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Prints and Multiples For Sale
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Prints and Multiples

Materials

Laid Paper, Engraving

"Apparition at the Border of Language"

"Apparition at the Border of Language"

By Enrique Chagoya

Located in Lyons, CO

This print presents a fictitious encounter between contemporary colonial forces and Native Americans who are defenders of immigrant refugees and displaced populations. The artist de...

Category

2010s Contemporary Prints and Multiples

Materials

Lithograph

Cypripedium Meirax
Cypripedium Meirax

Cypripedium Meirax

By John Nugent Fitch

Located in Middletown, NY

London: B.S. Williams / Victoria & Paradise Nurseries, 1882. Chromolithograph with hand coloring on cream wove paper, 12 x 9 1/4 inches (305 x 235 mm), the full sheet, wide full mar...

Category

Late 19th Century English School Prints and Multiples

Materials

Watercolor, Lithograph

Mark Rothko 'Yellow, Blue, Orange (1955)' 1988
Mark Rothko 'Yellow, Blue, Orange (1955)' 1988

Mark Rothko 'Yellow, Blue, Orange (1955)' 1988

By Mark Rothko

Located in Brooklyn, NY

This reproduction of the painting titled Yellow, Blue and Orange, created by Mark Rothko in 1955, is part of a rare exhibition poster from the series "Collection of European Masters....

Category

1980s Prints and Multiples

Materials

Offset

Eucalyptus resinifera (Red Gum Eucalyptus / Botany Bay Gum Tree)
Eucalyptus resinifera (Red Gum Eucalyptus / Botany Bay Gum Tree)

Eucalyptus resinifera (Red Gum Eucalyptus / Botany Bay Gum Tree)

Located in Middletown, NY

London: Thomas Bensley, 1805. Etching and engraving with hand coloring in watercolor, 10 1/4 x 8 inches (260 x 204 mm) the full sheet, margins trimmed. In very good condition with e...

Category

Early 19th Century English School Prints and Multiples

Materials

Watercolor, Engraving, Etching

original lithograph

original lithograph

By Walasse Ting

Located in Henderson, NV

Medium: original lithograph. Printed in 1964 and published by Eberhard Kornfeld in an edition of 2000 for the 1 Cent Life portfolio. Size 16 1/8 x 11 3/8 inches (410 x 288 mm). There...

Category

1960s Prints and Multiples

Materials

Lithograph

'Weeping Cherry' — Sosaku Hanga Contemporary Japanese Woodblock Print
'Weeping Cherry' — Sosaku Hanga Contemporary Japanese Woodblock Print

'Weeping Cherry' — Sosaku Hanga Contemporary Japanese Woodblock Print

Located in Myrtle Beach, SC

Hajime Namiki, 'Weeping Cherry 16 A', color woodblock print, 2012, edition 200. Signed in pencil and with the artist’s red seal. Titled, dated, and numbered '2/200' in pencil. A supe...

Category

2010s Showa Prints and Multiples

Materials

Woodcut

Pericles, British Museum Greek Roman Classical sculpture photogravure, 1914
Pericles, British Museum Greek Roman Classical sculpture photogravure, 1914

Pericles, British Museum Greek Roman Classical sculpture photogravure, 1914

Located in Melbourne, Victoria

'Pericles' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. 250mm by 180mm (platemark) 300mm by 235mm (sheet si...

Category

1910s Other Art Style Prints and Multiples

Materials

Photogravure

1973 After LaCroix 'Expo de Gravures de la Guilde Graphique' Yellow Serigraph
1973 After LaCroix 'Expo de Gravures de la Guilde Graphique' Yellow Serigraph

1973 After LaCroix 'Expo de Gravures de la Guilde Graphique' Yellow Serigraph

Located in Brooklyn, NY

Paper Size: 26 x 20 inches ( 66.04 x 50.8 cm ) Image Size: 24 x 14 inches ( 60.96 x 35.56 cm ) Framed: No Condition: C: Several Signs of use and handling, some visible marks Ad...

Category

1970s Abstract Geometric Prints and Multiples

Materials

Screen

The Migratory Bird (Constellations)
The Migratory Bird (Constellations)

The Migratory Bird (Constellations)

By Joan Miró

Located in Paris, FR

Stencil, 1959 Publisher : Pierre Matisse (New York) Printer : Mourlot (Paris) Catalog : [Cramer p. 166] Image dimensions : 43.30 cm. × 35.70 cm. (17.05 in. × 14.06 in.) Paper dimensi...

Category

1950s Abstract Prints and Multiples

Materials

Stencil

Robert Indiana 'Love' 2018
Robert Indiana 'Love' 2018

Robert Indiana 'Love' 2018

By Robert Indiana

Located in Brooklyn, NY

This reprint of the 1972 exhibition poster titled LOVE by Robert Indiana was created to promote an exhibit held at the Louisiana Museum of Modern Art from February 19 to March 12, 1972. The reprint is part of a retrospective series celebrating the museum’s most iconic and prolific posters, published in August 2018. Robert Indiana’s LOVE...

Category

2010s Prints and Multiples

Materials

Giclée

Picking Poppies - Original Lithograph Signed
Picking Poppies - Original Lithograph Signed

Picking Poppies - Original Lithograph Signed

By Yves Ganne

Located in Paris, IDF

Yves GANNE (1931–2019) Picking Poppies Original lithograph Signed in pencil Inscribed EA (Artist’s Proof) Numbered out of 30 copies On Arches vellum, 76 x 54 cm (29.92 x 21.25 in) ...

Category

Late 20th Century Modern Prints and Multiples

Materials

Lithograph

Garden Under the Moonlight - Original lithograph (Mourlot #896)
Garden Under the Moonlight - Original lithograph (Mourlot #896)

Garden Under the Moonlight - Original lithograph (Mourlot #896)

By Joan Miró

Located in Paris, IDF

Joan MIRO Garden Under the Moonlight, 1973 Original lithograph (Mourlot workshop) Printed signature in the plate Unknown edition run, unnumbered as issued, apart from a numbered run...

Category

1970s Surrealist Prints and Multiples

Materials

Lithograph

Sister Corita You are God/and You are Not, 1974 Rare signed and inscribed print
Sister Corita You are God/and You are Not, 1974 Rare signed and inscribed print

Sister Corita You are God/and You are Not, 1974 Rare signed and inscribed print

By Mary Corita (Sister Corita) Kent

Located in New York, NY

Sister Mary Corita Kent You are God/and You are Not, 1974 Offset lithograph poster Extremely rare offset lithograph poster, published with printed copyright Immaculate Heart Communit...

Category

1970s Pop Art Prints and Multiples

Materials

Lithograph, Offset

Between Sky and Water - Signed Facsimile, Ltd /450
Between Sky and Water - Signed Facsimile, Ltd /450

Between Sky and Water - Signed Facsimile, Ltd /450

By M.C. Escher

Located in Paris, IDF

M.C. ESCHER (1898-1972) Between Sky and Water, 2008 Facsimile after the original woodcut from 1938 Signed in the plate Numbered / 450 copies (the number you can see can be different...

Category

20th Century Modern Prints and Multiples

Materials

Color

Epiphyllum cruentum ackermanni
Epiphyllum cruentum ackermanni

Epiphyllum cruentum ackermanni

By John Nugent Fitch

Located in Middletown, NY

London: Lovell Reeve & Co., 1891. Chromolithograph with hand coloring on cream wove paper, 12 x 9 1/4 inches (305 x 235 mm), the full sheet, wide full margins. In good condition wit...

Category

Late 19th Century English School Prints and Multiples

Materials

Lithograph, Watercolor

Tupac Shakur 2pac "All Eyez On Me" Cassette Photography 30x50 Pop Art Photograph
Tupac Shakur 2pac "All Eyez On Me" Cassette Photography 30x50 Pop Art Photograph

Tupac Shakur 2pac "All Eyez On Me" Cassette Photography 30x50 Pop Art Photograph

By Destro

Located in Los Angeles, CA

A contemporary photograph of 2Pacs iconic "All eyez on me" cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Destro These iconic ta...

Category

21st Century and Contemporary American Modern Prints and Multiples

Materials

Archival Pigment

Suspended Seat, Stone Tools Shapes in White and Blue, Minimal Cyanotype Monotype
Suspended Seat, Stone Tools Shapes in White and Blue, Minimal Cyanotype Monotype

Suspended Seat, Stone Tools Shapes in White and Blue, Minimal Cyanotype Monotype

By Kind of Cyan

Located in Barcelona, ES

This is a unique handmade monotype cyanotype representing a functional stone tool set inspired by the magical forms of early human tools. Created through the cyanotype process using ...

Category

2010s Minimalist Prints and Multiples

Materials

Paper, Lithograph, Monotype

Old Master, etching, Jan van de Velde II (1593-1641), Tobias and the Fish
Old Master, etching, Jan van de Velde II (1593-1641), Tobias and the Fish

Old Master, etching, Jan van de Velde II (1593-1641), Tobias and the Fish

By Willem van de Velde the Younger

Located in Fairlawn, OH

Jan van de Velde II (1593-1641) Tobias Surprised by the Fish Etching and engraving on fine laid paper without watermark, c. 1620-1630 After Moses van Uyttenbroeck (Dutch, c. 1595–aft...

Category

1620s Old Masters Prints and Multiples

Materials

Etching

Gerhard Richter 'Abstraktes Bild (1992)' 2023
Gerhard Richter 'Abstraktes Bild (1992)' 2023

Gerhard Richter 'Abstraktes Bild (1992)' 2023

By Gerhard Richter

Located in Brooklyn, NY

Gerhard Richter’s Abstraktes Bild is a richly layered composition in which vivid red, cool blue, yellow and white collide across the surface. Broad horizontal sweeps of color are int...

Category

2010s Prints and Multiples

Materials

Giclée

"Ali" Muhammad Ali Portrait 36x48  Photomosaic Photography Pop Art Signed
"Ali" Muhammad Ali Portrait 36x48  Photomosaic Photography Pop Art Signed

"Ali" Muhammad Ali Portrait 36x48 Photomosaic Photography Pop Art Signed

By Destro

Located in Los Angeles, CA

"Ali" is a photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds of smaller im...

Category

21st Century and Contemporary American Modern Prints and Multiples

Materials

Archival Pigment

Original Vintage New York Travel Poster — R. Meyer Central Park Print  on linen
Original Vintage New York Travel Poster — R. Meyer Central Park Print  on linen

Original Vintage New York Travel Poster — R. Meyer Central Park Print on linen

Located in Spokane, WA

New York — The City That Never Sleeps Experience the vibrant energy and timeless beauty of New York City through this authentic 1970s travel poster by R. Meyer. This masterpiece cap...

Category

1980s American Modern Prints and Multiples

Materials

Offset

Lunar Eclipse Signed  Limited Edition Giclée on Hahnemühle Paper
Lunar Eclipse Signed  Limited Edition Giclée on Hahnemühle Paper

Lunar Eclipse Signed Limited Edition Giclée on Hahnemühle Paper

By Scott Kahn

Located in Rochester Hills, MI

Artist: Scott Kahn (American, b. 1946) Title: Lunar Eclipse Medium: Archival pigment print (giclée) Hahnemühle fine art paper Edition: Signed in pencil and marked 31/200 Year: 2021 S...

Category

2010s Surrealist Prints and Multiples

Materials

Giclée

original lithograph

original lithograph

By Alexander Redein

Located in Henderson, NV

Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spr...

Category

1950s Prints and Multiples

Materials

Lithograph

Weightless Cantilever, Modern Mobile White and Blue, Minimal Cyanotype Monotype
Weightless Cantilever, Modern Mobile White and Blue, Minimal Cyanotype Monotype

Weightless Cantilever, Modern Mobile White and Blue, Minimal Cyanotype Monotype

By Kind of Cyan

Located in Barcelona, ES

This is a unique handmade monotype cyanotype representing a functional stone tool set inspired by the magical forms of early human tools. Created through the cyanotype process using ...

Category

2010s Minimalist Prints and Multiples

Materials

Paper, Lithograph, Monotype

Jean-Michel Meurice 'Roland Garros French Open' 1996
Jean-Michel Meurice 'Roland Garros French Open' 1996

Jean-Michel Meurice 'Roland Garros French Open' 1996

Located in Brooklyn, NY

In 1996, Meurice was commissioned to design the official poster for the French Open at Roland Garros. His design brought a lively and modern interpretation to the tournament, charact...

Category

1990s Prints and Multiples

Materials

Offset

"Tribe of Zebulun" lithograph

"Tribe of Zebulun" lithograph

By (after) Marc Chagall

Located in Henderson, NV

Medium: lithograph (after the watercolor). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-gl...

Category

1960s Prints and Multiples

Materials

Lithograph

“Ceramique from Ceramiques de Miro et Artigas“
“Ceramique from Ceramiques de Miro et Artigas“

“Ceramique from Ceramiques de Miro et Artigas“

By Joan Miró

Located in Warren, NJ

Signed lithograph and numbered HC. I. Good condition Description signed in pencil lower right and editioned HC lower left Measurements Overall: 29 1/2 by 38 1/2 inches Sight: 20 1...

Category

20th Century Prints and Multiples

Materials

Lithograph

Impressionnism : The Nymphs in Giverny - Lithograph on Vellum - 300 copies
Impressionnism : The Nymphs in Giverny - Lithograph on Vellum - 300 copies

Impressionnism : The Nymphs in Giverny - Lithograph on Vellum - 300 copies

By Claude Monet

Located in Paris, IDF

Claude MONET (after) Impressionnism : The Nymphs in Giverny Lithogrpah after a painting Printed signature in the plate Numbered / 300 copies On vellum 30 x 59 cm (c. 12 x 24 in) Ex...

Category

Late 20th Century Impressionist Prints and Multiples

Materials

Lithograph

original lithograph

original lithograph

By Joan Miró

Located in Henderson, NV

Medium: original lithograph. Catalogue reference: Mourlot 508. Printed in 1967 for the art revue Derriere le Miroir (issue number 164-165 -- L'Oiseau Solaire, L'Oiseau Lunaire, Etinc...

Category

1960s Abstract Prints and Multiples

Materials

Lithograph

Vintage Vibrant Pink Pony Signed and Framed Art Print
Vintage Vibrant Pink Pony Signed and Framed Art Print

Vintage Vibrant Pink Pony Signed and Framed Art Print

Located in Buffalo, NY

A vibrantly pink signed and numbered print of a horse. Signed "Frank" lower right. Measuring: 18 by 15 inches overall and 14 by 11 inches artwork alone.

Category

20th Century Contemporary Prints and Multiples

Materials

Acrylic

Gallery Invitation for Eduardo Chillida
Gallery Invitation for Eduardo Chillida

Gallery Invitation for Eduardo Chillida

By Eduardo Chillida

Located in Barcelona, ES

Eduardo Chillida (after) Signed in plate Notated "PA" to lower left, plus edition of 500 Published by the Van der Voont Gallery Printed by the Ibograf Ibiza workshop Chillida, a m...

Category

1970s Abstract Prints and Multiples

Materials

Paper

Adult Entertainment, Nevada - American Pop Art Color Photography Large Framed
Adult Entertainment, Nevada - American Pop Art Color Photography Large Framed

Adult Entertainment, Nevada - American Pop Art Color Photography Large Framed

By Richard Heeps

Located in Cambridge, GB

Fun pop art typography, a total 'Sign Porn' fix, captured on an American road trip in Nevada. This artwork features in Richard Heeps' sold out book 'Man's Ruin' and an edition of thi...

Category

Early 2000s Pop Art Prints and Multiples

Materials

C Print, Color, Silver Gelatin, Photographic Paper

Fine Art Prints for Sale — Animal Prints, Abstract Prints, Nude Prints and Other Prints

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.

Questions About Prints and Multiples

  • 1stDibs ExpertMarch 25, 2024
    How prints are made from original paintings varies. For centuries, the primary methods were traditional printmaking techniques such as engraving, etching, aquatint, drypoint and woodcut. Today, many artists use digital technology, scanning and photographing paintings and then using the files to produce giclée prints using large, specialized inkjet printers. On 1stDibs, shop a wide variety of art prints.
  • 1stDibs ExpertSeptember 25, 2019

    Art prints typically increase in value, but this depends on the artist and whether demand for his or her work increases over time.

  • 1stDibs ExpertAugust 15, 2024
    To find out how much your print is worth, conduct some research using trusted online resources. By looking at what similar prints by the same artist sold for in the past, you can get a rough idea of the value of your piece. However, other factors, such as the image quality and the condition of the paper, will also impact how much you might be able to sell your print for. As a result, it's a good idea to have a certified appraiser or knowledgeable art dealer assist you with the valuation process. Shop a large collection of art prints on 1stDibs.
  • 1stDibs ExpertSeptember 23, 2024
    To identify your art prints, first look for an artist's signature, usually found in the bottom corner or on the back of the piece. You can use the app Smartify to take a photo of the signature or conduct a reverse image search to learn who the artist is. From there, you can explore online resources and art catalogues to learn more about your print. Should you need assistance, consider enlisting the help of a certified appraiser or knowledgeable art dealer. Shop a diverse assortment of art prints on 1stDibs.
  • 1stDibs ExpertApril 12, 2024
    Printmaking changed art by making it more accessible. Prior to the advent of printmaking, it wasn't possible to reproduce multiples of an image, so art was only available to wealthy individuals who could purchase or commission works. Once artists were able to make prints, they could distribute their work to a wider audience. Shop a large collection of prints from some of the world's top galleries and dealers on 1stDibs.
  • 1stDibs ExpertAugust 15, 2024
    To tell if an art print is real, first take the time to learn about the artist and the types of prints that they have produced. Identifying characteristics vary based on the print method, and some artists have incorporated certain flourishes or markings that can aid in authentication. Researching the artist and their techniques using information available from trusted online resources can help you determine what to look for. Alternatively, you can take your print to a certified appraiser or knowledgeable art dealer to seek an expert opinion. Find a large selection of art prints on 1stDibs.
  • 1stDibs ExpertSeptember 9, 2024
    To find out what prints are worth, experts generally recommend consulting a certified appraiser or experienced art dealer. With art prints, image quality and overall condition are two of the biggest determiners of value. So, while you can get an idea of how much a particular piece may be worth by researching the prices of other prints from a series that sold in the past, obtaining a professional opinion based on an in-person inspection of your print can result in a more accurate valuation. Explore a large selection of art prints on 1stDibs.
  • 1stDibs ExpertMay 30, 2024
    In art, a print is a work produced multiple times by transferring an image from a plate to another surface. Making a print can be as straightforward as pressing a painted surface against another surface or as complex as triggering a chemical reaction to create an image. Artists embrace different techniques to yield various effects: some printing techniques, like etching, emphasize lines, for example, while others, like lithograph printing, are better for creating soft textures. On 1stDibs, shop a diverse assortment of art prints.
  • 1stDibs ExpertFebruary 27, 2024
    In art, a collagraph is a print produced via a process known as collagraphy. To produce one, an artist glues or seals objects onto wood or paperboard to produce an image and create a printing plate. Then, they apply ink and use the plate to transfer the image onto another surface. Printmaker Glen Alps developed the technique and unveiled it in 1956. Find a large collection of art prints on 1stDibs.
  • 1stDibs ExpertFebruary 27, 2024
    What is a good number for limited edition prints depends on what you mean by good. If you're wondering how many prints in a series are best from a collector's standpoint, the smaller the number of prints, the more valuable the individual pieces are likely to be. In other words, the prints in a run of 30 will be rarer than a run of 100, so it is possible that the smaller run will be more valuable. If by "good" you mean which number in a particular series is best to buy, the answer is that there really isn't a better number. The print marked 1/30 and the one marked 30/30 will be identical and of equal value, assuming they are kept in similar condition. However, when a gallery sells prints in numerical order, the price may go up as the prints sell. In that case, you may pay more for print 30/30 than the buyer for 1/30 did. As the price increases, the extra amount paid could mean a lower return on investment. Shop a large collection of art prints on 1stDibs.
  • 1stDibs ExpertAugust 20, 2024
    The difference between an artist's proof and an edition comes down to purpose. An artist's proof can be thought of as a test run, a print that the artist makes to see how the image appears. Normally, the artist does not intend to sell these proofs. An edition is a print produced for the purpose of sale. You will sometimes see the term "main edition" used in place of edition. On 1stDibs, shop a diverse assortment of art prints.
  • 1stDibs ExpertSeptember 9, 2024
    The list of old prints that may be worth money is really too long to name. The artist, number of prints in the series, age, historical significance and other characteristics of the print all contribute to the potential value. With older pieces, the condition is also a concern, and any flaws may reduce the potential selling price. Some artists whose prints are often sought by collectors include Albrecht Dürer, Henri Toulouse-Lautrec, Rembrandt and Frederic Remington. If you're interested in learning how much particular prints you own may be worth, consult a certified appraiser or experienced art dealer. Find a large collection of art prints on 1stDibs.
  • 1stDibs ExpertMay 30, 2024
    Yes, HC prints are generally more valuable. HC stands for Hors Commerce. Prints that bear the initials are no longer sold on the secondary market and are available only through the artist, increasing their selling prices. On 1stDibs, explore a large collection of art prints from some of the world's top dealers and galleries.
  • 1stDibs ExpertAugust 20, 2024
    Yes, some art prints are worth money. However, values vary greatly. A number of factors influence the potential selling price of art prints, including age, maker, technique, size, the original number of prints produced, the image quality and the condition of the paper. A certified appraiser or knowledgeable art dealer can provide you with an estimated value for any prints that you own based on these factors. On 1stDibs, explore a wide range of art prints.
  • 1stDibs ExpertSeptember 16, 2024
    Yes, many art lovers believe that artist prints are worth buying. Prints are a great way to begin or grow an art collection; many increase in value over time. Collectors may choose to focus on prints produced by a particular artist, made during a certain time frame, of a certain style, from a specific country or depicting a set theme. However, whether or not it’s worth investing in art prints is totally subjective! At 1stDibs, we believe in buying what you love. Our shopping experience enables discovery and learning, whether you are a seasoned connoisseur or just beginning your collection. Find prints and other art on 1stDibs.
  • 1stDibs ExpertAugust 15, 2024
    To tell the difference between a lithograph and a print, touch the surface of the piece. Lithographs will usually have a slightly raised texture, whereas reproductions of lithographs produced with other techniques are more likely to be smooth. Then, examine the surface closely with a magnifying glass.

    On a lithograph, you will typically see irregularities in the dot pattern. Printed reproductions normally don't display such irregularities due to the mechanical processes used to produce them. If you're still uncertain, a certified appraiser or knowledgeable art dealer can help you determine whether a piece is a lithograph or a reproduction print.

    On 1stDibs, explore a large selection of lithographs and prints.
  • 1stDibs ExpertOctober 7, 2024
    The difference between monoprint and monotype is in the technique used to produce these two types of unique prints. A monotype is a one-of-a-kind print made by creating an image on a smooth surface, such as a glass sheet or a metal plate, with paint or ink and then transferring it to paper. Edgar Degas is one of the most notable artists who has experimented extensively with monotypes. A monoprint is made from impressions of woodblocks, plates and other blocks with the intent of only making one version of a work, even if the same block is used, by adding techniques like collage, drawing and painting. On 1stDibs, explore a wide range of art prints.
  • 1stDibs ExpertOctober 7, 2024
    The difference between a lithograph and a limited edition print is the specificity of the terms. A limited edition print is any artwork that an artist produces in a limited number for sale to collectors. A lithograph is one type of print that may be made available as a limited edition. To make a lithograph, the artist draws or paints on a stone surface with an oil-based substance, such as a greasy crayon or oily wash known as a tusche. The stone is then covered with water, which is repelled by the oily areas. Oil-based ink is then applied to the wet stone, adhering only to the oily image. The stone is then covered with a sheet of paper and run through a press. Beyond lithographs, limited edition prints can be woodblock prints, engravings, screenprints, monoprints and other types of prints. Find a diverse assortment of lithographs and other prints on 1stDibs.
  • 1stDibs ExpertSeptember 25, 2019

    Artist proofs often command a higher price because of their rarity.

  • 1stDibs ExpertSeptember 9, 2024
    Yes, numbered art prints may be worth something. The artist who produced the print and its age, subject matter, image condition and overall condition all contribute to its value. In addition, the number of prints that were in the series will also influence a piece's potential value. If you have a numbered print, a certified appraiser or experienced art dealer can help you determine how much it may be worth. On 1stDibs, find a large selection of art prints.