Art

Mixed media on canvas Danielle Launay is a French artist born in 1954 who lives and works in Paris, France. She started to work in the world of photography by working for L’Oréal as...

Sergio Valenzuela “Valenz” is a contemporary Guatemalan artist who tells stories with everyday objects, primarily expressing them with graphite and acrylic on canvas. His artworks pr...

Suzy Smith is a Wyoming native, who has lived in Albuquerque, NM, for the past 20 years. She paints women from a female perspective, painting the uniquely American culture she grew u...

"Many of the most common flowers sold in flower shops around the world are grown in equatorial countries. Unfortunately, many of these countries have loose to no regulations on the synthetic pesticides and fertilizers used to grow the flowers. These pesticides and fertilizers find their way into waterways, and rivers and eventually make their way into our oceans, causing environmental havoc along the way. Fertilizer runoff can trigger sudden explosions of marine algae capable of disrupting ocean ecosystems and even producing "dead zones" in the sea. Pesticides can affect coral reproduction, growth, and other physiological processes. Herbicides, in particular, can affect the symbiotic algae (plants). This can damage their partnership with coral and result in bleaching. This image contemplates the connection between the flowers we buy, and the effect commercial flowers have on the majestic and fragile reef systems around the world. In keeping with one of PangeaSeed Foundation’s mottos, “As Above, So Below”, this image imagines Clownfish, an iconic reef dweller living within the flowers we consume. Their home is being threatened and altered by pesticide runoff, pictured here as a band of bleached out flowers. You can make a difference by the choices you make on a daily basis. This Valentine’s Day, consider buying local organically grown flowers. Consider picking your own wildflowers. Consider giving flower paintings and drawings…. ( i Might know a guy). Consider doing this every time you think about gifting flowers or decorating your home. The consumption choices we make have direct effects on our planet. Next time you buy flowers, think about our Mother Nature." - Jet Martinez

A photorealistic depictions of red chili peppers, emphasizing the aesthetic vibrance of their color and sheen. 38.5" x 51.5" Acrylic on Canvas

Artist: Robert Indiana (American, 1928-2018) Title: "The Calumet" Portfolio: The American Dream *Issued unsigned Year: 1997 Medium: Original Screenprint on Coventry paper Limited edition: 395, (there were also 30 artist's proofs) Printer: Marco Fine Arts Contemporary Atelier, El Segundo, CA Publisher: Marco Fine Arts Contemporary Atelier, El Segundo, CA Sheet size: 22" x 16.75" Image size: 15.07" x 14" Condition: In excellent condition Notes: Provenance: private collection - Düsseldorf, Germany. Comes from Indiana's 1997 "The American Dream" book portfolio of thirty screenprints. Printed in three colors. Text on verso of the following work as issued. Robert Indiana's 1997 black leather-covered book portfolio "The American Dream" was printed and published with 30 screenprints: 6 loose each signed and numbered and 24 bound not signed and numbered, as issued. Forward by Susan Ryan, text by Michael McKenzie and poems by Robert Creeley. The book was issued within a white cardboard packing box with red and black lettering. This image is based of Indiana's 1971 screenprint edition "The Calumet", (Sheehan No. 64, page 43), from his 1971 "Decade" series, (Sheehan No. 63-72, page 42-44). The prints in that portfolio reproduce one of Indiana's paintings from each year of the 1960's. The bear they same titles as the corresponding paintings. "The Calumet" is a 1961, 90" x 84", oil on canvas painting which is within the permanent collection of the Rose Art Museum, Brandeis University, Waltham, MA. "The Calumet", derived from Longfellow's "Song of Hiawatha", reflects Indiana's ongoing involvement with American literary associations and sources. As interpreted, by Indiana, the schematized image of the red clay peace-pipe smoked by the Indians in Longfellow's poem symbolizes mankind's potential to eradicate war. - (Sheehan page 9). Seven stars for seven spheres...

Angels Grau is a Catalan artist who spends her time between Barcelona, New York, and a small village located in the breathtaking Priorat, one of the most n...

Artist: Otto Dix (German, 1891-1969) Title/Portfolio: "Das Evangelium nach Matthäus (The Gospel according to Matthew)" *Unsigned edition Year: 1960 Medium: The Complete Book Portfolio of 33 Original Lithographs on white smooth offset paper Limited edition: 1,366/2,000 Printer: Klibor, Berlin, Germany Publisher: Käthe Vogt Verlag, Berlin, Germany Reference: "Otto Dix: Das Graphische Werk" - Karsch No. 235-267, page 227-246 Overall book size: 11.75" x 9.38" Each sheet size: 11.38" x 9" Condition: Some light wear to outer dust jacket associated with age, otherwise the inside and all works are in excellent condition Rare Notes: Provenance: private collection - Windhagen, Germany. Hand numbered in back. Printed in black from zinc plates. Book binding by Wübben & Co, cover and graphic design by Reinhart Braun both in Berlin, Germany. The complete 107 page book includes 33 original lithographs, 25 of which are are full page size, and text of the "Book of Matthew". The complete tirage is as follows: 1. 30 signed and numbered examples on Japan paper (37 prints, 4 extra states) 2. 2,000 book edition on white offset paper 2a. 1-100 in Saffiano Leather signed by Dix 2b. 101-400 bound in half-parchment signed by Dix 2c. 401-2,000 bound in linen unsigned (*Our example offered here.) The titles of the 33 works are "Abraham and Isaac", "Wise Men Visit the Christ Child", "Flight to Egypt", "Massacre of the Innocents in Bethlehem", "Baptism of Jesus", "The Temptation", "Calling of Peter", "Sermon on the Mount...

Stefano est un artiste peintre Genevois contemporain qui s'amuse entre l'abstrait et un figuratif suggéré. Cette pièce représente pour l'artiste "Guerre froide". Elle a été peinte en 2023 et fait partie des dernières productions de l'artiste. Ce sont des études pour de...

Sku: LM411 Artist: Jean-Michel Basquiat Title: Florence Year: 2002 Signed: No Medium: Offset Lithograph Paper Size: 25.5 x 35.75 inches ( 64.77 x 90.805 cm ) Image Size: 22.5 x 35.75 inches ( 57.15 x 90.805 cm ) Edition Size: 2000 Framed: No Condition: A: Mint Additional Details: Reproduction of a work by Jean-Michel Basquiat published for a retrospective at a museum in Italy in 2002. The image of “Florence, 1983” originally a very large painting...

Imani Bilal is a contemporary abstract painter and poet based in Jersey City, New Jersey. Her work is deeply inspired by the many states of the human condition and is rooted in her spiritual (Islamic) practices. As she explains, “I strive to convey the notion of Tawheed (oneness), the idea of primordial matter, chaos, and calm; of all things sharing a source and being connected to an infinite mound, inclusive of the human experience.” Her language is versatile and her approach, unconventional, working with acrylic, ink, and resin to articulate emotion and promote connectivity through color and movement. Bilal, who has been experimenting with paint since childhood, has developed a unique process of her own. She often paints while seated on the floor to pour her whole body into the composition, using her hands, mouth, and found objects to create an array of effects that become part of an intricate yet fluid work of art. Bilal’s first solo show in New York City, Fingerprints of Ruh (2020), curated by Nemo Librizzi, was met with enthusiasm and led to gallery representation by Chase Contemporary Gallery and recently, Mazlish Gallery...

Suzy Smith is a Wyoming native, who has lived in Albuquerque, NM, for the past 20 years. She paints women from a female perspective, painting the uniquely American culture she grew u...

This abstracted painting offers glimpses of a woman's body in a burst of vibrant colors, but only if you can see her. Shades of red -- from bright hues to deep red-browns -- dominate...

Bright red & beige have been used in this abstract painting, exploring the boundaries between space and color. The sides are painted, so the painting is ready to be hung on the wall....

Suzy Smith is a Wyoming native, who has lived in Albuquerque, NM, for the past 20 years. She paints women from a female perspective, painting the uniquely American culture she grew u...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Red Monologue (Abstract painting) Acrylic, charcoal and oil pastel on canvas — Unframed. Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube....

Shepard Fairey New Clear Power Screen print on thick cream Speckletone paper Year: 2022 Size: 24 x 18 inches Edition: 350 Signed, dated and numbered by hand COA provided Ref.: 924802...

Is a captivating masterpiece that embodies the essence of the action painting movement. With its vibrant display of colors against a pristine white backdrop, this artwork emanates an...

Paper Size: 38 x 26.25 inches ( 96.52 x 66.675 cm ) Image Size: 32 x 23 inches ( 81.28 x 58.42 cm ) Framed: No Condition: A: Mint Additional Details: Published by Chalk and Ve...

Gold powder and acrylic on paper Byun Kyung-Sup is a Korean artist born in 1957 who lives and works in Gwangju, Korea. She studied painting at the College of Fine Arts, Hongik Univ...

In highly developed nations today there is a widespread alienation and loneliness that engenders fear and distrust, a restrictive self-righteousness of thought, and a dread of what-c...

Julia Craig Fuego II Original Abstract Art Oil on paper Size: H 26cm x W 34.5cm Sold Unframed Please note that in situ images are purely an indication of how a piece may look. Julia...

Soul Shine Study is an abstract mixed media painting on canvas by abstract painter Annie Mandelkern. This painting is filled with warm greens and fiery reds and the two put together ...

Paper Size: 50.25 x 35.25 inches ( 127.635 x 89.535 cm ) Image Size: 50.25 x 35.25 inches ( 127.635 x 89.535 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Interesecting geometry in poppy red and polished aluminum form a dynamic whole in this modern sculpture by Philippe Pallafray. This work is number 2 in an edition of 10, available by...

Lithograph, 1958 Handsigned by the artist in pencil State test Publisher : L'Œuvre Gravée (Paris) 76.50 cm. x 56.50 cm. 30.12 in. x 22.24 in. (paper) 63.00 cm. x 45.00 cm. 24.8 in...

Gold powder and acrylic on paper Byun Kyung-Sup is a Korean artist born in 1957 who lives and works in Gwangju, Korea. She studied painting at the College of Fine Arts, Hongik Univ...

Ce tirage fait partie de la série " Regards Croisés". « Nous allions passer l’un à coté de l’autre rapidement, sans que nos vies se croisent, quand ton regard a accroché mon objecti...

Unique artwork. Watercolor on paper.

Original poster designed by Bernard Villemot, the most "painter" of French poster artists, for the Swiss shoe brand, Bally. Villemot's style is clearly recognizable, thanks to the elegance and delicacy of his feminine silhouettes The majority of collaborations between Bally and the famous French poster artist were usually aimed at women only, whereas this campaign has the particularity of being mixed. We notice this woman in profile who raises a leg backwards: the shadow of her heeled shoe represents the leg of a man wearing a male shoe...

Oil on canvas

Beautiful poster edited by OSPAAAL: Nixon's peace. Despite its geographic isolation, the island of Cuba has produced more graphic material in support of oppressed peoples around the world than any other nation. This poster supports Vietnam in its war with the United States The posters published by the Organization of Solidarity with the Peoples of Africa, Asia and Latin America (OSPAAAL) were a new expression of revolutionary art...

Signed lower right, 'Charles Seligman' (American, 20th century) and created circa 2000. Texas abstract artist Charles Seligman boldly interweaves poi...

Sharon Weiner is a prolific contemporary abstract painter based in Los Angeles. Her work has been exhibited extensively in California and across the U.S. As an abstract painter, Wein...

Original vintage drink advertising poster - Schweizer Wein soll es sein / It should be Swiss wine - featuring an illustration against a red background by the notable artist Hans Falk...

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe. The WPA commissioned Carton to paint major murals at the Helen Fleischer Vocational School for Girls in Philadelphia, the Officers’ Club at Camp Meade Army Base in Maryland, and in the city of Hidalgo, Mexico. Throughout the 1940s, Carton exhibited and won prizes for his semi-abstract Expressionist and Surrealist paintings. He socialized with and was inspired by Émile Gauguin and Fernand Leger. During World War II, Carton was a naval structural designer and draftsman at the Cramps Shipbuilding Corporation in Camden, New Jersey. Here, he created non-objective sculpture with metal. After the war, Carton co-founded a fabric design plant in Philadelphia. He produced hand-printed fabrics for interiors and fashion that were featured in Harper’s Bazaar, Vogue and Women’s Wear Daily. Original fabric designs were commissioned by notable clients including Lord & Taylor, Gimbels, and Nina Ricci. Some of these designs are at the Metropolitan Museum of Art. Carton traded his partnership in the fabric design company in 1949 to focus full-time on painting. Carton had his first solo exhibition in 1949 at the Philadelphia Art Alliance. This show was followed closely by solo exhibitions at the Laurel Gallery (New York City) and Dubin Gallery (Philadelphia). At this time, his exhibited work was Abstract impressionism. In addition to painting, he taught classes at the Philadelphia Museum of Art and was the Founder and first President of the Philadelphia chapter of Artist’s Equity Association. The Philadelphia Museum of Art and the organization of the National Museums of France commissioned Carton to travel to Europe, mainly France, in 1950 for a color photography study of continental masterpieces. He was granted access to study the restoration of the Mona Lisa and was one of the very few to be given permission to remove the painting from its frame. During his three year stay in Paris, he had solo exhibits at La Sorbonne and Gallery Rene Breteau and was in 15 group shows in Paris salons including Les Sur Independants, Salon d’Automne, and Realities Nouvelles. He also exhibited at the Musee d’Art Juif where he won the Prix d’Art. The Cercle Paul Valery twice sponsored Carton to present lectures at the Sorbonne. He conducted seminars at the Louvre for the Cercle Esthetique Internationale and taught classes in and directed stage and costume design for the Theatre de Recherche at the Paris Opera. Among his Paris artist colleagues were Chana Orloff, Earl Kerkam, Sam Francis, Claire Falkenstein, Lawrence...

Sharon Weiner is a prolific contemporary abstract painter based in Los Angeles. Her work has been exhibited extensively in California and across the U.S. As an abstract painter, Wein...

INVADER (born 1969) 1969 (French) Title: Binary Code (Red), 2008 Technique: Original Hand Signed and Numbered Screenprint in Colour on Wove Paper ...

Edition 1 of 5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of...

Buddha In resolutely contemporary materials and colours, Richard Orlinski's Buddha represents religious freedom and diversity in the 21th century. Throught this sculpture, the artist...

This abstract painting from new Series “Power of Colors” is inspired by minimalism, modern art and hard edge. This work is signed, dated and tilted by Artist on the back. The sides a...

Kapil Anant - Incredible India Acrylic & Ink on Canson Paper (Mixed Media) 8.3 x 11.8 inches ( Set of 18 works ) Inclusive of shipment in rolled form. Kapil Anant was born in 1998. ...

Oil on board

Most mornings we wake up to a physical reality of sharp contrast and clear-cut edges. Defined outlines help us navigate everyday life and the world around us. But the blurry fringes ...

Joshua Smith Untitled, 2011 Acrylic on canvas 30 x 24 inches (76.2 x 61 cm)

Intersections 3 is an original painting realized by the Italian artist Salvatore Travascio in the 2010s. This is a beautiful oil painting on paper on wooden support. Hand-signed on ...

Dilation #29, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 22" x 1...

Oil on board

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Oil on board

Oil on board

"Three Rivers" from the "Light Leaks" series. Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 1/1 on verso. This is a unique...

Artist: Chuck Krause (1949) Title: Thumbprint (Red) Year: 2020 Medium: Acrylic paint on sculpted composite board Size: 23 x 18 inches Condition: Excellent Inscription: Signed by the ...

A native of Baton Rouge, Louisiana, Brandon V. Lewis is the product of a single mothers love and dedication and the beneficiary of the hard work and strong convictions of his grandpa...

A set of four screen prints produced by Bob Whitaker around 2005. Just 25 sets of Artists Proofs of these bold and dramatic screen prints were produced. ...

Poster of 1971 of "O Comunista", youth of the Portuguese Communist Party. It caricatures the last Prime Minister Marcelo Caetano of the Estado Novo, Portuguese dictatorship. On the c...

Oil on board