Chicago - Sculptures

This 19th century Japanese sculpture likely portrays an accomplished teacher of Japanese Zen Buddhism. Developed from wood with a polychrome finish, this monk is expertly carved with...

Newly carved from reclaimed teakwood, this bust takes the form of a Cambodian apsara. With origins in Hindu and Buddhist mythology, Apsaras are female spirits of the clouds and water...

This sizeable torso is from Ayutthaya, and is one of three pieces that made up a figural sculpture of Buddha. Comprised of elegant curves and soft lines, the details of diaphanous ro...

An iconic design by British designer Tom Dixon, this full-scale woven wicker motorcycle was created during his tenure as Head of Design at Habitat in...

A stunning and rare 18th century French hand-wrought iron weathervane, from Normandy, with a stylized dragon "flag" the moves according the wind, and with four wrought-iron flowers t...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn house models or bird houses. This sculpture works alone on a shelf or table or can be grouped with other house sculptures by the artist. Each house sculpture is unique in design and color. Jim Rose Structure No. 245 repurposed painted steel 6.50h x 8w x 3d in 16.51h x 20.32w x 7.62d cm JR0333 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

This rare pair of écorché sculptures by renowned American sculptor Brenda Putnam (1890–1975) offers a fascinating glimpse into both artistic process and anatomical study. Dating to 1...

Self-taught artist John Seubert, AKA John Dolly, uses objects he uncovers as he rehabs older homes in Chicago. This piece has a figurative painting mounted as a shrine then set upon a corinthian capital and a granite stand. A metal plaque at the top as well as at the bottom give the piece it's title 'The Fountain on Lies". John Seubert The Fountain of LIes mixed media Measures: 22.50h x 13.50w x 4d in 57.15h x 34.29w x 10.16d cm JSE069 In the early Nineties, John Seubert was living in a former hotel in a high-rise building on St. James Place in Chicago. The apartment was tiny, as hotel rooms tend to be, and clad with paper-thin walls allowing sound to pass from one apartment to the other. At the time, John’s artwork consisted of pounding copper sheets into tables which was a noisy endeavor to say the least. Following several noise complaints from the neighbors, John had a dream that he was living in a ramshackle house but with plenty of room to work and no attached neighbors. The following day after lunching at the McDonalds in Lincoln Park, John wandered the neighborhood a came upon a shabby, falling-down old Victorian house. He located the real estate agent, put in an offer, and weeks later was pushing a shopping cart full of his belongings to his new home. This 144-year-old Painted Lady provided a blank canvas for this inimitable artist. For many years the house remained so empty that John was able to ride his Japanese fold up bike throughout the 1st floor. “Some people want to have sex...

A charming and playful vintage American saucer sled painted with an American flag motif, and retaining its original handles and tow rope. We've had...

Arnoldo Pomodoro cast bronze box abstract sculptural box with lid decorated organic abstract motifs, c1960-1970 The box is part of a series of four boxes made by the two brothers Gio...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

Fleshpot - Morris Rushton England, 1970. Fleshpot's are highly collectible and a award winning casserole set in white ceramic by Morris Rushton England....

Vintage cast iron figural garden mother goose and three goslings, one stamped on the bottom "JAPAN". Some examples retain an old painted surface. Mother goose measures 27”h x 12”w x ...

The now iconic bronze coupe vase from the Rick Owens bronze relic collection. This is shown in the nitrate patina. Each piece is handmade and hand patinated so there is always a slig...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of spare parts come together ...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of found steel is reworked, pr...

Arnulf Hoffmann (German, b. 1935) "Mobile" painted metal kinetic sculpture Provenance: Gimpel and Hanover Galerie, Zurich, Switzerland, June 1971; Est...

Monumental Chandelier Hand-Crafted by Architect Paolo Soleri,Brutalist Design. Bronze Cast from the Arcosanti foundry Yavapai County, Arizona 19...

This extraordinary sculptural portrait head takes its beginnings from classical antiquity. Attention to detail and complete understanding of the human figure are evident. The sculpture, which is made of resin and patinaed with a rusted iron can be shown on a base or lying down. Dean Kugler The Black Road: Iron, 2021 Resin and Iron Patina 20h x 16w in 60.96h x 40.64w cm DK0041 Dean Kugler is a seasoned interdisciplinary artist, painter, and figurative sculptor. His 3D work is featured primarily at Gallery Victor Armendariz in Chicago. In the last three years, Dean has also been featured at Abend Gallery in Denver, The Figge Art Museum, and Bereskin Gallery in Iowa. He has shown at SOFA Chicago in 2017, 2018, and 2019 and participated in ArtPrize in 2013, 2014, and 2015. He sees himself primarily as a sculptor due to the challenges he finds and thrives on within the process. In all its beauty, crudeness, and subtleties, the figure offers infinite opportunities to express feelings and emotions. There is also a physicality to sculpture that requires the work to be experienced through movement in order to reveal more about the piece. Dean has always been drawn to the interactive nature of large-scale sculpture that is available to the public - he loves the idea that his work entices the observer to go beyond what they can see and add tactility to the experience. By using both realism and abstraction, he creates a visual that challenges the viewer to resolve what they are seeing. Therefore, providing a greater connection between the artist and the viewer. Education 1993 – AA from Blackhawk College. 1995 – BFA from Western Illinois University. Texts 1995 – “Drawing: Skills, Means, Freedom”. Jan Clough / Ann Mullin. pub. 1995. 1993 – “Images” College publication featuring multiple pieces. 1992 – “Images” College publication featuring multiple pieces. Bibliography Dec 2022 - American Art Collector. “Room to grow”. Pages 48 and 49. 1 Oct 2018 – River Cities Reader. Article discussing a group show titled “Earth, Wind, and Fire” at Bereskin Gallery. 18 Aug 2018 – River Cities Reader. Article by Mike Schulz about my show titled “Relic” at the Quad City Arts. 1 Nov 2017 – Dispatch-Argus and QCOnline, Coverage of my showing at SOFA. 16 Dec 2016 – River Cities Reader. Article by Rick Martin about one-man art show titled “It Figures” at Black Hawk College. 22 June 2016 – Dispatch-Argus. Coverage of my one-man show titled “Animal Farm.” 22 Sept 2015 – Quad-City Times. “Body of work”. Article by David Burke about a one-man art show at Black Hawk College. 30 October 2014 – WVIK radio and online. Coverage of the ribbon-cutting for “Gravity” installation at the Rivercenter in Davenport, IA. 28 Sept 2014 – TV interview on WZZM13 in Grand Rapids covering ARTPRIZE and my sculpture, Gravity at the Gerald Ford...

Self-taught artist John Seubert, AKA John Dolly, uses objects he uncovers as he rehabs older homes in Chicago. This piece is made from found and salvaged objects, including a child's...

This large Burmese bell is known as hka-lauk and was used to track the movement of a livestock animal, strung from a collar by the two loops at the top. Dat...

Larry Mohr (American / New York 1921-2013), "Nude Study", verdigris patinated bronze sculpture of the lower part of a female body, signed L Mohr to base and 2 to edge of base.

Vintage Rattlesnake by Frederic Remington Sculpture Statue Beautiful Cowboy/Southwestern style sculpture.  Lost wax bronze casting process.  Mounted on a fine marble base.  The ...

This 21st century hand-carved stone portrait bust is expertly hewn from a striped gray and tan stone. The artist expertly and intentionally utilized the natural veining of the stone ...

This seated effigy figure was crafted in 300 BC to 300 AD from the ancient Nayarit region of Mexico and was likely used as a ritual or burial offering. The ceramic works of the Chine...

The iconic bronze Evase vase from the Rick Owens bronze relic collection. This is shown in the nitrate patina. Each bronze is handcrafted in France...

Self-taught artist John Seubert, AKA John Dolly, uses objects he uncovers as he rehabs older homes in Chicago. This piece has a thin metal disc mounted to a wooden column. A severed...

Large-scale vase is made with solid brass. Vase is made well and is heavy Dimensions: 11" high 12" dia opening 5.50" opening

Paolo Soleri Special Order Large 55 inch Brutalist Windbell 1975 Cast aluminum, patinated bronze, and copper 55 h × 13 w × 7½ d in Cast artist's cipher to body. Condition: Natural pa...

Hand-crafted from reclaimed wood, this large koi sculpture is a traditional symbol of harmony and luck. For Buddhists, such a fish represents a freedom from all restraints. Much of t...

This standing effigy was crafted in 500 A.D. - 1000 A.D. Mesoamerica using the gray clay paste that characterizes La Tolita-Tumaco ceramics of early Colombia-Ecuador. The art of La Tolita-Tumaco civilization is considered one of the most developed of the pre-Columbian period as metalwork and ceramics were the most popular form of cultural expression. The ceramic creations of this culture were often based on the human figure to create portraits of people and realistic daily scenes of life cycles and the human condition. This figure appears to be wearing a loincloth and is adorned with a beaded necklace and an elaborate coiffure or headdress. There are holes lining each ear indicating the potential use of ear spools...

Antique French pressed botanical from 1897. For those of you that may be interested, we will be listings many more antique French botanical's in the c...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, found steel objects are welded together to ...

The nude from Ancient Roman art is a conceptually perfected ideal person, each one a vision of health, youth, geometric clarity, and organic equilibr...

Self-taught artist John Seubert, AKA John Dolly, uses objects he uncovers as he rehabs older homes in Chicago. This piece is made from found and salvaged objects, including a child's...

This early 20th-century American solid cast iron mallard duck boot scrape is a multifunctional piece that encapsulates both practicality and rustic charm. Initially designed as a boo...

A full size bookcase with this level of workmanship and detail would be an incredible find, but this beautiful piece of furniture—at only eight inches tall—is perfectly constructed d...

Self-taught artist John Seubert, AKA John Dolly, uses objects he uncovers as he rehabs older homes in Chicago. This piece has a "slice" of a metal sculpture that was salvaged. A sev...

Paper darkened brass bowl I by Gentner Design Dimensions: D 25.4 x W 25.4 x H 12.7 cm Materials: darkened brass Available in tarnished brass and darkened brass. The Paper Series emb...

Another large Crinoid fossil from our collection. Crinoids are more commonly known as sea lilies and are members of the Echinodermata phylum with the st...

Tea drinking has been an integral part of Chinese culture for centuries, resulting in a wide range of social customs and material traditions. In addition to tea leaves, water, and heat, the art of drinking tea (chayi) calls for a variety of teaware and utensils - both practical and decorative. This charming teapot dates to the late Qing dynasty and is hand-carved from a hollow length of bamboo to appear as though parceled by a cloth strung with tassels. The teapot has a squat, rounded form and a dark brown finish, reminiscent of Yixing red clay teapots...

Monumental Leza McVey Surrealist "Eye in Hand" Ceramic Sculpture, 1977 Partially glazed stoneware Signature: Signed "Leza" inside the hand Dimensions: 23¾" H × 14¼" W × 7¾" D Conditi...

Upon discovering a weathered steel drum that had been warped to resemble the sleeve of a garment, artist Gordon Chandler was inspired to embark on a series of kimono sculptures formed from found metal scraps. With an eye to the aesthetic possibilities of this humble material, Chandler invests the reclaimed steel with sculptural fluidity and a wry sense of form. Flattened with the center portion rolled out and the sides left open, this discarded barrel takes on the look of a miniature jacket. Coated with a mint green finish, the eroded metal appears as draped fabric, folded back to form a simple collar. The sculpture is finished with the artist's initials stamped...

Neoclassical Cherub/Putti Garden Sculpture From a beautiful Southern Estate, approximately 50 years old. Stunning, neoclassical cherubs/putti garden statue...

Stanley Landsman Infinity Mirror 1970 Painted matte black wood and mirrored glass Dimensions: 84¼ h × 25 w × 24 d in Stanley Landsman was a pioneering sculptor best known for his “In...

This round stone disc originated in Shanxi province as an early 20th-century threshing wheel. Secured to a wooden axel that ran through the center, the stone was rolled across stalks...

Tibetan traveling shrines, known as Gau, were believed to offer protective powers and were used to hold and carry sacred objects during long journeys. Crafted over a century ago, a B...

Capture the essence of Hellenistic artistry with our exquisite reproduction of the famed "Benevento Head." Meticulously crafted from plaster and adorned with a lifelike bronze finish...

This is a white glazed and black clay raku fired ceramic bust. Though modern, this sculpture references Classical Greek and Roman antiquities. A subtle red glaze is used on the lips and the artist has purposefully and mysteriously left a portion around the neck between the head and the chest free of glaze, exposing the black clay beneath. The cracking on the surface is a result of the raku firing process and intended to be there. Pavel Amromin George, 2017 raku fired ceramic 17H x 15W x 9D in 43.18H x 38.10W x 22.86D cm Pavel G. Amromin Exhibitions 2017 SOFA: Sculpture, Objects, Functional Art, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2009 Pavel Amromin: Adventure Bound, The Clay Studio, Philadelphia, PA SOFA: Sculpture, Objects, Functional Art, New York, NY 2008 SOFA: Sculpture, Objects, Functional Art, New York, NY 38th Annual Ceramics Exhibition, Crossman Gallery, UW Whitewater, WI 2007 SOFA: Sculpture, Objects, Functional Art, Chicago, IL SOFA: Sculpture, Objects, Functional Art, New York, NY 2006 SOFA: Sculpture, Objects, Functional Art, Chicago, IL The Toy Soldier Collection – MFA Thesis Exhibition, University Gallery, University of Florida, Gainsville, FL 2005 SOFA: Sculpture, Objects, Functional Art, New York, NY 2004 SOFA: Sculpture, Objects, Functional Art, New York, NY SOFA: Sculpture, Objects, Functional Art, Chicago, IL 2003 SOFA...

A bronze sculpture / dish by Italian artist Gio Pomodoro for Il Sestante Galleria, Milan, Italy, circa 1958. In the late 1950s the gallery was producing small series of decorative o...

This delightful pair of white bisque porcelain long-tailed macaque monkeys brings charm and whimsy to any space. One monkey sits serenely, cradling a ripe peach in its delicate hands...

Brass oil decanter by Gentner Design Dimensions: D 6.3 x W 10 x H 22.2 cm Materials: polished tarnished brass Made of brass and hand tarnished, the...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of found steel is reworked and...

This unique sculptural composition beautifully pairs the naturalism of taxidermy with an abstract 19th century Chinese wooden scholars' root. The raven is poised as is mid-caw, ready...

Prevalent in fine Chinese interiors as early as the Tang dynasty (618-906), standing screens with decorative stone panels served numerous functions as portable architecture. Used to ...

With closed eyes and a gentle expression, this large stone Buddha head brings calm and serenity to its surroundings. The hand-carved figure depicts the historic Buddha Shakyamuni, also known as Shaka, Gautama Buddha...

Curtis Jere Starburst wall sculpture / Signed & dated.

These exquisite 17th century French carved wood eavesdroppers, now mounted on custom steel stands, are a captivating blend of historical artistry and modern presentation. Originally ...