Art

35.40 x 82.30 in Oil on canvas Unstretched

Isabel Peña Rayuela Photo-painting on parchment paper 46h x 40w in 116.84h x 101.60w cm

Medium: Charcoal, White Pastel on Canson MiTientes Paper Signature: Signed Lower Right Dimensions: 25.00" x 19.00" Unframed

Signature: Signed Lower Right Medium: Pen and Ink on Illustration Board Caricature by George Wachsteter (1911-2004) for 1962-63 NBC-TV`s Modern-Day One Hour Western Series `Empire`, starring Richard Egan as Jim Redigo, general manager of the 500,000-acre Garrett Ranch in New Mexico. A precursor to `Dallas`, the series debuted Sept 25, 1962 but underwent several changes to maintain its various storylines and characters. For its 2nd season, the series was renamed `Redigo` and shortened to a half-hour, which made it difficult to develop complex, in-depth characters, and it was cancelled Dec 31, 1963. Appeared as cover of Aug 11, 1963 New York...

This black and white portrait of actor Paul Newman was taken by Lawrence Schiller in 1967 on the set of the movie "Cool Hand Luke". A silver gelatin photograph by Post War artist Larry Schiller. This celebrity photograph...

Each canvas size is 23.5" x 23.75"

Bernar Venet, Arcs: Uneven Angles Contemporary, 21st Century, Etching, Black, White, Edition Etching (Portfolio of 4) Edition of 50, plus 10 AP 98 x 115 cm (79.7 x 52.7 in.) Signed a...

Lithograph

Marie Navarre remembering the way, 2021 archival digital print on Surface Gampi, Rives BFK 25.5" x 25" unframed 28.75" x 27.75" framed Edition of 5 Marie Navarre’s deep interest in poetry, especially the Japanese form of Haiku, has had a profound influence on her work. She conjures dreamlike images that appear to be from just outside the realm of human observation, like the fragments of a distant memory. She prints her mysterious and timeless images of flocks of birds, grey sky and shimmering endless horizons unmoored from specific times and places, then hand stitches over a background of Gampi paper—a soft, silky Japanese paper that has a satin-like sheen. These enigmatic photographic constructions document the implications of a moment rather than its actuality. The artist understands that her relationship to photography is complex: “I have this trouble of being a photographer but wanting to make the photographs into something else. I still think like a photographer even though in some ways I’m sabotaging the way that photography works. I still begin my artmaking process by making pictures. I don’t know how to begin without the photograph.” At play is the tension of a fixed medium documenting a world in movement. Navarre has a BA, MA and MFA from Arizona State University. Her work is collected nationally and she has received a number of awards including a Capp Street Project Residency Grant in San Francisco for her collaboration with Jim Campbell...

Among the Catalan artists who have remained loyal to figurative techniques, several have successfully fixed their gaze on the architecture, streets and commercial trappings of the mo...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authentic sculptures where weight...

Series of pieces inspired by the graffiti and patina shown on vehicles I described As Trucks Of Color . For the past few years I had documented them around the world with the helps ...

Set of Joshua Bernbaum's hand-crafted goblets.

Louis Durot was born in Paris on April 22, 1939. He was something of an enfant terrible, and managed to be expelled from various schools for bad conduct. His ambition, as stated to his parents, was to earn money without having to work, and for a time, he was an “escort-boy” for a Parisian Grande Dame. He did, however, manage to get a good education in spite of himself, and received his Baccalaureate degree from Lycee Louis Pasteur in 1956. In 1960, he enrolled in the Facultie de Sciences, where he studied mathematics. He terminated his math studies in 1963, and turned his attention to engineering, working for Equipel, where he was responsible for calculating and measuring resistance for prototype nuclear generators. Equipel became a research facility, and offered Durot the opportunity to study organic chemistry. Durot directed numerous research projects for Equipel between 1966 and 1972. During this time, in fact, starting in 1964, he made many friends in the art world, gathering together artists from a variety of disciplines to form an artists commune — the Freelane Studio. Among the members were jazz journalist Gilles Brinnon, and a young painter, Jean Ihallero — a friend of the painter Maxime Defert. Through them, he met the artist Francois Arnal, who was interested in Durots’ engineering expertise for his sculptures. They got on well, and worked together for two years. Also in this circle were the actress Micheline Presle and the actor Daniel Gelin. In 1968, Arnal and Presle created Le Festival de Theatre de Chateauvallon, and through this, Durot became friends with the noted film director Ulysse Reynaud. In 1966, Francois Arnal introduced Durot to the artist Cesar, with the idea that Durot’s talents as a chemical engineer would be useful. Durot spent a year helping Cesar to master the techniques of working with polyurethane foam, with Durot searching for ways to make this fragile and ephemeral substance more stable and permanent, and more amenable to control. Cesars’ first works in this medium were flat, due to the difficulty of controlling the foam, but he went on to create his famous “expansions”. In 1968, Durot conceived a project to create more three-dimensional sculptures following a simple and precise design. It was during this time that Durot made his first polyurethane sculptures — the Champignons and Plantes Carnivores. Also in 1968, he He opened his first technical studio at 35, rue Leon. In order to support this new endeavor,( he needed more space, equipment, time and money), he created La Societe Durgalith. 1971 saw the Durat’s first works exhibited at the Salon Batimat in Paris. With this exhibition, Durot was hoping to attract the attention of architects with whom he could collaborate. Between 1971 and 1974, Durot created sixty sculptures inspired by fantastical “alien” life, mushrooms, and carnivorous plants. In 1974, Durot”s Societie Durgalith ran into problems with the Italian firm that owned Batimat. Credit Lyonnaise seized his studio and many of his sculptures, and quite a number of them were destroyed. This same year, Durot worked with the architects Sloan and Lecouter on an inflatable structure for the Pavillion Franaise in Osaka. Unfortunately, the project was never realized. Durot continued to pursue his research on polyurethanes, and gained world-wide recognition for his developments in this field. In 1977, a “student prank” had un-expectedly bad consequences. Durot was employed as an engineer at L’Usine Francaise de la Monnaie (the French mint) in Pessac. He took three kilos of “blanks”, and used them for playing slot-machines. For this, he spent seven weeks in jail, which was ended by an amnesty granted by Mitterand in 1981. During Durot’s time in prison, he took up weight-lifting, and also designed his next generation of sculptures. The spirals, feet, lips, and a series of erotic chairs...

About Behzad Tabar My background is in fine and graphic arts, working in a wide range of styles and mediums. My painting has evolved from realism, to surrealism, to abstract. I am mo...

Maxwell Doig was born in Huddersfield. He graduated from Manchester School of Art in 1988 with a BA in Fine Art and went on to pursue his postgraduate stu...

Abstract artist Paul Light Jr. was born in Atlanta, Georgia in 1966. Before earning his MFA in painting at SCAD-Atlanta in 2012, Light had an extensive business career where he fueled his creative side as a graphic artist, and product designer. It was in these years that he met and was mentored and greatly influenced by Paul Chelko...

About Behzad Tabar My background is in fine and graphic arts, working in a wide range of styles and mediums. My painting has evolved from realism, to surrealism, to abstract. I am mo...

Medium: Gouache Signature: Signed Lower Right a slave with shackles on the ground behind him appealing to Abraham Lincoln with the Civil War battle s...

39.40 x 59 unstretched Oil on canvas Rebeca Mendoza plays with simultaneity, superimposition, and ambiguity in her work as she goes through the stages of oil painting. The artist se...

Antique Map of Lincoln & Norfolke Circa 1610 65 x 72cm Lovely antique map in excellent frame showing Lincolnshire and part of Norfolk and bordering counties.

Signed dated, numbered lower left recto 3/15 , other sizes available, unframed, printed later, Printed on Hahnemühle Fine Art paper Mitchell Funk is a "Color Photographer Pioneer"....

Medium: Oil on Canvas Signature: Signed Twice and Dated Lower Left: Harvey / Dunn 1932 Harvey Dunn's Dawn, Dawn, Dawn is a truly exceptional illustration that captures a key moment of American History. In the present work, Dunn skillfully depicts colonial soldiers...

Years of collecting books, travel archives and studying art in Europe, went hand in hand with visiting historical monuments and grand palaces, remnants of past golden eras. This nostalgic raking over the past encompasses these inspirational elements, weaved together with her own curiosity in loose charcoal lines depicting Baroque, whimsical and once decadent interiors. “The rooms in my paintings are small trips to the past. I look for an alternative reality through a fictional scenario, represented by a dystopian era of booms and declines.” Francisca Ahlers...

Alison Underwood's work evokes various emotions of desires as her artwork proves to display the ideas of temptation and anticipation. These profound feelings are demonstrated in the ...

This Blue Dog work consists of 3 different outlined portraits of dogs. One frame is 1 dog on a white background, another is 2 dogs on a dark blue background with a moon and the 3rd i...

Date: 1963 Medium: Oil on Board Signature: Signed Lower Right Original cover art of two women skaters in costume for the Twenty-Seventh Annual Shipstads and Johnson Ice Follies...

Blue Statue, 2020 "For Blackburn, the Western’s heroic drama, good-versus-evil narrative, and assertive landscape are challenges to face in her work. These aspects of film can overwhelm a painting, thus distancing the viewer from the art. She wants the art to be dominant; “Painting wins,” she declares. She finds this happens when a painting possesses what she terms “classical balance.” By this the artist means that everything is where it needs to be compositionally—nothing can be changed—and “the whole can be seen at once.” Linda Blackburn...

24 x 24 inch digital chromogenic print Edition 15 +3AP Signed, titled, dated and editioned on frame label provided Neal Slavin, a native New Yorker, began photographing groups i...

40 x 60 inch mineral ink print, framed Signed on label verso Edition 5 Miguel Ángel García was born in Madrid in 1952, and currently lives and works in Cantabria, Spain. A visual ar...

Years of collecting books, travel archives and studying art in Europe, went hand in hand with visiting historical monuments and grand palaces, remnants of past golden eras. This nostalgic raking over the past encompasses these inspirational elements, weaved together with her own curiosity in loose charcoal lines depicting Baroque, whimsical and once decadent interiors. “The rooms in my paintings are small trips to the past. I look for an alternative reality through a fictional scenario, represented by a dystopian era of booms and declines.” Francisca Ahlers...

Medium: Oil on Canvas Signature: Signed and Dated Lower Right Inscribed "PAGE #17/'Stay outta this, you hear?' he yelped in sharp alarm. 'This is my job!'" on the reverse. Harold v...

8 x 10 inch (image size) gelatin silver contact print, on an 11 x 14 inch sheet Edition 10. Signed and stamped on verso. Framing additional. Larger sizes available - please inqui...

Artist's Statement: "My paintings are an attempt to synthesize and enlighten pursuits of eastern and western art and their traditions. Using the full visual language of abstraction –...

This is a unique work. Stamped on verso by The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. Annotated with Foundation inventory number and initialed Tim ...

Figurative piece with a fun, simple narrative. The beauty of the piece lies in its simplicity. On 3/4 canvas.

Collage on wood by Javier Martin

Splash

Glazed Stoneware

Oil on canvas

Barbara Nessim is an artist/ illustrator who has contributed to Harper's  Bazaar, Esquire, New York Magazine, Rolling Stone, Time, Ms among others. She ...

The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an expanding universe of abyssal...

Day Dream I . 2022 Mixed Media abstract painting on Plexiglass on wood panel with white frame 251/2"H x251/2" 25.5"W x 1 1/2"D Day Dream I is a colorful abstract painting. Has the ...

Beth Secor, Elm Along The Bayou, 2014-2015 Ink, gouache and pencil on paper overall diptych 20 x 28 inches 20 x 14 inches each Beth Secor understands tr...

This drawing, bistre on paper, depict a typical Renaissance style Maesta, so the Virgin enthroned with Jesus on her lap. The echoes are clearely referable to the school of Filippo Lippi...

New York City's early example of a skyscraper from 1902 is depicted in an artistically abstract way. It is photographed with autumn foliage in the foreground and with the iconic tri...

Abstract painting. Geometric style. Acrylic & Satin Varnish on Canvas. About the Artist: Manhattan based mural and studio artist Tony “Rubin” Sjöman has painted all over the world and his works have been shown in galleries throughout the US and Europe. Sjöman’s roots are in Finland and Sweden and he draws inspiration from his Scandinavian heritage for his complex abstract geometrical murals and studio works. Sjöman has become a staple of the art scene of New York City and beyond. His murals can be seen in a wide variety of spots in and around the city: 
on churches, in hotels and high-end boutiques, in luxury high-rises throughout Manhattan and on the 69th floor of WTC 4. Sjöman’s studio works are based on canvases, prints and installations and he is no stranger to painting on metal and wood. Rubin's studio works have been on display at Scope New York, Scope Miami and Art Miami during Art Basel, as well as in galleries throughout New York City, Miami and Los Angeles. Sjöman’s art has been featured in NBC News, New York Post...

Plate size: 36.8 x 27. 3 cms (14 1/2 x 10 3/4 ins) Image size: 15.2 x 9.5 cms (6 x 3 3/4 ins) Edition of 20

This drawing (pencil on paper, 37.5 x 24 cm) is an Academia (a common study during the Academy lesson on the 19th century) based on an antique subject. It represents a naked young ma...

Medium: Ink on Paper Signature: Signed Lower Left "Whistling Cat" Juan and Iris on Train. Subject matter features a black and white image of a soldier and his girl seated on a trai...

This reproduction of a classical Hellenistic sculpture of Hercules . A timeless piece for interior and a garden decoration. We can raise with a base on request .

Lithograph from one zinc plate printed in green with hand colouring in yellow gouache. On Velin Arches mould-made paper (300 gsm) Signed with initials and dated 78 in pencil, lower c...

La Defense, Paris, France, 1972 - Henri Cartier-Bresson (Black and White) Signed and stamped with photographer's blind stamp Silver gelatin print, printed 1980s 11 x 14 inches Henri...

It's the epitome of Art Deco Architecture. The top of the Chrysler Building is lit by golden light in this photograph of a classic New York City scene. Photographer Mitchell Funk s...

Medium: Charcoal, White Pastel on Canson MiTientes Paper Signature: Signed Lower Right Dimensions: 25.00" x 19.00" Unframed

This image of a cherry blossom (벚꽃) was created on a beautiful spring afternoon in April 2022. These particular blossoms were photographed in Yeongdeungpo-gu (영등포구), Seoul.

Simmering silver water underpins a group of sailboats punctuated by a small boat in the foreground. The image takes on the look of traditional Asian art with its simplicity and per...

Carlos J. Tirado (born on April 3, 1964 in Caracas, Venezuela) is an artist, painter and sculptor who has developed a very personal and precise line of work linked to Neo-Pop art. With plenty of personal art exhibitions, Tirado has participated in numerous collective exhibitions, receiving different awards such as “III Premio de Escultura” del Certamen Aires de Córdoba in 2004 and other recognitions, among them, at the Venezuelan Embassy in DC (2005), and the X Latin Art Festival of Atlanta (2005). Childhood Tirado grew up in an upper-middle-class family environment. His inclination for the arts started from an early age. At 8 years old, he was already experimenting with tridimensional forms, creating molds out of cast lead from pieces previously gathered on the streets. These first artistic experiences led by his inquisitive nature, provided the ground to continue exploring the possibilities with different materials like wood, waste and plaster. His childhood games were centered around painting and sculpting, which played an important role that ranged from recreational to aesthetics. When Tirado turned 12 years of age, his parents agreed for him to attend private art classes with professor Javier Hernandez in Caracas. Later on, he realized that Art was a profession that required investment in materials, reason that led him to work at a furniture store painting landscapes and figurative art to decorate the exhibit room. He created numerous paintings of Caracas’ famous mountain: El Avila, and other art pieces that not only served as a source of income, but more importantly, led him to deepen his figurative expression. In 1985, he started drawing comic sets for a renowned newspaper El Diario de Caracas, alongside Jorge Blanco...