-1953 Le Havre 1877-1953 Forcalquier (French) Title: The Admiral’s Ball Le Bal chez l'amiral, ca. 1925 Technique: Original Hand Signed and Numbered Lithograph on Wove Paper Paper size: 32.5 x 39.5 cm. / 12.8 x 15.6 in. Image size: 20.5 x 29 cm. / 8.1 x 11.4 in. Additional Information: This original lithograph is hand signed in pencil by the artist "R Dufy...

SOLD UNFRAMED Chaumière à Cantepie (Calvados) by Paulémile Pissarro (1884-1972) Etching 19.5 x 24.3 cm (7 ⅝ x 9 ⅝ inches) Signed Paulémile-Pissarro, numbered 38/50 and titled lower ...

This art work titled "Les Cavaliers" 1988 is an original large colors lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribed E...

This art work titled "Le Bonheur Entrevu" 1988 is an original large colors lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and number...

"Mlle Landsberg" (grade planche, pl. 16), 1914 Henri Matisse (French, 1869-1954) Signed and Numbered Lower Right Edition 12/15 Image size: 7 7/8 x 4 5/16 inches Sheet size: 17 11/16 x 12 1/2 inches With frame: 19 1/2 x 14 1/2 inches Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension. Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris. Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died. Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts). By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913. At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...

Pochoir printed in colours, 1947. From: Jazz, Plate VI. From the book edition of 270. Printed on Arches paper by Edmond Vairel, Paris. Published by Teriade, Paris. (Duthuit Livre...

Paul Gauguin (1848-1903) Joies de Bretagne (Kornfeld 7 B) zincograph, 1889, on simili Japon paper, from the second edition of circa 50 impressions, published by Ambroise Vollard afte...