Gilt Vases and Vessels

Pair of floral opaline glass vases by Baccarat French, 19th Century Height 55.5cm, diameter 20cm Wonderfully crafted by Baccarat, the renowned French firm of glass manufacturers, th...

This antique crystal and gilt bronze basket has no maker's marks, but is presumed to have originated from Austria and dates to approximately 1880 and done in the period Victorian sty...

A rare and exquisitely painted pair of Paris porcelain vases, each signed by Narcisse Vivien, one of the most refined enamel decorators active in the Paris ateliers of the late 19th ...

This monumental Charles X period centerpiece combines late 18th-century Chinese export porcelain with early 19th-century French gilt bronze in an elaborate jardinière/ Centerpiece fo...

Large Austrian Neoclassical style porcelain vases by Royal Vienna Austrian, Late 19th Century Height 98cm, diameter 32cm Crafted by the prestigious Royal Vienna Porcelain Manufactory, this exquisite pair of vases embodies the centuries-old tradition of European porcelain artistry. Designed in an elegant baluster form, each vase features a deep navy ground, providing a striking backdrop for the finely hand-painted historical tableaux. The slender necks are adorned with delicate gilded patterns, further enhanced by ribbon-tied accents and raised gilded jewels, a particularly coveted element in high-quality porcelain. Matching porcelain lids, crowned with a pinecone finial, complete the sophisticated design, while the spreading socle bases mirror the decorative motifs of the necks. The vases depict four significant historical events, masterfully reinterpreted from renowned artworks. One scene illustrates King Charles V liberating Christian slaves in Tunis, inspired by a 19th-century engraving by Nicaise de Keyser (Belgian, 1813-1887). Another portrays the Battle of Bouvines (1214), based on an 1827 painting by Horace Vernet (French, 1789-1863). A third panel brings to life Oliver Cromwell dissolving the Long Parliament, adapted from a 1782 print by Benjamin West (American, 1738-1820). The final scene, inspired by Jan Matejko’s (Polish, 1838-1893) 1866 painting ‘Rejtan’ (also known as ‘The Fall of Poland’), represents the first partition of Poland in 1773. The Austrian porcelain artists have reimagined these compositions with richer, more luminous colours, infusing the scenes with energy while softening their dramatic intensity. Supporting these vases are ornate porcelain plinths, decorated with oval cartouches featuring additional painted vignettes. The undersides of the lids are inscribed with the corresponding scene titles. These include: Der letzte Reichstag zu Warschau (The last parliament in Warsaw), Karl V als Befreier der christlichen Sklaven in Tunis (Charles V as liberator of the Christian slaves in Tunis), Cromwell verhindert die Verfolgung des Waldenser (Cromwell prevents the persecution of the Waldensians), Bataille de Bouvines (Battle of Bouvines). Each piece bears the blue ‘FD/ VIENNA / AUSTRIA’ mark for Franz Dörfl. With their grand proportions, historical depth, and remarkable artistic execution, this pair of vases is an extraordinary acquisition for any collector of fine European porcelain.

Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely exquisite pair of 1870 Grand Tour Bronze, Gilt Bronze and Marble Bacchahalia Cassolettes after Cloudio A very finely cast and finished pair of Napoleon III period vasiform urns, they are an exquisite sand-cast creation utilizing bronze and gilt bronze to create an extraordinary contrast between materials. The body of the vase is rich in a dark-brown patina that positively glows around the bas-relief Bacchanalia scene of putto playing a tug-of-war type game, carrying wine glasses and bunches of grapes and one walking with a thrysus raised over his shoulder while roaring animal heads flank either end with polished bronze garlands of water-leaves and berries draped between. The lids and necks are crafted of gilt bronze, which gives a cooler tone to the brilliant shine of the metal. The urns are raised over a shaped marble base and finished over a polished bronze rim affixed on the underside with slotted screws. After the models by Claude Michel Clodion. For those of you that are unaware the “Grand Tour” was something educated young people did in the 18th and 19th century to learn and further educate themselves on other cultures, they would pick up small medium and large trinkets as memories of the journey which would sit in pride of place in their library or study as conversation pieces when friends and relatives would visit, they basically proved you were well educated, well travelled and a person of culture. These pair are large, decorative and very important looking pieces of Italian Grand Tour art...

Antique Bohemian opaline glass perfume bottle with crystal stopper from the Biedermeier era milky white opaline alabaster glass with cut to clear crystal stopper the circular body ...

Pair of fine quality bronze-mounted Sèvres style porcelain champlevé enamel vases. The hand painted medallions depicting cherubs and floral motifs surrounded by raised gilt enamel. T...

A monumental and quite important pair of antique French Louis XVI style ormolu-mounted Chinese export porcelain vases. This exceptional pair of Louis XVI style porcelain vases are be...

A beautiful pair of English cornucopian trumpet form sculpture vases, circa 20th century, England. Set is clear blown glass with scalloped edge held by gold gilt bronze fists on rect...

French 19th century gilt bronze-mounted porcelain jardinière. It is decorated on the exterior with a couple in a landscape on one side and with a bird on a branch on the other side. ...

Large parcel-gilt ceramic vase table lamp made by Marbro. Features a large ceramic vase with a pierced body decorated with a floral motif on e...

Elevate the ambiance of your living space with these remarkable 19th century French hand- painted porcelain pieces, meticulously decorated with intricate country scene motifs. Each b...

Exquisite Japanese contemporary decorative porcelain vase, dramatically hand painted in platinum, set against a stunningly shaped porcelain body in black, a signed masterpiece from t...

An Antique 19th Century Japanism French Porcelain Jardinière with Gilt and Silvered-Bronze Tri-Footed Stand. This jardinière is in the Jap...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Pair of Mantle Lustres in Emerald Green Overlay Glass, each with 10 Cut Crystal Prisms Transparent green glass with milky white opaline glass overlay ...

Extraordinary Japanese contemporary highly museum quality decorative porcelain vase. This masterpiece is the collaborative work of two brothers and signed by both, highly acclaimed second-generation master porcelain artists of the Imari-Arita region of Japan. The older brother excels in the depiction of breathtaking natural scenes while the younger brother specializes in creating intricate geometric patterns, which in this piece are found in the neck and base of the vase. It depicts stunning scenes from the famous Japanese Classic literature...

Fine 19th century French Empire malachite and gilt bronze centerpiece. Cut crystal top bowl .Fine mercury gilt bronze sphinx's.

Pair of mythological Urns from the French third Empire period. Fabulous decorative pieces, created in Paris, France during the period of the Third French Empire under Napoleon III...

Late 18th Century french glazed porcelain apothecary/pharmacy jar with lid - 'BUTYR: CACAO' By: Charles-Antoine Acloque Material: ceramic, porcelain, paint, enamel Technique: molded...

French pair Sèvres-style gilt bronze mounted porcelain decorative vases / Urns with exterior painted design details. Each vase / urn is in good condition. Minor wear consistent with ...

Crystal and gilt bronze vase. France, early 20 century.

This is an elegant Chinese Rose Medallion lidded vase displaying figures in naturalistic settings, painted in traditional pastel colors and situated...

Exquisite Japanese contemporary decorative porcelain vase, intricately hand painted in platinum, set against a beautiful round shaped body in black, a signed piece belonging to the artist's signature fish collection by highly acclaimed master porcelain artist and recipient of numerous awards for his exceptional and extraordinary porcelain work and his unique signature gold and platinum work on porcelain. In 2016, the British Museum added a work by this award-winning artist to its collection of contemporary Japanese porcelain in the Imari-Arita polychrome enamel tradition. The artist's profile is available upon request. Based on the Chinese legend...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

Monumental 19th century Sèvres Neoclassical-style vase with mauve ground French, c. 1878 Height 152cm, width 72cm, depth 66cm This remarkable Sèvres vase, dating back to 1878, was ...

Our magnificent oval shaped centerpiece carved from variegated rouge marble in the neoclassical style has finely cast and gilt bronze mounts including acanthus and berry finial, ribb...

Large and unusual Japanese Satsuma vase with Samurai figures to front and back Purple ground with gilt and traditional colors throughout. Carved and molded ring & bow shoulders with ...

Japanese contemporary decorative porcelain vase, dramatically hand painted in platinum, set against a beautifully shaped porcelain body in black, a signed piece belonging to the artist's signature fish collection by highly acclaimed master porcelain artist and recipient of numerous awards for his exceptional and extraordinary porcelain work and his unique signature gold and platinum work on porcelain. In 2016, the British Museum added a work by this award-winning artist to its collection of contemporary Japanese porcelain in the Imari-Arita polychrome enamel tradition. The artist's profile is available upon request. According to a Chinese legend...

A French Napoleon III Paris porcelain vase from the second half of the 19th century with floral décor and parcel-gilt accents. Born in France during the ever changing 19th century, this porcelain vase features an exquisite décor of colorful flowers painted on the vase's belly and sides. Ranging from pink to orange, purple and green, the décor stands...

Pair of gilt metal and crystal vases, late 19th century, Napoleon III period. A pair of 19th century Napoleon III style cut crystal and gilt metal vases. H: 27cm, D: 8.5cm

An Incredible and Rare Pair of 19th Century French Ormolu Covered Potpourris, Attributed to Thomier A Paris. This pair dates to 1810, which is the illustrious French Empire period. These remarkable urns serve as prime examples of the impeccable artistry and superior craftsmanship that characterized the first empire era. Notably, the urns feature figural cherub handles positioned atop rams' heads, engaging in musical endeavors, which adds an alluring touch of sophistication to their design. The captivating allure of these urns is further enhanced by their meticulously hand-chiseled gilded bronze composition, adorned with a splendid two-tone finish. Standing at an impressive height of 24 inches, these urns exemplify an unwavering dedication to detail. Each urn boasts a main body adorned with elegantly crafted relief dancers...

A very fine pair of Antique Bohemian double overlay, White to Cranberry cut Crystal Lusters / Girondles, Portes Ananas, Candle Holders . circular body in cranberry frosted glass wit...

A Monumental and Exceptionally High Quality 19th Century French Ormolu Mounted and Rouge Marble Jardiniere, attributed to ROBERT FRÈRES. The urn is of baluster form with ormolu saty...

Antique large pair of dark blue decanters made of high quality opaline glass, decorated with gilding, enamel and jewel decoration together with a matchi...

Extraordinary large signed Japanese contemporary museum-quality gilded porcelain decorative vase, extremely intricately hand-painted in a breathtaking Kutani Mokubei style set against striking high purity gold background. The artist has used yellow, green, purple and blue in this stunning vase. These are the traditional colors that have adorned Kutani porcelain for centuries. This vase is the last in a series of Mokubei-inspired pieces carrying the “Kutani Tousui” imprint, produced in the In the early 21st century. Aoki Mokubei...

A fabulous and quite beautiful pair of Louis XVI style dore bronze mounted Chinese Famille Rose porcelain, sgraffito ground covered vases or por pourries. Each is exceptionally hand ...

This magnificent pair of Sèvres porcelain vases, dating from the begining of 19th century (circa 1830), reflects the exceptional quality and artistry for which the Sèvres manufactor...

A large Sèvres style, mounted and gilt, painted porcelain vase French, Early 20th Century Height 132cm, diameter 37cm This exquisite piece is a beautiful Sèvres style porcelain ...

This monumental Louis XVI Sèvres vase was created in Paris, France, circa 1860. Standing on a bronze base, the tall porcelain vessel features a hand painted romantic scene in the man...

An impressive pair of French cut crystal and doré bronze ormolu-mounted urns featuring figural handles.

A large pair of classic vases distinguished by their “oxblood” color: a deep, rich red that lends great presence to this highly decorative pair. These vases are amphora-shaped, with...

A stunning Pair of Louis XV Style gilt-bronze mounted and fleur de Pêcher Marble Cassolets. The bronze work is highly refined and ornaments are inspired by the Rocaille style.. Orig...

These truly exceptional and rare antique Louis XVI period vases have been sculpted from agate, a precious and highly sought-after stone. The vases are set on square agate bases with gilt bronze laurel wreath socles. The burgundy and claret agate bodies of the vases are mounted with gilt bronze acanthus leaf ornamentation, and twin lion masks joined by draped swags above. The lids of the vases are mounted with gilt bronze, surmounted by pine cone finials. The vases' design is attributed to the late 18th century, French clockmaker Martin Baffert. Baffert worked with a number of Parisian bronziers including Jean-Nicholas Fremont, Nicolas-Guillaume Jourdan and Francois-Robert Leguel, who assisted in the creation of his designs. This pair of vases is very similar to another pair of vases which Baffert designed, which form part of a clock garniture currently in the Rothschild collection at Waddesdon Manor. The Rothschild vases...

Pair of Russian cut blue glass and gilt bronze vases Russian, 20th century Measures: Height 38cm, width 20cm, depth 13cm Each vase in this pair of Russian neoclassical vases has...

Hard paste porcelain with polychrome and gold leaf - iron bolt. Impasto decoration. Lovely colors. These classical form urns are clearly a pair, but not an identical pair. Each has a...

Exceptional Bohemian Ruby Cased Cut Clear Glass Perfume Bottle with Stopper – 19th Century This exceptional perfume bottle (flacon) and matching stopper are crafted from Bohemian ru...

Pair of French Empire Style Gilt Metal Mounted Red Majolica Two Handle Vases, late 19th century, each of baluster form and stamped "Made in France" to underside. 14.5" H x 8.5" W x 7...

This Neoclassical Style Set of Lapis Lazuli and Gilt Bronze Vase Lamps by Gherardo Degli Albizzi are exceptional pieces of luxury design. Vases, which have an ovoid form, feature bul...

Bronze mounted and ormolu sevres porcelain decorative vase / urn. The vase features exterior hand painted floral still live scene details with gilt borders on each side. The vase is ...

Early 20th century pair of tall decorative patinated bronze vases / pieces with exterior design details and gilded side handles. Each vase is in great vintage condition. Minor wear c...

Pair of dolomite tazzas, Shelyabinsk region (Urals), fire-gilt bronze. Russia, Ekaterinburg, 19th century. Provenance: Ex collection Dolf Selbach (1929-2010).

A fine quality large Neo-Grec gilt bronze-mounted and Champlevé enamel decorated onyx Jardinière by F. Barbedienne Maker: Ferdinand Barbedienne (181...

Magnificent pair of antique French "bleu poudre" Chinese Export porcelain ormolu-mounted vases. This exceptional pair of Regence style bleu poudre porcelain vases are beautifully han...

A large pair of ruby-red Bohemian glass vases by Moser, crafted from hand-blown art glass and richly adorned with impressive hand-painted desig...

Rare Tall 19th C. Moser Crystal Fairytale Covered Pokal with Enamel and Gilding. The slender body is gorgeous with brightly hand-enameled decorations. The top is also gorgeous with...

A Magnificent Pair of Russian Cobalt Blue Crystal and Ormolu Mounted Vases, Louis XVI Period. Each of these vases, showcases the highest level of c...

French 19th century gilt bronze cachepot planter. Louis XV style with figural panels with women and putti. Lion and eagle. Venus in shell being pulled ...

A beautiful pair of 19th century Louis XVI style French Sèvres style Porcelain and ormolu-mounted Ewers with dragon handles, birds and flowers. The porcelain is mounted on the finest quality of hand-chiseled and chased Doré bronze mounts. The top of the spouts are decorated with beautiful vine-like patterns. The handles are exquisitely cast with a flowing design with acanthus leaves resting on each. Two Doré bronze dragons can be found climbing towards the top of each ewer with wings and long tails. Underneath each handle are two finely cast doré bronze lions masks with acanthus mane. The porcelain is mounted on the finest quality of hand-chiseled and chased doré bronze mounts. The top of the spouts are decorated with beautiful vine-like patterns. The handles are exquisitely cast with a flowing design with acanthus leaves resting on each. Two Doré bronze dragons can be found climbing towards the top of each ewer with wings and long tails. Underneath each handle are two finely cast doré bronze lions masks with acanthus mane. The porcelain of each ewer is very finely hand painted in Sèvres celeste...