Chicago - Sculptures

Hand-crafted from reclaimed wood, this artisanal koi sculpture is a traditional symbol of harmony and luck. For Buddhists, such a fish represents a freedom from all restraints. The f...

Expertly cast and lacquered bronze finished sculpture of an atlas type figure supporting a bevelled 1" thick glass top. The base is a stepped and black lacquered rectangular plinth.

This petite Chinese jewelry chain dates to the early 20th century and is strung with an array of petite bells and good luck charms. Among the charms is a bat, a stone chime, two litt...

With its many blades and dramatic form, this impressive throwing knife would have been a status symbol and a form of currency among the Ngombe peoples o...

Robert Segal’s abstract sculpture offers a particularly fertile ground for experiments in shape, color, proportion, and technique. He steps away from non-traditional sculpting method...

Jim Rose Standing found industrial objects 41h x 10w x 10d in 104.14h x 25.40w x 25.40d cm JR0355 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs, Leigh Yawkey Woodson Art Museum, Wausau, WI 2001 Anything with a Drawer - Award Recipient, Mesa Arts Center, Mesa, AZ 2001 23rd Annual Contemporary Crafts - Award Recipient, Mesa Arts Center, Mesa, AZ 2000 New Talent in Craft, Wustum Museum of Fine Art, Racine, Wisconsin 2000 Who Knows Where or When, Wustum Museum of Fine Art, Racine, Wisconsin 1999 The End is Near! Artists look at the 20th Century, Wustum Museum of Fine Art, Racine, WI Selected collections Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. Racine Art Museum, Racine, Wisconsin Mesa Contemporary Arts, Mesa, Arizona The Museum of Arts and Design, New York, New York John Michael Kohler Art Center, Sheboygan, Wisconsin Kohler Company, Kohler, Wisconsin Milwaukee Art Museum, Milwaukee, Wisconsin Society for Contemporary Craft, Pittsburgh, Pennsylvania Arkansas Arts Center, Little Rock, Arkansas Carnegie Museum of Art, Pittsburgh, Pennsylvania Indiana State Museum and Historic Sites, Indianapolis, Indiana The Chipstone Foundation, Fox Point, Wisconsin Museum of Wisconsin Art, West Bend, Wisconsin Publications “Selected Artists of Door County” Stonehill Publishing, 2016 “Galvanized Chest” Door County Living Magazine, Autumn 2012 “100 Artists of the Midwest” Schiffer Books, 2012 “Piecework” American Craft Magazine, February 2012 “Hiding Places, Memory in the Arts” John Michael Kohler Arts Center, June 2011 “Second Lives, Remixing the Ordinary” Museum of Arts and Design, NY, August 2008 “Studio Furniture” Renwick Gallery, Smithsonian American Art Museum, DC, May 2008 “Discoveries by Designers” Architectural Digest, December 2005 “Contemporary Metal Furniture” Metalsmith Magazine, Winter 2003 “Studio Case Furniture: The Inside Story” American Craft Magazine, October 2002 “Contemporary Studio Case Furniture: The Inside Story” Elvehjem Museum of Art, 2002 “Chicago Style...

These early 20th century German Roe Deer mounts, originating from a prestigious hunting lodge, exude the grandeur and tradition of the sport. Mounted o...

Sculpture by French sculptor Arsene Galisson a stone sculptor in Poitou. He creates small architectureal lamps and objects inhabited by a soft light, ...

To Chicago-based artist Patrick Fitzgerald, his miniature car sculptures are a means of traveling through time. Born from a fascination with the soap box derby...

An arresting pair of 20th century West African cast bronze bird sculptures, each with incised feathers, raised eyes, and standing on two legs, resting on flat bases. Perfect for deco...

This late 19th-century carved wooden sculpture is a lifesize depiction of a young nobleman of the Italian Renaissance. The piece is made entirely from wood and carved gesso under an ebonized finish, giving it the illusion of an oxidized bronze sculpture. The young man is posed in a classic Contrapposto stance, which is an Italian term that means "counterpoise". This term usually refers to a standing human figure carrying its weight on one leg so that the opposite hip rises to produce a relaxed curve in the body, a dynamic pose that is most associated with Renaissance art. He establishes his stance with a hand on his large belt and one hand in the air holding a torch. This Renaissance revival piece is highly detailed through intricate workmanship, down to the Lion of Saint Mark...

Behold this exquisite set of three 19th century French dibbers, tools used to aid in planting seeds or seedlings, each a unique testament to the artistry of bygone eras. Crafted with...

Bloodroot start to bloom before the foliage unfolds in early spring common in the upper Midwest of the United States. After blooming, the leaves unfurl to their full size as seen in ...

From the 1700s through the early 1800s, European aristocrats developed a fascination with ancient Egyptian culture and design that culminated in a full Egyptian Revival. Prominent figures such as Marie Antoinette and Napoleon Bonaparte commissioned rooms decorated with Egyptian motifs. This cultural moment reflects a fascination with a sophisticated civilization of great artists and pharaohs. The Regency era possessed very little knowledge of the Great Pyramids or hieroglyphics, a quality that lent Egyptian art interpretation a compelling air of mystique. This English Regency period gilt carving depicts a popular figure of borrowed Egyptian motif: the Sphinx. Recognized among educated circles as a symbol of brilliance in the ancient past, the Sphinx was well-known as a mythological creature who destroys those who failed to answer her riddle. Such a piece as this, excellent in detail and craftsmanship, may have once graced the mantle of a gentleman’s study or been exchanged as a gift between British scholars. The beautiful gold surface has been achieved by an artful combination of gilt and gesso; the art enthusiast will appreciate the intricate texture realized in the carving’s hair and tail as well as the delicate detailing of the saddle. Borrowing from the Egyptians, the Greeks had their own interpretation of the Sphinx. Greek mythology chronicled the Sphinx as being the daughter of Orthous and Chimera or Laius and attributed the riddles, which she proposed, as having been taught to her by the Muses. Crowned with a Grecian diadem and having a refined expression, she evokes an ancient yet reserved intellect. For the modern-day enthusiast of classical Greek art...

Horse sculpture, signed Jo Mead.

With a curly mane and a lively expression, this petite stone fu dog is an adorable companion and a benevolent guardian of the home. Known as shizi, the mythical dog is thought to off...

La Linda Nedra by Elena Rakochy Artist Bio and Statement Elena Rakochy is a sculptor from Chicago, specializing in clay and drawing inspiration from nature and interpersonal connect...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life. Also known as forget-me-not jugs or spirit jars, memory jugs are African American folk art objects that honor a loved one who has recently passed. Small tokens and mementos of the deceased are gathered and affixed to the exterior of a jug or vase, an abundance of memories that celebrates a life lived to the fullest. Michael Thompson applies this tradition to his own practice, creating tactile assemblages of this and that. Formed in the manner of collage, each jug honors the lost memories of generations past and his own memories of personally discovering each item. With varied sources for materials including Kyoto, Turkey, and Mexico, a great number of the found shards are 18th and 19th century ceramics...

A fantastic late 19th century Bavarian hand carved fruitwood hunt plaque depicting a roe deer hanging from a wooden peg over an oak branch with leaves and ...

Pair of Art Deco inspired solid brass crane sculptures surmounted on dark grey Carrara marble pedestals with brass sabots. One sculpture stands 2...

Paper darkened brass bowl II by Gentner Design Dimensions: D 17.7 x W 22.8 x H 14 cm Materials: darkened brass Available in tarnished brass and darkened brass. The Paper Series...

Every cottage needs one of these! A 20th century North American caribou mount with a wonderful expression and a larger-than-life presence.

A wonderfully sculptural early 20th century Ethiopian side chair with a hide seat and back stitched with hide strips, and stretched over a primitive wood frame. Chair is functional, ...

This elaborate chain of repoussé charms and tools is a traditional Chinese grooming kit, intricately worked of silver alloy with fantastic detail. Much like a Victorian chatelaine, a...

This antique Chinese mirror is cast of bronze in the tang-dynasty style, with a lobed rim of eight flower petals, each filled with small cloud ...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has taken heavy gauge wire and formed it into a simple dog and placed it upon a salvaged steel cylinder. These repurposed items combine to form this small simple sculpture that will sure to bring a smile to its owner. Jim Rose Objects No. 04 Found and Collected Objects 6.50h x 6w x 10.50d in 16.51h x 15.24w x 26.67d cm JR0291 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2023 Jim Rose CODA, Gallery Victor, Chicago, IL 2020 Unseen, Gallery Victor Armendariz, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2023 Intersect Palm Springs, Gallery Victor, Palm Springs, CA 2018 SOFA Chicago 2018, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art on Paper, Gallery Victor, Metropolitan Pavilion, New York, NY 2017 - 2019 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

This mid-20th-century American hand-crafted leather humpback whale, found in one of Oregon's picturesque coastal towns, is a stunning example of traditional craftsmanship and creativ...

This curious Chinese jewelry chain dates to the early 20th century and is strung with an array of petite bells, charms and amulets. Worked of gilded silver alloy, the repoussé charms are laden with blessings and symbolism, including fruits for abundance, bats for happiness, and a lotus for perfection. The chain is strung with three larger charms of a horse, a donkey and a three-legged toad, the mythical creature known as the Jin Chan, or Money Toad...

A cast bronze bird sculpture by Philippe Jean, French artist, designer and sculptor. Mounted on a black wood cube base. Signed and numbered. PhJean 8...

This Chinese Neolithic-inspired stone axe head, meticulously carved from an orange/brown stone, is a testament to ancient craftsmanship and cultural significance. Axe heads of this s...

By the 18th century, opium use had become as central to Chinese social life as taking tea or smoking tobacco, fostering a subculture rich with its own customs, traditions, and exquis...

Hobnail tile wall piece by Gentner Design Dimensions: D 30 x H 40 cm Materials: steel Hand-formed from a sheet of steel, emphasizing the material’s pliable characteristics expre...

This long wooden object is a 19th century pestle, originally used with a large, free-standing mortar to pound rice or other grains. Placed upon a custom steel mount, the wooden tool ...

This intricately styled pair of terracotta figurines is sculpted in the style of Japanese Dogū sculptures of the Jōmon period (10th-4th century B.C.). Reminiscent of Pre-Columbian redware figures, Dogū ceramics are known for their primitive abstract rendering of the human form and decorative geometric etchings. This pair of ceramic figurines...

As the embodiment of compassion, Guanyin is the most beloved enlightened being in China. Known as the Goddess of Mercy, she is the female bodhisattva form taken by Avalokitesvara in eastern Buddhism and is instantly available to all who call upon her with their mind. Though commonly depicted as a woman in Chinese statuary...

While shield and spear were central to African combat, this iron example was most likely made to serve as a piece of trade currency. Many pre-colonization African currencies were modeled after objects of inherent value, resulting in sculptural combinations of function and beauty. This large iron spear dates to the early 20th century and is attributed to the Kuba people of the Democratic Republic of the Congo. Secured to a narrow iron handle, the flattened blade has an elegant, sloping silhouette, subtly textured with concentric grooves and a rusted, antique patina. Forged as a broadleaf spear, the weapon contrasts a violent potential with images of peaceful branches swaying in the wind. We've set this unusual Kuba spear...

Detailed and eye catching outsider art "found" wood sculpture. Constructed from floor moldings and cut paper geometric appliques. Unsigned.

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn house models or bird houses. This sculpture works alone on a shelf or table or can be grouped with other house sculptures by the artist. Each house sculpture is unique in design and color. Jim Rose Structure #168 found steel with natural rust patina and paint 6h x 4.50w x 2.50d in 15.24h x 11.43w x 6.35d cm Jim Rose b. 1966 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery...

A well-chosen stone is the focal point of both a traditional Chinese garden and a scholar's studio - evoking the complexities of nature and inspiring creative thought. With its round...

Believed to be powerful protectors against malevolent spirits, fu lion dogs have stood guard at the entryways and thresholds of Chinese buildings and temples for centuries. Known as ...

Believed to be powerful protectors against malevolent spirits, fu lion dogs have stood guard at the entryways and thresholds of Chinese buildings and temples for centuries. Known as ...

Following the sculpted form, marbled coloring, and natural veining of this one-of-a-kind stone can be deeply meditative. Viewed as a source of beauty and creativity, Chinese scholar-...

A charming vintage Italian porcelain sculpture depicting a stacked grouping of onions and artichokes and resting on a tazza-form base.

Tony Rosenthal Monumental "Mandala" Variation 1994. Painted wood half circles bolted together with metal base. Signed on metal base Tony Rosenthal Born August 9, 1914, in Highland Pa...

Pair of Six-Foot High Topiary Spiral Shaped Cedar Plants with painted wood planters. We have used these and similar Topiaries in our showrooms for decades and there are currently 2-p...

In 19th century Tibet, many men would have carried a flint striker along with several other tools that could help ensure survival in the often-harsh climate of the Tibetan Plateau. K...

This intriguing head fragment was once attached to a pre-Columbian bust or full effigy figurine. Earthenware figurines like this were made in great abundance throughout Mesoamerican history, serving a wide variety of purposes and functions from religious rituals to burial offerings. Figurines like this commemorated important people and events across Mesoamerica, portraying individuals of different rank and status such as soldiers, merchants, bureaucrats, and occasionally divinities. This figure is adorned with an elaborate headdress, or coiffure, and ear spools...

In 19th-century Tibet, many men carried a fire striker to help ensure survival in the often-harsh climate of the Tibetan Plateau. Known as mechag, such strikers would hang from one's belt and often doubled as a small pouch for flint and tinder. The finest strikers were finished with precious metals and decorated with repoussé and inlaid stones. This leather flint pouch is decorated with silver and gold plated metalwork and three large beads of turquoise and red coral. The mechag hangs from a simple leather strap and three decorative leather beads hang below. The pouch contains two Tibetan prayer flags...

Back lit, cast aluminum tortoise or turtle shell table lamp by Aurthur Court. Pierced opening surround the shell to let in as well as frame the piece. Mounted on a cast aluminum base...

A monumental Italian bust of David sculpture designed by Stone International in 1992. Crafted from metal with a plaster finish, this piece is a...

A well-chosen stone is a focal point of both a traditional Chinese garden and a scholar's studio, evoking the grandeur of nature and inspiring creative thought. Meditation stones off...

Mario Dal Fabbro sculpture No. 6 Signed, F.41. Multi-disciplinary artist Mario Dal Fabbro was born in Cappella Maggiore, Italy in 1913. He trained in his family's furniture desig...

Driftwood sculpture selected by John Dickinson for the Historic Firehouse, San Francisco. Placed in John's bedroom on the same cases shown, (also available) Custom brass display mount...

Vintage 1970s mounted brass penguin lamp. Possibly made in France by Willy Daro. Last photos show a similar brass penguin lamp signed by Willy Daro. This...

This vintage Italian midcentury white porcelain sculpture, artfully depicts an obedient greyhound dog. The greyhound, known for its slender, streamlined body and swift agility, is po...

The iconic bronze Evase vase from the Rick Owens bronze relic collection. This is shown in the black patina. Each bronze is hand crafted in France and is signed. Can be used as vas...

Vintage Paolo Soleri Ceramic & Copper Solar Bell — 6'3" Tall Mobile Sculpture with "Witch Hat" Top and Tribal Motifs A dramatic and rare example of Paolo Soleri’s iconic Solar Bells,...

Enzo Mari style sculpture, solid steel mass with architectural elements.