Collectibles and Curiosities

Rare and unusual, this copper ashtray celebrating the pottery industry in France is reminiscent of bronze and copper pieces designed by Paul Manship and other major sculptors in the 1920s and 1930s. This example, made of copper painted gold, depicts a nude potter at his wheel, surrounded by symbols of his industry, including kilns, planting pots and...

Published but The Museum of Modern Art, New York 1995. Illustrated in b/w and colour. Orig. clothbacked boards with colourful resin cover designed by Gaetano Pesce affixed to front ...

Published by Booth Client 2000 h/b interview by Jefferson HackThis books delves into Rankin's work during the 1990s: over 200 of the very best of his early anti-fashion shots for the...

This WWI poster features a woman wearing long robes holding a red cross symbol in her right hand and an American flag in her left. The figure is set in fro...

About Original boxing gloves with reddish brown leather filled with horse hair. The leather is very soft and in good condition. Original label on each glove. Creator Markwort S...

EXTRAORDINARILY RARE, YELLOW & WHITE, SUFFRAGE PARASOL / UMBRELLA, WITH “VOTES FOR WOMEN” TEXT, DISTRIBUTED BY THE NATIONAL AMERICAN WOMEN’S SUFFRAGE ASSOCIATION UNDER ANNA HOWARD SHAW’S LEADERSHIP [HEADQUARTERED IN NEW YORK], CIRCA 1913-1915: In the world of Suffrage memorabilia, parasols and umbrellas are known to have been produced, but hardly any exist. Made in both Britain and America, most of the organizations known to have commissioned them did so with white or purple, green, and white, utilizing the traditional British colors. In America, some of these can be identified to the Women’s Political Union of New York, New Jersey, and Connecticut. As for those in the traditional American colors of golden yellow and white, typically with black text, examples are known to have been produced and sold by the National American Women’s Suffrage Association (NAWSA), beginning in the summer of 1913. According to author and expert Ken Florey, the organization peddled them for “one dollar each or ten dollars a dozen…[promoting] them as good for advertising the cause at street meetings, summer resorts, and county fairs. The design consisted of yellow and white in alternate sections, with “Votes for Women” in the white sections.” Florey goes on to explain how some umbrellas in this style are known with names of states hand-painted in the yellow panels. I am aware of Oregon and Idaho. Florey also indicates that one is known for Alaska. His discussion of the subject, and an illustration of the Idaho example, appear in his book, "Women's Suffrage Memorabilia" (2013, McFarland & Co., North Carolina), on pp. 192 and A8, respectively. The Oregon example, which have seen and held first-hand, is illustrated in "The Keynoter: Journal of the American Political Items Conservators," Summer/Fall/Winter 2008 (Women's Suffrage Special Triple Issue), Vol. 2008, No. 2-4, p. 110. In “Woman Suffrage Memorabilia,” Florey describes a heavy demand for parade accoutrements in the 19-teens. Despite the supposed numbers in which these yellow and white umbrellas were likely to have been produced, this is the only example that I am aware has actually surfaced with the “Votes for Women” text only and no state names. This makes it far more universally desirable. A period image survives in the Albert R. Stone Negative Collection, Rochester Museum & Science Center (Rochester, New York,) of a women carrying parasols in this style on Main Street West in that city on August 15, 1914. The marchers, masked, were described as wearing yellow dominoes (nun-style dresses) and carrying yellow parasols. According to museum catalogers, “The outside parasols are plain; those on the inside have the inscription, "Votes for women". The first group, in yellow and blue dominoes, advertised the speech and visit of Dr. Anna Howard Shaw [this would be members of the Empire Campaign Committee]. The second group carried placards with the names of equal suffrage states and the dates when they adopted votes for women. The Club Theatre, whose sign advertising "Burlesque" is clearly visible behind the marchers, occupies the premises at 75 Main Street West formerly occupied by the Shubert Theatre.” The National American Women’s Suffrage Association was formed in 1890. It represented a merging of the two largest Suffrage groups in America before that time. These were the National Woman Suffrage Association (NWSA), formed in 1869 by Susan B. Anthony and Elizabeth Cady Stanton, and the American Woman Suffrage Association (AWSA), also formed in 1869 by Lucy Stone and her Husband, Henry Brown Blackwell, Henry Ward Beecher, and others. Stone’s daughter, Alice Stone...

Building by the Book Volumes I & 2, Building by the Book, by Center for Palladian Studies in America. University Press of Virginia, Charlottesville, VA, 1984-1986. Pair of 1st Ed har...

Mobilier Savoyard et Dauphinois by Lucile Oliver. Editions Ch. Massin, Paris, 1978. 1st Ed hardcover with dust jacket. Examines Savoyard and Dauphin period antique furniture. The are...

A hardback folio with 42 black and white plates showing beautiful examples of Art Deco designs for metal ware, the vast majority are by two of the masters o...