Brass Toilet Paper Stand

Best known for its elegant and innovative vintage lighting fixtures, the Milan-based firm Fontana Arte pioneered one of the key features of 20th-century and contemporary Italian design: the union of artistry and industry wrought by partnerships between creative talents — chiefly architects — and entrepreneurial businesses. Fontana Arte is further distinguished by having had as artistic director, in succession, four of Italy’s most inventive modernist designers: Gio Ponti, Pietro Chiesa, French transplant Max Ingrand and Gae Aulenti.

The bread and butter of the glassmaking company that Luigi Fontana founded in 1881 was plate-glass panels for the construction industry. In 1930, Fontana met Ponti — then the artistic director of the Richard Ginori ceramics workshop and the editor of the influential magazine Domus — at a biannual design exhibition that became the precursor to today’s Milan Design Triennale, and the two hatched an idea for a furniture and housewares firm. Fontana Arte was incorporated in 1932 with Ponti as its chief of design. He contributed several lamps that remain among the company’s signature works, including the orb-atop-cone Bilia table lamp and the 0024 pendant — a stratified hanging sphere.

The following year, Fontana Arte partnered with the influential Milan studio glassmaker and retailer Pietro Chiesa, who took over as artistic director. Chiesa’s designs for lighting — as well as for tables and items including vases and ashtrays — express an appreciation for fluidity and simplicity of line, as seen in works such as his flute-shaped Luminator floor lamp and the 1932 Fontana table — an arched sheet of glass that is held in the permanent collection of the Museum of Modern Art.

Six years after Chiesa’s 1948 death, the École des Beaux Arts–trained Max Ingrand took over as head of design at Fontana Arte. Ingrand brought a similarly expressive formal sensibility to wares such as lamps and mirrors, but he also had a masterful eye for the manipulation of glass surfaces — whether they be cut, frosted, acid-etched or sand-blasted. His classic design is the Fontana table lamp of 1954, which has a truncated cone shade and curved body, both of which are made of pure, chic white-frosted glass.

Following Ingrand, the often-audacious Italian architect Gae Aulenti served as the company’s artistic director from 1979 to 1996, and while she generally insisted that furnishings take second place aesthetically to architecture, she made an exception for Fontana Arte pieces such as the Tavolo con Ruote series of glass coffee and dining tables on wheels, bold lighting pieces such as the Parola series and the Giova, a combination flower vase and table lamp. As a key incubator of modern design under Aulenti’s tenure, Fontana Arte remained true to its long-held commitment — creating objects that have never been less than daring.

Find vintage Fontana Arte lighting fixtures such as pendants, table lamps and more on 1stDibs.

Vintage Space Age furniture captured post–World War II optimism with swooping shapes, bowed lines and experimentation with new materials including plastic and fiberglass.

From the launch of the Sputnik 1 satellite in 1957 to the landing of Apollo 11 astronauts on the moon in 1969, the space race between the Soviet Union and the United States propelled advancements in technology that transformed culture. Space Age design encompassed fashion, architecture, cars, furniture and objects for the home, bringing wonder and hope for the future into everyday life.

Coinciding with Pop art, Space Age style featured bold colors and forms. Eero Aarnio’s Ball chair, which debuted in 1966, used molded fiberglass for a capsule-like space while Verner Panton’s 1959 Panton chair was a single piece of molded plastic for a gravity-defying S shape. Red versions of Olivier Mourgue’s 1964 Djinn chair were futuristic enough to appear on the space station in Stanley Kubrick’s 1968 film 2001: A Space Odyssey. Today, Joe Colombo is revered as a master of modern Italian design thanks to the provocative modular furniture pieces he created, such as the Tube chair and the Elda armchair, both of which embody the future-forward spirit of the Space Age.

The Space Age spirit extended to home building too. The futuristic Case Study Houses, which were designed by the likes of Pierre Koenig, Charles and Ray Eames, Richard Neutra and Whitney R. Smith, are considered a high point of modernism and the Southern California lifestyle.

Sometimes the nods to space exploration were more literal, like moon and star motifs or the 1965 Eclisse lamp by Vico Magistretti that saw the mid-century Italian designer integrating a movable inner shade to “eclipse” the light source. Alongside the pioneering moon missions, JVC manufactured the Videosphere portable television reminiscent of the Apollo 11 space helmets.

Although the style faded in the 1970s — with the 1975 joining of the Apollo and Soyuz spacecrafts signaling a new era of cooperation and the global oil crisis impacting the availability of plastics — the era’s innovations influenced designers into the 21st century such as Zaha Hadid and Djivan Schapira.

Find a collection of vintage Space Age seating, tables, lighting and other furniture on 1stDibs.

Antique and vintage hat racks and hat stands solve the age-old problem of what to do with hats, coats or even an umbrella when entering a home while trying to keep the foyer or entryway tidy. The difference between the two is that hat and coat racks are usually for hanging hats and coats on a wall from hooks, while hat and coat stands are freestanding and may contain a space for umbrellas and walking sticks. Mudrooms can also benefit from hat racks and stands for better organization and a vintage touch.

Hat racks and stands from the 18th century were often simple hooks, although some were more ornamental. In Victorian homes, the foyer frequently contained more complex coat stands or hall trees, formed from elaborate cast iron or decadently carved from wood. These pieces of furniture introduced visitors to a family’s status or wealth. When homes became smaller in the 1920s, homeowners often relegated coat hooks to a closet.

Hat racks and stands are a perfect way to imbue an entryway with vintage charm. Browse popular styles of hat racks on 1stDibs, including mid-century modern, modern and Art Deco versions.