Prints and Multiples

This print presents a fictitious encounter between contemporary colonial forces and Native Americans who are defenders of immigrant refugees and displaced populations. The artist de...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Kawase Hasui, 'Snow at Mukōjima (Yuki no Mukōjima)', woodblock print, 1931. A particularly fine impression, distinguished by its rich, saturated blues, subtle atmospheric gradations,...

Kawase Hasui, 'Evening Snow, Edogawa River, woodblock print, 1932. A particularly fine impression, distinguished by its saturated blues, delicate atmospheric gradations, and exceptio...

Medium: lithograph (after the watercolor). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-gl...

This is an exclusive handprinted limited edition cyanotype. "Day Time Seascape in Blue" is a handmade cyanotype print portraying the vibrant reflections of the Sun as seen from the c...

London: B.S. Williams / Victoria & Paradise Nurseries, 1882. Chromolithograph with hand coloring on cream wove paper, 12 x 9 1/4 inches (305 x 235 mm), the full sheet, wide full mar...

Sam Francis Untitled Abstract Expressionist lithograph (Hand Signed from the Carnegie Museum Deluxe Edition), 1972 Catalogue Raisonné: 155, Lembark Hand signed and numbered 25/30 on...

London: Thomas Bensley, 1805. Etching and engraving with hand coloring in watercolor, 10 1/4 x 8 inches (260 x 204 mm) the full sheet, margins trimmed. In very good condition with e...

This reproduction of the Magritte painting is the only authorized and approved copy in its current format. It has been sanctioned by the appropriate authorities managing Magritte’s e...

This is a black and white photograph of an African Lion by Shane Russeck. Printed on Archival Paper Using Archival ink 40x50 Edition of 12 Singed by Shane Shane Russeck has buil...

This original invitation card was produced for the exhibition Donald Judd: The Last Editions, held at Brooke Alexander Editions, New York, in 1994. Issued by the gallery on the occa...

Salvador Dali (1904-1989) Hell 22 - The Liars, 1963 Wood engraving from "Divine Comedy" with the signature printed in the plate On BFK Rives vellum 32,8 x 26,4 cm (c. 13 x 10") REF...

Fun pop art typography, a total 'Sign Porn' fix, captured on an American road trip in Nevada. This artwork features in Richard Heeps' sold out book 'Man's Ruin' and an edition of thi...

This vibrant image of the Statue of Liberty is one of LichtensteinÕs most patriotic and iconic compositions, blending Pop ArtÕs bold comic-inspired style with American symbolism. Pub...

Lichtenstein reinterprets MonetÕs iconic subject through his Pop Art lens, transforming the Impressionist water garden into bold comic-inspired forms with flat colors and Ben-Day dot...

Eduardo Chillida (after) Signed in plate Notated "PA" to lower left, plus edition of 500 Published by the Van der Voont Gallery Printed by the Ibograf Ibiza workshop Chillida, a m...

Lithograph, 1984 Edition : 15/150 Publisher : Arts Litho (Paris) Printer : Éditions de la Différence (Paris) Catalog : [Sabatier 18] Image dimensions : 116.00 cm. × 86.00 cm. (45.67 ...

M.C. ESCHER (1898-1972) Between Sky and Water, 2008 Facsimile after the original woodcut from 1938 Signed in the plate Numbered / 450 copies (the number you can see can be different...

This is a unique handmade monotype cyanotype representing a functional stone tool set inspired by the magical forms of early human tools. Created through the cyanotype process using ...

Etching and aquatint on paper. Hand signed, dated and numbered in pencil. Edition of 200. The artwork showcases a wonderful balance of Post-Cubist abstraction and Informel texturi...

This reproduction of the painting titled Yellow, Blue and Orange, created by Mark Rothko in 1955, is part of a rare exhibition poster from the series "Collection of European Masters....

Pablo PICASSO (after) Woman Combing her Hair, 1975 Lithograph and stencil (Jacomet workshop) Printed signature in the plate Unnumbered as usual (limited edition of 575 copies) On Ar...

London: Kew Gardens, 1804. Mixed-method engraving (combining aquatint, stipple, line engraving, and mezzotint), printed in color a la poupée with hand-coloring in watercolor and gou...

Offset lithograph from Andy Warhol: Vanishing Animals, a portfolio of six works published by te Neues in 1992 and printed in Germany. This particular image features the Plata River D...

John Chamberlain - Galeon, 1979 Lithograph on wove paper Signed, dated, titled and numbered PP 3/6 One of only six Printers Proofs. This was part of a series of proofs created by Joh...

Hajime Namiki, 'Weeping Cherry 16 A', color woodblock print, 2012, edition 200. Signed in pencil and with the artist’s red seal. Titled, dated, and numbered '2/200' in pencil. A supe...

Ten lithographs on vellum Edition of 2500 (reported) 30.5 x 30.5 cm (12 x 12 in) each Not signed or numbered Excellent condition. Minor natural toning is present, consistent with the...

This original travel poster was created circa 1960 by the celebrated Danish illustrator Ib Antoni to promote Denmark to an international audience. The German-language title Dänemark ...

Pablo PICASSO (after) Portrait of Roby, c. 1950 Restrike etching Printed signature in the plate On Japan paper 33 x 25 cm (c. 13 x 10 in) REFERENCE : Catalog raisonne Bloch #680 Fr...

Medium: original lithograph. Printed in 1964 and published by Eberhard Kornfeld in an edition of 2000 for the 1 Cent Life portfolio. Size 16 1/8 x 11 3/8 inches (410 x 288 mm). There...

"La Tristesse du roi" is a reproduction of Henri Matisse’s 1952 gouache on paper, known for its distinctive cut and collage technique. Reproduced in 1990, this piece reflects Matisse...

Artist: Scott Kahn (American, b. 1946) Title: Lunar Eclipse Medium: Archival pigment print (giclée) Hahnemühle fine art paper Edition: Signed in pencil and marked 31/200 Year: 2021 S...

Pablo Picasso (1881-1973) Head of a Bearded Man, 1966 Lithograph Printed signature in the plate Justified Artist's proof in the plate On thick paper 60 x 40 cm INFORMATION: Lithogr...

Paper Size: 39 x 27.5 inches ( 99.06 x 69.85 cm ) Image Size: 39 x 27.5 inches ( 99.06 x 69.85 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age ...

Ohara Koson, 'Wading Egret', color woodblock, c. 1900 - 1910. Signed 'Koson' in black ink with the artist’s red seal beneath, lower left. A superb, skillfully-inked impression, with ...

Pablo PICASSO (1881-1973), Knight, Nude Woman and Man Wearing a Mask , 1954 Lithograph (Mourlot workshop) Unsigned Printed date in the plate On paper 26 .5 x 35.5 cm (c. 10,2 x 13....

Alexander CALDER Composition with Red and Blue Ball Original lithograph (printed in Mourlot workshop) Printed signature in the plate On Arches vellum 25 x 19 cm (c. 10 x 8 inch) Edi...

Vintage poster incorporated in 1962 french tourism poster "Nice, Soleil, Fleurs". Printed by Atelier Mourlot. Signed in the plate, not numbered as issued. Very good condition. Re...

Shepard Fairey It Can’t Happen Here Screen print on thick Cream Speckletone Paper Year: 2026 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard Fairey, dated and ...

This linocut was inspired by a visit to my favourite national trust garden in Devon, National trust Coleton Fishacre. It's looking down the bay to the sea. It's a reduction linocut, ...

Joan Mitchell - Abstract Expressionist Lithograph (Deluxe Hand Signed edition of 30), 1972 The work is hand signed by Joan Mitchell on the separate, accompanying colophon page, affix...

Louise Bourgeois (1911-2010) Landscape with a Mountain Lake Original etching with aquatint Unsigned On vellum 60.5 × 73.5 cm (c. 24 x 29 in) Authenticated with the blind stamp of C...

This finely printed exhibition poster from “James Marshall: The Histories” highlights School of Beauty, School of Culture presents a vibrant Black hair salon as a place of artistry, ...

Tracey Emin - It's Different When You are in Love, 2012 Offset lthograph poster (Hand signed by Tracey Emin - with original Emin Intenational label) Offset lithograph poster Hand sig...

Toshi Yoshida, 'Five-Storied Pagoda,' also titled 'Pagoda in Kyoto' (Gojū no tō / 五重の塔), color woodblock print, 1942, edition not stated. Signed 'Toshi Yoshida' in pencil; signed 遠志 (Tōshi) and sealed in the image, lower right; titled 'Five-Storied Pagoda', and dated in Japanese in the left margin, and bearing the characters 自刻 (jikoku, “self-carved”), confirming that Yoshida himself carved the blocks. A superb, atmospheric, impression, with skilled bokashi (gradations) and finely nuanced colors, on cream wove Japanese paper; the full sheet, in excellent condition, (apparently never mounted or framed). Self-carved and self-printed by the artist. Archivally sleeved, unmatted. Image size 9 1/2 x 6 3/4 inches (241 x 171 mm); sheet size approximately 10 1/2 x 7 7/8 inches (267 x 200 mm). Catalog References: The design is catalogued in the developing Toshi Yoshida Catalogue as Pagoda in Kyoto / 五重の塔, 1942, color woodblock. It is also documented by Art Platform Japan from the Fukuoka Art Museum's own collection data as 'Five-Storied Pagoda', 1942. Literature: Thomas Tabery and Kevin Schumacher-Shoji, eds., Farben Japans: Holzschnitte aus der Sammlung der Bayerischen Staatsbibliothek, Kerber Verlag, 2025, no. 146. Exhibited: Farben Japans – Holzschnitte aus der Sammlung der Bayerischen Staatsbibliothek, Bayerische Staatsbibliothek, Munich, March 27–July 6, 2025, no. 146. The Bavarian State Library's 2025 annual exhibition and the first exhibition in the institution's history devoted specifically to its Japanese color woodblock collection. More than 130 works spanning the 18th through 20th centuries were presented. Collections: Allen Memorial Art Museum, Oberlin College; Art Gallery of Greater Victoria, British Columbia; Bavarian State Library (Bayerische Staatsbibliothek), Munich; British Museum, Fukuoka Art Museum, Japan; Smithsonian National Museum of Asian Art. ABOUT THIS WORK Created in 1942, Pagoda in Kyoto (Gojū no tō / 五重の塔) is an early work by Toshi Yoshida, still closely connected to the shin-hanga aesthetic associated with his father, Hiroshi Yoshida, yet already demonstrating Toshi's exceptional command of the woodblock medium. A five-storied pagoda rises behind a screen of weeping willows beside a quiet pond, its architectural mass softened by the atmospheric light of evening. The composition is constructed through overlapping silhouettes and unusually delicate gradations of blue, violet, green, and rose, giving the scene a dreamlike stillness. This impression is distinguished by the exceptional subtlety of its printing. The sky passes almost imperceptibly from warm pink through lavender and violet, allowing the pagoda to dissolve into the surrounding atmosphere. The willow is built from several closely related greens and blue-greens, while the water is printed with restrained tonal modulation. These effects depend upon sophisticated bokashi and careful hand application of pigment and are markedly more nuanced than those seen in later impressions of the design. ABOUT THE ARTIST Yoshida Toshi (1911–1995) began training at the age of fourteen under his father, Yoshida Hiroshi, a leading artist of the twentieth-century Japanese printmaking revival known as shin-hanga (“new prints”), which continued the traditional collaborative system of Japanese woodblock printing. From 1932 to 1935, Toshi studied at the Taiheiyo-Gakai (Pacific Painting Association), which his father had helped establish. Before the Pacific War, Toshi traveled extensively with his father in Asia, Europe, Egypt, and the United States. He later continued his international travels, particularly in Mexico, the United States, Canada, and Africa. His early prints remained strongly influenced by Hiroshi's work and the highly refined techniques practiced in the Yoshida studio. Following his father's death in 1950, Toshi assumed responsibility for the studio while increasingly pursuing an independent artistic direction. Beginning in the early 1950s, he undertook a highly personal exploration of abstraction, creating and printing his own works in the sōsaku-hanga (“creative print”) manner, in which the artist assumes direct responsibility for the design, carving, and printing. During this exceptionally productive period, Toshi produced a large body of nonobjective woodcuts characterized by complex geometric structures, richly layered color, and experimentation with the expressive possibilities of the woodblock medium. His abstract work placed him among the more adventurous Japanese printmakers of the postwar period. The British Museum holds a substantial group of these works, including Misty Dance (1957), Frontier (1962), Mystery (1964), Isotope (1968), and Where (1972). In the early 1960s, Toshi also returned to representational subjects, eventually concentrating on large-scale scenes of African wildlife in its natural habitat. In 1984 he published the first of a series of illustrated children's books devoted to African animals (Dōbutsu Ehon Shirīzu), which he continued into the early 1990s. In 1966, with artist Yuki Rei...

34 Colour Screenprint Somerset Tub Sized 410gsm Paper, 2023 hand-sgned and numbered on the back Edition of 125 76 x 56 cm published by Jealous and comes with COA David Shrigley (bo...

THE DOOR OF JUSTICE is a rare poster edition lithograph printed in seven colors using traditional hand lithography techniques (not a photo reproduction or digital print) on heavyweig...

Norman Rockwell "Girl at the Mirror " Lithograph Signed And Numbered. In good condition measures 36x34

Limited edition pencil signed and numbered lithographic print, published on the occasion of Wiley's exhibition at the legendary Allen Frumkin Gallery at 41 West 57th Street in Manhat...

This poster, titled Mount Fuji and Flowers, is based on a piece from the permanent collection of the Metropolitan Museum of Art. David Hockney's work is renowned for its vibrant colo...

Color lithograph by Salvador Dalí (1904–1989), Don José’s Final Appearance: the Bats Symbolizing Death, from the celebrated Carmen suite inspired by Georges Bizet’s opera. The work i...

Etching and aquatint on paper, realized in 1962. Hand signed and dated. Excellent condition.

Pablo Picasso (1881-1973) (d'après) - Pierrot et arlequin (Pierrot and Harlequin) Pochoir from 1920. The edition of 11/100. Dimensions of work: 23.2 x 29 cm. Hand signed. Publis...

Ultra rare Banksy Skull and Paintbrushes Print in blue color. The color versions are particularly rare. Released in 2010 at Paul Insects Unclear Residents show by Pictures On Walls (...

Medium: lithograph (after the colored pencil drawing). Printed in Paris in 1952 by Mourlot Freres and published in an edition of 1500. Image size: 10 1/4 x 7 inches (263 x 179 mm). S...

Artist: KAREL APPEL Title: Cats  Year: 1978 Edition: Signed in pencil and marked XIII/LXV All signed and numbered from the edition of Roman Numeral LXV (65) in pencil, published by ...

Pablo PICASSO Ballet : The Dancer, 1954 Original lithograph Printed signature in the plate Unnumbered On light vellum 31 x 22 cm (c. 12,2 x 8,7 in) REFERENCES : - Catalog raisonne...

New York — The City That Never Sleeps Experience the vibrant energy and timeless beauty of New York City through this authentic 1970s travel poster by R. Meyer. This masterpiece cap...

A contemporary photograph of 2Pacs iconic "All eyez on me" cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Destro These iconic ta...