Ifpda International Fine Print Dealers Association Prints and Multiples
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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'Bird Dog' — Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Bird Dog', color lithograph with relief collagraph, 1946, edition 14. Signed, dated, titled, and numbered '123' (the artist's inventory number) and '12/14' in pen. A fine impression, with fresh colors, on heavy, cream, wove paper; the full sheet with margins(1 3/4 to 3 1/2 inches), in excellent condition. Scarce. Matted to museum standards, unframed.
Image size 10 1/8 x 6 7/8 inches (257 x 174 mm); sheet size 17 x 11 7/16 inches (432 x 291 mm).
A collagraph is a relief print made from a collage of various materials adhered to a metal, plastic, hardboard, or other type of ground plate. In this work, the artist appears to have combined a lithograph with a collagraph to achieve the intricately textured image.
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan.
Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine Felsenthal of Chicago. The Brooklyn Museum mounted a show of Vanguard artists' work in 1946, which subsequently toured several other institutions in the United States.
Faro's visionary graphics from the 1940s are a sophisticated blend of Abstract Expressionism, Surrealism, and Indian Space...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$600 Sale Price
20% Off
Clairton (night view of US Steel Clairton coke plant, largest in America)
By Craig McPherson
Located in New Orleans, LA
McPherson's night view of the Clairton steelworks is printed on light green laid paper referenced as Hartley M1. It is signed, titled and dated in pencil. Marked ed 75 and "imp" in...
Category
1990s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
'Venice, Maria della Salute' — Serenissima Impressionism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Venice, Maria della Salute', etching, c. 1930. Signed and titled in pencil. A superb, richly-inked impression, with skillfully wiped plate tone, on cream wove paper, ...
Category
1930s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
#3 — Modernist Abstraction — African American Artist
Located in Myrtle Beach, SC
Hilliard Reynolds Dean, '#3', color lithograph, 1970, edition not stated but small. Signed and titled in pencil. A fine impression, with fresh colors, on Arches, heavy, cream wove pa...
Category
1970s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Kris Dancer, Bali
By Albert Al Hirschfeld
Located in Myrtle Beach, SC
Al Hirschfeld, 'Kris Dancer, Bali', color lithograph, 1941, edition 1,000. Signed in the stone, lower right. A fine, clean impression, with fresh colors, on cream wove paper, the ful...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'#9' — Modernist Abstraction — African American Artist
Located in Myrtle Beach, SC
Hilliard Dean, '#9', color lithograph, 1970, edition 7. Signed, titled, and annotated 'Ed 7' in pencil. A fine impression, with fresh colors, on Arches, ...
Category
1970s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Barcham Green Portfolio
By Sherrie Levine
Located in Houston, TX
Barchman Green Portfolio, 1986
Suite of five etchings
31 x 22 1/2” each
ed. 25
Framed
Category
20th Century Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
LYAM 3D
By Kota Ezawa
Located in Berkeley, CA
Kota Ezawa recreates animated sequences from television, cinema, and art history. He uses basic digital drawing and animation software to create slide projections, light boxes, collages, and prints. In the vein of Warhol, his highly stylized facsimiles of familiar and often infamous images emphasize the distance between the viewer and the depicted figures that feature so prominently in America’s collective memory. His work is included in the permanent collections of the Museum of Modern Art, New York, The Metropolitan Museum of Art, New York and the San Francisco Museum of Art, California among others. The artist is represented by the Cheryl Haines Gallery...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$1,500
Open Action.
By Kerr Eby
Located in Storrs, CT
Published edition, not trial proof
Open Action. 1926/1928. Etching. Giardina 124. 7 x 15 1/8 (sheet 12 3/4 x 15 1/4). Trial proof, prior to the edition of 90. A rich, tonal impressi...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$1,200 Sale Price
31% Off
Y is for Yacht, from Alphabet Series
By Peter Blake
Located in London, GB
Screenprint in colours, 1991, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77 cm. (40.4...
Category
1990s Pop Art Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
John Lennon sitting on an advertising hoarding at Marylebone Station II
Located in London, GB
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...
Category
1960s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Silver Gelatin
Evening, Port of Genoa
By Sir Muirhead Bone
Located in Storrs, CT
Evening, Port of Genoa. 1915. Drypoint. Dodgson 337.i/v. 7 5/8 x 9 15/16 (sheet 9 1/8 x 14). Edition of 45 in five states. An exceptionally rich impression with drypoint burr, printe...
Category
1910s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
$760 Sale Price
20% Off
Joe Louis vs. Max Baer at Yankee Stadium
By Joseph Webster Golinkin
Located in New York, NY
LOUIS & BAER AT YANKEE STADIUM.
This lithograph from circa 1935 was printed in an edition of 50. This particular impression is signed in pencil and inscribed “25/50.” The image size is 15 7/8 x 19 ¾ inches and the paper (sheet) size is 19 1/8 x 22 7/8 inches. There are two small purple estate stamps on verso.
"I define fear as standing across the ring from Joe Louis and knowing he wants to go home early." – Max Baer...
Category
1930s Naturalistic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
CHASSEURS TYROLIENS A L'AFFUT DU CHEVREUIL
By Gustave Doré
Located in Santa Monica, CA
GUSTAVE DORE (French 1832-1883)
CHASSEURS TYROLIENS A L'AFFUT DU CHEVREUIL (Tyrolian Hunters at the end of the Hunt) c. 1856-7 (Beraldi?)
Lithograph,...
Category
1850s Romantic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$600 Sale Price
45% Off
The Beatles, Paul McCartney on a train at Marylebone Station
Located in London, GB
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...
Category
1960s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Silver Gelatin
'To Market, to Market' — Surrealist Fantasy
Located in Myrtle Beach, SC
Zena Kavin, 'To Market, to Market', lithograph, c. 1935, edition 20. Signed, titled, and numbered '6/20' in pencil. A fine, richly-inked impression, on cream wove paper, with full ma...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$360 Sale Price
20% Off
Untitled I
By Thomas Nozkowski
Located in New York, NY
For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject matter in favor of seemingly limitless variations in ...
Category
2010s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Color, Linocut, Woodcut
EAST 15TH STREET
By Yvonne Jacquette
Located in Portland, ME
Jacquette, Yvonne. EAST 15TH STREET. Faberman 8. Lithograph in five colors, 1974. Edition of 125. Signed and numbered in pencil. Printed by Paul Narkiewicz and Chip Elwell on Arches...
Category
1970s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Make Fast, Plate 2.
By Arthur John Trevor Briscoe
Located in Storrs, CT
Make Fast, plate 2. 1929. Etching. Laver catalog number 146; Hurst catalog number 258. Plate: 14 3/8 x 9 13/16 (sheet 17 5/8 x 11 3/4). Trial proof 2, before the edition or 75. Ill...
Category
1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Drypoint
$1,800 Sale Price
20% Off
Congregational Church, Old Lyme, CT. (quintessential New England landmark)
By Walter DuBois Richards
Located in New Orleans, LA
The Old Lyme Congregational Church located on Ferry Road, a quintessentially New England landmark, was captured by Walter DuBois Richards. The church was a favorite subject of Old Ly...
Category
Late 20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Xylon 21 Naoko Matsubara USA
Located in Fairlawn, OH
Xylon 21 Naoko Matsubara USA
Woodcuts, two which are printed in color, 1970
2 of the 5 woodcuts signed in pencil (see photos)
Five original woodcuts, two of which are signed in penci...
Category
1970s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Leave Me Ecstasy
By Lesley Dill
Located in New York, NY
Lesley Dill is an American contemporary artist. Her work, using a wide variety of media including sculpture, print, performance art, music, and others, explores the power of language...
Category
1990s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Lithograph
'Heart of San Francisco' — Vintage 1920s Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Heart of San Francisco', etching, c. 1927, edition not stated. Signed in pencil. A superb, richly-inked impression, on cream wove paper; the full sheet with margins (2...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$360 Sale Price
20% Off
'Mount Taranaki, New Zealand' — from the series 'Axis Mundi', Contemporary
Located in Myrtle Beach, SC
Beth Ganz, 'Mount Taranaki, New Zealand', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted.
Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches.
From the artist's series of 64 photogravure etchings 'Axis Mundi'. Additional works from the series are available; please inquire.
Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023.
ABOUT THE IMAGE
Mount Taranaki (Māori: Taranaki Maunga) is a dormant stratovolcano in the Taranaki region on the west coast of New Zealand's North Island. At 2,518 meters (8,261 ft), it is the second-highest mountain on the North Island after Mount Ruapehu. It has a secondary cone, Fanthams Peak (Māori: Panitahi), 1,966 meters (6,450 ft), on its south side.
Taranaki is geologically young, having commenced activity approximately 135,000 years ago. The most recent volcanic activity was the production of a lava dome in the crater and its collapse down the side of the mountain in the 1850s or 1860s. The last major eruption occurred around 1655. Recent research has shown that over the last 9,000 years, minor eruptions have occurred roughly every 90 years on average, with major eruptions every 500 years.
The name Taranaki is from the Māori language. The mountain was named after Rua Taranaki, the first ancestor of the iwi (tribe) called Taranaki, one of several iwi in the region. The Māori word tara means mountain peak, and naki may come from ngaki, meaning ‘clear of vegetation.’ It was also named Pukehaupapa (’ice mountain’) and Pukeonaki (’hill of Naki’) by iwi who lived in the region in "ancient times".
Captain Cook named it Mount Egmont on 11 January 1770 after John...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Photogravure
The Basilica of Constantine
By Giovanni Battista Piranesi
Located in Chicago, IL
A very fine impression of the 3rd State, still with the address and price which were eliminated in the following 4th state. The presence of the address and price confirms that this ...
Category
18th Century and Earlier Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
The Pump House, Notre Dame, Paris
By Charles Meryon
Located in Storrs, CT
La Pompe Notre Dame. (The Pumphouse, Notre Dame). Schneiderman catalog 26.x.
1861. Etching. Image 6 3/4 x 10. Edition of 30 in this state. Series: Eaux-Fortes sur Paris .
Initial...
Category
Mid-19th Century Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$3,000 Sale Price
70% Off
'Cleveland Public Square' — Urban Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Cleveland Public Square', etching, edition not stated, 1927. Signed in pencil. Signed and dated in the plate, lower left. Annotated 'Cleveland Public Square S489', in another hand, in the bottom right margin. A fine, richly-inked impression, in brown/black ink, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 5/8 to 3 inches), in excellent condition. Archivally sleeved, unmatted.
Image size 11 7/8 x 8 7/8 inches; sheet size 17 1/4 x 12 1/8 inches.
ABOUT THIS IMAGE
'Public Square' is the two-block (formerly four-block) central plaza of downtown Cleveland, Ohio. Based on an 18th-century New England model, it was part of the original 1796 town plan overseen by Moses Cleveland and remains today as an integral part of the city's center. The 10-acre (4.0 ha) square is centered on the former intersection of Superior Avenue and Ontario Street.[2] Cleveland's three tallest buildings, Key Tower, 200 Public Square, and the Terminal Tower, face the square.
Public Square was part of the Connecticut Land Company's original plan for the city, overseen by Moses Cleveland in the 1790s. The square is signature of the layout for early New England towns, which Cleveland was modeled after. While it initially served as a common pasture for settlers' animals, less than a century later in 1879 Public Square became the first street in the world to be lit with electric street lights—arc lamps designed by Cleveland native Charles F. Brush. The square was added to the National Register of Historic Places on December 18, 1975.
Public Square is often the site of political rallies and civic functions, including a free annual Independence Day concert by the Cleveland Orchestra...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
MAB: (ETCHING II) 1971 YELLOW
By McArthur Binion
Located in Berkeley, CA
Color aquatint and hardground.
Edition of 25
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Piano Daude
By Andre Daude
Located in New York, NY
The stunning design of this Vintage Original poster Piano Daude,was created by Andre Daude the owner for the Piano store on Avenue Wagram in Paris. The s...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Peau d' Ame ( Body and Soul) - In Celebration of Pride Month
By Christine Ravaux
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
Christine Ravaux created Peau d' Are which is signed by pencil. This impression is ...
Category
Early 2000s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
$156 Sale Price
43% Off
Ostend Horse
By Edmund Blampied
Located in Storrs, CT
Ostend Horse. 1926-27. Drypoint. Appleby 125. 7 x 815/16 (sheet 9 1/8x 12 1/5). Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on...
Category
1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
Ladies Dress Shoes. Plate IX.
By T. Watson Greig 1
Located in New York, NY
LADIES DRESS SHOES. Plate IX.
The charming color lithograph from “Ladies’ Dress Shoes of the Nineteenth Century” was assembled by the antiquarian/shoe...
Category
Early 1900s Naturalistic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Ocean Terminal I
By Craig McPherson
Located in New Orleans, LA
Craig McPherson captures a night view of the neon lights from commercial signs reflected in the water at Ocean Terminal in Kowloon, as seen from the terminal of the Star Ferry to cen...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
MEXICAN COSTUME
By Carlos Mérida
Located in Portland, ME
Merida, Carlos (Guatamala/Mexico, 1891-1985). MEXICAN COSTUME. Pocahontas Press, Chicago, 1941. Edition of 1000. Folio (16 1/2 x 13 1/2 inches), portfolio, cloth-backed boards, with ...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
'Le maréchal flamand' (The Flemish Blacksmith) — 19th-Century French Romanticism
By Jean Louis Andre Theodore Gericault
Located in Myrtle Beach, SC
Théodore Géricault 'Le maréchal flamand' (The Flemish Blacksmith) from the series ‘Etudes, de chevaux lithographiés,’ lithograph, 1822, 2nd state ...
Category
1820s Romantic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Scarborough
By Nelson Dawson
Located in New Orleans, LA
This impression is signed and annotated as etched and printed by the artist. It is numbered No. 56.
Scarborough is a resort town on England’s North Sea coast. Its 2 bays with sandy...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$130 Sale Price
35% Off
'Expansion' — Modernist Abstraction, Atelier 17
By Stanley William Hayter
Located in Myrtle Beach, SC
Stanley William Hayter, 'Expansion', color etching and soft-ground, 1970, edition 100, Black & Moorhead 334. Signed, titled, dated, and numbered '23/50' in pencil. A superb, richly inked impression with fresh, vivid colors on heavy off-white wove paper; the full sheet with margins (2 to 2 1/2 inches), in excellent condition. Matted to museum standards, unframed.
Image size 17 1/8 x 19 7/16 inches (435 x 494 mm); sheet size 22 x 23 1/2 inches (559 x 597 mm).
This innovative graphic work was created in the first state using a plate covered with a plastic sheet; the sheet was cut, and the soft-ground texture was added. In the second state, the plate was covered again, and the sheet cut then etched with a deep bite, and a soft ground texture was added. Printed by Hector Saunier: intaglio fluorescent orange, hard roller phthalo green, soft roller transparent yellow.
Note: the online image cannot accurately convey the vibrancy of the printed fluorescent orange.
An impression of this work is held in the collection of the National Gallery of Art.
ABOUT THE ARTIST
Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall.
The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated in this way included Samuel Beckett and Georges Hugnet.
Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen Phillips...
Category
1970s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
'Hurdy Gurdy Ballet' — New York City American Scene, Ashcan School
By Glenn O. Coleman
Located in Myrtle Beach, SC
Glenn O. Coleman, 'Hurdy Gurdy Ballet', lithograph 1928, edition 50. Signed, dated, and numbered '14/50' in pencil. Titled in the bottom left margin, in an...
Category
1920s Ashcan School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$3,840 Sale Price
20% Off
Animal Kingdom (Magnificent Jungle Cats)
By Louise Nevelson
Located in Fairlawn, OH
Animal Kingdom (Magnificent Jungle Cats)
Etching, 1953-1955
Signed and titled in pencil by the artist (see photos)
Annotated: "First Proof" (see photo)
Estate stamp verso (see photo)...
Category
1950s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
'Crown of Roses' — Mid-century Modernism
By Mary Van Blarcom
Located in Myrtle Beach, SC
Mary Van Blarcom, 'Crown of Roses', color serigraph, c. 1945, edition not stated but small. Signed in pencil beneath the image, lower left. Titled in pencil, bottom left sheet corner. A rich painterly impression, with fresh colors, on cream laid paper, with full margins (3/8 to 7/8 inch), in excellent condition. Matted to museum standards, unframed.
Image size 8 13/16 x 12 11/16 inches; sheet size 9 1/2 x 8 5/16 inches.
ABOUT THE ARTIST
Painter, printmaker, and craftsperson, Mary Van Blarcom was born in Newark, New Jersey, and studied at Wellesley College. She was a member of the National Serigraph Society, where she served on the board of trustees from 1945 through 1952 and was 1st vice-president from 1949-51. She was also a member of the National Association of Women Artists, the Artists Equity Association, the American Color Print Society, the New Jersey Artists Association (Director), and Artists of Today.
Van Blarcom exhibited actively throughout the 1940s at many prominent art organizations, including Montclair Art Museum, 1941-45 and 1947-51 (prize, 1948); Society of Independent Artists, 1942-44; Artists of Today, 1942-46; Elisabeth Ney Museum, 1943; Northwest Printmakers, 1944, 1946-49; Laguna Beach Art Association, 1945-47, 1949; National Association of Women Artists, 1945-50, (prize, 1946); Library of Congress, 1946-47; Museum of Modern Art Traveling Exhibition, 1945-47; Carnegie Institute, 1947; Serigraph Gallery, 1946, 1951 (solo); American Color Print Society, 1947-52; Newark Museum, 1947-48, 1951; California State Library, 1947, 1949; National Serigraph Society, 1949 (prize), 1950 (prize); University of Chile, 1950; New Jersey State Museum, 1950; Philadelphia Art Alliance, 1951; and the Main Gallery, NY, 1952.
Van Blarcom’s work is represented in the collections of the Newark Public Library, the U.S. Library of Congress; the American Association of University Women; the New York Public Library; Tel-Aviv Museum, Alabama Polytechnic Institute, Princeton Print Club...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
$320 Sale Price
20% Off
'Foul Rope (Left)' — Early American Southwest Rodeo
By William Robinson Leigh
Located in Myrtle Beach, SC
William Robinson Leigh, 'Foul Rope (Left)', etching, c. 1920, edition unknown but small. Signed in pencil and signed in the plate, lower left. A superb, richly-inked impression, in dark brown ink, on buff wove Umbria paper, the full sheet with margins (1 1/2 to 2 3/4 inches); slight toning at the sheet edges, otherwise in excellent condition. Very scarce. Archivally matted to museum standards, unframed.
Image size 14 7/8 x 11 15/16 inches (378 x 303 mm); sheet size 20 3/8 x 15 3/8 inches (518 x 391 mm).
ABOUT THE ARTIST
Born near Falling Waters, West Virginia, on a plantation a year after the Civil War and raised in Baltimore, William Robinson Leigh (1866 - 1955) became one of the foremost painters of the American West. His career spanning some seventy-five years, Leigh created some of the most iconic depictions of the Western landscape, with admirers referring to him as ‘The Sagebrush Rembrandt.’
The son of impoverished Southern aristocrats, Leigh received his first art training at age 14 from Hugh Newell at the Maryland Institute, where he was regarded as the best student in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama.
In 1896, Leigh began working as a magazine illustrator for Scribner's and Collier's Weekly Magazine in New York City. He also painted portraits, landscapes, and genre scenes.
Leigh's trips to the Southwest began in 1906 when he agreed to paint the Grand Canyon with William Simpson, Santa Fe Railway advertising manager, in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, and his primary interests were the Hopi and Navajo Indians.
In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and created sketches, many of which he later converted into large canvases such as ‘Lower Falls of the Yellowstone’ (1915) and ‘Grand Canyon of the Yellowstone’ (1911).
In 1926, he traveled to Africa at the invitation of Carl Akeley for the American Museum of Natural History, and from this experience, wrote and illustrated 'Frontiers of Enchantment: An Artist's Adventures in Africa'. In 1933, he wrote and illustrated 'The Western Pony'. His adventures were chronicled in several popular magazines, including Life, the Saturday Evening Post, and Colliers.
For many years, Grand Central Art Galleries at the Biltmore Hotel handled his work exclusively in New York. In 1953, Leigh was elected an associate member of the National Academy of Design and became a full Academician in 1955.
In March 1999, the Historical Center of Cody, Wyoming, held an exhibition of his field sketches and finished works depicting his experiences near Cody early in the century. Between 1910 and 1921, when he often painted in the Carter Mountain vicinity, these years were considered pivotal to his artistic development and devotion to the Western landscape.
Leigh's work is held in many museum collections of American Western art...
Category
1920s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
The Print Shop
By Gustave Baumann
Located in Santa Monica, CA
GUSTAVE BAUMANN (1881 – 1971)
THE PRINT SHOP 1910 (Chamberlain 27)
Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the
Hills o’ Brown Portfolio, (plate 11 of 12). Image 9 x 13 1/8, sheet 10 ¼ x 13 7/8 with
deckle edge at the bottom. The print portrays the Brown County...
Category
1910s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'Fruit Forms' — American Modernism
By Albert Heckman
Located in Myrtle Beach, SC
Albert Heckman, 'Fruit Forms', color lithograph, edition not stated, c. 1935. Signed and titled in pencil. A fine, richly-inked impression, with fresh colo...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Mexican Barber Shop (Getting a shave amidst revelry of community)
By Irwin D. Hoffman
Located in New Orleans, LA
Irwin Hoffman created a lively scene of a Mexican barber shop that serves as a focal point of the community's life. A man is being shaved as people cook, eat and revel in the camaraderie of the scene. This print was issued by Associated American Artists and is in the permanent collection of the San Francisco Museum of Art.
Born in East Boston...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$400 Sale Price
32% Off
The Carriage Trade
By Red Grooms
Located in Lyons, CO
Color 3-D lithograph in wood frame
In Red Grooms’ newest three-dimensional print, "The Carriage Trade", the artist once again casts his acute eye on ...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Domjulien, Haute Vosges, France
By John DePol
Located in Myrtle Beach, SC
John DePol, 'Domjulien, Haute Vosges, France', chiaroscuro wood engraving, 1971, edition 140. Signed, dated, titled and numbered '15/140' in pencil. Signed in the block, lower right....
Category
1970s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Mexican Night II
By Robert Motherwell
Located in London, GB
44.5 x 44.5 cms (17.5 x 17.5 ins)
Edition of 70
Signature:Signed "Motherwell" in pencil lower right
Inscriptions:Numbered in pencil lower right; artist's chop mark lower right
...
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Color, Etching, Aquatint
On the Kedgwick
By Frank Benson
Located in New York, NY
Frank Benson created the etching "On the Kedgwick" in 1923, in an edition of 150. This impression is the second state of four. There are five known impressions of the second state. It is signed in pencil and inscribed "B-1" and "1 or 5" at the lower left paper edge (pencil). The image size 7 13/16 x 11 7/8" (19.9 x 30.2 cm) and sheet size 15 3/8 x 11 1/2" )29.3 x 39 cm). It is listed in the Frank W. Benson catalogue raisonne by Paff #222.
FRANK W. BENSON (1862-1951)
Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
1920s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Leucippus Fallax (Buffy Hummingbird) — Original Hand-colored Lithograph
By John Gould and Henry Constantine Richter
Located in Myrtle Beach, SC
John Gould, 'Leucippus Fallax' (Buffy Hummingbird), original lithograph with hand-coloring (not a reproduction), c. 1850. Signed in typeset 'J. Gould and H. C. Richter, del et lith.'...
Category
1850s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Love Apple (Brown background).
By Jane Martin VonBosse
Located in Storrs, CT
Love Apple (Brown background). 1967. Linoleum cut printed in black, red, orange, brown and tan. 16 1/2 x 12 1/2 (sheet 21 3/4 x 15). Edition 18. A vivid impression printed on wove pa...
Category
1960s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Linocut
Little Hall's Island.
By Kerr Eby
Located in Storrs, CT
Little Hall's Island. 1940. Etching and sandpaper ground. Giardina 199. 10 x 15. Edition 100. Little Hall's Island is located off the coast of Friendship. Maine. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. Housed in a 16 x 20-inch archival mat.
Eby was an Associate of the National Academy NA (1930); National Academy of Design (1934); Society of American Etchers; Chicago Society of Etchers; Philadelphia Society of Etchers; National Institute of Arts and Letters. Kerr...
Category
Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$800 Sale Price
20% Off
'On Stage' — Mid-Century Surrealism, Atelier 17
Located in Myrtle Beach, SC
Ian Hugo, 'On Stage', from the portfolio 'Ten Engravings'. engraving, 1946, edition 50. Signed, dated, titled, and numbered '22/50' in pencil. A fine impression, with delicate overall plate tone, on cream wove paper, the full sheet with margins (3 5/8 to 4 7/8 inches), in excellent condition. With the blind stamp 'madeleine-claude jobrack EDITIONS', in the bottom right margin. Matted to museum standards, unframed.
Image size 5 7/8 x 3 7/8 inches (149 x 98 mm); sheet size 15 1/8 x 11 1/8 inches (384 x 283 mm).
Ian Hugo originally created "Ten Engravings" in 1945, and the portfolio included a foreword by his partner and collaborator, Anais Nin. In 1978, Hugo republished the portfolio with Madeleine-Claude Jobrack, an American master printmaker who studied under Stanley William Hayter at Atelier 17, Paris, and with Johnny Friedlaender. When Jobrack returned to the United States she managed the Robert Blackburn Printmaking Studio in New York before opening her own printing studio, Madeleine-Claude Jobrak Editions.
“The sign of the true artist is one who creates a complete universe, invents new plants, new animals, new figures to transfer to us a new vision of the universe in which dream and reality fuse. Ian Hugo's plants have eyes, the birds have the delicacy of dragonflies, their feathers have the shape of fans. Humor is apparent in every gesture. He uses a fine spider web to give a feeling of flight, speed, lightness. The body of a woman reveals the structure of a leaf, a plant. Wings are moving in a world unified by mythological themes. This is an animated world, humorous and levitating, elusive and decorative, which by its unique forms and shapes gives us the sensation of a rebirth, a liberation from the usual, the familiar, a visit to a new planet.”
—Anais Nin, from the forward to the portfolio ‘Ten Engravings’
ABOUT THE ARTIST
Ian Hugo was born Hugh Parker Guiler in Boston, Massachusetts, on February 15, 1898. His childhood was spent in Puerto Rico—a "tropical paradise," the memory of which stayed with him and surfaced in both his engravings and his films. He attended school in Scotland and graduated from Columbia University where he studied economics and literature.
Hugo was working with the National City Bank when he met and married author Anais Nin in 1923. The couple moved to Paris the following year, where Nin's diary and Guiler's artistic aspirations flowered. Guiler feared his business associates would not understand his interests in art and music, let alone those of his wife, so he began a second, creative life as Ian Hugo. Ian and Anais moved to New York in 1939. The following year he took up engraving and etching, working at Stanley William Hayter’s experimental printmaking workshop Atelier 17, established at the New School for Social Research.
Hugo began producing surreal images often used to illustrate Nin's books. For Nin, his unwavering love and financial support were indispensable—Hugo was the "fixed center, core... my home, my refuge" (Sept. 16, 1937, Nearer the Moon, The Unexpurgated Diary of Anais Nin, 1937-!939). Fictionalized portraits of Higo and Nin appear in Philip Kaufman's 1990 film drama of a literary love triangle, Henry & June.
Inspired by comments that viewers saw motion in his engravings, Hugo took up filmmaking. He asked the avant-garde filmmaker Sasha Hammid for instruction but was told, "Use the camera yourself, make your own mistakes, make your own style." Hugo embarked on an exploration of the film medium as a vehicle to delve into his dreams, his unconscious, and his memories. Without a specific plan, He would collect resonant images, then reorder or superimpose them, seeking a sense of self-connection through the poetic juxtapositions he created. These intuitive explorations resembled the mystical evocations of his engravings, which he described in 1946 as "hieroglyphs of a language in which our unconscious is trying to convey important, urgent messages."
In the underwater world of his film ‘Bells of Atlantis,’ the light originates from the world above the surface; it is otherworldly, out of place, yet essential. In ‘Jazz of Lights,’ the street lights of Times Square become in Nin's words, "an ephemeral flow of sensations." This flow that she also calls "phantasmagorical" had a crucial impact on Stan Brakhage, who said that without Jazz of Lights (1954), "there would have been no Anticipation of the Night" his autobiographical film which ushered in a new era of experimental modernist filmmaking.
Hugo lived the last two decades of his life in a New York apartment high above street level. In the evenings, surrounded by an electrically illuminated man...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
Revillon Freres: Woman in fur cape with starry background
By Reynaldo Luza
Located in New York, NY
Original lithograph, produced as part of a portfolio of images by Reynaldo Luza for the Parisian fur house, Revillon Freres. Paris, Draeger for Revill...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Paper
Baby Doll
By Tony Fitzpatrick
Located in New York, NY
Tony Fitzpatrick is an American artist born in 1958 and based in Chicago.
He graduated from Montini Catholic High School in Lombard, Illinois in 1977. In the early 1980s, Fitzpatr...
Category
Late 20th Century Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Un rêve vert
By Guillaume Cornelis van Beverloo (Corneille)
Located in Fairlawn, OH
Un rêve vert
Color lithograph on Arches without watermark, 1975
Signed lower left in red area (see photo)
Numbered lower left in red area
Dated in same red area
Edition: 100 (67/100)...
Category
1970s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Profils Horizontaux (20 men seated in a church, a hall, union or political?)
By Maurice Pasternak
Located in New Orleans, LA
Viewers are always curious about this image. I count 20 people seated -- all men. Why? Three of the men are looking over their shoulders toward the back. Are they impatient to see late arrivers? The seating seems to be pew like. Pasternak, like most artists, wants the viewer to bring their own interpretation to the image and is most circumspect to give an explanation. A church, a union hall, a political meeting -- which is it? The mood seems to be one of anxiety rather than celebration.
The artist did answer why all men. He says that "he likes to create the tension of the image on the page. Putting women and men together...
Category
Late 20th Century Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
Colored Drawing No. 6 (Reclining Woman)
By Konrad Cramer
Located in Myrtle Beach, SC
Konrad Cramer, 'Colored Drawing No. 6' (Reclining Woman), monotype, 1931. Signed and dated in pencil beneath the image, lower right. Annotated 'Colored D' (drawing), No 6' in pencil, lower left sheet corner.
A fine, spontaneous work, on cream laid paper, with full margins (1 1/8 to 1 3/4 inches); original brown paper hinges in the top left and right sheet corners, in excellent condition. Image size 5 3/8 x 10 7/8 inches; sheet size 8 1/2 x 13 7/8 inches. Matted to museum standards, unframed.
A monotype is the printmaking technique of drawing or painting on a smooth, non-absorbent surface. The surface or matrix can vary from a copper etching plate...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Monotype
La Espera (The Wait -- Three Women by the sea)
By Francisco Dosamantes
Located in New Orleans, LA
The Wait. Three native Mexican women wait by the sea. This impression is #31/100. An impression of this lithograph is in the permanent collectio...
Category
Mid-20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$506 Sale Price
40% Off
Au Bois De Boulogne (illustrating the congregation of French nobility outside
Located in Fairlawn, OH
Au Bois De Boulogne (illustrating the congregation of French nobility outside the Chalets du Cycle
Chromolithograph, 1897
Signed in the plate lower right corner
From the Special Supp...
Category
1890s Art Nouveau Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
THE EVANGELIST
Located in Santa Monica, CA
JOHN STOCKTON DE MARTELLY (American 1903 - 1980)
THE EVANGELIST, 1941 (Zink 19)
Lithograph, signed, dated and numbered 80/100 in pencil below image. Signature and date in lighter pencil. Image. Very Good Condition. image, 13 1/2 x 9 3/4". Full sheet with deckle edges, 16 x 11 3/4". The Evangelist apparently represents de Martelly's New Hampshire neighbor Lizzy Osgood. De Martelly worked in an American Regionalist Style, often depicting his New Hampshire neighbors. He was associated with Thomas Hart Benton at the Kansas City Art Institute. Most of de Martelly's regionalist prints were published by Associated American Artists in editions of 250. This lithograph is scarcer in an edition of only 100. He became an art professor at Michigan State University. After the 1940's de Martelly abandoned his Regionalist style for abstraction.
Roger Genser...
Category
1940s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$680 Sale Price
20% Off
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