Furniture

This Mid-Century Modernist Walnut Drop Leaf Bar Cart was created by the illustrious designer Edward Wormley for Dunbar originating from the United States, Circa 1950. Featuring a lov...

Edward Wormley for Dunbar Mr Chair and Ottoman Tapering steel legs ottoman is 13"h x 25" x 29"

Unusual Dunbar sofa or console table. Made of rosewood and karelian birch. Lower shelf for extra storage.

Stunning pair of swivel chairs that encapsulate the essence of mid-century modern design: the exquisite creations of renowned designer Edward Wormley for Dunbar, circa 1950s. Meticul...

Mid-Century Modern, Rarely seen Edward Wormley rectangular walnut frame coffee table in a dark brown finish with inset Carpathian elm square top and sculpted legs with heavy brass sa...

Edward Wormley for Dunbar Mid Century Cane King Headboard This headboard measures: 82 wide x 2.25 deep x 36 inches high All pieces of furniture can be had in what we call restored ...

A classic and hard to find Edward Wormley for Dunbar snack table. Solid brass tripod base, Karelian birch top with typical finial.

Edward Wormley design bench for Dunbar, Model 5429. Classic design by Wormley in brass square frame on capped feet. Newer Jack Lenor Larsen upholstery that presents very well, ready ...

Edward Wormley design King size headboard for Dunbar Furniture, Berne Indiana. Featuring an ebonized mahogany frame with a caned backrest intended for a king size mattress, no rails ...

Edward Wormley for Dunbar cane back and brass armchair. Circa 1950's.

An Edward Wormley for Dunbar sculpted rosewood table with glass top.

Edward Wormley for Dunbar Mid Century Etagere Shelf – Pair Each etagere measures: 20 wide x 20 deep x 79 inches high All pieces of furniture can be had in...

An elegant and unusual set of six dining chairs with a cane wrapped barrel back and an upholstered seat atop four slender legs.

Edward Wormley for Drexel Precedent 10 and 5 Drawer Dresser Set. These dressers are made of stained elm with original solid brass h...

A gutter back armless sofa on aluminum legs. Designed by Edward Wormley for Dunbar. Fully restored and upholstered in Holly Hunt, Lush, Foggy velvet.

Classic Edward Wormley for Dunbar mahogany credenza with solid brass hardware. Nine drawers with center cabinet.

Long, low, mid-century modern, "Long John" coffee table by Edward Wormley for Dunbar features a beautifully grained, walnut paneled top with upturned edges and bentwood hairpin legs....

A rare pair of Dunbar Wingback Model 6016 lounge chairs in sculpted mahogany and woven cane designed by Edward Wormley. An updated take on the classic wingback design, delivering an ...

Very rare corner radio with custom Viking Oak cabinet by the Romweber Furniture Company of Batesville, IN. Radio features: - Stromberg Carlson M...

An aluminium and white bouclé fabric slipper chair designed by Edward Wormley and produced by Dunbar, Berne, Indiana, USA, 1950s. 17" seat height

An early channel back sofa with brass legs and covered in blue fabric by Edward Wormley. Model #4757 designed in 1947. The fabric is tired and should...

A rare and early heart stool designed by Edward Wormley for Dunbar.

A gorgeous French Provincial Louis XV style two-piece breakfront bookcase or china cabinet By Romweber USA, circa 1950s Satinwood, with beautiful burl wood front, glass fron...

Edward Wormley for Dunbar Furniture / DUX of Sweden, sofa model 5316, faux leather, metal, wood, United States, design 1952 This three-seat sofa was designed by Edward Wormley for D...

Simple, clean-lined and versatile, this Ed Wormley cabinet by Dunbar features two bi-fold doors concealing one compartment with two shelves. Subtle ...

Edward Wormley for Dunbar Model 452 Rosewood Tambour Door Executive Desk in very good completely original condition. Two rolltops, one on each side and three drawers. Large work se...

Edward Wormley for Dunbar, all original wedge / triangle shape corner or sofa table in original dark mahogany on brass sabots. Top shows wear, top can be refinished for additional co...

Later production Dunbar, this Edward Wormley design has been updated with glass tops which works beautifully with this nesting configuration, allowing the smaller table to be seen re...

A pair of two toned tambour door serpentine cabinets designed by Edward Wormley for Dunbar.

An exceptional pair of Empire or Neoclassical style nightstands By Romweber USA, circa 1940s Mahogany cases, with gorgeous book...

Exquisite vintage Midcentury Modern Romweber Set of 6 Dining Chairs. Features high back cane details with brass accents. Two arm chairs and four armless chairs. Original pink fabric ...

At 8' 4" long, this modular credenza by Dunbar is a sight to behold. The fusion of British Colonial, Far East, Regency and Modern create a distinctive harmony, rarely found in such ...

Elegant mid-century Edward Wormley for Dunbar sofa with skirt, on sculpted mahogany legs. You can't beat the quality of a Dunbar sofa, built to last. ...

Edward Wormley pair of nightstands for the Precedent collection by Drexel, circa 1947 The pair of silver elm nightstands have been refinished in a blac...

Pair of Edward Wormley Lounge Chairs Additional information: Material: Wood Featured at Kensington: Beautiful pair of armless slipper chairs designed by Edward Wormley. Solid...

This classic Edward Wormley for Dunbar bar cart, circa 1960s, features a cork top with brass trim and the two lower platforms also w...

Designed by Edward Wormley for Dunbar in 1946, these four dining chairs, model 4632, feature elegantly tapered frames in a light mahogany with solid seats and curved backrests inset ...

A rare and important Art Deco period Century of Progress Display Cabinet designed by Wolfgang Hoffmann (Austrian, 1900-1969) for Romweber Company, Batesville, Indiana, United States of America. circa 1933-1936 Created for the 1933 Chicago World's Fair, one piece design, having a rectangular showcase top with glass panel sides and a pair of sliding glass doors, over solid wood chest fitted with four drawers affixed with horizontal pulls, flanked by cabinet doors, opening to shelved interior. Rosewood, mahogany, richly figured blonde - golden birch or primavera, and glass. Signed, original label to drawer interior, featuring 1933 World's Fair mark impressed. **Please note, at the time of writing this, a matching sideboard - buffet (shown in last photo) is currently available separately** Provenance / Acquisition: Property from the important and iconic collection of Mr. James I. Rafftesaeth Jr., Dallas, Texas Acquired from highly reputable auction house, Heritage Auctions, Dallas, Texas. 2022 Design Signature Auction catalog #8091 History: Wolfgang Hoffmann was born in Vienna, Austria in 1900. He is the son of famous architect, pedagogue and Wiener Werkstatte cofounder, Joseph Hoffmann (1870-1956). Early on, following his father’s s interests, he was trained in the decorative arts and design. Wolfgang Hoffmann once reminisced, “I spent eight years at the Realschule, then three years went to a special architectural school, where I perfected my technical knowledge of architecture and general construction. From this school, I was graduated to the Kunstgewerbeschule [Studying under Oskar Strnad and Josef Frank in Vienna]. After finishing this school, I had one and a half years of practical in a well known architect’s office. Thereafter I worked in my Father’s office for two years”. Hoffmann met his future wife, Polish immigrant Pola (1902-1984) when they were both studying at the Kunstgewerbeschule. Joseph Urban (1872-1933) was needing an assistant for his architectural business in New York and contacted his friend and colleague, Joseph Hoffmann in Vienna. Hoffmann recommended his son Wolfgang. Urban hired him and sent a first class passage ticket to Vienna for Wolfgang to travel to New York. Wolfgang married Pola and traded his ticket for two tickets to America in steerage, arriving in New York City in December of 1925. Leaving the Urban office after nine months, Wolfgang and Pola formed an independent design practice with offices on Madison Avenue in Manhattan with the purpose of creating contemporary interiors and industrial designs. Early work included theaters, stores, and apartments mostly in New York City. During the late 1920’s and early 1930’s the Hoffmanns designed custom furniture for private clients. Some of these examples were shown in the February 1929 issue of House and Garden. Curiously, the examples’ design was attributed to Urban and the production to Pola Hoffmann, Inc. Established in the fall of 1928, the American Designers’ Gallery was “devoted exclusively to showing objects and interiors for practical use… by fourteen American architects and designers”. Its members included the Hoffmans and Urban as well as ceramist Henry Varnum Poor (1888-1971), architect Raymond Hood (1881-1934), artist designer Winold Reiss (1886-1953), graphic designer Lucien Bernhard (1896-1981), decorator Donald Deskey (1894-1989), and architect Ely Jacques Kahn (1884-1972). The Hoffmanns’ work was included in the American Designers’ Gallery’s two showcase events, its 1928 and 1929 exhibitions. Their dining alcove at the 1929 event featured a bench with a dinette table and two chairs in American walnut designed by Wolfgang and a rug by Pola. Lucien Bernhard, fellow Austrian immigrant who settled in New York a year before the Hoffmanns, operated the gallery and decorating service Contempora with Munich resident Bruno Paul (1874-1968). The Hoffmanns, occasionally participating with Contempora, designed a number of outstanding interiors, including the constructivist living room of 1930 for Mrs. O.R. Sommerich at 40 East 66th street. In 1934, Donald Deskey commissioned Wolfgang to design birchwood furnishings for the eclectic apartment at 625 Park Avenue belonging to Helena Rubinstein. In 1931, Wolfgang exhibited his work at the Pennsylvania Art Museum and the Museum of Modern Art in New York City. The same year, with Kem Weber (1889-1963) he organized the second and final exhibition of AUDAC- “Modern Industrial and Decorative Arts”- at the Brooklyn Museum. At this event, the Hoffmanns showed the dining room previously included in the American Designer’s Gallery’s 1929 exhibition in the Chase Bank Building lobby at 145 West 57th Street in Manhattan. In 1932 Wolfgang was asked to assist Urban in developing the color scheme for the 1933-34 Chicago World’s Fair “A Century of Progress”. He was also commissioned to design the interior and furniture for the fair’s lumber industries house. There he executed its living and dining rooms furnished by Kroehler Manufacturing Company of Chicago; the boys’ room by Shower Brothers...

A rare and important American Art Deco Century of Progress Sideboard by iconic designer Wolfgang Hoffmann (Austrian, 1900-1969) for Romweber Company, Batesville, Indiana. circa 1933-1936 Created for the 1933 Chicago World's Fair, fine quality craftsmanship and construction, having a rectangular exotic rosewood veneered top over conforming solid wood case fitted with four drawers affixed with horizontal pulls, the top drawer opening to reveal felt lined divided interior for silverware, flanked by cabinet doors opening to shelved interior, subtle geometric lines add interest. Rosewood, mahogany, richly figured blonde - golden birch or primavera. Signed, top drawer interior, featuring 1933 World's Fair mark impressed. **Please note, at the time of writing this, a matching display case - vitrine cabinet (shown in last photo) is currently available separately** Provenance / Acquisition: Property from the important and iconic Collection of Mr. James I. Rafftesaeth Jr., Dallas, Texas Acquired from highly reputable auction house, Heritage Auctions, Dallas, Texas. 2022 Design Signature Auction catalog #8091 History: Wolfgang Hoffmann was born in Vienna, Austria in 1900. He is the son of famous architect, pedagogue and Wiener Werkstatte cofounder, Joseph Hoffmann (1870-1956). Early on, following his father’s s interests, he was trained in the decorative arts and design. Wolfgang Hoffmann once reminisced, “I spent eight years at the Realschule, then three years went to a special architectural school, where I perfected my technical knowledge of architecture and general construction. From this school, I was graduated to the Kunstgewerbeschule [Studying under Oskar Strnad and Josef Frank in Vienna]. After finishing this school, I had one and a half years of practical in a well known architect’s office. Thereafter I worked in my Father’s office for two years”. Hoffmann met his future wife, Polish immigrant Pola (1902-1984) when they were both studying at the Kunstgewerbeschule. Joseph Urban (1872-1933) was needing an assistant for his architectural business in New York and contacted his friend and colleague, Joseph Hoffmann in Vienna. Hoffmann recommended his son Wolfgang. Urban hired him and sent a first class passage ticket to Vienna for Wolfgang to travel to New York. Wolfgang married Pola and traded his ticket for two tickets to America in steerage, arriving in New York City in December of 1925. Leaving the Urban office after nine months, Wolfgang and Pola formed an independent design practice with offices on Madison Avenue in Manhattan with the purpose of creating contemporary interiors and industrial designs. Early work included theaters, stores, and apartments mostly in New York City. During the late 1920’s and early 1930’s the Hoffmanns designed custom furniture for private clients. Some of these examples were shown in the February 1929 issue of House and Garden. Curiously, the examples’ design was attributed to Urban and the production to Pola Hoffmann, Inc. Established in the fall of 1928, the American Designers’ Gallery was “devoted exclusively to showing objects and interiors for practical use… by fourteen American architects and designers”. Its members included the Hoffmans and Urban as well as ceramist Henry Varnum Poor (1888-1971), architect Raymond Hood (1881-1934), artist designer Winold Reiss (1886-1953), graphic designer Lucien Bernhard (1896-1981), decorator Donald Deskey (1894-1989), and architect Ely Jacques Kahn (1884-1972). The Hoffmanns’ work was included in the American Designers’ Gallery’s two showcase events, its 1928 and 1929 exhibitions. Their dining alcove at the 1929 event featured a bench with a dinette table and two chairs in American walnut designed by Wolfgang and a rug by Pola. Lucien Bernhard, fellow Austrian immigrant who settled in New York a year before the Hoffmanns, operated the gallery and decorating service Contempora with Munich resident Bruno Paul (1874-1968). The Hoffmanns, occasionally participating with Contempora, designed a number of outstanding interiors, including the constructivist living room of 1930 for Mrs. O.R. Sommerich at 40 East 66th street. In 1934, Donald Deskey commissioned Wolfgang to design birchwood furnishings for the eclectic apartment at 625 Park Avenue belonging to Helena Rubinstein. In 1931, Wolfgang exhibited his work at the Pennsylvania Art Museum and the Museum of Modern Art in New York City. The same year, with Kem Weber (1889-1963) he organized the second and final exhibition of AUDAC- “Modern Industrial and Decorative Arts”- at the Brooklyn Museum. At this event, the Hoffmanns showed the dining room previously included in the American Designer’s Gallery’s 1929 exhibition in the Chase Bank Building lobby at 145 West 57th Street in Manhattan. In 1932 Wolfgang was asked to assist Urban in developing the color scheme for the 1933-34 Chicago World’s Fair “A Century of Progress”. He was also commissioned to design the interior and furniture for the fair’s lumber industries house. There he executed its living and dining rooms furnished by Kroehler Manufacturing Company of Chicago; the boys’ room by Shower Brothers...

Rare midcentury coffee table, designed by Edward Wormley for Dunbar. The table features a stunning top of blonde carpathian burl, on a da...

A sculpted rosewood bar cart with single drawer, cork shelves and slate top. Designed by Edward Wormley for Dunbar.

Edward Wormley for Dunbar midcentury sectional sofa This sofa measures: 165 wide x 29 deep x 28.5 inches high, with a seat height of 18 and arm h...

A set of four Edward Wormley for Dunbar swiveling stools / chairs with mahogany legs and chrome sabots. Fully restored and upholstered in Holly Hun...

Mid-Century Modern Harold Schwartz for Romweber Buffet. Many storage openings for flatware & china. A unique butterfly joinery- bow-tie design on the t...

A gorgeous pair of Mid-Century Modern sculpted walnut twin headboards By Edward Wormley for Dunbar USA, 1950s Measures: 42.25"W x 1.75"D x 36.13"H. Very good original vin...

A pair of exceptionally rare and unusual round occasional tables in walnut and rosewood with Micarta tops and stainless steel structure. Tables with a single drawer and rosewood feet...

n our opinion, this Ed Wormely design for Dunbar is one of the most spectacular sofas ever made. Modern, classic, and timeless... this form transcends styles, genres and eras. Nine f...

Edward Wormley design antler dining chairs for Dunbar, Model 5580. Rare and attractive design chair by Wormley in the height of his design career. Frames are bleached mahogany with...

Stunning pair of Edward Wormley for Dunbar armchairs. Dark African mahogany frames with intersecting brushed steel cross stretchers. Newly upholstered in a white textured velvet.

A walnut cabinet with brass cleats, rosewood drawers and antique Chinese printing blocks. Designed by Edward Wormley for Dunbar.

A sublime design by the brilliant Ed Wormley expertly crafted by Dunbar Furniture, the model 4873 sofa/ chaise was nicknamed the "Listen to Me". A frame of maple with walnut inset in...

An exceptional Mid-Century Modern five-drawer dresser chest By Edward Wormley for Drexel, "Precedent" Collection USA, 1948 Black lacquered elm wood, with original brass hard...

Set of Three Edward Wormley for Dunbar Nesting Tables.

Edward Wormley for Dunbar midcentury Side End Table This side table measures: 21 wide x 21 deep x 22.5 inches high All pieces of furniture can be had in what we call restored v...

10 available Absolutely stunning butter soft leather Roger Sprunger for Dunbar office chairs on smooth gliding casters. All original chairs are in very good condition - ready to ...

Edward Wormley design x-base ottoman for Dunbar Furniture. Timeless and classic design by Wormley offering additional seating for any arrangement. Newly refinished and upholstered in...

Pair of handsome, walnut, office, filing cabinets by Edward Wormley for Drexel roll on casters with front and top loading, drawer and hanging file storage. One cabinet is shallower a...

Elegant mid 1940s Edward Wormley for Dunbar curved sofa on six thick mahogany legs, with older re-upholstery in a Chinoiserie fabric. Upholstery is ...