Sculptures

Black Forest hand-carved linden-wood hand-carved grizzly bear with glass eyes and enamel painted mouth with fangs/teeth showing on a thick base, circa 1900. See our other items for m...

Giraffe by José Jerónimo single piece of art Iron sculpture with use of tools and other objects Signed Measures: 81 x 41 x 15 cm. Private collection.

Inspired by the organic nature of her materials, Nan Nan Liu’s earthy copper and sterling silver sculpture is handcrafted using hammering and soldering tec...

A beautiful sculpture in stone of Fluorite produced in China. Fluorite is a mineral composed of calcium fluoride. Fluorite stimulates creativity and imagination. Italian private col...

Unique piece Signed: Astoul. Master ceramicist Eric Astoul created this piece as part of a series inspired by both modern and ancient stoneware, which, with its rough firing, fli...

Humour, fantasy in Michel Anasse sculptures. His animal masterpieces are well-known all-over the world. This object represents a coq in soldering iron, circa 1965. He's French artist...

This Metallic Silver-Gray hand-built ceramic sculpture evokes a proud creature that walks and observes. A Modern TOTEM, abstract with an angled head on two middle bars, balanced on 4...

1970s ceramic Russian Cossack on horse. Signed.

Pair of ceramic figurines by Ugo Zaccagnini. Italy, 1960s.

The charm of the shapes is enhanced by the material with which the collection is made: glass. Transparency, lightness and shine meet the design, transforming into sculptured object...

A polished hardstone disc. Provenance unknown but probably a early 20th century Hawaiin Ulu Maika stoen. Ulu Maika is a ancient game simular to bowling played by the indigineaous Haw...

"Tulip" Sculpture in iron. Designed by Pierre Olofsson. B1921 D1996. Signed and numbered.

This fine pair of antique Cloisonné cranes would look equally good on a console or acrylic stand and would add presence to any room. Cloisonné, derive...

Handwrought iron and steel cactus sculpture coat rack umbrella stand, all in heavy gauge iron hand-hammered, dark charcoal grey and iron patina, in very fine condition. Made in two s...

Abbaye du bec, circa 1950 French abstract ceramic plate. Decorative wall ceramic plate with black and brown abstract decoration. Perfec...

Pair of German Majolica figurals which feature a well dressed lady and gentleman, walking a dog. Coloration: blue, cream, turquoise, are predominant. Bea...

Minton Majolica figure which features a Hogarth boy, sat on a rock, holding a shell. Coloration: turquoise, green, brown, are predominant. The piece bears maker's marks for the Minto...

A pair of lady sculptures, Art Nouveau, circa 1900 cast in spelter and restored finish. They look great. No chips to the marble. No signatures. 24 1/2" in ht sold as the pair. One co...

The rope twist handle above an acanthus leaf stem terminating in the form of a bell.  

Contemporary American ceramic artist Joanna Poag's Binding Time (Black Grid with Coils) tabletop sculpture is part of a series. Its hand built clay, glaze fired to cone 6 with cobalt...

Sculpture life-size Muckle Batman The Dark Knight Rises from studio OXMOX (6.2 feet tall). In mint condition and factory sealed. Casted sculpture f...

A good quality pair of late 19th century bronzed Spelter figures of young Dutch lovers, set of marbled bases. Measures: 13.5" (35cm) high.

Lift - large size Simple. Elegant. Minimalist. The abstract contemporary black serving tray titled lift will redefine the landscape of your table s...

An iconic chair with a plywood shell, in wood veneered (natural or lacquered). Combined with the Golden legs suggests interesting and dynamic effects, displayed around a table or as a single piece in an entrance, a bedroom, a living room. Very appropriate around circle tables. It is possible to add a back cushion in different fabric options Inspired to Graphic Art of Maurits Cornelis Escher...

Brutalist metal and brass sculpture by Degroot.

Vintage Sommerso orb sculpture / large paperweight by Murano Glass, circa 1970s. The outline of the sculpture is clear blown glass with an inner core of s...

Set of three pieces. Green mushroom dimensions: 42 cm height, 31 cm diameter top. Red mushroom dimensions: 42 cm height, 32 cm width, 24 cm depth. White cactus dimensions: 51 cm height, 41 cm width, 41 cm depth. Desiree De Ridder, argentine contemporary artist. Studies 1991-1995 Painting Professorship, Prilidiano Pueyrredón (UNA). 1999 Animation, Central Saint Martins College of Art and Design, London, UK 2002-2004 Graciela Olio and Alejandra Jones´s Ceramic Workshop. 2018 Residency in Coatlicue Workshop, Oaxaca, Mexico. Solo exhibitions 2018 Waiting for the alarm call. Calvaresi Gallery, Buenos Aires, AR 2017 Acuchilla una piedra, Urbano Poggi Museum, Rafaela, Santa Fe, AR. 2016 Exodus, Elsi del Rio Gallery, CABA, Argentina. 2014 Desirée De Ridder. Mujica Láinez Museum, Córdoba, Argentina. 2013 Desirée De Ridder Installations, Bellas Artes Pavilion, UCA, Bs As, AR 2010 21 gramos esenciales. Installation. La Guanaca Azul Art Gallery, Bs As, AR 2009 Argentine Animals. Installation. Metropolitan Museum, Bs As, AR 2008 Patrimonio Animal Installation. Metropolitan Museum, Bs As, AR 2007 Pingüinera. Installation. Javier Baliña Gallery, Buenos Aires, Argentina. 2006 Javier Baliña Gallery, Sculptures, Buenos Aires, Argentina. 2005 Paintings. Arguibel Art, Buenos Aires, Argentina. 2001 Halle Pajol, París, France. 2000 Galerie Argentine. Embassy of Argentina, Paris, France. Cultural Center of San Salvador de Jujuy, Jujuy, Argentina. 1998 Halle Pajol. Paris, France. Awards and distinctions 2018 Receives the Municipal Found of Arts from Tigre Municipality. 2017 Is part of the Jury in the National Salon of Visual Arts – Ceramics. Argentinian National Cultural Ministry 2016 Third Prize in the National Salon of Visual Arts (Ceramics) Argentina. 2015 Andreani Foundation Award for Visual Arts. (Selection) 2014 103° National Salon of Visual Arts (Ceramics) Argentinian National Cultural Ministry (Selection) 2013 Prize for Honorable Mention, San Isidro Municipality. 2009 98° National Salon of Visual Arts (Ceramics), Argentinian National Cultural Ministry (Selection) 2006 Annual Ceramics Exhibition (Selection). Buenos Aires Center of Museums, Argentina. 2006 XXIII Exhibition of New Artists (Ceramics). Buenos Aires Stock Exchange, AR Collective exhibitions 2018 La otra mitad del arte, Philippe Cyroulnik curatorship, Borges Cultural Center 2017 FACA, Ambos Mundos, Buenos Aires, Argentina. 2016 Requiem for a story. Cecilia Caballero Gallery, CABA, AR 105° National Salon of Visual Arts (Ceramics) Palais de Glace, Buenos Aires, AR 2015 Andreani Foundation Award for Visual Arts. Borges Cultural Center, Bs As, AR Poetics of the Noble Savage. De Ridder-Orlowski. Praxis Gallery, Bs As, AR Diseño de Raíz (Design from the Root). Contemporary Argentine Designers. Sívori Museum, Bs As, AR Ivera. Provincial Museum of Fine Arts, Corrientes, Argentina. 2014 ArteBa, Zavaleta Lab. CABA, Buenos Aires, Argentina. 103° National Salon of Visual Arts (Ceramics) Palais de Glace, Bs As, AR 2013 Casa FOA, Arts and Crafts Space, Palacio Tornquist, Bs As, AR San Isidro Municipality Prize. (Honorable Mention) 2012 Grillo Art Gallery, Punta Del Este, Uruguay...

We present you a bronzed zamak figurine, depicting a young woman with a basket of fish and a stone spigot. The whole is placed on a rectangular, metal ...

"Blacksmith" A patinated terracotta sculpture Luminaire signed R. Aurili, France, circa 1920. Dimensions: Height 29", width 14 1/2", depth 14" NI243 R. Aurili was a 19th century sculptor who came from Naples and exhibited in the Salon de Paris...

Small Libra Zodiac sign by Richard Rohac, circa 1950s Original condition.

Very decorative midcentury black figural sculpture "The Stranger". This unusual stylized ceramic sculpture depicts a "faceless" man with a coat and hat, ...

1970 Polk stoneware "box" with a high-gloss black glaze blended with white, resulting in a smudged black and almost pink base color with burnt orange banding. Crude by design with an...

Art Deco, Cubist figure of a lying lady. Called by the Artist The Lying Nymph. Made between 1921-1926. Terracotta over a black wooden base. Bio: Pablo Curatella Manes (December 14, 1891–November 14, 1962) was a prolific Argentine sculptor. Born in La Plata in 1891 to Clara Manes, a Greek Argentine immigrant, and Antonio Curatella, from Italy, Curatella Manes first acquired an interest in sculpture during his frequent childhood visits to the newly inaugurated La Plata Fine Arts Museum. He entered the labor force in 1905, as a typographer in a printing house, though an accident some months later ended his career in that industry. Drawing on his childhood interest, he was taught the basics of sculpture by Arturo Dresco, who owned a local atelier. The Curatellas relocated to Buenos Aires, where the young sculptor enrolled in the National Fine Arts School in 1907. A rebellious streak promptly led to his expulsion, though Curatella earned an apprenticeship in 1908, under Lucio Correa Morales, with whom he worked on a number of works commissioned by Public Parks Director Charles Thays. Following the 1910 elections, he created a commemorative gold medal for Vice President-elect Victorino de la Plaza, who secured a scholarship for Curatella that took him to Florence and Rome. Curatella traveled extensively in Italy, as well as much of Western Europe, touring the region's museums and cathedrals. On his return to Argentina in 1912, National Fine Arts School director Ernesto de la Cárcova nearly ordered the funds' repayment, objecting to travel and activities not covered by the scholarship, desisting from the punishment after being shown a folio of Curatella's prolific work. His first Buenos Aires exhibit, in 1912, was followed by a return to Europe. He settled in the Montparnasse section of Paris and studied under Aristide Maillol and Emile-Antoine Bourdelle, but was forced to return home after the outbreak of World War I. In his native La Plata he opened an art gallery, the Salón de Otoño (Autumn Salon), in 1916. A brief return in 1917 to Paris, where Curatella worked under Maillol, Maurice Denis and Paul Sérusier, was eventually followed by a second scholarship, with which he settled in Paris in 1920. Studying under Henri Laurens, Juan Gris, Constantin Brâncu?i and Le Corbusier, Curatella explored Cubism, and his sculptures became more avant-garde; he also established his first atelier, where he acquired the habit of creating and destroying sculptures in a single day. He married French painter Germaine Derbecqre in 1922 and in 1926, was given a post in the Argentine Embassy. Returning to Argentina in 1929, he exhibited Las Tres Gracias...

1980 Italian Post-Modern design bull in turquoise enameled ceramic with abstract drawings. Piece colored in vibrant turquoise. Late 20th century Italian handmade production. Surface...

Stylized large patinated brass sculpture of a carp on ebonized base.

Alabaster sculpture of two eagles fighting, signed C. Olivieri, with marble pedestal, Italy, circa 1900. Pedestal in marble dimensions: 115 cm hei...

Contemporary Chinese thick black stone ring on metal stand. The stone ring is 1.5" thick, polished with rounded edges. Bases measures 6" x 3".

A Portuguese porcelain figure of a male and female Hoopoe bird. The birds resting and feeding on branches of pomegranate fruit. Marked on the bottom with a VA Vista Alegre mark.

An early tabletop sculpture by Paul Evans. This work shows Evans experimentation with surface texture and finish. These same finishes were carried over to his studio furniture. Looki...

Carved marble miniature of King Louis XVI, early 19th century. Appears to be in the original frame. N.P. Trent has been a respected name in antiques for over 30 years with a large co...

A collaboration between Studio Orfeo Quagliata and Tony Wurman of Wunderwurks Design. An unprecedented marriage of Orfeo's spectacular glass wor...

A charming collection of 3 19th century cast iron shoe molds from Barcelona. Wonderful as table top or bookcase display pieces. Dimensions vary slightly.

Cast bronze fantasy ship sculpture with iron Torpedos and iron stand They came out of an anonymous artist’s studio that was being disassembled on the Nor...

This 19th century briar wood pipe head takes the form of a horses head. The whole sculpture is finely detailed and it has a great expression.

Anna Torfs large Armadillo sphere glass sculpture or vase in bronze with sanded finish. Other colors and finishes available.

The charm of the shapes is enhanced by the material with which the collection is made: glass. Transparency, lightness and shine meet the design, transforming into sculptured objects...

- 1960s, Czechoslovakia - Design: Jitka Forejtova - Publicated in books a catalogues - Original good condition, signed by maker.

Pair of birds with some denting, and heavy patinations, normal tarnishing to dark tarnishing and black staining. Joaquin Humberto Tinta Figueroa (1934- ) The original taller was ...

Early moulded Amphora sculpture ceramic of mother and child, created by Elie Van Damme, circa 1960. Black metallic glaze. Perfect condition. Free shipping.

TODT Dystopian contemporary Motorcycle Art sculpture 1995 reclaimed steam punk TODT art sculpture From their Weapon Series at the Zero-Sum exhibi...

Panther in composite material like bakelite or polyester resin encrusted with shards of mirrors manufactured in 1970-1980 good original condition Measures: Length 140 cm Width 35 ...

Zaha Hadid’s voluptuous Aqua table is an uninterrupted whole – a curious and curvaceous form that invites viewers to engage with it. Standing as an impressive centrepiece it delivers a stylish focal point in any space. The three fin-like legs of the Aqua Table appear to be in motion and register as gradients on the gently undulating table...

Meiosis, African malachite and glass sculpture from TYME collection, a collaboration by Orfeo Quagliata and Ernesto Durán. TYME collection a dance...

Art Nouveau style brass horse sculpture in the manner of Curtis Jere.  

The charm of the shapes is enhanced by the material with which the collection is made: glass. Transparency, lightness and shine meet the design, transforming into sculptured object...

This sculpture represents the Japanese demon Tentoki. In Japanese tradition is a tutelary deity, usually represented with Ryutoki. They were absorbed in...

A Fine and Large French 19th Century Cast-Iron Fountain Figure Modeled as a Nude Maiden Seated on a Rocky Outcrop Holding a Cornucopia in Her Raised Right Hand, by J.J Ducel. Cast-Signed "J.J. DUCEL Me de FORGES, PARIS". Circa: Paris, 1880. A retailer of fine cast-iron ornaments, J. J. Ducel was recorded as supplying cast-iron works through Paris as early as 1810 in the Pas-de-Calais. The factory was sold in 1878 to the Fonderie de la Haute-Marne and all of the firm's models were subsequently bought by the Val d'Osne foundry. However, prior to the firm's sale, critics at the 1867 Paris Exposition Universelle proclaimed that "Ducel is the great manufacturer of works in cast-iron, to whom Paris is so largely indebted for the grace and elegance that supply so many of the adornments of its streets". Ducel, Val d'Osne and other associated foundries produced both bronze and cast-iron statuary. Cast-iron is corrosive, whereas non-ferrous bronze does not suffer the same detrimental effects of weathering and is therefore a superior and more expensive material. Height: 51 1/2 inches (130.8 cm) Width: 22 inches (55.9 cm) Depth: 30 inches (76.2 cm) The foundry of Val d'Osne became highly regarded for the varied nature and quality of its castings in the second half of the 19th century. Commonly known after 1870 as simply Val D'Osne, the company was originally founded by J.P.V. André in Val d'Osne 1835 and developed rapidly, absorbing smaller foundries in the Haute-Marne area east of Paris. The foundry contributed to the London International Exhibition of 1851, where a bronze fountain cast with classical figures attracted much attention. André also specialised in fancy castings and architectural fittings. His Paris adress was at 14 Rue Neuve, Menilmontant. In 1855 the Barbezat & Cie Foundry was born out of the André workshop. In 1867 Barbezat & Cie changed its name to Houille & Cie. Then, in 1870, it changed its name to Société Anonyme du Val d'Osne. With the change of name came the change of casting mark and adress: Fonderies d'Art du Val d'Osne, 58 Bd Voltaire, Paris or simply Val d'Osne. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought-iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for indoor/outdoor statuary...

Tony Rosenthal "Thunderclap" Wall Sculpture Sculpture by Rosenthal, torch-cut and burnished aluminum. Etched signature lower right corner Rosenthal 61 And on back "THUNDERCLAP" 61 Ca...