Carved Wall Decorations

Dipinto Fiammingo del 1600 a olio su rame raffigurante uno scorcio di paesaggio con figure, una scena di genere con una moltitudine di personaggi affollati in una strada con delle ar...

A pair of antique 19th century Black Forest hunting trophies, finely carved, featuring partridges, powder horns, rope, acorns and oak lea...

Stunning and completely original, antique oak grandfather or lantern clock, circa 1750. This very old grandfather clock is one of the tallest w...

A single, antique Italian wall panel made of hand carved limestone, in good condition. The rectangular architectural relief is depicting Roman warriors and kids embracing a cattle. A...

A late 18th Century, antique Swedish Gustavian wall mirror made of hand crafted Pinewood with its original mirrored glass, in good condit...

Lovely antique 19th century Neoclassical wall cabinet / small cabinet Germany 1880. This German Grunderzeit cabinet is made from hand carved oak & is richly decorated. A true display of craftsmanship & quality. This cabinet has 2 doors and comes with a working lock & key. Its interior has 2 oak shelves. The cabinet has a very nice old restoration to the right side dating from the 1940s. A piece of furniture history with the right antique charm...

18th C. Portrait of a Lawyer Circle of Jacques Aved French School Oil on Canvas . Circle of Jacques-Andre-Joseph-Camelot Aved Portrait of a lawyer 1702-1766 French school mid-18th c...

A striking example of traditional European hunting decor, this vintage roe deer trophy features natural antlers mounted on a finely hand-carved Black Forest wooden plaque. The dark-s...

Stunning hand carved wall sculpture by Oregon-based artist Julian Watts made of bleached maple with inlayed pink alabaster reliefs. Currently on view ...

Pietro Gabrini (Italian, 1856-1926) a very fine and large oil on canvas "Three Singing Italian Beauties on The Road" depicting three cheerful Village young maidens walking through a ...

Late 19th Century Japanese carved wood wall shelves with inlay and painted foliage motifs.

This set of early 20th century Indian hand-carved wood masala trays embodies the rich cultural heritage and artisanal craftsmanship of their origin. Originally used in kitchens to pr...

An antique elongated wall relief in white Statuario marble featuring Euterpe the Greek Goddess of muse of lyric poetry, in good condition. Minor fading, scratches due to age. Wear co...

Giltwood Trophy Wall Applique Anonymous Probably French; ca. 1900 Giltwood Approximate size: 41 (h) x 16 (w) x 2.75 (d) in. This decorative architectural giltwood wall trophy fea...

Sculptural canvas relief with a 17th century Italian Florence fragment by Elena Rousseau. The sculpted canvas is molded together with fresco plaster, g...

The Hamsa hand or hand of Fatima is known across many cultures to protect its wearer and ward off bad energy. It is also a symbol of patience and claire voyance. The Artist often use...

More information coming soon… This 19th-century oil painting depicts life in France during the 1700s. Signed by Theodore Levigne, the master French painter has chosen to depict two...

16th century / Belgium / Letter Panel / Oak / Gothic A finely carved Gothic oak panel from 16th-century France. This architectural fragment features graceful vertical fluting framed...

A vintage carved and painted wood swag. This carved wood architectural ornament features two circular rings at either far end, with a long swap wrapped through each ring. The swag is...

Mid-20th century black dance mask, Guerrero, Mexico A nice old mask from Guererro, Mexico, used in the Tlacololero Dance of the Tlactapa and probably fr...

An English oil on canvas equestrian painting from the early 20th century signed George Paice (1854-1925), depicting a horse standing in a field, in a new custom brown and gilded frame. Created in the early years of the 20th century by British painter George Paice, this horizontal oil on canvas painting features an elegant brown horse with a single white sock...

A rare 16th Century Italian stone Corinthian half-capital, carved in Ligurian slate, mounted on a simple wrought iron bracket for wall hanging.

Peter Keil, Black & White Portrait Facing Left, Oil on Board, Signed, 12” x 36” Striking black and white oil portrait by German artist Peter Keil (b. 1942), known for his bold, expr...

Last 4 of an original set of 16 wall fixtures. Set of four really large and great looking, half-moon shape, easy to mount and beautifully handcrafted alabaster wall lights. In all ...

Well carved with original oval carved back. The head realistically carved with amber colored glass eyes. Antlers are carved walnut as well.

A wonderfully large and vibrant landscape painting from France. Signed in the bottom right corner by the artist. Protected behind antique rolled glass...

Deeply carved, extra large size, Gothic Revival corbel, bracket with a stunning patina. Finding unique antiques that have just that little bit more than your average is what we alwa...

This elegant 19th-century oil portrait presents Adam Franz Bernhard, Baron von Hirschberg (1783–1864), Lord of Ebnath and Schwarzenreuth and Royal Bavarian Lieutenant Colonel. He is...

A rare, unique and very unusual sculptural hand carved wooden plaque depicting a nude couple in bed signed John Baldwin (b. London, 1937) and dated 1985. ...

Italian Renaissance-style (19th century) oil painting on canvas depicting a white peacock in a garden surrounded by other birds in an ornately carved giltwood frame.

A Pair of Carved Black Forest Game Plaques Expertly carved in Lindenwood, the shaped plaques, carved with oak leaves, depicting a chamois, deer, bird, fox and hunting accoutrements,...

Wonderful and deeply carved Victorian wall bracket Corbel. This all handcrafted, Victorian masterpiece has the most wonderful shape and patina. The organic shape and the natural flowing of the deeply carved, acanthus leaf is an absolute joy to behold. Apart from some minimal imperfection (consistent with age), this top quality carved, solid oak bracket from the mid-19th century is in great condition. This fine antique can...

Early German baroque bronze mermaid door knocker on frosted lucite stand. This door knocker is a work of art; heavy bronze with original patina, ...

An oversized antique Asian Buddha head made of hand crafted tropical Hardwood and finished with gilded detailing, in good condition. This large scale wall mounted decorative sculptur...

Stunning craftsmanship! This pair of 19th century Black Forest hunting Trophy plaques from Brienz Switzerland. Fully carved from solid ...

A carved wood and parcel gilt over-door. The richly carved eagle, with outstretched wings, grasps the turned and reeded column in its talons. Bespoke sizing, design adaptations and f...

18th Century Hand Carved Stone Coat of Arm Wall Mount Art Overdoor Crest Antique . Rare 18th century Blason Armorial Armoirie Coat of Arms with finely hand carved scrolls around an oval medallion. Great to wall mount this historic sculpture...

19th Century Italian carved marble Architectural Frieze Sculpture of Caesar, Of rectangular form the finely carved Carrera Marble 50" x 20" slab w...

Pair of Late 19th Century English Neoclassical Oak and Silvered Metal Wall Shelves / Brackets A refined pair of late 19th-century English neoclassical wall brackets, exquisitely cra...

Rare and impressive early 18th century coat of arms, the whole carved in oak, the frame with relief carved strapwork on punched and worked gr...

Invite color into your home with this elegant pair of antique floral paintings. The artworks were crafted in France circa 1870, and are set in...

Set of Four Panels Decorated with Allegories of Arts France Circa 1865 Height. : 180 cm (70,9 in.) ; Width : 63,5 cm (25 in.) ; Depth : 12 cm (4,7 in.) Set of four large painted panels, in carved and gilded wood. The upper part of each panel is decorated with allegories of the arts, representing music...

A fine and charming French 19th century carved white marble allegorical garden fountain group of two playful putti seated on a rocky outcrop with an upturned amphora supporting a stylized fish, drilled for water, together with a Rosso Verona marble "D" shell-shaped scalloped basin...

A finely rendered equestrian portrait, this early 20th-century American oil on board captures the striking presence of a chestnut racehorse standing in its stable. The animal is pres...

A lovely pair of vintage Italian gilded wood wall brackets or shelves from Florence, Italy, circa 1950. These stylish brackets have hand carved scroll designs and beautiful gilt pati...

Set of three carved wood hand painted donation / offering ALM Boxes, Spain, 18th century. Polychromed wooden Church Collection offering donation money boxes as wall decorations. Beautiful wall decoration comprised of three wall hanging collection / doation money boxes. Originally used to collect donations at Christian churches/chapels. Each one has a different design. All three create a colorful set displayed together. Rare find. Provenance: Private collection. On sale as a set. Measures: Religious woman: 45 cm H x 26 cm W x 21 cm D Saints Box: 33 cm H x 37 cm W x 14 cm D Blue Box:46 cm H x 31,5 cm W x 14 cm D Poor box...

A collection of antique Statuary Carrara marble chimneypiece/mantelpiece tablets from the 18th and 19th century’s. The collection consists of 41 carved elements, including centre ta...

Decorate a study or dining room with this elegant French oil on canvas landscape, set in its original carved giltwood frame. Painted circa 1870 and signed “Corot” in red at the lower...

A fine unique wooden sculptural wall decoration. Hand Carved motifs, made by a Danish Cabinetmaker in the 1970s. Nice texture and dimensions in this vintage piece, it can be used as ...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Early 20th century, good size Art Nouveau wall clock. This antique weather station hand carved and stunning Art Nouveau clock has a beautiful...

This primitive Toraja carved wooden panel in colorful M size is a unique architectural fragment from traditional houses in South Sulawesi, Indonesia. Handcrafted by skilled artisans,...

English oil on canvas horse portrait in burl walnut giltwood and beaded molded edge frame. Signed & Dated by Artist "J. Brown Coventry 1866"

A very fine French 18th-19th century oil on canvas portrait of a posing lady with flowers, after Jean-Marc Nattier (1685-1766) within an ornate gilt wood carved frame, circa 1800. ...

This is a tropical fish carving frame made in Japan, probably around the 20th century. The frame is made of beech wood, and the base of the picture is paulownia wood. Different types...

Portugal / 1850 / 2 wall panels / oak / Rustic / Mid-century Two large beautiful hand carved Portuguese decorative wall panels from an altarpiece with nice patina. Crafted of solid ...

This early 20th-century Flemish low-relief panel showcases the exquisite artistry of pyrography, a technique where designs are burned into wood using a heated tool. Here, two hunting spaniels adorned with studded collars and leashes are meticulously rendered, their lively expressions captured with remarkable detail. Surrounding them is an intricately carved Art Nouveau style frame, adding an extra layer of elegance to the composition. During the latter part of the 19th and early 20th centuries, pyrography experienced a surge in popularity, particularly in Europe and America. Its appeal lay in the ability to create intricate designs with depth and texture, resembling fine etchings or engravings. Pyrography was often employed to decorate furniture, household items, and decorative panels like this one, serving as both functional art and a testament to the skill of the craftsman. Today, pieces like this Flemish panel...

Louise Gelderblom is a South African ceramic artist known for her distinctive, large-scale hand-built vessels and sculptural forms. Based in Cape Town, she combines traditional craft...

A fine vintage Pacific Northwest Native wooden carving. The carving in the form of an hawk with red, black, white, and yellow tones set on a brown wooden board. By William Wasden Jr. Wasden was trained from a very young age in numerous artistic practices of the Kwakwa̱ka̱’wakw peoples including carving, jewelrymaking, and printing. As a high schooler, he began focusing primarily on preserving traditional singing after hearing his grandfather perform. Wasden currently teaches singing in Alert Bay on Cormorant Island, British Columbia. He also heads the Gwa'wina Dancer's Cultural Society, whose mission is to spread authentic Kwakwa̱ka̱’wakw culture & teachings. In Kwakwaka'wakw art, human faces are placed strategically on animal carvings to indicate the creature's supernatural ability to transform into a human form. Kwakwaka'wakw origin myths say that their ancestors were originally animals of various kinds who discarded their animal forms and transformed into humans. Simply a wonderful piece of Pacific Northwest Native art...

Stunning design and good condition, hand crafted oakwood wall coat-rack with unique tiles. This rare and highly stylish Art Nouveau / Jugendstil coat rack is entirely original and i...