Steuben Glass Works is the most illustrious name in American art glass. Its vividly colored Art Nouveau and Asian-style wares produced in the early 20th century as well as later modernist works rendered in flawlessly clear crystal are objects of striking beauty and delicacy.

The Steuben Glass Works was cofounded in 1903 in the town of Corning, New York, by Frederick Carder, an alum of celebrated British glassmaker Stevens & Williams and a self-taught English chemist and glassmaker. Carder was a restless experimenter, constantly creating new color formulas that resulted in a wide array of hues, from milky jades to his iridescent Aurene shades. A favorite Carder technique was to acid-etch decorative patterns into pieces made of glass layered in different colors. The forms of his vessels were relatively conservative. Most are based on classic Chinese pottery; many display the flowing, naturalistic lines of the Art Nouveau period.

The larger local firm Corning Glass acquired Steuben in 1918. The company’s approach to art glass changed radically in the early 1930s, when Corning chemists devised a new type of crystal known as 10M, with perfect clarity and brilliant refractive powers. Corning decided that, henceforth, all Steuben decorative objects, vases, sculptures and other wares would be made from the crystal.

Art glass was made in two formats: molded and polished abstract sculptures and figurines, or pieces for which artists used Steuben crystal as a sort of canvas. The first such artwork was sculptor Stanley Waugh’s 1935 Gazelle Bowl, a vessel etched with brawny Art Deco animal forms. In later years, Steuben would invite artists that included Henri Matisse, Georgia O’Keeffe and Isamu Noguchi to “paint” in the firm’s crystal.

Steuben glass comes in myriad forms and is available in a broad range of price points. Jewel-toned glasses and tableware from the Carder era include candlesticks marked at $300 and full dinner services for more than $10,000. Small crystal figurines bring around $1,000, while larger sculptures are priced in the neighborhood of $7,000.

Steuben glass, with its impeccable artistry and timeless grace, deserves a place in any collection.

Find antique Steuben glass and other furniture on 1stDibs.

A Close Look at mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

Emerged during the mid-20th century
Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
A heyday of innovation in postwar America
Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

Simplicity, organic forms, clean lines
A blend of neutral and bold Pop art colors
Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood
Light-filled spaces with colorful upholstery
Glass walls and an emphasis on the outdoors
Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

Charles and Ray Eames
Eero Saarinen
Milo Baughman
Florence Knoll
Harry Bertoia
Isamu Noguchi
George Nelson
Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively.

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer.

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right candle-holders for You

For centuries, candles have been used in religious ceremonies such as Hanukkah, provided light to work or read by and more. During meals, the soft glimmer of candles adds warmth to a dinner table that no lighting solution could possibly imitate. With the right antique or vintage candleholder, candles can elevate a table setting or just help support your efforts to create a romantic atmosphere in any room.

When you combine the distinctive glow of a candle with a candleholder that matches the color scheme and decor you’ve painstakingly put together, the result can feel like magic. Finding the candleholder that best meets your needs can be daunting because you’re essentially bringing a piece into your home that is as important as the candle itself. Unsurprisingly, venturesome designers over the years have crafted innumerable alternatives to the traditional form of candleholders, and today a broad array of these decorative objects can be found on 1stDibs, whether they’re 19th-century candleholders made of silver or sleek mid-century modern glass candleholders for an understated accent to your dining area.

Try a tabletop orb candleholder from Lynne Meade Ceramics for a distinctive interpretation of this long-loved furnishing. An alluring pair of Georg Jensen stainless-steel candleholders, featuring pronounced organic curves, or Art Nouveau–informed natural-world motifs, on the other hand, can bring a dose of sculptural elegance to your living room.

If you’re more inclined to opt for antique or vintage pieces, find a collection that includes everything from simple wood taper candleholders to elaborate candelabras of gilt bronze or cut glass on 1stDibs now.