Emil Stejnar Viennese

At 1stDibs, there are several options of emil stejnar viennese available for sale. The range of distinct emil stejnar viennese — often made from metal, brass and glass — can elevate any home. There are all kinds of emil stejnar viennese available, from those produced as long ago as the 20th Century to those made as recently as the 20th Century. Emil stejnar viennese are generally popular furniture pieces, but mid-century modern style is often sought at 1stDibs. There have been many well-made emil stejnar viennese over the years, but those made by Emil Stejnar, Rupert Nikoll and Münchner Zierspiegel are often thought to be among the most beautiful.

Emil stejnar viennese can differ in price owing to various characteristics — the average selling price at 1stDibs is $2,704, while the lowest priced sells for $1,040 and the highest can go for as much as $7,900.

It’s not often that one résumé can include hermetic magician, astrologer, gold and silversmith and lighting designer. It’s fair to say that Austrian Emil Stejnar may be the only one to claim all of the skills above. 

The clamor for mid-century modern design has been at a fever pitch since, well, pretty much the mid-twentieth century. And while many of the era’s furniture makers have gained recognition over time, many designers remain obscure. Emil Stejnar is one such designer. 

Born in Vienna in 1939, Stejnar trained in goldsmithing and silversmithing and opened a jewelry workshop in Sweden. Eventually, he began to translate his metal skills to light fixtures. 

Vintage Emil Stejnar chandeliers and mirrors are practically jewelry themselves, featuring materials like 24-carat gold-plated brass and Austrian crystals. He had a penchant for symmetrical, rounded forms, often emulating starbursts, snowflakes or floral blossoms in his designs. 

Stejnar found a partner in Austrian manufacturer Rupert Nikoll, which made an extensive amount of the designer’s astonishingly precious pieces. In fact, the biggest claim to glory for the brand, which was established in Vienna in the early 1900s, owes to Stejnar’s work.

While it seems that any lighting fixture having a starburst shape and numerous bulbs on the ends was dubbed “Sputnik” in the Cold War era, one of Rupert Nikoll’s most famous designs is the Sputnik pendant lamp, created in the 1960s by Stejnar.

With several lighted spokes extending out in every direction, forming a shape similar to a dandelion puff, Stejnar's Sputnik pendant lamp earned the nickname “Pusteblume,” or “Dandelion” in English. Many imitators have replicated the Sputnik design, but the originals are highly valued by interior designers and collectors of Space Age design. 

Find vintage Emil Stejnar chandeliers, wall lights, floor lamps and other furniture on 1stDibs.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.