Baby Prints and Multiples

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the atelier of Mourlot Freres. The...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...

Inscribed, signed, and dated lower center: "Monoprint H Lee-Smith '69" Provenance: The Waintrob Project for the Visual Arts (Foundation); Sidney and Abraham Waintrob This item is i...

Suzanne VALADON (1865-1938) Woman Naked on the Sofa, 1932 Original etching Signed in pencil On BFK Rives vellum 47 x 37 cm (c. 18.5 x 14.5 in) INFORMATION : Printed in 1932, this e...

Medium: pochoir (after the watercolor). Printed in 1964 at the atelier of Daniel Jacomet for the "Paul Klee 12 Aquarelles" portfolio and published in Paris by the Berggruen Gallery i...

This Blue Dog work consists of a black background with a single blue dog sitting on a dark red chair. To the right above the dog is the Earth. The dog ...

Etching with drypoint in black ink on antique laid paper with various large watermarks, 6 3/4 x 5 3/8 inches (172 x 132 mm), full margins with deckle edges on two sides. Signed, date...

Richard Mock, American (1944 - 2006) - Good Cop Bad Cop, Year: 1998, Medium: Linocut on BFK Rives, signed, titled, numbered and dated in pencil, Edition: 80, Image Size: 13.25 x ...

Paper Size: 23.75 x 27.5 inches ( 60.325 x 69.85 cm ) Image Size: 20.5 x 27.5 inches ( 52.07 x 69.85 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...

Original Aiir India, Over 50 Years of International Operation travel poster, Archival linen backed for preservation. Excellent condition, ready to frame. Grade A condition. This rare collector’s item showcases the cheerful Air India Maharaja...

Daniel GIRARD (1890-1970) Cyclop Polyphene and Ulysses, 1925 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of th...

SALE ONE WEEK ONLY Antonio Lopez Saenz is a brilliant iconic creative artist from Mazatlan, Mexico. The aquatint “Hombres y Sillos” (Men and Chai...

Jerome Myers (1867-1940), At the Show, etching and drypoint, c. 1920, signed in pencil lower right. In good condition, with margins (paper losses upper corners), faint ink marks and ...

Joan Miró Original Lithograph IV, 1981 Color Lithograph Size: 32 x 25 cm Catalogue Raisonné: Cramer 177, Der Lithograph III, 1969-1972 Publisher: Maeght Editeur, Paris, France Verso:...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Image dimensions: 15 x 11.5 cm. Boudoir is a black and white linocut on ivory-colored paper, realized in 1945 by the Italian satiric master Mino Maccari (1898-1989). Hand-signed wi...

Charles Fazzino Betty's Booping, Popeye's Swooning on Coney Island Beach 3D. In good condition measures 45x36

Bengt LINDSTROM Couple with a Dog Original lithograph Handsigned Numbered / 100 ex On vellum 70 x 50 cm (c. 28 x 20 inch) Excellent condition

Joe Webb, DJ VIP, 2023 UV Archival ink with silkscreen glitter varnish on Somerset Enhanced Velvet 410gsm Paper 40 x 60 cm (15.78 x 23.62 in) Hand-signed by the Artist and accompa...

This vibrant vintage poster advertises Escargots Ménetrel, proudly declaring them “Exquisite! Exquisite!” (Exquis! Exquis!). The bold design features a large scarlet leaf upon which ...

On s'amuse is a beautiful black and white linocut on paper, realized in 1945 by the Italian artist, Mino Maccari. Hand-signed as "Jean Barbe" and numbered in pencil on lower margin....

Artist: Karl Schmidt-Rottluff (German, 1884-1976) Title: "Männlicher Kopf im Profil (Male Head in Profile)" Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman) *Issued unsigned Year: 1918 Medium: Original Woodcut Engraving on wove paper Limited edition: Unknown Printer: Fritz Voigt, Berlin, Germany Publisher: Verlag Die Aktion, Berlin, Germany Reference: Schapire No. 219, page 45; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118 Overall size with attached page: 8.5" x 10.63" Sheet size: 8.5" x 5.38" Image size: 4" x 3.38" Condition: Toning to sheet (as normal). In very good condition Very rare Notes: Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. Presently attached to its accompanying page. The cover and title pages in pictures are not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany. Biography: Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died...

Keith Haring Public Illumination 1981: A rare, highly collectible small pamphlet-style art magazine (measuring 4.25 x 2.75 inches), featuring a centerfold spread illustrated by Keith Haring, playfully credited under the moniker "Kip Herring." The illustrations include some of Haring's signature early motifs including dogs, crawling babies, and figures in varying sexual positions. A rare, early Haring collectible which quite possibly marks his first appearance in a printed publication. Staple bound zine (art magazine), 4.25 x 2.75 inches. Good to very good overall vintage condition; appears unused. Unsigned from an edition of unknown. Literature/References: Printed Matter Inc., New York, NY Public Illumination Magazine: Founded by Zagreus Bowery in 1979 in New York and distinguished by its pocket-sized format, the publication rose to prominence in the underground art scene and was revered for its blatant mockery of mainstream magazines. The texts and drawings ranging from parody to absurdities. Contributions will be published exclusively under pseudonyms. By 2007, 51 issues appeared. The magazine is published irregularly and is available in the USA, Italy and Germany. Writers and artists who have contributed include: Keith Haring, Ken Brown, Steve Dalachinsky, Michael Madore, David Sandlin...

Original Serigraphy Jean Dubuffet, a French painter and sculptor renowned for his bold and unconventional approach to art, played a crucial role in shaping modernism and contemporar...

Ceremonial Dance by Orovida Pissarro (1893 - 1968) Etching 19.2 x 24.8 cm (7 ½ x 9 ¾ inches) Signed and dated lower right Orovida 1927 Inscribed lower left Final state no. 12/35 and ...

Lithograph and stencil on papier vélin des Manufactures d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Les Biches, 1924. Published by Édi...

Leonor Fini (Argentine-French, 1907–1996) A fiercely spirited Surrealist unfettered by social mores, Leonor Fini defied convention with her haunting, dreamlike works that explore the...

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

This Blue Dog work consists of a white background with various sizes of Blue Dog soulful yellow eyes and 3 dogs: 1 white & black, 1 red, and one blue. All dogs...

Lucian Freud After Chardin 2000 Etching on White Somerset Textured Paper 30 3/4 x 37 3/4 inches; 78 x 96 cm Edition of 46 Initialed and numbered in graphite (lower recto) Frame available upon request Published by Matthew Marks Gallery...

London: Allen & West, 1797. Engraving with hand coloring in watercolor on cream wove paper, 8 1/8 x 10 5/8 inches (213 x 270 mm), wide margins. Scattered toning, mat tone, and dog-e...

Trois Hommes se Disputant une Femme Devant un Emir is an original artwork realized by Spanish artist Pablo Picasso in 1966. Black and white etching on wove paper. Fine proof edited...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Eclipse I is from an edition of 90 Mezzotint artist Mikio Watanabe was born in 19...

The Murder is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La F...

Winter Landscape is an offset print on canvas realized after Josip Generalic in 1961.  Signed on the plate and dated on the bottom center. Good conditions and aged. The artwork re...

"Yankee Flame" (1975) is a collotype by American photorealist artist Ben Schonzeit, created for the portfolio "America: The Third Century" in celebration of the United States Bicente...

By: Yuji Hiratsuka Medium: Intaglio and Chine Colle Year: 2023 Image Size: 18 x 12 inches A celadon decorated Chinese vase with flowers, with a full moon and clouds in the backgroun...

This original etching is hand signed by the artist "Picasso" at the lower right. It was printed in by Lacourière in a limited edition of 250 impressions and published by Ambroise Vollard, Paris. This is the 13th plate in La Suite Vollard, Picasso's most important series of etchings, and was realised in December 1934. Note: The Suite Vollard...

A very nice poster made in 1948 by Michel Hove to promote the United Nations appeal for children. At the end of the Second World War, famine and disease were threatening the childre...

Guillermo Silva Santamaria, Colombian (1922 -2007) - La Gallina Ciego, Year: 1968, Medium: Etching with Aquatint, signed, titled and numbered in pencil, Edition: AP 66, Image Size...

Marc Chagall, Russian (1887 - 1985) - Lettre a Marc Chagall IV, Year: 1969, Medium: Etching, Edition: 190, Image Size: 8.75 x 5.75 inches, Size: 11 x 7.25 in. (27.94 x 18.42 cm), Pr...

Pablo Picasso's depiction of a woman from Alès is bright and colorful, rendered in bright shades of pink, yellow, and blue. Shown in a Cubist style with her face and body fragmented,...

Battle Scene is an original artwork realized in 1799 (after an original artwork realized in 1515) by Hans Burgkmair. Original lithograph on paper. The a...

ANDREAS PAUL WEBER (German 1893 – 1980) WE’RE OVER THR MOUNTAIN (Wir sind überm Berg) (A68, D2718) Lithograph over tinted ground, signed in pencil and in monogram in the stone. Image, 14 ½ x 19 1/4. Large full sheet with watermark and deckle edge, 24 ½ x 19 ¼. In very good condition. The A. Paul Weber Museum was inaugurated in Ratzeburg in 1973. Andreas Paul Weber died on 9 November 1980. This important German lithographer, draughtsman and painter bequeathed a comprehensive œuvre, in which critical satirical works figure prominently. THE WEBER MUSEUM HAS ADDITIONAL INFORMATION AND A BIOGRAPHY The following is a biography taken from the prominent German auction house KETTERER /KUNST: Andreas Paul Weber attended secondary modern school in Arnstadt between 1903 and 1910 before briefly attending the School for the Decorative and Applied Arts in Erfurt. In 1908 Weber joined the 'Jungwandervogel', a movement which sought to develop a new, modern lifestyle based on walking and living close to nature. At the same time Andreas Paul Weber began experimenting with lithography and worked as a commercial artist. When the first world war broke out, Weber served as a railway engineer on the Eastern Front, where he worked for the army as a draughtsman from 1916. After the war Andreas Paul Weber illustrated numerous books, including Till Eulenspiegel, Reineke Fuchs and the critical contemporary work Der Zeitgenosse by Hjalmar Kutzleb, which were Weber's first successes. In 1925 Weber founded the 'Clan-Presse' ['Clan Press'], where he and his son Christian printed...

Rudi S. is an original offset and lithograph realized by George Grosz. The artwork is the plate n.42 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-V...

Héliogravure on vélin paper. Paper Size: 14.75 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...

Pierre AMBROGIANI (1907-1985) Family Gathering in Provence, 1974 Original Lithograph (Gourdon Workshop) Signed with the artist's stamp On vellum 38 x 56 cm (c. 14.9 x 22 in) Excell...

Chinese augural prints art edition Menarini Florence 1982. Linked to Chinese folk customs and daily life, the prints are popular ornaments for Lunar New Year decorations and express ...

This limited edition color lithograph, titled The Little Prince Dreaming, is part of a 2015 edition meticulously printed on archival paper. Each print is numbered in pencil out of an...

Classic four panel iris print 'Women's Hands, Smoking' 2000 from the Holly Solomon Gallery in an edition #2/ of 50 (LL) by Julia Jacquette (pencil signed (LR) Print Sz: 9" x 9" Frame Sz: 11 1/2" x 11 1/2" Julia Jacquette (born 1964) is an American artist primarily based in New York City and Amsterdam. She grew up in the Upper West Side by Columbus Avenue which was where her family's apartment was. Jacquette studied at Skidmore College in Saratoga Springs, NY (1986) and Hunter College in New York City (1989–92). Jacquette's work has been shown widely at galleries and museums around the world including Holly Solomon Gallery in New York City, David Klein Gallery...

Includes a Certificate of Authenticity

Lithograph on vélin paper. Paper Size: 13 x 9.5 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chagall Lit...

Helen Hyde, 'The Bath', color woodblock print, edition not stated, 1905, Mason & Mason 59. Signed in pencil in the image, lower right. Numbered '96' in pencil in the image, lower left. The artist's monogram in the block, lower left, and 'Copyright, 1905, by Helen Hyde.' upper right. A superb impression with fresh colors on tissue-thin cream Japanese paper; the full sheet with margins (7/16 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 16 1⁄4 x 10 1⁄8 in. (413 x 260 mm); sheet size: 19 1⁄4 x 11 1⁄8 in. (489 x 283 mm). Literature and Exhibition: Back cover illustration of the catalog of the artist’s prints, 'Helen Hyde', Smithsonian Institution Press, 1990; 'The International Block Print Renaissance, Then And Now, Block Prints In Wichita, Kansas, A Centennial Celebration — 1922-2022', Barbara J. Thompson, Wichita Art Museum, 2022 (back cover). Impressions of this work are held in the following collections: Achenbach Foundation for Graphic Arts, Art Institute of Chicago, Fine Arts Museums of San Francisco (De Young), Harvard Art Museums, Library of Congress, Metropolitan Museum of Art, New York Public Library, Smithsonian American Art Museum, Terra Foundation for American Art, University of Oregon Museum of Art. ABOUT THE ARTIST Helen Hyde (1868-1919) was a pioneer American artist best known for advancing Japanese woodblock printmaking in the United States and for bridging Western and Japanese artistic traditions. Hyde was born in Lima, New York, but after her father died in 1872, her family relocated to Oakland, California, where she spent much of her youth. Hyde pursued formal art education in the United States and Europe. She enrolled in the San Francisco School of Design, where she took classes from the Impressionist painter Emil Carlsen; two years later, she transferred to the Art Students League in New York, studying there with Kenyon Cox. Eager to expand her artistic repertoire, Hyde traveled to Europe, studying under Franz Skarbina in Berlin and Raphael Collin in Paris. While in Paris, she first encountered Japanese ukiyo-e prints, sparking a lifelong fascination with Japanese aesthetics. After ten years of study, Hyde returned to San Francisco, where she continued to paint and began to exhibit her work. Hyde learned to etch from her friend Josephine Hyde in about 1885. Her first plates, which she etched herself but had professionally printed, represented children. On sketching expeditions, she sought out quaint subjects for her etchings and watercolors. In 1897, Hyde made her first color etchings—inked á la poupée (applying different ink colors to a single printing plate)—which became the basis for her early reputation. She also enjoyed success as a book illustrator, and her images sometimes depicted the children of Chinatown. After her mother died in 1899, Hyde sailed to Japan, accompanied by her friend Josephine, where she would reside, with only brief interruptions, until 1914. For over three years, she studied classical Japanese ink painting with the ninth and last master of the great Kano school of painters, Kano Tomonobu. She also studied with Emil Orlik, an Austrian artist working in Tokyo. Orlik sought to renew the old ukiyo-e tradition in what became the shin hanga “new woodcut prints” art movement. She immersed herself in the study of traditional Japanese printmaking techniques, apprenticing with master printer Kanō Tomonobu. Hyde adopted Japanese tools, materials, and techniques, choosing to employ the traditional Japanese system of using craftsmen to cut the multiple blocks and execute the exacting color printing of the images she created. Her lyrical works often depicted scenes of family domesticity, particularly focusing on women and children, rendered in delicate lines and muted colors. Through her distinctive fusion of East and West, Hyde’s contributions to Western printmaking were groundbreaking. At a time when few Western women ventured to Japan, she mastered its artistic traditions and emerged as a significant figure in the international art scene. Suffering from poor health, she returned to the United States in 1914, moving to Chicago. Having found restored health and new inspiration during an extended trip to Mexico in 1911, Hyde continued to seek out warmer climates and new subject matter. During the winter of 1916, Hyde was a houseguest at Chicora Wood, the Georgetown, South Carolina, plantation illustrated by Alice Ravenel Huger Smith in Elizabeth Allston Pringle’s 1914 book A Woman Rice Planter. The Lowcountry was a revelation for Hyde. She temporarily put aside her woodcuts and began creating sketches and intaglio etchings of Southern genre scenes and African Americans at work. During her stay, Hyde encouraged Smith’s burgeoning interest in Japanese printmaking and later helped facilitate an exhibition of Smith’s prints at the Art Institute of Chicago. During World War I, Hyde designed posters for the Red Cross and produced color prints extolling the virtues of home-front diligence. In ill health, Hyde traveled to be near her sister in Pasadena a few weeks before her death on May 13, 1919. She was buried in the family plot near Oakland, California. Throughout her career, Hyde enjoyed substantial support from galleries and collectors in the States and in London. She exhibited works at the St. Louis Exposition in 1897, the Pan-American Exhibition in Buffalo in 1901, the Tokyo Exhibition for Native Art (where she won first prize for an ink drawing) in 1901, the Alaska-Yukon-Pacific Exhibition in Seattle in 1909 (received a gold medal for a print), the Newark Museum in 1913, a solo show at the Chicago Art Institute in 1916, and a memorial exhibition in 1920, Detroit Institute of Arts, Color Woodcut Exhibition in 1919, New York Public Library, American Woodblock Prints...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

Henry Moore Reclining Figure Original etching in sepia, hand signed 1979 Image size: 12 5/8 x 15 7/8 inches Framed Dimensions: 25 x 25 inches Numbered 32/50 from the edition of 50 on...

This reproduction features a powerful advertisement by Oliverio Toscani for United Colors of Benetton, depicting two young girls—one Caucasian and one of African descent—embracing ea...

Pierre AMBROGIANI (1907-1985) Wolves, 1974 Original Lithograph (Gourdon Workshop) Signed with the artist's stamp On vellum 38 x 28 cm (c. 14.9 x 11 in) Excellent condition

MARY TRAVIS (Active 1935 - 40) LOTUS FLOWER ROEDING PARK. c.1935-40 White line color woodcut. Signed and titled in pencil. Small edition. 10” x 8”. Full sheet. tears in upper margin. Travis worked in Berkeley, California and was probably a follower of William S...