Necklaces

A stunning, fine and impressive, large antique 71.50 carat cushion cut aquamarine and 0.10 carat diamond, platinum pendant; part of our diverse antique aquamarine jewelry collections...

Era: Art Deco Date: 1920s - 1930s Metal Content: 14k Yellow Gold Stone Information Natural Ruby Treatment: Heating Carat(s): .06ct Cut: Round Color: Pinkish Red Style: Lavaliere ...

Pendant in 18K White Gold with the setting of Black onyx accented with Diamonds. There are ten Diamonds here, the largest in the center is brilliant cut Ø 2mm /0.03ct, color ca. F, ...

Signed "Trifari" with a crown and without a post-1955 U.S.-copyright symbol on all three matching pieces, this likely late-1930s highly-textured yellow-gold-plated demi-parure was designed by American Trifari's French-born head designer Alfred Philippe after he had honed his fine-jewelry craftsmanship while creating luxury parures for Cartier and Van Cleef & Arpels. The set features a heavy tasseled eight-strand chain sautoir necklace and earrings with dropped fluted-ball pendants, With French-style signed clip fastening, the contrasting-texture two-inch-long earrings each have two twisted fluted round beads in different sizes, with the larger one capped at both ends with additional shapes and textures. On the necklace, this textural contrast is amplified with the inclusion of many chains. The decorative chain caps and...

One-of-kind Art Deco Cartier with Makers Mark LAVABRE Sautoir Necklace. Featuring a magnificent GIA certified 250 carat Cabochon Colombian Emerald with Approximatly 559 Diamonds weig...

Designed as a cross pendant with fanning terminals and centering an old European cut diamond Weighing approximately 0.53 carat total - M color with I2 clarity - bead set Bead set w...

Austrian or Czechoslovakian Bohemian ca. 1920 - 1930s Garnet Necklace with pendants in Gilt Silver and chain in solid 18K Yellow Gold. No markings on pendant. Chain hallmarked 18K....

Created in the 1920s, this magnificent pendant features the very rarest of the rare: a GIA-certified natural and untreated jadeite jade that displays a rich, emerald green color and ...

Extraordinary late Deco riviere necklace, 1935 circa Beautifully hand crafted as unique example of solid 18 KT white gold Displayed in the middle neckline a selection of bright white...

LB offers a one of a kind, handmade, Vintage Art Nouveau brooch with a vintage cowboy boot charm, necklace.The sterling and marcasite brooch...

A fine and impressive antique diamond drop 1.13 carat necklace in platinum; part of our diverse 1920's diamond jewelry collections. This fine and impressive antique diamond pendant ...

Art Deco pendant with a carved natural amethyst (probably Siberian because of the presences of reddish undertones), creates a platinum, diamond, sapphire and ruby basket of flowers, this charming piece, with a flip up/flip down bale has 43 small both European cut and rose cut diamonds weighing an estimated .50 cts in total, 3 small bright sapphires...

Rare and unusual Art Deco DeRosa Crystal Baguette Collar of crystal and faux ruby baguettes set into stepped design within articulated pave links. High Art Deco rhodium metal setting...

Antique 14K Gold Beeswax Amber Bead Necklace Antique Strand of Graduating Beeswax Amber beads with a 14K Gold clasp. Circa: 1920 Approximate Dimensions: 41.28 cm (Clasped/Doubled ...

Art Deco GIA Certified Natural Salt Water Pearl Necklace Diamond Watch Fob Pendant Circa: 1920s - Art Deco Period A Fine Double Strand Natural Salt-Water Pearl Necklace mounted with Platinum & Diamond Stations, and Hanging Watch...

Embark on a journey through time with this original Art Deco sailboat charm necklace. Crafted with utmost artistry, this nautical-themed charm necklace captures the essence of the op...

Featuring an old European cut diamond weighing approximately 1.20 carat - K color with SI2 clarity Set by stylized split prongs in a pierced ornate mounting depicting scrolling flora...

Convertible diamond necklace/bracelet. Set with twenty-five cushion shape old mine diamonds in open back rubover settings with a combined ...

Antique 50 inch diamond platinum chain necklace, circa 1920. This hand made platinum chain features 30 bezel set round brilliant cut di...

Antique Art Deco era Chase work marked 14K Gold and maker’s emblem 40 mm just a touch over 1.5 inch in diameter Two old cut Stones test positive as Diamonds Weighting 18.3 gram G...

Indulge in the allure of this exceptional Art Deco charm, exuding a captivating nautical theme. Expertly crafted in platinum circa 1920, this charm showcases exquisite old European c...

Era: Art Deco Date: 1920s - 1930s Metal Content: 10k Yellow Gold (pendant) & 12k Gold Filled (bail) Stone Information Natural Diamond Cut: Single Stone Note: (one small accent) Na...

Adorn yourself with the exquisite beauty of this vintage charm necklace from the illustrious Art Deco Era. Handcrafted from platinum circa 1920,...

Fabulous long faceted french jet and clear beaded necklace, with an oval french jet and paste stone pendant, and ornate long beaded tassel. The necklace closes with a barrel clasp. ...

An art nouveau necklace designed by Fratelli Peruzzi. Beautiful antique necklace, created at the workshop of the Fratelli Peruzzi in Florence Italy, back in the 1920. This piece was crafted with art nouveau and art & craft patterns in solid .925/.999 sterling silver with patinated finish. Fitted on top with a movable ring of 6 mm and a long chain. Moonstone: Mounted in a bezel setting, with 1 cabochon pear cut (15 x 9 x 5 mm) of a moonstone with 4.83 carats. Birthstone: For the month of June. Weight: 10.20 Grams, (10.54 Dwt). Size: The lenght of the chain is 26 Inches (66 Cm.). Measurements: The pendant is 23 mm by 51 mm (0.91 x 2.01 Inches). Hallmarks: Stamped in a plaque with the maker's mark, the mark for the assay of the silver and signed, "FRATELLI PERUZZI MADE IN ITALY STERLING". Fratelli Peruzzi Fratelli Peruzzi is one of Florence’s oldest workshops and the Peruzzis have been silversmiths for four generations. Their trademark, F1114, has become sought after by worldwide collectors, but they also sell the best international brands. They are silversmiths in Florence for nearly 150 years, Fratelli Peruzzi were founded in 1880 by Giuseppe Peruzzi and his wife Giulia. The shop moved from its original premises only for the time necessary for reconstruction after World War One. On the ground floor, the shop sells silver...

Gold medallion with a pearl - made of 0.750 yellow gold A golden secretary with space for a photo of a loved one Origin: Scandinavia, 1930s-40s Decorated with a delicate engraved ...

Fabulous Jakob Bengel Art Deco chrome brickwork and bar necklace, featuring red and black enamel. Measuring length approximately 45 cm / 17.7 inches by width 1.6 cm / .6 inch. The ne...

Magnificent ART NOUVEAU NECKLACE, vintage 1920s, 5 large SAPHIRETs, gold metal, necklace length 43 cm (adjustable), piece of collection, good condition. Collectible Saphiret glass w...

Vintage Charlotte Art Deco Antique Cushion and Rose cut Diamond Necklace 0.35 Carat Art Deco necklace in platinum 800/°°° and 18K white gold...

METAL / MATERIAL: 14Kt Solid Yellow Gold CIRCA / YEAR: 1920's or 30's ATTACHMENT / LENGTH: 13 Inches in Length This is a great looking hand made necklace or bracelet, pocket watch ...

A 14 k Gold Sphere Hinged Locket with Rubies and Diamonds in a gold frame. The globe opens to reveal 3 chambers for photographs. 1.5” diameter

Early Egyptian excavations in the 1870's created a demand for Egyptian inspired jewelry all across Europe. In 1922, the discovery of King Tut's ...

A bright-white brilliant-cut diamond, weighing 1.03 ct, floats from within a platinum halo, suspended below an articulated row of diamonds. Circa 1930s, this lovely pendant is fabric...

A Portuguese textured chain made in the city of Porto. Rare piece made in the city of Porto in Portugal during the art deco period, circa 1930's. This gorgeous elegant woven chain was crafted with impeccable details in solid yellow gold of 19.2 karats, with textured finish and fitted with an integrated crab lock. Weight: 36.8 grams (23.58 Dwt). Measures: Length of 30 inches (76.2 cm). Hallmarks: Stamped with Portuguese control marks; the cat's head with the 800 for the assay and the guaranty of the 19.2 kt...

9CT YEL GOLD LADIES 17 INCH FULL SOV NCKLT As seen worn by Holly W Designed as full sov, made with solid 9ct gold Fully hallmarked Weight:7.6g

Silver and approx 85ct rock crystal. Signed and dated 1937. The pendant is 6,7 cm long on a 59 cm long chain. Wiwen Nilsson (1897-1974) - An Art Deco Silversmith in the Age of Modernism. Wiwen Nilsson was born in Copenhagen, Denmark in 1897. Born as Karl Edvin, but since he did not like his christening name, he was, within the family, called Wiwen. He was the son of Karolina and Anders and grew up with his sister Edith. In 1897 the family moves to Lund, Sweden when the father takes over the gold and silversmith company J.P. Hasselgren & Son. In 1906, Wiwen began at Katedralsskolan in Lund and finished school when he graduated fifth grade in 1912. It was common to continue up to sixth grade and then high school, but Wiwen who does not thrive in a school environment wants to become a pianist or aviator instead. However, as the father is a recognized jeweler and court supplier, the son's career is already marked. Instead, he embarks on an educational journey with the goal Königliche Zeichenakademie in Hanau am Main, Germany. The school is Germany's oldest and most prestigious goldsmith's school. Wiwen enrolled on the fourth of August in 1913 and studied drawing, workshop work, engraving and hammering work. The education comes to an abrupt end with the outbreak of the First World War in 1914, and he instead continues his education in his father's workshop, where he stays until 1919. He does, however, make two breaks, the first quarter of 1917 he enrolled at the Technical Society's School in Copenhagen where he studied modeling, among other things, and in 1917-1918 he did his military service in Stockholm. In 1919 he applied for and received his companion letter, at the same time he received the Swedish Craft Organization's large medal in silver for his professionalism. In 1920 he is again at the school in Hanau, Germany where he stays until 1921 and practices with the jewelry company Chr. Kissling also in Hanau. At school, he mainly studies drawing and chiseling, a type of relief technique that was very popular during the 17th century. Wiwen is driven by his own design language and thinks that the prevailing technique under the influence of Danish designers is a setback in the development of chiseling. During his time in Hanau, he visits several arts and craft exhibitions and comes into contact with the Wiener Werkstätte and the Wiener Werkbund, among others. At the same time as he is studying, he writes travel stories where it emerges that he believes that Sweden's conservatism inhibits the development of arts and crafts, something he himself wants to change. Back in Sweden in 1921, he was appointed the company's artistic designer. In 1923, the company participates in the Gothenburg exhibition, but here Wiwen receives devastating criticism. His creations are considered ugly and meaningless, a critic writes that it is a typical case of poor material sense. In 1924, Wiwen Nilsson travels to Paris. Just like in Hanau, he studies chiseling, silver, drawing and modeling at the Académie de la Grande Chaumiére (now Académie Charpentier). One of France's foremost art schools where, among others, Siri Derkert (1888-1973) and Bror Hjorth (1894-1968) have also studied. In Paris he became acquainted with Georg Jensen (1866-1935), in whose workshop he chiseled for a period. He also meets and hangs out frequently with Jules Schyl (1893-1977) and Gösta Adrian-Nilsson, GAN (1884-1965). The meeting with GAN becomes extremely important and came to influence and refine Wiwen's own design language and together they hold a joint exhibition in 1925 in Lund. From 1925 until the end of the 1920s, Wiwen Nilsson produces a large amount of church silver. He designs and manufactures for, among others, Allhelgonakyrkan in Lund, Knästorps and Tottarps kyrka in Skåne. In total, Wiwen's workshop manufactures 677 objects for churches, of which 483 are found in churches within the diocese of Lund and 194 in other Swedish churches. Some are also sent internationally to the Church of Sweden in Paris, Berlin, Copenhagen and churches in West Germany, Iceland and to Zululand in South Africa. His church silver unmistakably bears the same design language as his profane works. All with the same angular but harmonized and modernist shapes, not infrequently his vessels like jugs and lid boxes are often hexagonal or octagonal. In 1925 he participated in the Exposition Internationale des Arts Décoratifs et Industriels à Paris (World Exhibition) where he received a gold medal in Class 10, the category for crafts and art industry in metal. Other exhibitors included C.G. Hallbergs Guldsmeds AB and Jacob Ängman...

Era: Art Deco Date: 1920s - 1930s Metal Content: 14k White Gold & 14k Yellow Gold with Platinum (pendant top) Stone Information Natural Diamonds Carat(s): 1.86ctw Cut: European & S...

This vintage book is crafted in rich 21K yellow gold and dates from the 1920's. This chain gets its name from the unique links that are folded over like the binding in a book. The ch...

Around 1930, Miriam Haskell's first designer Frank Hess designed this Russian-gilt brass ribbed-chain link bib necklace featuring 27 strands of varying length each wired to aqua faux-turquoise pressed glass beads with characteristic gold pronged-bell caps and thumbless spring-ring clasp. After the Great Depression began in the United States in 1929, to keep her popular European-style costume jewelry affordable among fashionable ladies, Haskell began using less expensive imported handcrafted glass beads, which included Czech and German pressed glass. Initially when she opened her handmade ready-to-wear costume-jewelry business in 1926 in New York City's downtown McAlpin Hotel, she had used only the finest Parisian glass beads and findings like French couturiers including Coco Chanel who soon became her competition. which Haskell promoted with the French name of her first boutique Le Bijou de L'Heure. If interested in assembling a suitable set of early Haskell-Hess pieces with similar aesthetics, please see our other listings for the aqua glass-and-enamel scalloped button clip earrings and the "peacock" coil arm-band bracelet with Parisian lampworked glass, faceted crystal, painted galalith beads, and cupped rose...

A fine and impressive antique 1920s 0.66 carat diamond and 18 karat white gold necklace; part of our diverse 1920s diamond jewellery collections This fine and impressive antique dia...

This magnificent and all original antique necklace features a large, oval-shaped, camphor glass pendant with magnificent etchings that is elegantly set and framed by intricate open f...

14 Ct Gold Art Deco Locket Set With Diamond And Rubies On 9ct Chain c.1920 Lovely octagonal locket with centre old cut diamond surrounded by small square cut rubies. The mark inside ...

14 Karat yellow gold statement necklace~ 18 inch to 20 inch long ****Spiral of the Chain(twisting in correct direction) will change the length*** Pineapple Tassel Design Circa 193...

An exquisite Art Deco charm necklace showcases a gem-set Sailor with diamonds prong-set, complemented by natural calibre-cut rubies and sapphires bezel-set. Crafted in platinum circa...

Alternating between links of white and yellow gold, this 14k Art Deco watch chain is bold and unique. The white gold sections of the chain consist...

Art deco garlands necklace with diamonds. Exceptional diamonds set necklace, created in America during the art deco period, back in the 1935. This beautiful movie star necklace was ...

This one-of-a-kind vintage necklace is a stunning combination of turquoise and pearls. The pendant is crafted from 14k yellow gold shaped in a stylized bow made from interlocking ova...

This stunning pendant features a 54 mm jadeite jade disc set in 14K gold wirework, with a floral design at center featuring pear shaped cabochon of various shades of jadeite, includi...

METAL / MATERIAL: Yellow Gold Filled CIRCA / YEAR: 1920's DIMENSIONS / SIZE: 21 Inches Total Length / 3/8 Thick This is a very unique Pocket Watch Chain set up as two chains. It ...

Most likely made in Germany during the Art Deco period, this vintage unsigned long heavy 12-pendant gold-gilt chain-link bib necklace features ball charms of gold-ringed emerald-gree...

This charming Art Deco 1920's Cobalt Blue and gold guilloche enamel and silver gilt locket is most like made in Austria or Switzerland. The front cover of this beautiful piece is dec...

This gleaming Art Nouveau shamrock locket is adorned with the profile of a serene beauty with wavy upswept hair, delicately held in place by a floral headband with a twinkling lucky ...

This fine Art Deco pendant necklace is set with a green chalcedony drop facetted on both sides and mounted in a silver mount set with marcasites. The reverse is marked with a Swedish...

Introducing an exquisite and exceptionally rare Art Deco vintage necklace, featuring a flag motif. This meticulously crafted platinum flag is beautifully...

This is a great looking hand made necklace or bracelet, pocket watch chain. Each link is hand constructed and every other link is done in kiln fired cobalt blue enamel. We have never seen this chain before done with enamel. It's versatile and elegant and the "Swivel" can be used to hang a fob or charm on it. You can hang it on your neck, or wrap it around a few times and wear it a bracelet. If you are looking for a pocket watch chain for a gold and blue enameled watch...

Brand: Krementz Era: Art Deco Date: 1920s - 1930s Metal Content: Platinum (top) & 14k Yellow Gold Stone Information Natural Sapphire Treatment: Heating Carat(s): .16ct Cut: Round C...

During the Art Deco period, Miriam Haskell's first designer Frank Hess designed this blue-and-white glass-beaded hand-sewn torsade set of dangle earrings and a choker necklace, whose knotted string is capped with their characteristic Russian-gilt brass flora filigree. Coinciding with the American Great Depression, to offer some less expensive costume jewelry than her initial ready-to-wear styles featuring Parisian hand-crafted materials found in French couture, Haskell reduced the cost of some of her findings by locally sourcing stamped metal and incorporating hand-pressed glass beads from Germany and Czechoslovakia. With a loop, the line from hand pressing the glass can only be found on the blue beads, while the white ones are coated in an organic material like authentic French faux pearls. The ends of the textured cords that string the beaded set were frayed to form a fuzzy opaque dome that hides the knots attached to the filigree caps. No Haskell jewelry was signed before 1947. The unsigned necklace...

METAL / MATERIAL: 14Kt White Gold CIRCA / YEAR: 1920's or 30's ATTACHMENT / LENGTH: 13.5 Inches in Length This is a great looking hand made necklace or bracelet, or a pocket watch ...