Furniture

"Cello By Carl Friedrich Lippold – Neukirchen, 1763" Authentic 18th-century cello made by Carl Friedrich Lippold, a respected luthier from Neukirchen, Saxony, dated 1763. The instrum...

Grand late 19th century country French library bibliotheque bookcase cabinet constructed from pine. The large case features a country French aes...

Antique Print of the Anglerfish or Monkfish – Hand-Colored French Lithograph, 1845 This remarkable hand-colored lithograph features La Baudroie (Lophius Piscatorius), commonly known...

This is an old Japanese tansu. It was used in the Tohoku region around the Meiji period and is made primarily of cedar. The four large drawers are an unusual size and have chestnut...

Great image of shells. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. Brown with original hand color. Publishe...

"The Adventures of Hajji Baba of Ispahan", 12mo., complete in 3 purple full polished calf bound volumes, with gilt page ends and blue marbled endpapers, 1st edition. Written by James...

Baroque chest of drawers with central lock Southwest German Walnut Baroque circa 1760 Dimensions: H x W x D: 86 x 104 x 64 cm Description: Three-drawer chest of drawers standing o...

A pair of Japanese cloisonne enameled brass vases. They feature a narrow neck, rounded body, and are decorated with an intricate pattern of floral designs in various colors, and gilt...

A finely handcrafted Swedish Louis XVI console table from the early 18th century. Made of oak, the table features a beautifully carved apron with rosette and floral motifs, and taper...

A very fine antique secretary/ bureau. With writing desk, 2 large and 2 small drawers and hidden secret letter compartments. Decorated with original brass ornaments and handles. Two ...

Antique four shelf burnt bamboo etagere. Stenciling on all shelves. A very versatile and sturdy piece.

A French Louis XVI style mahogany side table from the 19th century with a white marble top surrounded by a pierced brass gallery and elevated by fluted legs. This timeless table desi...

Swedish Gustavian gray painted pine sideboard or buffet console resting on tapered fee. Traditional diamonds accent the three drawers and three doors. Keys and locks still function o...

This mid nineteenth century French Restauration style bookcase or vitrine is constructed of solid mahogany and features a bronze plaque at the crown detailed with symmetrical leaves,...

19th century pair of Italian carved bed frames featuring neoclassical style trompe l'oeil swag headboards. The solid beech wood has a weathered, aged patina on the finish highlightin...

A fine antique wooden mirror with a parquetry trompe l'oeil outer surround in the Italian Renaissance manner with stars in the corners. With a carved gilt wood inner surround. Dimen...

An elegant Swedish Rococo sofa from the 18th century, crafted around 1750. This refined piece features a beautifully carved wooden frame with delicate Rococo motifs, showcasing the l...

This rare shichou-maku (paper-hung curtain) was crafted during Japan’s Meiji period (late 19th to early 20th century). It was originally used in sericulture rooms—spaces dedicated ...

Pair of Spanish ceramic vases from Sargadelos, mid-19th Century, Victorian Age. Ivory-colored glazed ceramics from Galicia (Spain), in the shape of a vase with 5 arms or fingers repr...

43-piece French glassware set from Baccarat, 19th century. According to references from the 1916 Baccarat catalogue, this glassware is in the Louis XVI style, similar to models 11582...

A Superb Example of an English Georgian style Well figured Burr Walnut Double Interior Section Tea Caddy of quite rare dome top and spreading base outline, generous proportions and o...

This impressive large Stollentruhe, also known as a Stollentroewe, is a large German storage chest crafted around 1580. Its distinctive construction, with massive upright corner post...

A magnificent religious painting from the second half of the 19th century. Oil on canvas painting, on the first canvas, depicting a Madonna with Child, of great elegance and pictoria...

Outstanding quality antique Regency figured mahogany 10 seater extending dining table having a quality figured mahogany extending top with a moulded edge and 2 original extra leaves,...

1920s White opaline Art Deco Flush Mount Metal glass holder with white porcelain bulb holder Diameter glass holder 14 cm / 5.5 inches Weight: 1.20 k...

Bronze sculpture depicting Bacchus (known as Dionysus in Greek mythology), the god of wine, festivity, and ecstasy. The figure was originally part of a small garden fountain, where w...

Superb campaign box Brass mounted tropical hardwood Not sure of its function. Possibly originally a gun case. Green baize interior. Also a removable tray with brass handles With ...

Glanvill, Joseph Plus Ultra; or, The progress and advancement of knowledge since the days of Aristotle. In an account of some of the most remarkable late improvements of practical, u...

This is an impressive antique George III flame mahogany breakfront secretaire wardrobe, circa 1780 in date.   The wardrobe has strong architectural lines and features an elegant moul...

This is an old wooden chair believed to have been made between the Meiji and Taisho periods, or perhaps the early Showa period. Its simple yet distinctive design is eye-catching, evo...

As far as apothecary pieces prior to 1930's go, this one is one of the more unique of the era. The extra large size, perfectly fitted glass stopper and interesting imperfections in ...

A 19th century French ebonized box with brass inlay, the lock signed Vervelle Faut. Vervelle was a famed French maker of boxes, caskets and cabinetry, renowned for their fine craftsm...

18Thc Bow back Windsor extended arm chair from New England in fantastic condition.The patina is amazing and really mellow surface.

Traditional Norwegian kubbestol, carved from a single log, likely dating from the late 19th to early 20th century. The kubbestol is a distinct Scan...

A Magnificent Pair of French Louis XVI Style Ormolu Vases A superb pair of French Louis XVI style ormolu vases, exquisitely cast and richly decorated in the Neoclassical taste. Each...

A pair of very large blue and white decorated Delft vase lamps. 19th century. Pictured silk shades are included in price. Delft vase lamps in such rare shape and size are highly soug...

Hand painted mid 19th century Swedish pine wall cupboard circa 1861. Good quality traditional hand painted Swedish wall cupboard.  Made from pine and painted in a blue/orange and ru...

Memphis and Pop Art style pendant lamp from Toffoli, Italy, 1980s. Formed by a transparent textured methacrylate or acrylic disc with 3 colored bands and a black lacquered metal stru...

late 19th century worn textured Tribal Kurd Rug Details rug no. j3875 size 4' 3" x 7' 4" (130 x 224 cm)

Antique Victorian Era Stepback Dresser & Mirror, c. 1870s. Made from walnut with crotch walnut veneered drawer fronts. Features a wishbone swivel mirror over two gloveboxes and a ca...

4'4 x 5'9. The central medallion has wonderful floral details and is then enclosed in a larger medallion. The color combination of soft ivory and browns and slightly deeper shades gi...

Charming small chest of drawers in blue-painted pine, crafted in the Baroque style. The piece features four drawers with original brass handles. The two central drawers are slightly ...

An impressive 19th-century French walnut bookcase in the Louis XVI style, crafted during the Napoleon III period. This monumental bibliothèque is composed of two sections: the upper ...

Antique Victorian Sessions Clock Company key wound, chiming mantel clock. Black lacquered wood finish with lightly etched details, embellished with foliate feet and two bail rings on...

A French Neo-Grec Ormolu and Champlevé Enamel Jardinière by Ferdinand Barbedienne and Louis-Constant Sévin, circa 1870 An outstanding ormolu-mounted and champlevé enamel jardinière,...

***Reduced In-House Delivery Rates - Click on “Ask Seller” to Request a Quote*** Antique Swiss Lith Pilet & Cougnar’s, Geneve Ebonized Rosewood & Inlaid 8 Tune Music Box With 18” Com...

A stunning and beautifully painted antique French porcelain metal mounted trinket box decorated with exotic birds and made by the world-renowned Limoge Porcelain factory and believed...

Lofty 18th century Italian baroque console handcrafted in walnut in a stylized demi lune form having a marble top over a base with classic tapered legs on spade feet, featuring carve...

An extraordinary and now rarely seen Antique solid mahogany Regency style 5 pedestal dining room table with reeded edge. The table resting upon 5 baluster form pedestals with four re...

A refined Louis XVI period commode crafted from solid walnut, dating to the late 18th century. This elegant French chest of drawers opens to three full-length drawers, each fitted wi...

Late Victorian American Walnut Dining Table. Features a rectangular frame with rounded corners over turned legs. The base is foldable allowing the table to be stowed away . Dimens...

circa 1890 Monumental Ebonised 19thC English Oak Library Bookcase sku 2074B Together W259 x D47 x H236.5 cm Base W259 x D47 x H100 cm Base internal shelf depth 37 cm Top W258 x D38.5...

solid mahogany with polished finish, original brown leather; decorative knobs; strikingly high backrest with stylised decoration in bas-relief; rear legs curved, forelegs tapering do...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

This antique oak chest from the 17th century is a fine example of the rich woodcarving traditions practiced in England and the Low Countries during that era. Built with a solid const...

A Russian Neoclassical paper knife or letter opener in the style of a Roman gladius sword. The blade is made of polished nephrite jade stone. Pink guilloche enamel handle with gilt a...

"Rare Gothic Oak Panel Carved With Vine And Grape Cluster Motif, Circa 1320–1400" Rare Gothic Carved Oak Panel with Vine & Grape Motif, c. 1320–1400 This exceptional carved oak panel is a fine example of pure Gothic design, originating from Northern Europe—most likely Flanders, northern France, or England—and dating to the early–mid 14th century. The panel is richly carved in openwork with an interlacing vine scroll bearing clustered grapes, a motif strongly associated with medieval Christian symbolism, representing the Eucharist and the “True Vine” of Christ. The design is entirely Gothic in conception, free of any later Renaissance influence, with flowing, organic tracery rather than strict symmetry. A rectangular mortise is present to one side, indicating that the piece originally formed part of a cabinet or small door—possibly from a church sacristy...

19th Century Antique Hand Carved Pink Marble Double Basin Kitchen Sink

A very fine 19th Century George III style Harewood and Marquetry Commode by W. Williamson and Sons, Guildford (1790-1889). The serpentine-fronted commode features satinwood crossband...

A gorgeous antique 19th century rustic or farmhouse ice cream bucket, painted in a beautiful light blue color, which would make the perfect waste basket USA, Late 19th Century Wood...