Karl Springer Tessellated Coral Kyoto Box

The Berlin-born, New York–based designer Karl Springer brought a chic, high-fashion sensibility to his coffee tables, mirrors, Lucite lamps and other furnishings. During his heyday in the 1970s, Springer’s work was a favorite of the glamour set, who enjoyed the novelty of pieces finished in rich and striking materials that ranged from exotic hides and skins to lacquer and chromed metal.

In a sense, Springer was a pre-postmodernist. Much as the dull, safe, corporate sameness of late 20th-century modernism prompted Ettore Sottsass, Michael Graves and others to explore new and provocative structures and materials in design and architecture, so, too, was Springer driven to enliven his creations with fresh and alluring energy and sleekness.

Springer came to New York in the late 1950s and found work arranging window displays at the department store Lord & Taylor. He had studied bookbinding in Germany, and, using his meticulous skills, he began crafting desk accessories wrapped in leather as a sideline. These pieces were sold in luxury stores like Bergdorf Goodman and drew a sophisticated clientele that included the Duchess of Windsor.

By 1965, Springer had established his own Manhattan atelier. It was Pierre Scapula, decorator to Jackie and Aristotle Onassis, who spotted Springer's disco-era Onassis chairs — which didn't yet have a name — first commissioned for a private residence in Acapulco, on the floor of the designer’s East 61st Street showroom. Jackie ordered barstools for the couple’s yacht, the Christina O, and dining chairs for their house on the Greek mainland.

At the time of his death, Springer had showrooms as far afield as Los Angeles, Tokyo and Munich.

The chairs, tables, credenzas and other furniture forms Springer created are generally simple, but substantial, and often have robust, rounded lines. The appeal of his work lies in Springer's insistence on exacting construction and, above all, his eye for unusual materials and finishes.

Springer employed Lucite, brass, and gunmetal along with chromed and polished steel, and revived exquisite finishes rarely seen since the days of Art Deco masters such as Émile-Jacques Ruhlmann and Jean-Michel Frank: shagreen (a type of sharkskin), python, goatskin, bone, horn, and lacquered parchment, as well as fabrics that include batik prints. Made of such materials, Springer’s work is by its very nature flamboyant and eye-catching: a suite of pieces will astonish, and an artfully placed side table in exotic hide will add a surprising spark.

Find a collection of vintage Karl Springer furniture today on 1stDibs.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Antique, vintage and new decorative boxes will safely store items while adding a splash of color or texture to a corner in any room. They have had a range of purposes over the years — from trinkets to serving as useful receptacles, such as snuff boxes, jewelry boxes and more. Boxes have also been designed in a range of forms and styles.

Box making is a craft dating back thousands of years. Early boxes as decorative objects were regularly designed and decorated both inside and out, ranging from minimal looks to more flashy styles. Decorative boxes have been constructed from different materials, with wood and metal being the most common. Wood is widely available and versatile, with woodworkers able to carve complex designs or showcase its natural grain.

Some antique jewelry boxes were made with tortoiseshell, mother-of-pearl, ivory and even porcupine quills, such as those created by the Anishinabe in Canada and the United States. In Sri Lanka, well-crafted boxes were inlaid with porcupine quills and ivory discs between ebony bands. Chinese sewing boxes and tea boxes made of black lacquer were popular in Europe during the late 18th and early 19th centuries. These often featured gold-painted designs or landscape scenes. Silk, paper and velvet frequently enhanced these boxes’ interiors.

Any style of decorative box can be a nice tabletop or desktop decor, whether to hold candy or tea in the living room or paper, pencils and other business supplies in the office. They can also act as jewelry boxes. Sewing boxes can be a lovely touch to any space while storing magazines or other trinkets.

You can find metal, wood and silver antique boxes on 1stDibs. The collection includes mid-century modern, Victorian and Art Deco styles that can add elegance to any home.