Furniture

" Rare Pair of Sèvres Porcelain Covered Vases, 19th Century. " Pair of important covered vases in Sèvres porcelain and chased and gilded bronze, 19th century, Napoleon III period, v...

Mixed-woods dining table designed by Milo Baughman for Directional's "Gallery One" line (ca. 1961, USA). Composed of alternating banding of walnut, rosewoo...

Unique set of four Milo Baughman-designed side chairs for Thayer Coggin with architectural chrome frames and book-matched olive Burlwood backs. Freshly re-foamed and reupholstered. W...

Blue Serves Pair of Jeweled Vases with Gilt Paint and Turquoise embellishments throughout. Incredibly ornate with gold painted details throughout. Both vases contain genre scenes wi...

Mid-Century Modern Milo Baughman for Lane Furniture Burl Olive Wood Rectangular Extending Parsons Dining Table A beautiful burl olive wood parson dining table by Milo Baughman wi...

A vintage set of three, round cylindrical nesting tables, with chrome and glass tops, designed by Milo Baughman, circa 1960s. These highly functional end or side tables can be sepa...

Fabulous seventies design by the iconic Milo Baughman, showcasing the elegant juxtaposition of chrome and cane. Recently reupholstered lush black and white fabric, the chairs are gor...

Circular Milo Baughman for Thayer Coggin swivel lounge chair. This Gorgeous Milo Baughman oversized circular swivel lounge chair has ...

This stunning Serpentine two-piece sectional was designed by Milo Baughman for Thayer Coggin. It has been professionally restored and reupholstered in jaw-dropping cream white boucle...

Milo Baughman designed by this mid-century headboard for the Directional Furniture Company. Crafted of .75 inch-thick walnut, attached to sturdy ebonized legs, it fits a king-size be...

Clean Lined Tufted Chrome Lounge Chair, designed by Milo Baughman, American, circa 1960s. It is very heavy and well made. This chair is currently being reupholstered and can be compl...

Milo Baughman for Thayer Coggin Mid Century 2 Door Cabinet The cabinet measures: 31 wide x 18 deep x 28.5 inches high All pieces of furnit...

Milo Baughman for James Inc. Mid Century Lounge Chair with Ottoman The chair measures: 32 wide x 34 deep x 35.5 high, with...

Exotic Mindoro Wood Cabinet by Milo Baughman for Drexel Perspective, 1951 Additional Information: Material: Wood Featured at Kensington: Four drawers, each having a sculpted pu...

Oversized Milo Baughman for Thayer Coggin circular swivel lounge chair. This wonderful chair measures 27.5"t x 40" in diameter with a seat heigh...

American Mid-Century wood bar cart featuring a lower shelf and a top having a hinged fold out small draw and a pull out top shelf supported on 4 round brass legs (Milo Baughman)

Mid-century barrel chairs were designed and manufactured in the United States circa 1970s. These beautiful pair of lounge chairs feature a barrel shape design on top of a chrome base...

A fabulous French Louis XVI style Sevres Porcelain cobalt blue Ground Watteau Lovers Scene Bombay form jewel box and cover, Signed by the Artist. Of cartouche form with bombay shaped...

Mid century floating top desk design by Milo Baughman for Drexel "Perspective collection" in the United States circa 1950s. This beautiful desk features a lovely green vinyl top with...

Sevres Creamware Figures Emblematic of Four Seasons, Modeled after/by Bachelier  France, 19th Century  Three are marked with the interlaced L mark, one is numbered 260, and two have ...

C. 1960, simple architectural design energized with exaggerated proportion, in a modern interpretation of a classic Japanese chabudai. Retains paper Thayer Coggin label to underside.

Set of 12 Sèvres porcelain plates with hand-painted pastoral scenes French, c. 1864 Plates: Height 3cm, diameter 23cm Case: Height 10cm, width 76cm, depth 52cm Originating from the...

Blue vase in enameled ceramic Signed under the base "Sevres, Made in France".

Transforming a piece of Mid-Century Modern furniture is like bringing history back to life, and we take this journey with passion and precision. With over 17 years of artisanal exper...

This magnificent dining table is shipped as professionally photographed and described in the listing narrative: Meticulously professionally restored and completely installation ready...

A fine 19th Century French cast ormolu bronze mounted Sèvres porcelain centerpiece with double handles and raised on a footed base. Inset Neo-classical style hand-painted porcelain s...

Chrome dining table with two removable leaves which attach to the end of the rectangular center table. The chrome end pieces, can also be wal...

Wonderfully architectured Occasional table on a cruciform base designed by Milo Baughman. Versatile design, can be used as end or side table, nightstand. This piece has just been pro...

Milo Baughman for Thayer Coggin Mid Century 2 Door Cabinet and 3 Drawer Chest The 2 door cabinet measures: 31 wide x 18 deep x 28.5 inches ...

A beautiful 19th century gilt bronze mounted sevres jewel box and cover with multi-panel scenes. Of cartouche shape, the top painted with two maidens reclining in a garden attended b...

Pair of American Mid-Century large light grey suede club chair with a square back and low arms resting on 2 double supported chrome legs (PRICE AS PAIR) (MILO BAUGHMAN)

Milo Baughman for Thayer Coggin Mid Century 3 Drawer Chest The cabinet measures: 31 wide x 18 deep x 28.5 inches high All pieces of furniture can be had in what we call restored vi...

18th Century Sevres Blue Celeste Putti Motif Sugar Box 1767, Special Order With an uncommon interlaced L mark in gold, Date letter O, with painter/gilder marks Its been suggested th...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

A late 19th century Sèvres style parcel-gilt porcelain jardinière Finely painted with numerous colored flowers with green and gold trim, gilt ram heads on either side. In late ...

Mid-Century Modern Milo Baughman armchair featuring a unique upholstered seat, chrome frame. Please confirm the item location (NY or NJ).  

This is a rare set of six Sevres wide rim soup bowls with white ground having an elegant central gold monogram for King Louis Philippe. The gold monogram for King Louis Phillippe is ...

18th Century Sevres Ornithological Pattern Plate, 1759-60 With numerous blue underglaze date, painters, gilder marks. A exquisite piece of Se...

"Cup in 19th century Sèvres porcelain, Napoleon III period." Gilt bronze and Sèvres porcelain bowl, 19th century, Napoleon III period. h: 12.5cm, w: 32.5cm, d: 27cm

PAIR of American Mid-Century armchairs with polished chrome flat bar frames, upholstered in a textured tan fabric with removable seat cushions. (MILO BAUGHMAN FOR DIRECTIONAL)(PRICED...

American Mid-Century 3-drawer commode / chest of drawers finished in rosewood veneer and a brass veneer band around the base. (MILO BAUGHMAN) Minor scuffs to finish on both wood ...

Very nice, large Sevres porcelain lamp signed by Boutaleb Dated 1969 This lamp is ultra rare Perfect condition Dimensions given without shade ...

This barrel-back club chair is classic Baughman. Clean lined, elegant and comfortable, the round brass base has both swivel and tilt function. Entirely original, the upholstery show...

American Mid-Century lounge armchair with a polished chrome flat bar frame, upholstered in a lightly textured beige / taupe fabric. (MILO BAUGHMAN)(Similar chair in purple upholstery...

SET of 10 American Mid-Century dining / side chairs with flat bar polished stainless steel frames, upholstered in a textured purple fabric with button tufted backs. (MILO BAUGHMAN) (...

This is a super rare and extremely elegant Milo Baughman cabinet in a style people often refer to as floating and patchwork. The 3 door cabinet is constructed of square tiles in waln...

Oversized large scale swivel chair designed by Milo Baughman for Thayer Coggin. Original upholstery is present, recommended to be replaced. Chrome base is present. Piece retains orig...

An elegant sofa or settee having two seats by Milo Baughman (American 1923-2003), one of the leading modern furniture designers of the 20th century. The Mid-Century Modern sofa features a beautiful burl wood frame. The settee or sofa is very comfortable having removable cushions upholstered in the manner of Jack Lenor Larsen. This exceptional MCM Milo Baughman sofa will elevate the style of your space and add charm and elegance to your design. About the designer: Milo Ray Baughman, Jr. (October 7...

Clean Lined Chrome Mid Century Dining Table, designed by Milo Baughman for DIA (Design Institute America), American, circa 1980s.

A pair of midcentury modern 1188 '"Thin Line' armchairs by Milo Baughman for Thayer Coggin. Designed in 1970’s, these chairs feature Baughman’s signature style; thin, airy, squared off tubular chromed steel frames which support the seat. The seat pad, seat back, and seat arms have been reupholstered by The Selby House...

This is a great pair of Milo Baughman designed end tables for Glenn of California with a magazine shelf and book cubby. Numbers 26 and 30 Classic mid cent...

Pair of scoop form slipper chairs on chrome bases by Milo Baughman, circa 1970s.

American Mid-Century lounge armchair with a polished chrome flat bar frame, upholstered in a pinstriped raspberry purple velour fabric. (MILO BAUGHMAN)(Similar chair in beige / taupe...

A fine old or antique Sevres type porcelain vase. With rich gilding and handpainted flower baskets & ribbons throughout. Marked to the based with a blue Sevres type interlaced...

A fine quality pair of 19th century French 'Sevres' porcelain vases, each having wonderful gilded ormolu mounts. The classical romantic and cherub scenes set in turquoise background.

This is a fabulous, rare Sevres covered pitcher with white ground that has an elegant central gold monogram for King Louis Philippe made for his Chateau de Trianon. The gold monogram LP is surrounded by a gold foliate leaf wreath. Above the monogram is a gold crown. It was part of the Service des Bas to be used at his royal estates. It was made in the 1840s. Above the royal monogram is a leaf and arabesque gold decoration that goes around the pitcher. It has a beautiful flowing gold handle that is connected to the pitcher with graduated gold gadrooning. The cover has a beautiful gold finial that has white raised decoration in the center. This is a wonderful piece for your collection or for your table setting. Price of Sevres pitcher...

A set of 4 dining chairs designed by Milo Baughman for Thayer Coggin. These have been re-upholstered in a Faux Sheepskin Italian synthe...

Milo Baughman's iconic T-Back lounge chair upholstered in Kelly Wearstler's iconic Sereno velvet stripe. The fabric is 92% cotton and 8% polyester and retails for approximately $470...