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Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute
Category

Late 18th Century Victorian More Prints

Materials

Engraving

Vintage Print, Grasshopper, Fish, "A Natural History of Uncommon Birds..."
By George Edwards
Located in Mount Vernon, NY
18th century natural history works and is credited with popularizing the art of bird and animal
Category

Mid-18th Century Animal Prints

Materials

Etching

Esper Antique 18th century Butterfly engraving with original hand-colouring
By JC Bock
Located in Melbourne, Victoria
. He directed the department of natural history in Erlangen from 1805. Thanks to him the university
Category

Late 18th Century Naturalistic More Prints

Materials

Engraving

Esper Antique 18th century Moth engraving with original hand-colouring
By LG Klinger (engraver)
Located in Melbourne, Victoria
German entomologist. He directed the department of natural history in Erlangen from 1805. Thanks to him
Category

Late 18th Century Naturalistic More Prints

Materials

Engraving

Esper Antique 18th century Moth engraving with original hand-colouring
By LG Klinger (engraver)
Located in Melbourne, Victoria
German entomologist. He directed the department of natural history in Erlangen from 1805. Thanks to him
Category

Late 18th Century Naturalistic More Prints

Materials

Engraving

18th Century Catesby Hand-colored Bird & Plant Engraving "The Crested Titmous"
By Mark Catesby
Located in Alamo, CA
Crested Titmous" from "The Natural History of Carolina, Georgia, Florida and the Bahama Islands
Category

Mid-18th Century Naturalistic Animal Prints

Materials

Engraving

Coot Bird, "Wasserhuhn": An 18th Century Hand-colored Frisch Engraving
By Johann Leonhard Frisch 1
Located in Alamo, CA
a coot bird is printed on original 18th century chain-linked laid paper with a fleur-de-lys
Category

1730s Naturalistic Animal Prints

Materials

Engraving

Black Stork, "Ciconia Nigra": An 18th Century Hand-colored Frisch Engraving
By Johann Leonhard Frisch 1
Located in Alamo, CA
beautiful hand-colored black stork engraving is printed on original 18th century chain-linked laid paper
Category

1730s Naturalistic Animal Prints

Materials

Engraving

White Stork "Storch Ciconia": An 18th Century Hand-colored Frisch Engraving
By Johann Leonhard Frisch 1
Located in Alamo, CA
beautiful hand-colored white stork engraving is printed on original 18th century watermarked chain-linked
Category

1730s Naturalistic Animal Prints

Materials

Engraving

A Female Penguin: An 18th Century Hand-colored Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
skilled engraver. He produced engravings for numerous publication on natural history. He is best known for
Category

1760s Naturalistic Animal Prints

Materials

Engraving

An Icelandic GyrFalcon: An 18th Century Hand-colored Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
skilled engraver. He produced engravings for numerous publication on natural history. He is best known for
Category

1760s Naturalistic Animal Prints

Materials

Engraving

18th Century Hand Colored Engraving of a Camel from Pennant's " British Zoology"
Located in Alamo, CA
An 18th Century Hand Colored Engraving of a Camel from Thomas Pennant's famous publication on
Category

1760s Naturalistic Animal Prints

Materials

Engraving

Le Mangabey Monkey: Framed Audebert 18th C. Hand-colored Engraving
Located in Alamo, CA
This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled
Category

Late 18th Century Animal Prints

Materials

Engraving

A Falkland Island Quail: An 18th Century Hand-colored Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
publication on natural history. He is best known for his bird engravings. Martinet also illustrated many plays
Category

1760s Naturalistic Animal Prints

Materials

Engraving

A Greenfinch & A Sparrow: An 18th Century Hand-colored Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
publication on natural history. He is best known for his bird engravings. Martinet also illustrated many plays
Category

1760s Naturalistic Animal Prints

Materials

Engraving

Silvery Marmoset Amazon Monkey: Framed Audebert 18th C. Hand-colored Engraving
Located in Alamo, CA
This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled
Category

Late 18th Century Animal Prints

Materials

Engraving

White-throated Capuchin Monkey: Framed Audebert 18th C. Hand-colored Engraving
Located in Alamo, CA
This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled
Category

Late 18th Century Animal Prints

Materials

Engraving

Woodpeckers "Le Petit Pic" An 18th Century Hand-colored Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
numerous publication on natural history. He is best known for his bird engravings. Martinet also
Category

1760s Naturalistic Animal Prints

Materials

Engraving

Butterflies & Moths: A 1st Ed. Hand-colored 18th C. Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving depicting the natural history of
Category

Mid-18th Century Landscape Prints

Materials

Engraving

Peacock Butterfly & Moth: A 1st Ed. Hand-colored 18th C. Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
Butterflies, which is plate 8 from Moses Harris's publication "The Aurelian: or Natural History of English
Category

Mid-18th Century Landscape Prints

Materials

Engraving

Papaya and Moth Metamorphosis: 18th C. Hand-colored Engraving by Maria Merian
By Maria Sibylla Merian
Located in Alamo, CA
the most beautiful, and famous illustrated natural history works of the 18th century. 

The work was
Category

Early 18th Century Academic Still-life Prints

Materials

Engraving

Clam Engraving on Laid Paper with Orange Tints
Located in Houston, TX
" ('Discourse on Natural History'), the monumental multi-volume work of the Bavarian clergyman and naturalist
Category

18th Century Naturalistic Animal Prints

Materials

Engraving

Turtles - Original Lithograph by George Edwards - 19th Century
By George Edwards
Located in Roma, IT
Turtles is an original print realized by George Edwards in the 18th century. Color lithograph
Category

19th Century Animal Prints

Materials

Lithograph

The Blew Linnet
By Mark Catesby
Located in Florham Park, NJ
the great achievements of natural science in the 18th century. “In designing the plants,” he said, “I
Category

Mid-18th Century Academic Prints and Multiples

Materials

Watercolor, Etching

Sciurus (Bushy-tailed Squirrel)
By Mark Catesby
Located in Florham Park, NJ
. Catesby’s Natural History is considered to be one of the great achievements of natural science in the 18th
Category

18th Century and Earlier Academic Prints and Multiples

Materials

Etching

Caput Phaenicopteri & Keratophyton (Flamingo Head with Coral)
By Mark Catesby
Located in Florham Park, NJ
the great achievements of natural science in the 18th century. “In designing the plants,” he said, “I
Category

18th Century and Earlier Academic Prints and Multiples

Materials

Etching, Watercolor

Cancellus maximus Bahamensis: The Sea Hermit Crab
By Mark Catesby
Located in Florham Park, NJ
. Catesby’s Natural History is considered to be one of the great achievements of natural science in the 18th
Category

18th Century and Earlier Academic Prints and Multiples

Materials

Etching, Watercolor

Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
By Ulisse Aldrovandi
Located in Alamo, CA
Tebaldini, & Giovanni Battista Bellagamba. The publication was a massive, 13 volume, natural history
Category

Early 17th Century Naturalistic Animal Prints

Materials

Engraving

Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
By Ulisse Aldrovandi
Located in Alamo, CA
Tebaldini, & Giovanni Battista Bellagamba. The publication was a massive, 13 volume, natural history
Category

Early 17th Century Naturalistic Animal Prints

Materials

Engraving

Podicipes (Grebe)
By Mark Catesby
Located in Florham Park, NJ
. Catesby’s Natural History is considered to be one of the great achievements of natural science in the 18th
Category

18th Century and Earlier Academic Prints and Multiples

Materials

Etching, Watercolor

Plate 1851. Cycad.
By William Curtis
Located in Florham Park, NJ
, William Curtis in 1787, deserves a special place in the history of botanical illustration. Curtis, born
Category

18th Century and Earlier Academic Prints and Multiples

Plate 15. Watermelon on the Vine with Arcahia Moth.
By Maria Sibylla Merian
Located in Florham Park, NJ
publishing house which included various copper plates engraved with maps and natural history subjects
Category

Early 18th Century Academic Prints and Multiples

Materials

Watercolor, Engraving

Plate 856. Pitcairnia Latifolis. (Bromeliad)
By William Curtis
Located in Florham Park, NJ
natural history that was to dominate his adult life. He trained as an apothecary, but had no inclination
Category

18th Century and Earlier Academic Prints and Multiples

Materials

Engraving, Watercolor

Pl. IX Manege (Horsemanship)
By Denis Diderot
Located in Florham Park, NJ
making to Asian elephants. Many facets of natural history were illustrated but it is the great detail to
Category

18th Century and Earlier Academic Prints and Multiples

Materials

Engraving

Crowned Heron Bird: A 16th/17th Century Hand-colored Engraving by Aldrovandi
By Ulisse Aldrovandi
Located in Alamo, CA
, natural history encyclopedia, which was the first to publish an image of toucan and bird of paradise birds
Category

Early 17th Century Naturalistic Animal Prints

Materials

Engraving

Bird of Prey: A 16th/17th Century Hand-colored Engraving by Aldrovandi
By Ulisse Aldrovandi
Located in Alamo, CA
history illustrations to appear before the 18th century. This beautiful hand-colored wood-cut engraving
Category

Early 17th Century Naturalistic Animal Prints

Materials

Engraving

The Blue Passion Flower
By Dr. Robert John Thornton
Located in Florham Park, NJ
(d.1837) demonstrated his love of natural history with his own botanical garden and an aviary, which
Category

18th Century and Earlier Academic Prints and Multiples

Materials

Engraving, Watercolor

The Queen Flower (Bird of Paradise)
By Dr. Robert John Thornton
Located in Florham Park, NJ
(d.1837) demonstrated his love of natural history with his own botanical garden and an aviary, which
Category

18th Century and Earlier Academic Prints and Multiples

Materials

Aquatint, Engraving

The Narrow-Leaved Kalmia (Mountain Laurel)
By Dr. Robert John Thornton
Located in Florham Park, NJ
(d.1837) demonstrated his love of natural history with his own botanical garden and an aviary, which
Category

18th Century and Earlier Academic Prints and Multiples

Materials

Aquatint, Engraving, Mezzotint, Watercolor

Plate 1838. Cycad
By William Curtis
Located in Florham Park, NJ
, William Curtis in 1787, deserves a special place in the history of botanical illustration. Curtis, born
Category

18th Century and Earlier Academic Prints and Multiples

Materials

Archival Paper, Archival Tape, Handmade Paper, Plexiglass, Rag Paper, Wa...

White Grapes.
By Maria Sibylla Merian
Located in Florham Park, NJ
included various copper plates engraved with maps and natural history subjects. Merian’s prolific
Category

18th Century and Earlier Academic Prints and Multiples

Materials

Archival Paper, Archival Tape, Handmade Paper, Laid Paper, Plexiglass, R...

White Grapes.
White Grapes.
H 25 in W 21.5 in D 1.25 in
L'Albatross
Located in Mount Vernon, NY
18th century hand-colored engraving on laid paper by M.R. veuve Tardieu (1732-1826) of "L'Hippotame
Category

Early 18th Century Animal Prints

Materials

Engraving

L'Albatross
L'Albatross
H 10 in W 7.75 in D 0.1 in
L'Hippotame Jeune
Located in Mount Vernon, NY
18th century hand-colored engraving on laid paper by M.R. veuve Tardieu (1732-1826) of "L'Hippotame
Category

Early 18th Century Animal Prints

Materials

Engraving

L'Hippotame Jeune
L'Hippotame Jeune
H 10 in W 7.75 in D 0.1 in
The Superb Lily
By Dr. Robert John Thornton
Located in Florham Park, NJ
(d.1837) demonstrated his love of natural history with his own botanical garden and an aviary, which
Category

18th Century and Earlier Academic Prints and Multiples

Materials

Archival Paper, Archival Tape, Engraving, Gesso, Handmade Paper, Mezzoti...

Purple Grapes.
By Maria Sibylla Merian
Located in Florham Park, NJ
included various copper plates engraved with maps and natural history subjects. Merian’s prolific
Category

18th Century and Earlier Academic Prints and Multiples

Materials

Watercolor, Archival Paper, Archival Tape, Gesso, Handmade Paper, Laid P...

Purple Grapes.
Purple Grapes.
H 25 in W 21.5 in D 1.25 in
King Duck, Pl. 246
By William Lewin
Located in Mount Vernon, NY
quite unlike most 18th century bird art. Print comes with accompanying text page.
Category

Late 18th Century Animal Prints

Materials

Etching

Pin Tail Duck, Pl. 263
By William Lewin
Located in Mount Vernon, NY
quite unlike most 18th century bird art. Print comes with accompanying text page.
Category

Late 18th Century Animal Prints

Materials

Etching

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18th Century Natural History Print For Sale on 1stDibs

You are likely to find exactly the 18th century natural history print you’re looking for on 1stDibs, as there is a broad range for sale. Finding the perfect 18th century natural history print may mean sifting through those created during different time periods — you can find an early version that dates to the 18th Century and a newer variation that were made as recently as the 18th Century. If you’re looking to add a 18th century natural history print to create new energy in an otherwise neutral space in your home, you can find a work on 1stDibs that features elements of beige and more. Creating a 18th century natural history print has been a part of the legacy of many artists, but those crafted by George Edwards are consistently popular. Artworks like these — often created in engraving and etching — can elevate any room of your home. A large 18th century natural history print can prove too dominant for some spaces — a smaller 18th century natural history print, measuring 9.85 high and 6.7 wide, may better suit your needs.

How Much is a 18th Century Natural History Print?

The average selling price for a 18th century natural history print we offer is $85, while they’re typically $85 on the low end and $525 for the highest priced.

Finding the Right Prints and Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.

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