Chicago - Sculptures

This extraordinary pair of life-size striated salmon pink marble baby giraffe calves have been hand-carved. Both sculptures were diligently carved from a single slab of marble. The s...

This mid-20th century American Brutalist iron sculpture, titled Regatta, captures the dynamic energy of a sailboat race with bold, abstracted forms. The composition features four sai...

Believed to be powerful protectors against malevolent spirits, fu lion dogs have stood guard at the entryways and thresholds of Chinese buildings and temples for centuries. Known as ...

Antique Wood Carved American Jumper Carousel Horse Beautiful early 1900's wood carved classic American jumper carousel horse. The horse has been refur...

Sculpted from a single piece of 34" tall wood, this work portrays a man on his horse, wearily resting his head on the horse's mane.

An incredible and rare set of 19th century French stone carver's wooden mallet and six iron chisels, mounted on a custom steel stand. Found in Roen, Nor...

This set of four 19th-century French wrought iron chamfered shave draws is a tribute to the artistry of coopers, essential craftsmen in communities. These draws, once crucial tools f...

This intricately styled pair of terracotta figurines is sculpted in the style of Japanese Dogū sculptures of the Jōmon period (10th-4th century B.C.). Reminiscent of Pre-Columbian redware figures, Dogū ceramics are known for their primitive abstract rendering of the human form and decorative geometric etchings. This pair of ceramic figurines...

Thought provoking sculpture of a type of fish with the face of a man by Theodore Gall, 1987. Mounted on a chunk of lava rock, the fish has incredible patina that was applied by the a...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has taken heavy gauge wire and formed it into a simple dog and placed it upon a salvaged steel cylinder. These repurposed items combine to form this small simple sculpture that will sure to bring a smile to its owner. Jim Rose Objects No. 04 Found and Collected Objects 6.50h x 6w x 10.50d in 16.51h x 15.24w x 26.67d cm JR0291 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2023 Jim Rose CODA, Gallery Victor, Chicago, IL 2020 Unseen, Gallery Victor Armendariz, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2023 Intersect Palm Springs, Gallery Victor, Palm Springs, CA 2018 SOFA Chicago 2018, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art on Paper, Gallery Victor, Metropolitan Pavilion, New York, NY 2017 - 2019 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

A striking silhouette elevates this gnarled rootwood object into an incredible natural sculpture. The organic root form recalls the tradition of Chinese scholars' rocks, or gongshi, ...

Kalman takes steel and torch-cuts it, then contours it for a Brutalist effect. Signed base Gabor Kalman '68. This item is currently on view in our NYC Greenwich Street Location.

This Chinese Neolithic-inspired stone axe head, meticulously carved from an orange/brown stone, is a testament to ancient craftsmanship and cultural significance. Axe heads of this s...

A rare set of early 20th century cast lead French Naval battleship training models used by servicemen in identifying ships from the air. We had a custom steel plate made for display ...

An ode to a childhood favorite - this chunky, hand built sculpture depicts a bust of Cap't Crunch cluttered amidst ionic columns and bridge girders. Its earthenware coloring is comp...

Richard Walsh freeform sculpture. Tubular metal bent and welded to torch-cut circular base, Brutalist in form and patina. Sturdy stabile sculpture, circa 1975.

This lovely mid-century sculpture done by Bijan Bahar features 5 seagulls that appear to be flying wing to wing. It is a tall and fine example of the types of sculptures that earne...

An oversized bronze pear sits upon a concrete base in Mary Block's unique work entitled Autumn Pear. This one of a kind bronze sculpture is perfect in its imperfect shape as only nat...

Silas Seandel Sun Spots Sculpture, composed of Torch cut bronze, steel, copper and brass elements.

In 19th-century Tibet, many men carried a fire striker to help ensure survival in the often-harsh climate of the Tibetan Plateau. Known as mechag, such strikers would hang from one's belt and often doubled as a small pouch for flint and tinder. The finest strikers were finished with precious metals and decorated with repoussé and inlaid stones. This leather flint pouch is decorated with silver and gold plated metalwork and three large beads of turquoise and red coral. The mechag hangs from a simple leather strap and three decorative leather beads hang below. The pouch contains two Tibetan prayer flags...

Every cottage needs one of these! A 20th century North American caribou mount with a wonderful expression and a larger-than-life presence.

Driftwood sculpture selected by John Dickinson for the Historic Firehouse, San Francisco. Placed in John's bedroom on the same cases shown, (also available) Custom brass display mount...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has welded together various washers and cyl...

Richly textured with whimsical appeal, this late 20th century wooden crow is a delightful example of naive American sculpture. Poised mid-caw, the crow's wings are outstretched, read...

This pair of cast plaster Gothic finials exudes the elegance and intricacy of Gothic architectural design. Each finial is adorned with floral form crockets, meticulously crafted to r...

Vintage Mother and Child Heavy Bronze Sculpture By Rebecca Ghiglieri on Marble Base This stunning piece, elegantly mounted on a solid marble base, captures the tender bond between m...

Monumental Leza McVey Surrealist "Eye in Hand" Ceramic Sculpture, 1977 Partially glazed stoneware Signature: Signed "Leza" inside the hand Dimensions: 23¾" H × 14¼" W × 7¾" D Conditi...

This petite Chinese jewelry chain dates to the early 20th century and is strung with an array of petite bells and good luck charms. Among the charms is a bat, a stone chime, two litt...

Although practiced for centuries, Chinese glass-making gained prominence during the Qing-dynasty with the introduction of Peking glass. Adapting European technologies, workshops in the Imperial Palace began creating layered and intricately-carved glass pieces that mimicked the translucency of jade, semiprecious stones, and rare jewels. This Peking glass charm is sculpted as a tiny bok choy...

Believed to be powerful protectors against malevolent spirits, fu lion dogs have stood guard at the entryways and thresholds of Chinese buildings and temples for centuries. Known as ...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has welded together various washers, nuts, ...

Robert Segal’s abstract sculpture offers a particularly fertile ground for experiments in shape, color, proportion, and technique. He steps away from non-traditional sculpting method...

Pier Alessandro Giusti and Egidio Di Rosa for Up&UP Italy sculptural travertine vase circa 1980. This vase is highly scored or incised from bottom to top in a circular motif making i...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life. Also known as forget-me-not jugs or spirit jars, memory jugs are African American folk art objects that honor a loved one who has recently passed. Small tokens and mementos of the deceased are gathered and affixed to the exterior of a jug or vase, an abundance of memories that celebrates a life lived to the fullest. Michael Thompson applies this tradition to his own practice, creating tactile assemblages of this and that. Formed in the manner of collage, each jug honors the lost memories of generations past and his own memories of personally discovering each item. With varied sources for materials including Kyoto, Turkey, and Mexico, a great number of the found shards are 18th and 19th century ceramics...

Kugler's "The Powerful Hermanas: Irene" expresses his profound admiration for the human form. The nude figure stands vulnerable before us yet a cloth is draped over her eyes as she gives herself over, blindly, to an unseen force. Hermanas, meaning sister, brings power to the female form. The nude from Ancient Roman art...

Mario Dal Fabbro Sculpture No. 1 Signed: [Mario Dal Fabbro 1979] Multi-disciplinary artist Mario Dal Fabbro was born in Cappella Maggiore, Italy in 1913. He trained in his family...

Dated to the late 19th century, this fine Chinese headrest is hand-crafted of lacquered hide atop an elongated bamboo frame. Used while sleeping like a modern pillow, the headrest ha...

The iconic bronze Evase vase from the Rick Owens bronze relic collection. This is shown in the black patina. Each bronze is hand crafted in France and is signed. Can be used as vas...

Sculptural zigzag coffee table in mahogany with slender, tapered brass legs. It has a stepped rim around the edges with rounded corners. The top is...

Tibetan traveling shrines, known as Gau, were believed to offer protective powers and were used to hold and carry sacred objects during long journeys. Crafted over a century ago, a B...

Artist statement: During the summers in Connecticut when I was a pre-teen, I lived for playing baseball. I grew up on a farm and had to work hard, but I always made time for baseball. I played everyday and sometimes even slept with my glove underneath my pillow. I dreamed of playing professionally for the New York Yankees. The only thing that dragged me away from playing baseball was an arts and craft’s class in my school’s summer program. On Tuesday afternoon, after lunch, baseball was on hold for arts and crafts. In my first class, they taught us how to make pot holders and build things with Popsicle sticks by gluing them together. It was so much fun. I guess this was the earliest telling of what was to unfold in the future years. I continued to play semi-pro baseball until the age of 38. I was also into weightlifting and even placed in a national competition. Sports and art have always been my passions. I was willing to put sports on hold for my art, though. And sports have always influenced my artwork. My first great influence in art was my craft teacher in high school, Shirley Charron. I was not an “A” student by any means and I did not excel in math or science. Ms. Charron knew I wasn’t a great student and encouraged me to apply for art school at Silvermine College of Arts. The college was holding interviews and all I had to do was make an appointment and bring my artwork. I was excited to find out that they didn’t need to know my S.A.T. scores. So I met with Dean Bob Gray and he liked my artwork. I became a student at the Silvermine College and received my Associate’s Degree from there. I went on to the Maryland Institute of Art where I received my Bachelor of Arts degree. I met several students from various backgrounds and different countries. I was fortunate for having great teachers and mentors along the way. Visiting artists were a big influence to me, as well. My college years helped greatly, keeping me out of the ‘real world’ and into the realm of creativity and free­ flowing ideas. After receiving my Masters Degree from the Art Institute of Chicago in 1977. I stayed in Chicago. I became ‘so-to-speak’ a “Chicago” artist, living in lofts, dreaming the dreams of becoming known and reaching for the stars. I was still quite naïve at the age of 30. Luckily, I kept my day job as a cleaning man. I worked hard during those years after graduate school and still do 28 years later. During those 28 years, I tried out for the Chicago White Sox...

Ancestor worship was an integral part of traditional Chinese home life. This carved figure bears the likeness of one of its original owner's important for...

A pair of wonderfully sculptural early 20th century handwoven wicker shields from the Tamberma people of Togo, mounted on custom steel stands.

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn...

Ken Warneke – Suite of Triptych Face Paintings (1984) A striking set of three portrait paintings by Chicago School artist Ken Warneke, exhibited at the MCA Chicago. Each piece is sig...

Following the sculpted form, marbled coloring, and natural veining of this one-of-a-kind stone can be deeply meditative. Viewed as a source of beauty and creativity, Chinese scholar-...

Impressive chromed and incised geometric metal sculpture, on a black granite plinth. Sculpture is signed S. Fernandez Van Den Bussche 1979.

Natural feldspar stone sculpture. Hand carved and polished, then mounted on lacquered wood base with felt bottom. Great color, movement and composition.

Mario Dal Fabbro sculpture no. 23 Signed: [Mario Dal Fabbro 1983 R.1] Multi-disciplinary artist Mario Dal Fabbro was born in Cappella Maggiore, Italy in 1913. He trained in his family's furniture design shop prior to attending both the R. Superior Institute for Decorative and Industrial Arts in Venice as well as Magistero Artistico, graduating with high honours in 1937. From the years of 1938-1948 Dal Fabbro immersed himself in furniture design and academia. Primarily, he designed furniture for both design houses and private clients. Del Fabbro participated in the Triennale de Milano competition in both 1939 and 1947 and won the Ganzatti Contest for 'Standardization of Furniture". During this period he also contributed to the Italian design publications Domus and Stile and the French magazine L'Architecture D'Aujourd'hui. In 1948 Mario Dal Fabbro immigrated to America and began designing furniture for mass production, working for J.G. Furniture in New York and Quakertown, PA. During his years steady employ, he published Modern Furniture: Its Design And Construction in 1949 and contributed regularly to The New York Times and House and Garden. His subsequent publications spanned a little over the decade and included How to Build Modern Furniture (1951), How to Make Built-In Furniture (1955) and How to Make Children's Furniture and Play Equipment...

To Chicago-based artist Patrick Fitzgerald, his miniature car sculptures are a means of traveling through time. Born from a fascination with the soap box derby...

Time honored texture and form define this Nigerian copper sculptural object. The intricate geometry was achieved through a process known as scarification. The artisan would meticulou...

Hand carved of stone, this object would have been used in a shoemaker’s shop to press down large pieces of leather. Doubling as a handle, the central figure depicts the curious figure of a man with pig-like facial features holding a rake. The figure is Zhu Bajie, a character from the Ming-dynasty novel “Journey to the West...

A well-chosen stone is the focal point of both a traditional Chinese garden and a scholar's studio - evoking the complexities of nature and inspiring creative thought. In the spirit ...

This large 19th-century wooden wheel once bore the weight of an ox-drawn wagon or farm cart. The impressive wheel is richly aged with wabi-sabi texture, burnished smooth from years o...

This ode to an American classic is a chunky, hand built sculpture depicting a group of columns with a ceramic hamburger atop. Its earthenware coloring is complemented by the smalles...

The Luba people of Zaire believed that ancestors visited them through dreams. This belief led to elaborately worked headrests, known as "seats of dreams." Such headrests were used to...

Jim Rose Standing found industrial objects 41h x 10w x 10d in 104.14h x 25.40w x 25.40d cm JR0355 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs, Leigh Yawkey Woodson Art Museum, Wausau, WI 2001 Anything with a Drawer - Award Recipient, Mesa Arts Center, Mesa, AZ 2001 23rd Annual Contemporary Crafts - Award Recipient, Mesa Arts Center, Mesa, AZ 2000 New Talent in Craft, Wustum Museum of Fine Art, Racine, Wisconsin 2000 Who Knows Where or When, Wustum Museum of Fine Art, Racine, Wisconsin 1999 The End is Near! Artists look at the 20th Century, Wustum Museum of Fine Art, Racine, WI Selected collections Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. Racine Art Museum, Racine, Wisconsin Mesa Contemporary Arts, Mesa, Arizona The Museum of Arts and Design, New York, New York John Michael Kohler Art Center, Sheboygan, Wisconsin Kohler Company, Kohler, Wisconsin Milwaukee Art Museum, Milwaukee, Wisconsin Society for Contemporary Craft, Pittsburgh, Pennsylvania Arkansas Arts Center, Little Rock, Arkansas Carnegie Museum of Art, Pittsburgh, Pennsylvania Indiana State Museum and Historic Sites, Indianapolis, Indiana The Chipstone Foundation, Fox Point, Wisconsin Museum of Wisconsin Art, West Bend, Wisconsin Publications “Selected Artists of Door County” Stonehill Publishing, 2016 “Galvanized Chest” Door County Living Magazine, Autumn 2012 “100 Artists of the Midwest” Schiffer Books, 2012 “Piecework” American Craft Magazine, February 2012 “Hiding Places, Memory in the Arts” John Michael Kohler Arts Center, June 2011 “Second Lives, Remixing the Ordinary” Museum of Arts and Design, NY, August 2008 “Studio Furniture” Renwick Gallery, Smithsonian American Art Museum, DC, May 2008 “Discoveries by Designers” Architectural Digest, December 2005 “Contemporary Metal Furniture” Metalsmith Magazine, Winter 2003 “Studio Case Furniture: The Inside Story” American Craft Magazine, October 2002 “Contemporary Studio Case Furniture: The Inside Story” Elvehjem Museum of Art, 2002 “Chicago Style...

Expertly cast and finished brass leaping gazelle sculpture mounted on a brass plinth based walnut pedestal.

Carved from a solid piece of stone, this weight was originally used by a Shoemaker to press down large pieces of leather. Surrounded by intricate scrollwork and peony blossoms, a gua...

A set of six early 20th century American cast iron architectural fragments with a Greek Key pattern, perfect for mounting on a wall, displayed on a table, or myriad other uses around...