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Elham Nejati

Mahar Vase by Elham Nejati
Located in Geneve, CH
Mahar vase by Elham Nejati Dimensions: Ø 30 x H 35 cm Materials: Black Marble, Stainless Steel
Category

2010s Persian Post-Modern Vases

Materials

Marble, Stainless Steel

Mahar Vase by Elham Nejati
Mahar Vase by Elham Nejati
H 13.78 in Dm 11.82 in
Davam Vase by Elham Nejati
Located in Geneve, CH
Davam vase by Elham Nejati Dimensions: D 35 x W 35 x H 35 cm. Materials: Black Marble. Elham
Category

2010s Persian Post-Modern Vases

Materials

Marble

Davam Vase by Elham Nejati
Davam Vase by Elham Nejati
H 13.78 in W 13.78 in D 13.78 in
Khiz Vase by Elham Nejati
Located in Geneve, CH
Khiz Vase by Elham Nejati Dimensions: Ø 30 x H 40 cm. Materials: Black Marble, White Marble
Category

2010s Persian Post-Modern Vases

Materials

Marble, Stainless Steel

Khiz Vase by Elham Nejati
Khiz Vase by Elham Nejati
H 15.75 in Dm 11.82 in
Tohi Vase by Elham Nejati
Located in Geneve, CH
Tohi vase by Elham Nejati Dimensions: Ø 19 x H 34 cm. Materials: Black Marble, White Marble
Category

2010s Persian Post-Modern Vases

Materials

Marble, Brass, Stainless Steel

Tohi Vase by Elham Nejati
Tohi Vase by Elham Nejati
H 13.39 in Dm 7.49 in
Najva Vase by Elham Nejati
Located in Geneve, CH
Najva vase by Elham Nejati Dimensions: Ø 18 x H 35 cm. Materials: Black Marble, White Marble
Category

2010s Persian Post-Modern Vases

Materials

Marble, Stainless Steel

Najva Vase by Elham Nejati
Najva Vase by Elham Nejati
H 13.78 in Dm 7.09 in
Khiz Vase by Elham Nejati
Located in Geneve, CH
Khiz vase by Elham Nejati Dimensions: Ø 29 x H 44 cm. Materials: Black Marble, White Marble
Category

2010s Persian Post-Modern Vases

Materials

Marble, Stainless Steel

Khiz Vase by Elham Nejati
Khiz Vase by Elham Nejati
H 17.33 in Dm 11.42 in
Panah Vase by Elham Nejati
Located in Geneve, CH
Panah Vase by Elham Nejati Dimensions: Ø 21 x H 28 cm. Materials: Black Marble, White Marble
Category

2010s Persian Post-Modern Vases

Materials

Marble, Stainless Steel

Panah Vase by Elham Nejati
Panah Vase by Elham Nejati
H 11.03 in Dm 8.27 in
Majal Vase by Elham Nejati
Located in Geneve, CH
Majal Vase by Elham Nejati Dimensions: Ø 25 x H 30 cm. Materials: Black Marble, White Marble
Category

2010s Persian Post-Modern Vases

Materials

Marble, Stainless Steel

Majal Vase by Elham Nejati
Majal Vase by Elham Nejati
H 11.82 in Dm 9.85 in
Saghi Serving Platter by Elham Nejati
Located in Geneve, CH
Saghi Serving Platter by Elham Nejati Dimensions: Ø 26 x H 45 cm. Materials: Black Marble, Brass
Category

2010s Persian Post-Modern Platters and Serveware

Materials

Marble, Brass, Stainless Steel

Jari Fruit Bowl by Elham Nejati
Located in Geneve, CH
Jari fruit bowl by Elham Nejati Dimensions: Ø 36 x H 28 cm. Materials: Black marble, white marble
Category

2010s Persian Post-Modern Decorative Bowls

Materials

Marble, Brass, Stainless Steel

Jari Fruit Bowl by Elham Nejati
Jari Fruit Bowl by Elham Nejati
H 11.03 in Dm 14.18 in
Vaghar Serving Platter by Elham Nejati
Located in Geneve, CH
Vaghar Serving Platter by Elham Nejati Dimensions: Ø 48 x H 108 cm. Materials: Black Marble, White
Category

2010s Persian Post-Modern Platters and Serveware

Materials

Marble, Stainless Steel

Shour Fruit Bowl by Elham Nejati
Located in Geneve, CH
Shour fruit bowl by Elham Nejati Dimensions: Ø 24 x H 25 cm. Materials: Black marble, white
Category

2010s Persian Post-Modern Decorative Bowls

Materials

Marble, Brass, Stainless Steel

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Elham Nejati For Sale on 1stDibs

At 1stDibs, there are many versions of the ideal elham nejati for your home. A elham nejati — often made from marble, stone and metal — can elevate any home.

How Much is a Elham Nejati?

The average selling price for a elham nejati at 1stDibs is $2,375, while they’re typically $1,781 on the low end and $4,749 for the highest priced.

A Close Look at post-modern Furniture

Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.

ORIGINS OF POSTMODERN FURNITURE DESIGN

  • Emerges during the 1960s; popularity explodes during the ’80s
  • A reaction to prevailing conventions of modernism by mainly American architects
  • Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
  • Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
  • Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980) 
  • Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
  • Interest in style declines, minimalism gains steam

CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN

  • Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
  • Use of plastic and laminates, glass, metal and marble; lacquered and painted wood 
  • Unconventional proportions and abundant ornamentation
  • Playful nods to Art Deco and Pop art

POSTMODERN FURNITURE DESIGNERS TO KNOW

VINTAGE POSTMODERN FURNITURE ON 1STDIBS

Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.

Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendinia onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.

Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group,  which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.

Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals. 

After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.

On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.

Finding the Right decorative-objects for You

Every time you move into a house or an apartment — or endeavor to refresh the home you’ve lived in for years — life for that space begins anew. The right home accent, be it the simple placement of a decorative bowl on a shelf or a ceramic vase for fresh flowers, can transform an area from drab to spectacular. But with so many materials and items to choose from, it’s easy to get lost in the process. The key to styling with decorative objects is to work toward making a happy home that best reflects your personal style. 

Ceramics are a versatile addition to any home. If you’ve amassed an assortment of functional pottery over the years, think of your mugs and salad bowls as decorative objects, ideal for displaying in a glass cabinet. Vintage ceramic serveware can pop along white open shelving in your dining area, while large stoneware pitchers paired with woven baskets or quilts in an open cupboard can introduce a rustic farmhouse-style element to your den.

Translucent decorative boxes or bowls made of an acrylic plastic called Lucite — a game changer in furniture that’s easy to clean and lasts long — are modern accents that are neutral enough to dress up a coffee table or desktop without cluttering it. If you’re showcasing pieces from the past, a vintage jewelry box for displaying your treasures can spark conversation. Where is the jewelry box from? Is there a story behind it?

Abstract sculptures or an antique vessel for your home library can draw attention to your book collection and add narrative charm to the most appropriate of corners. There’s more than one way to style your bookcases, and decorative objects add a provocative dynamic. “I love magnifying glasses,” says Alex Assouline, global vice president of luxury publisher Assouline, of adding one’s cherished objects to a home library. “They are both useful and decorative. Objects really elevate libraries and can also make them more personal.”

To help with personalizing your space and truly making it your own, find an extraordinary collection of decorative objects on 1stDibs.