Lawrence Peabody Wing Chair For Craft Associates

In its inaugural days, iconic mid-century modern furniture brand Craft Associates was largely the work of founder and forward-thinking designer Adrian Pearsall and his wife, Dorie. The pair assembled sexy, stylish furniture in their Pennsylvania basement that they later sold from the back of a truck to the era’s marquee department stores in Philadelphia and New York City.

The New York–born Pearsall (1925–2011) served in the Navy before earning his architectural engineering degree from the University of Illinois in 1950. He abandoned architecture after only a couple of years and turned instead to furniture design, opening Craft Associates in 1952 to sell his sophisticated living room seating, dining room furnishings and more. Flush with dynamic angles and clean lines, Pearsall’s sculptural, expressive designs — coffee tables, luxurious lounge chairs and more — helped define the style of the Atomic Age. With the help of Dorie and working in partnership with his brother Richard, Pearsall oversaw the expansion of Craft Associates into a leading employer of Wilkes-Barre, Pennsylvania, with popular furniture including architecturally striking tables as well as plush beanbag chairs.

From Craft, there was Pearsall’s low-slung Gondola sofa, which embraces the sitter with its enveloping, geometrically rich form, his range of glass-topped tables — most boasting provocatively shaped wood slabs that serve as bases — as well as his skinny, high-backed upholstered walnut armchairs. Pearsall drew on his background in architecture for the organic and eye-catching structures of these pieces in addition to his larger scale work. One of his biggest projects was the complete design of his family’s 10,000-square-foot Pennsylvania home in Forty Fort, which boasted an indoor pool, sauna, tennis court and ice cream bar.

After growing his business to 800 employees, Pearsall sold Craft Associates in 1968 to Lane Furniture, which continued producing his pieces into the late 1970s before halting production. With business partner John Graham, Pearsall established a new company, Comfort Designs, in the 1970s, while also devoting time to his lifelong hobbies of sailing and restoring classic yachts.

A company called New Craft Associates revived Pearsall’s brand’s name, referencing mid-century-era furniture design in its current projects while not formally associated with Pearsall or his family. Restoration Hardware has also reissued some of his Craft Associates designs, with Pearsall and his company’s distinctive furniture remaining popular statement pieces adaptable to any home.

Find a range of vintage Craft Associates furniture on 1stDibs.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

With entire areas of our homes reserved for “sitting rooms,” the value of quality antique and vintage seating cannot be overstated.

Fortunately, the design of side chairs, armchairs and other lounge furniture — since what were, quite literally, the early perches of our ancestors — has evolved considerably.

Among the earliest standard seating furniture were stools. Egyptian stools, for example, designed for one person with no seat back, were x-shaped and typically folded to be tucked away. These rudimentary chairs informed the design of Greek and Roman stools, all of which were a long way from Sori Yanagi's Butterfly stool or Alvar Aalto's Stool 60. In the 18th century and earlier, seats with backs and armrests were largely reserved for high nobility.

The seating of today is more inclusive but the style and placement of chairs can still make a statement. Antique desk chairs and armchairs designed in the style of Louis XV, which eventually included painted furniture and were often made of rare woods, feature prominently curved legs as well as Chinese themes and varied ornaments. Much like the thrones of fairy tales and the regency, elegant lounges crafted in the Louis XV style convey wealth and prestige. In the kitchen, the dining chair placed at the head of the table is typically reserved for the head of the household or a revered guest.

Of course, with luxurious vintage or antique furnishings, every chair can seem like the best seat in the house. Whether your preference is stretching out on a plush sofa, such as the Serpentine, designed by Vladimir Kagan, or cozying up in a vintage wingback chair, there is likely to be a comfy classic or contemporary gem for you on 1stDibs.

With respect to the latest obsessions in design, cane seating has been cropping up everywhere, from sleek armchairs to lounge chairs, while bouclé fabric, a staple of modern furniture design, can be seen in mid-century modern, Scandinavian modern and Hollywood Regency furniture styles.

Admirers of the sophisticated craftsmanship and dark woods frequently associated with mid-century modern seating can find timeless furnishings in our expansive collection of lounge chairs, dining chairs and other items — whether they’re vintage editions or alluring official reproductions of iconic designs from the likes of Hans Wegner or from Charles and Ray Eames. Shop our inventory of Egg chairs, designed in 1958 by Arne Jacobsen, the Florence Knoll lounge chair and more.

No matter your style, the collection of unique chairs, sofas and other seating on 1stDibs is surely worthy of a standing ovation.