Carved Wall Decorations

An antique pair of Portuguese Baroque hand carved Pinewood architectural wall reliefs with richly ornate detailed scrolls, Acanthus leaves and masks, in good condition. Original pain...

Top of the line carving to this highly detailed American eagle themed gold gilt Federal wall bracket; with acanthus leave side drops; a diamond shaped fretwork backdrop; the eagle re...

20th Century Pair (2) Traditional Chinese Wall Panels/Relief Panels, Gilded Wood Carvings. These intricate carvings depict detailed scenes with figures, buildings, and landscapes. ...

A great looking hand carved original wooden Folk Art Dog head with glass eyes, wall decoration. A great piece for a suitable ambiance in a trophy room or the office of a Hunter or Woodsman. More than likely one of the Folk Art items made between 1860 and the late 1890s. In remarkably good as found condition with only a few small paint lost on the trophy plaque. Found at an estate sale in Wels, Austria. We think this will be a nice addition to your Collection of Black Forest items...

French Victorian style (20th Cent) carved gilt framed still life watercolor painting of white and yellow flowers

Monumental hand carved wood sign from the 1930s. Made by H.H. Upham & Co. Interestingly, this company owned a huge sign manufacturing business in the ...

Danish mangle board (clothing and bedding press) dated from ca. 1750-1800. Made of wood richly decorated with hand-carved geometric patterns and a horse as handle. With original re...

Pier Francesco Cittadini (Milan, 1616-Bologna, 1681) "Jacob and his family go to Egypt" Oil on canvas, cm 109 x 190 (canvas only) The valuable painting, made in oil on canvas, depicts Jacob and his family go to Egypt and we believe it can be, given the high quality painting, autograph work of Italian Pier Francesco Cittadini (Italy Milan, 1616 - Bologna, 1681) made after 1647. The work, in excellent condition is accompanied by a coeval frame in wood finely carved and golden. The scene depicted, which was confused with the Flight to Egypt in the past years, is instead identified with the biblical episode of Jacob’s journey. In the foreground, reading the painting from left to right, we see a caravan composed of animals, including donkeys, dromedaries, goats, dogs and horses and people, women, men and slaves, who carry on their journey along the banks of a river, following a path that to the right, would seem to lead to the through of a bridge. In addition to the watercourse is described an environment characterized by large rocks and impervious come far to cover the entire verticality of the canvas. On the left, in the distance, we see the tail of the caravan that runs along the steep path. Large trees enliven and harmonize the environment, as well as white and grey clouds characterize the predominantly clear sky and illuminated on the right by sunlight. The story is told in the Bible, Book of Genesis, 30, 25, passage in which is described the flight of Jacob from Haran after the contrasts with Laban, father of his wife Rachel. Jacob is the third great patriarch of the Bible. From his descendants originate the twelve generations of the people of Israel. He is the son of Isaac and Rebekah, who led him to flee from the wrath of Esau to Haran to seek refuge from his brother, Laban. At his uncle’s house Jacob met his daughter Rachel. As soon as he saw his cousin, Jacob was taken. Jacob will stay seven years in the service of Laban to marry his beloved Rachel. But Laban, with a deception, will give him in marriage first Lia, the least beautiful eldest daughter, and only after another seven years the splendid Rachel. From his first wife he will have several children, while Rachel will give birth to the beloved son, Joseph, who will become viceroy of Egypt. After years of service, Jacob asked to be paid with every dark-coloured garment among the sheep and every spotted and dotted garment among the goats. Laban accepted and sent away from his sons all the leaders of that kind. So Jacob took fresh branches of poplar, almond and plane tree, and flayed them, and put them in the troughs. The optical suggestion induced the goats and the sheep to conceive and give birth to dark, striped and dotted garments. He also ensured that all the strongest and healthiest leaders of the flock of Laban would drink near the barked branches, thus assuring a genetic superiority to his part of the flock. His flocks grew numerous and strong and he became richer than his relative, arousing envy. It was clear that Laban would not respect him much longer. At the suggestion of the Lord, Jacob decided to return to Canaan. Trying to avoid any possible dispute, he left with his family while Laban was absent for shearing sheep. But when, three days later, his uncle returned home, he became angry, feeling offended because Jacob had gone secretly and had not allowed him to greet his daughters and grandchildren. In addition, his teraphim, statuettes, or idols, which depicted the family deities, had disappeared. After 7 days of pursuit, Laban and his men reached Jacob’s group on Mount Gilead, in the mountainous region west of the Euphrates River, where his uncle and grandson had a stormy conversation. The younger man was outraged at being accused of stealing idols and told Labano to rummage through his family’s tents at will. Neither of them could know or even imagine that it was Rachel who took the idols and hid them in the saddle of the camel. During the search, she sat down firmly on the saddle, apologizing for not being able to get up, «because I usually have what happens to women» (Gen 31:35). So the loot wasn’t discovered. The author of this work was inspired by the composition of an engraving by Stefano Della Bella (1610-1664) of circa 1647. The engraving by Stefano della Bella bears the title "Iacob sur ses vieux jours quitte sans fascherie pour voir son filz Ioseph, sa terre et sa patrie" and is signed on the bottom left "Stef. of the Beautiful In. et fe." while on the right it is declared "Cum privil. Regis", that is with license of the king. Stefano Della Bella (Italy - Florence, May 18, 1610-Florence, July 12, 1664) was born in a family of painters, sculptors and goldsmiths and was left early orphan of his father sculptor, he dedicated himself first to the art of goldsmith at the school of Giovanni Benedetto Castiglione and Gasparo Mola, then turning his attention to drawing and engraving. He soon began drawing figures and copying the etchings of Jacques Callot, which inspired his early works. Under the protection of the Medici, in particular of Don Lorenzo, cadet son of Grand Duke Ferdinand I, Della Bella has the opportunity to make study trips to Rome, where he stayed from 1633-1636; In Rome he met French engravers and publishers of prints such as Israël Henriet and François Langlois, who influenced his decision to move to Paris in 1639, four years after the death of Callot. In Paris he soon reached, thanks to the engravings commissioned by Cardinal Richelieu, the success also worldly; he frequented courtiers, theatre artists and writers, while refusing too oppressive honors. In 1646-1647 he continued his travels in the Netherlands to Amsterdam, Antwerp and Dordrecht. He returned to Florence in 1650 and resumed working under the protection of the Medici court, working for his patrons. In 1656 he became a member of the Academy of Apatists. The painting object of this study is reasonably attributable to Pier Francesco Cittadini, or Pierfrancesco Cittadini, called the Milanese or the Franceschino (Italy - Milan, 1616-Bologna, 1681) as some exemplary stylistic comparisons proposed to follow can prove. Pier Francesco Cittadini was an Italian baroque painter, mainly active in Bologna. His artistic training first took place with the painter Daniele Crespi...

Antique taxidermy from Manhartsbrunn, Austria. You're looking at an extremely rare example of original craftsmanship: A hunting trophy hand-carved and hand-painted from the early 20t...

Portrait of a Lady Pastel 19th C. British School Antiques Los Angeles Gilt Wood. Small Charming Portrait painting in pastel paper Laid on Oval Board . A beautiful woman in a blue dress height 16" width 13". With a Nicely Hand Carved Wood Frame and Glass and old faded Fabric. A very sweet and romantic depiction of her facial features . Pastel on Paper and laid in oval board and framed in fabric inside a delicately carved wood painting...

Dipinto Fiammingo del 1600 a olio su rame raffigurante uno scorcio di paesaggio con figure, una scena di genere con una moltitudine di personaggi affollati in una strada con delle ar...

Collection of worldwide traveler's hand carved folk art masks, circa 1940s - 1970s, possibly earlier. We purchased the estate of an Atlanta Coca Cola executive, who traveled the worl...

Giltwood Trophy Wall Applique Anonymous Probably French; ca. 1900 Giltwood Approximate size: 41 (h) x 16 (w) x 2.75 (d) in. This decorative architectural giltwood wall trophy fea...

The present pair of late 17th century or early 18th century Spanish Baroque giltwood architectural elements may have once formed part of an altarpiece environment. Their decorative p...

Early 19th century Neoclassical carved and gilded wall brackets realized with a white ivory color majolica demi vase of the Italian manufacture Gi...

This pair of antique watercolor paintings are done by an unknown artist, likely from France or Italy in circa 1880 in a Renaissance style. The paintings each depict a couple in a ballroom setting dressed in period Renaissance costumes...

An antique Italian gilded carved panel from the late 19th to early 20th century. Dated to circa 1900, this ornately carved panel could be a wall hanging, pediment, overdoor or even ...

The Hamsa hand or hand of Fatima is known across many cultures to protect its wearer and ward off bad energy. It is also a symbol of patience and claire voyance. The Artist often use...

Handcrafted and very stylish pair of midcentury made alabaster wall lights. This exquisite pair of wall sconces was handcrafted in Europe during the mid-late 20th century, circa the...

Leroy Setziol Monumental Carved Yellow Cedar/ Wall Sculpture for United States National Bank of Portland, 1963 Beginning in 1949, the United States National Bank of Portland embarked on a long-term program of acquiring and commissioning works by Oregon artists for installation throughout its growing network of branches. Working with artists, architects, landscape designers, and craftsmen, the bank sought to create public spaces that reflected the culture, economy, and character of Oregon communities. The program included paintings, sculpture, stained glass, ceramics, and architectural commissions and was celebrated in the 1963 exhibition A Bank As Art Patron at the Museum of Art, University of Oregon. This monumental wall mural by Leroy Setziol (1915–2005) was commissioned in 1963 as part of that initiative. Measuring nearly sixteen feet in length and just over three feet in height (191" x 37" x 7"), the work is composed of multiple hand-carved yellow cedar panels and represents an early large-scale architectural commission created during a formative period in Setziol's career. Composed of multiple hand-carved yellow cedar panels, the sculpture demonstrates Setziol's ability to create a unified visual statement from deeply incised geometric forms, rhythmic patterns, and abstract imagery. Individual sections of the mural vary dramatically in character, ranging from tightly ordered geometric passages to more organic and intuitive carving. Together they create a composition that rewards prolonged viewing and reflects the artist's belief that wood itself could serve as both material and subject. Particularly notable is the panel at the far right of the mural, which incorporates a series of carved livestock brands. Research conducted with the Oregon Department of Agriculture has identified these as registered Oregon cattle brands associated with ranching operations in the Junction City area. Their inclusion provides a rare documentary element within Setziol's otherwise abstract carving and establishes a direct connection between the artwork and the community in which it was installed. More than decorative motifs, the brands appear to acknowledge the agricultural families, ranches, and businesses that formed an important part of the local economy. In doing so, the mural transcends pure abstraction and becomes a reflection of community identity. The carving recognizes an important aspect of the region's agricultural heritage and establishes a direct connection between the artwork and the local community in which it was installed. Born in Portland in 1915, Leroy Setziol followed an unlikely path to becoming one of the Pacific Northwest's most respected sculptors. After service in the United States Army during World War II, he spent time in New York before returning to Oregon. Drawn to carving but lacking formal artistic training, he established a small studio behind the Portland home of his father, a Lutheran minister. During his first year as a professional sculptor he reportedly earned only fifteen dollars from the sale of his work. Working largely in isolation, Setziol developed a highly personal approach to carving that relied on intuition rather than academic training. His sculptures combined deeply incised geometric structures with forms inspired by nature, mythology, and the inherent character of wood itself. By the early 1960s his work had attracted the attention of architects and corporate patrons seeking original works that could be integrated into modern buildings. Commissions such as this mural for United States National Bank marked the beginning of a period that would lead to some of the most significant architectural projects of his career. The following year, architect John Storrs commissioned Setziol to create a series of monumental relief panels for Salishan Lodge in Gleneden Beach...

This exquisite 19th Century framed collection of Italian cameos is a true testament to fine craftsmanship and artistic heritage. Each cameo is intricate...

Gothic Revival 'sermon on the mount' wall plaque with Jesus teaching. This large size work of religious art depicts Jesus and He is surrounded b...

Antique Danish or Scandinavian mangle board (clothing and bedding press), dated 1792 it has survived more than 230 years and still it´s full of charm. It is made from oak wood has a...

Top museum quality carved Swiss barometer / weather station This antique barometer is not only about the actuality of the weather, it is also a true work of art and a real pleasure to look at. The attention to detail is incredible and it must have taken a true craftsman weeks rather than days to design and finish the carved frame alone. At a later stage, the handcrafted barometer (in German) and the thermometer (in Celsius & Fahrenheit) were integrated. Notice how the Edelweiss Flowers...

These Beautiful Italian 18th Century Black & White Engravings on Laid Paper Feature the Portrait of Female Statues, these pieces have been professionally Framed using all new Mat...

Late 19th Century Japanese carved wood wall shelves with inlay and painted foliage motifs.

Amazingly hand carved church wall bracket with a winged angel sculpture. This stunning and all handcrafted, Gothic Revival wall bracket has the mo...

Pair of 18th century French Aubusson cartoon green floral mirrors. The french mirrors are Aubusson tapestry cartoon mirrors painted in gouache on pap...

Handcrafted and very stylish pair of midcentury made alabaster 2-light (up & down) wall lights. If you are looking for a great shape and practical size pair of sconces to grace yo...

A late 18th Century, antique Swedish Gustavian rectangular wall mirror with its original mirrored glass and blue color paint, made of hand crafted gilded Pinewood, in good condition....

Sharing similarities of a mid-17th-century Italian capriccio painting, this French oil painting from Provence depicts fantastical architecture set amongst the more realistic setting ...

Pair Vintage Italian Figurative Putti Carved Wooden Wall Brackets

PAIR of American Mid-Century style red painted and gold trimmed carved wall shelf with a fluted design bottom (PRICED AS PAIR) AVAILABLE INDIVIDUALLY

A Pair of Antique Carved Oak Panels This is a magnificent pair of antique carved oak panels, rich in both detail and history. Dating from the late 17th or early 18th century, these p...

Just arrived in my last container this exceptional 19Th.Century French Solid Oak Hand Carved Over-Door Panel. The center cartouche is surrounded by scrolls and the center medallion h...

Italian oval oil on board gilt carved wood portrait of a gentleman in the original floral and berry frame, 18th century.

A refined oil painting on canvas, set in a carved and gilded wooden frame. The painting features an inner frame decorated with scrollwork friezes and floral motifs, at the center of ...

Pair of 18th-Century English Carved Oak Panels with Mystic Dolphins A fine pair of early carved oak panels, English, 18th century, richly worked with a central motif of stylised dolp...

Beautiful hand carving wood wall hanging from solid wood, with vine, crown flowers and motifs, hand painted in gray color. Very impressive wall hanging.

Very rare and excellent condition, This all-handcrafted cabinet with a stunning decor of foliate carving and inlaid, Eastern style motifs is completely original and can be used for all kinds of purposes. It must have taken a highly skilled artisan several weeks to design and create this architecture inspired piece of wall furniture. It also comes with Arabic calligraphy on the drawer, but unfortunately we don't know the meaning of the word(s) or phrase. This unique, single door cabinet with its beautiful patina and its marvelous look and feel is as stable/strong as the day it was made and the pair of metal hooks on the back makes it very safe and easy to mount on your wall. If you are decorating a home or business with an Eastern interior then this late 1800s cabinet...

Ornately-Carved Walnut Carving of an Angel. France, circa 1700s. Possibly from a ship or country estate.

A pair of botanical photogravures by Karl Blossfeldt (German, b. 1914 - d. 1932), "Urformen der Kunst", First Edition 1929, Berlin. Mounted in a wonderful pair of chip carved Tramp A...

A wonderful early 20th century carved mahogany locksmith trade sign in the shape of a large key. Makes an unexpected piece of wall art as a found object with tons of character.

Italian Rococo Revival (19/20th Cent) carved gilt wood wall bracket shelf with a white marble top. Condition: Good; Wear consistent with age and use

Pair of Italian Giltwood Shell Motif Wall Brackets, Attributed to Palladio, Circa 1960s A striking pair of Italian giltwood wall brackets or shelves, carved in bold relief with styl...

Large Antique Wooden Carved Black Forest Baroque stag head with 10 Point Trophy A large antique Black Forest baroque stag head. Carved in typical abstract style of the early 18th century. It is mounted on a wooden carved and painted plaque with emblem and foliages and features a large real stag antler trophy. The head still has its original polycrome painted finish witch is partly restored. The left side of the plaque has been replaced. A great individual piece which enhances every wall decoration. A special way to present hunting trophies is to attach them to carved animal heads. This tradition exists since the Middle Ages. Even after intensive investigations, it is not yet possible to explain exactly how this happened. The carved heads are often colored and mounted on cartouches that are also carved and painted. They follow a naturalistic representation and one could think that in this way they are symbolically brought back from the abstraction of dead antlers into liveliness. Famous artists to be named are Madl in Ichenhausen, Germany and Heissl in Ebensee, Austria. Around 1900, the antler collection...

Superb quality antique micro-mosaic Grand Tour Souvenir of a visit to Rome. set with seven panels, vignettes of Roman views in a shaped slate tablet. and in original frame. Part of a...

English Victorian style carved gilt framed oil landscape painting of field and trees with sun.

American sampler under glass with the original gilt Birdseye maple frame, Early 19th Century. Alphabet and Numerals. Signed by maker Maria Nuttall Age 7.

A set of hand carved white marble panels in a floral Jali with geometric flowers and design. This handcrafted architectural panel can be used as a table top, light diffuser, open air...

A 19th century Spanish scoop or plow of wood and iron. This antique farming tool from Spain features a wonderfully weathered wood scoop jointed w...

Pair of impressive wall hanging solid composition hand painted in grey, with two different bouquet or flowers.

Oversize and spectacular 19th century Black Forest carved wood trophy wall plaque with a large fish. Beautiful carved border with acanthus leaves. Measur...

Hand Carved Wood Walnut Panettiere Cupboard Wall mount Cabinet Rustic Bread Box . High End Chateau 18th century exquisite Louis XV Panettiere Originally used to store French baguette...

Antique large Gothic Revival wall bracket with carved acanthus leafs This handcrafted and hand-carved, Gothic Revival wall bracket is one of the largest we ever had the pleasure of offering. Together with the natural flowing and deeply carved, acanthus leafs and the Gothic rosettes around the upper rim it also has the most wonderful organic shape. The sheer size of this church relic, its striking design and its ancient patina makes it an absolute joy to own and look at. This is a great bracket for displaying a large saint statue...

A great looking hand carved original wooden Folk Art Rooster Statue. A great piece for a suitable ambiance in a Cabin room or the office of a Hunter or Woodsman. More than likely one...

American portrait oil on canvas of a young ship captain holding a spyglass with a sailing ship, crew in rowboat, and gulls in lower background mounted in the original decorative gilt...

This French vintage 20th century oil on board painting illustrates a modest homestead in a rustic, country landscape. Impasto technique to build up the paint adds organic texture to ...

M/1584 - Unusual pair of wooden shelves with caryatids: perfect with a simple wooden shelf. They were in a Venetian house.

Rich in detail and traditional charm, this late 19th-century French still life painting is signed by G. Vallon, an academic artist known for classical compositions and refined techni...