D Scan Teak Nightstands

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

No matter what kind of bedroom furniture you prefer — be it lavish, low-key or minimalist — your bedroom will always be your own personal sanctuary. But it didn’t start that way. It wasn’t until around the 19th century that the bedroom became a realm of privacy. For many Europeans in the medieval era, eating, congregating and sleeping all took place in a single room, and later, royalty such as Louis XIV of France worked on legal orders while sitting in his bed, surrounded by members of his court.

Now, we return to our bedrooms for solace, private space and intimacy. We’ve certainly come a long way, and so has our bedroom furniture.

Whether you’re seeking bright or moody, Baroque or mid-century modern, consider the amount of time that will be spent in this space. Don’t choose furnishings you won’t enjoy looking at every day.

The most important piece of bedroom furniture is, not surprisingly, the bed. When shopping for a bed and bed frame, keep the size of your bedroom in mind — you’ll need to navigate your way around the bed during your daily routine. Bed sizes range from twin to king, and there is also the California king. At 76 inches wide and 80 inches long, a king-size bed is approximately 16 inches wider than a queen-size mattress, and your bed frame will probably add two to five inches to each side. (The California king bed is 84 inches long.)

If you’re putting together design ideas for a large bedroom, why not go all out? A king platform bed is low-profile and minimalist — a mattress is placed directly on a simple and solid frame, which offers support without a box spring. A traditional bed sees a mattress rest on a box spring or foundation.

Smaller bedrooms or guest rooms could benefit from something more streamlined, such as a vintage daybed. The important thing is not to choose a bed that is too big for your space. After all, you still need to squeeze in an Italian nightstand and an elegant American of Martinsville dresser.

Headboards can make or break the style of a bedroom. If you are going for a clean and contemporary look, maybe a headboard isn’t the best fit, but if not having a headboard will keep you up at night, there are plenty of options. Rattan headboards are a great choice to top off a casual country theme. Alternately, you can think of the headboard as a statement piece. With maximalism riding high in the design world, bedrooms are getting on board with vibrant upholstered headboards, and an upholstered bed may very well be the one thing you need to pull the entire look of your bedroom furniture together.

Once your bedding is situated, shift your focus to other pieces for the room.

The size of your closet will have an impact on the size and amount of furniture you need. If you have a small closet, for example, a larger dresser is going to come in handy. If you are lucky enough to have a large walk-in closet, you can utilize the extra bedroom space for other pieces, such as an antique or vintage nightstand.

Turn your humdrum bedroom into a dramatic hideaway that you never want to leave — find vintage, new and antique bedroom furniture today on 1stDibs.