Art
to
339
3,500
1,536
249
192
507
Overall Width
to
Overall Height
to
1
1
1,654
4,328
40
41
193
386
862
5,112
716
22
6
3
2
1
2,139
1,996
1,841
2,444
1,878
1,539
1,432
790
677
637
590
410
319
307
275
263
233
224
216
207
186
173
170
5,318
5,237
5,040
4,860
4,724
814
7,864
5,193
2,504
1,652
548
958
5,897
58
Art For Sale
Artist: Stefanie Schneider
Artist: Andy Warhol
This Week's Listings Only
Horizon (Zuma Beach) - Photography, Polaroid, Contemporary, Malibu. 21st Century
Located in Morongo Valley, CA
Horizon (Zuma Beach) - Malibu - 2004
38 x 37 cm,
Edition of 5,
Analog C-Print, hand-printed by the artist,
printed on Fuji Crystal Archive Paper, based on the Polaroid.
Artist in...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Stefanie Schneider Minis - Saigon - based on a Polaroid
Located in Morongo Valley, CA
Stefanie Schneider's Minis
Saigon (Stranger than Paradise), 2003
Signed and signature brand on verso.
Lambda digital Color Photographs based on a Polaroid.
Sandwiched in between Ple...
Category
Early 2000s Contemporary Art
Materials
Plexiglass, Archival Paper, Color, Lambda, Polaroid
Outtake (Wastelands) - Polaroid, Contemporary, 21st Century, Analog, mounted
Located in Morongo Valley, CA
Outtake (Wastelands) - 2003
Edition of 5,
128x125cm,
analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper,
based on the Polaroid,
Artist inventory Number 819.01,
complete with certificate and signature label
Not mounted
For sale is a piece from the Wastelands series. purchase the 2nd edition and have it unmounted.
Exhibited:
Wastelands, Städtische Galerie, Waldkraiburg, Germany (S) (2006) / Wastelands, Zephyr, Mannheim, Germany (S) (catalog) (2006) Wastelands, Kunstverein Recklinghausen, Germany (S) (2007)
Published in: WASTELANDS published by edition braus, Wachter Verlag, Heidelberg, 2006 (monograph)
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had regis- tered no seismic activity. Dust bowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pic- tures. Happiness brimmed in that wild terrain. Maybe things were begin- ning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abol- ish concepts that orient us, cause and effect, time, plot, and story line, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end-result, as posited in this book, will show how she bursts open our apparatus of perception and acknowl- edges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other- worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Breathing I (Deconstructivism) - Contemporary, Expired Polaroid
Located in Morongo Valley, CA
Breathing I (Deconstructing) - 2015
- about the narrative potential of images.
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid,
Artist Inventory 15835.
Signature...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Max, Trailer Park (29 Palms, CA) - analog, Polaroid, Contemporary
Located in Morongo Valley, CA
Max, Trailer Park (29 Palms, CA) - 1999
Edition 3/10,
68x60cm including white 'Polaroid' frame.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Mounted on Alum...
Category
1990s Contemporary Art
Materials
Metal
'Margarita's letter' based on a Polaroid Original instant photograph
Located in Morongo Valley, CA
Stefanie Schneider's 'Lonely Hearts Room' lightbox - 2008,
'Margarita's Letter'
Edition 2/5, 45x45cm,
based on a Polaroid.
Matte slide transparency in oak frame.
Signed on back a...
Category
Early 2000s Contemporary Art
Materials
Photographic Film, Lights, LED Light, Color, Polaroid
Lila's Studio (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's art work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Lila's Studio (Stay) with Noami Watts and Ewan McGregor - 2006
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory # 5109.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Wonder Valley (29 Palms, CA) - analog, mounted, installation, music, video, text
Located in Morongo Valley, CA
Wonder Valley (29 Palms, CA) - 2008
125x154cm,
Edition of 5,
analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper,
based on the Polaroid, artist inventory nu...
Category
Early 2000s Contemporary Art
Materials
Metal
Girl down the Road (The Last Picture Show) - 21st Century, Polaroid, Color
Located in Morongo Valley, CA
Girl down the Road (The Last Picture Show) - 2006
Edition of 10,
58x57cm.
Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the Polaroid.
Artist...
Category
Early 2000s Contemporary Art
Materials
Metal
To the Wonder (The Girl behind the White Picket Fence) - Polaroid, Contemporary
Located in Morongo Valley, CA
To the Wonder (The Girl behind the White Picket Fence)
70x90cm, Edition 1/5, 2013.
Analog C-Print, hand-printed by the artist, based on an expired Polaroid.
Certificate and Signat...
Category
2010s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Boy with Silver Mask (Stay)
Located in Morongo Valley, CA
Boy with Silver Mask (Stay) - 2006
37x36cm,
Edition of 30,
Archival C-Print, based on a Polaroid.
Certificate and Signature label
artist Inventory #5606.
Not mounted.
Torsten ...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Pool at Night (Suburbia) - Contemporary, Polaroid
Located in Morongo Valley, CA
Pool at Night (Suburbia) 2004, 50x50cm, Edition of of 10, digital C-Print based on an expired Polaroid.
Signature label with Certificate, unmounted.
The project "Suburbia" was shot...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Brooklyn Bridge (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Brooklyn Bridge (Stay) - 2006
20x20cm, Edition of 10,
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory # 2172.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Fish (Stay) - Contemporary, Expired, Polaroid, Photograph
Located in Morongo Valley, CA
Fish (Stay) - 2006,
20x24cm, Edition 4/5.
Archival C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on the Polaroid.
Signature label and cer...
Category
Early 2000s Abstract Expressionist Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Oasis (Sidewinder) - Landscape, black and white, Contemporary, Polaroid
Located in Morongo Valley, CA
Oasis (Sidewinder), 2005
80x80cm, Edition of 10,
Archival C-Print, based on 16 Polaroids.
Artist inventory Number 3001.
Signature label and Certificate.
Not mounted.
"private history turned into an intimate mythology of elemental fantasies where reality is perceived through a veil of psychedelic memories and unconscious projections. such is a collection of passions and dreams, an uncanny diary of ephemeral narratives and mental intensities in Stefanie Schneider’s painterly photographs where subjectivity of an ontological doubt uses a poetics of pastische as a vehicle for an intertextual journey towards the truth and the authenticity of primary emotions. here time is immersed in a nostalgic suspense of oneiric dimension, a sort of ambiguous coma of silence and comfort, and open space embraces a psychotic landscape of solitude and accidental pleasure. fetishized surface of extreme feelings gives a stage for an unsolicited promise of unconditional love and unlimited freedom, a promise framed by sensual tension between fulfillment and expectation."
- Adam Budak, Kusthaus Graz, 2005
Sidewinder
There’s blood on the dress that hangs in the Airstream trailer outside 29 palms. With the pistol in her sweat palm touching his temple. Tell me what god’s gonna do for me and you know Stevie’s saying while Brother John Baptiste looks there across to where her cat seems weak and fed. All the good that comes to me from my believing man, I wanna hear about it said to me like that. Just the way you breathed it like you did 10 minutes ago when I was wrapped so well around your head. Silence then. A baby screams his mother out in the desert night...
Category
Early 2000s Contemporary Art
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Andy Warhol, "Tattooed Woman", lithograph
By Andy Warhol
Located in Chatsworth, CA
This piece is an offset lithograph in orange on green paper created by Andy Warhol circa 1955.
Warhol used this piece as a business calling card in...
Category
1950s Pop Art Art
Materials
Lithograph
Mindscreen 03 - Contemporary, analog, vintage print, mounted
Located in Morongo Valley, CA
Mindscreen 03 - 1999
Edition 1/5.
126x126cm including the white frame.
Analog C-Print, hand-printed by the artist, based on a Polaroid.
Signed on the back with Certificate.
Artis...
Category
1990s Contemporary Art
Materials
Metal
Sunscreen II (Beachshoot) with Radha Mitchell - analog, Polaroid, Contemporary
Located in Morongo Valley, CA
Sunscreen II (Beachshoot) - 2005
128x125cm,
Edition of 5, plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Yellow Flower (The Last Picture Show) - Polaroid
Located in Morongo Valley, CA
Yellow Flower (The Last Picture Show) - 2005
78x76cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Artist Inventory 672.
Not mounted.
published...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Officer's Wives Club - Contemporary, 21st Century, Polaroid, Figurative
Located in Morongo Valley, CA
Officer's Wives Club (29 Palms, CA), diptych - 1999
Edition of 23/25,
40x40cm each, installed 40x87cm, including gap.
2 Analog C-Prints, hand-printed by the artist, based on the 2 Polaroids.
Signed on back with Certificate.
Artist inventory number: 316.
Mounted on Aluminum with matte UV-Protection.
29 PALMS, CA is a film / art piece that explores and chronicles the dreams and fantasies of a group of individuals who live in a trailer community in the Californian desert. The world depicted in the film is inspired by the photographs of German artist Stefanie Schneider in that it combines the notions of reality and fantasy and
explores the resonance of both within a desert landscape and a transient culture. The characters portrayed in the film, (an actress, a singer, a DJ, a motel owner and his wife, a US army soldier, a mystic, a princess, a recluse, a movie ticket seller, two hitchhikers, a doctor, and so on), are to be played by both actors and non-actors. The story is constructed through the interpretation of real-life communications (i.e. phone calls, emails, conversations) that have taken place as the individuals depicted in the story try to make sense of events that have occurred in real life. In this sense, the story is, in part, a biography and social commentary, and the characters are the exaggerated alter egos of the individuals who play them. The structure of the plot is fairly simple. An actress working as a telemarketer is inspired by a singer who is new to town and is featured on the local radio station. The radio station runs a program for lonely hearts and a charismatic DJ uses the show to reveal the hopes and dreams of the town's “hottest women”. One night a panicked German female caller captivates the community with a painful story about a sexy “Smoke Jumper” (a mysterious and super real alpha male). Everybody in town is listening to the program and nobody is quite sure what to say. Life in general continues and we witness and explore the various interactions. The actress meets the singer and they become famous. The US Army soldier dies on his way to battle. The foreign princess discovers that the jewels she has come to sell are fake. The motel owner‘s wife has an affair with the pool boys and so on. All the while the community is united by their loyalty to the “Lonely Hearts” radio show and through the disturbing revelations of the German woman...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Mindscreen 7 - Contemporary, 21st Century, Polaroid, Los Angeles, Night
Located in Morongo Valley, CA
Mindscreen 7,
1999, 58x56cm, Edition 3/10.
Analog C-Print, hand-printed by the artist, based on an expired Polaroid.
Signature label and Certificate.
Artist Inventory No. 248.03.
No...
Category
1990s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Wonder Valley (29 Palms, CA) - analog, mounted, installation, music, video, text
Located in Morongo Valley, CA
Wonder Valley (29 Palms, CA)
Installation by Stefanie Schneider.
Dimensions: 250x400cm
Video by Camille Waldorf.
Song written & performed by Camille Waldorf.
Text, song and video i...
Category
Early 2000s Contemporary Art
Materials
Metal
Long Way Home - triptych - 50x49cm each
Located in Morongo Valley, CA
Long Way Home (Stranger than Paradise) - 1999
3 x 50x49cm, installed with gaps 50x159cm.
Edition of 10, plus 2 Artist Proofs.
Archival C-Prints, based on 3 Polaroids
Certificate...
Category
1990s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Life on Mars (My Desert Living Project)
Located in Morongo Valley, CA
Life on Mars - 2022
Edition of 10, 40x30cm,
Archival Fine Art Paper.
Artist inventory E005.
Signature label and Certificate.
Not mounted.
'Life on Mars' series is part of my Desert Living Project, which encompasses all aspects of organic living including growing your own organic food, self sustainability and regarding the beauty and personality of farm animals and their welfare in an endeavor to connect human needs back to the sources of living. The full circle of Industrialization returns to the homestead.
Category
2010s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Breathing III (Deconstructivism) - Contemporary, Expired Polaroid
Located in Morongo Valley, CA
Breathing III (Deconstructivism) - 2015
- about the narrative potential of images.
20x20cm,
Edition of 10,
Archival C-Print, based on a Polaroid,
Artist Inventory 15808.
Signatu...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Playing in Heaven (Zuma Beach)
Located in Morongo Valley, CA
Playing in Heaven (Zuma Beach) - 2004
29x28cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory #2...
Category
Early 2000s Contemporary Art
Materials
Metal
Beloved (Stage of Consciousness)
Located in Morongo Valley, CA
Beloved (Stage of Consciousness) - 2007
65x80cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Signature label and certificate.
Artist Inventory No...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Homestead (California Badlands) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
Homestead (California Badlands) - 2010
20x24cm, Edition of 10 plus 2 Artist Proofs.
digital C-Print, based on a Polaroid.
Certificate and Signature label.
Artist Inventory No. 10906...
Category
2010s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Inside the Trailer - 21st Century, Polaroid, Figurative, Photograph, Nude
Located in Morongo Valley, CA
Inside the Trailer (Sidewinder),
2005, Edition 1/5,
4 pieces, each 48x47cm, installed with gaps 48x207cm installed including 5cm gaps.
Analog C-Prints, hand-printed by the artist, ...
Category
Early 2000s Contemporary Art
Materials
Wood, Archival Paper, Photographic Paper, C Print, Color, Polaroid
Blue Sky (Zuma Beach)
Located in Morongo Valley, CA
Blue Sky (Zuma Beach) - 2004
29x28cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory #20432.
No...
Category
Early 2000s Contemporary Art
Materials
Metal
Posing II (Wastelands) - Polaroid, Expired. Contemporary, Color
Located in Morongo Valley, CA
Posing II (Wastelands), 2003
Edition of 10,
38x37cm,
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory No 117...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
I feel so alone! (Till Death do us Part) - Polaroid, Contemporary, 21st Century
Located in Morongo Valley, CA
I feel so alone! (Till Death do us Part) - 2007
20x24cm,
Edition of 10,
Archival C-Print, based on the Polaroid
Certificate and Signature label.
Artist Inventory No.8658
Not mount...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Oasis (Sidewinder) - analog, mounted
Located in Morongo Valley, CA
Oasis (Sidewinder), 2005
Edition 1/5,
16 pieces each 48x47cm, installed with gaps 220x220cm
analog C-Prints, hand-printed by the artist, printed on Fuji Crystal Archive Paper.
Mou...
Category
Early 2000s Contemporary Art
Materials
Metal
Oxana (29 Palms, CA) with Radha Mitchell - Polaroid, 21st Century, Women, Color
Located in Morongo Valley, CA
Oxana (Stage of Consciousness) - 2007
75x93cm, Edition 3/5.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper,
matte surface, based on a Polaroid.
Mounted ...
Category
Early 2000s Contemporary Art
Materials
Metal
Fairytales - diptych, 128x125cm each - Contemporary, 21st Century, Polaroid
Located in Morongo Valley, CA
Fairytales (diptych) - 2006,
Edition of 2/5,
128x125cm each, 128x270cm installed, including gaps,
2 analog C-Prints, hand-printed by the artist, based on 2 Polaroids.
Mounted o...
Category
Early 2000s Contemporary Art
Materials
Metal
Dreamgirl I (29 Palms, CA) - analog, mounted
Located in Morongo Valley, CA
Dreamgirl II (29 Palms, CA) - 1999
Edition 2/10,
58x56cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Mounted on Aluminum with matte UV-Protection.
Signe...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Time stands still (Chicks and Chicks & sometimes Cocks) - Polaroid, Contemporary
Located in Morongo Valley, CA
Time stands still (Chicks and Chicks and sometimes Cocks) - 2017
50x50cm, Edition of 2/10.
Archival C-Print, mounted under matte Plexi, based on a Polaroid.
Signed on verso with C...
Category
2010s Contemporary Art
Materials
Plexiglass, Archival Paper, Photographic Paper, C Print, Color, Polaroid
Amboy Salt Flats (California Badlands) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
Amboy Salt Flats (California Badlands) - 2010
20x24cm, Edition of 10 plus 2 Artist Proofs.
digital C-Print, based on a Polaroid.
Certificate and Signature label.
Artist Inventory No...
Category
2010s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Palm Springs Palm Trees II (Californication) - Polaroid, Contemporary, Color
Located in Morongo Valley, CA
Palm Springs Palm Trees II (Californication) - 2016
100x100cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Certificate and Signature label.
Artis...
Category
2010s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Stefanie Schneider Polaroid sized unlimited Mini 'Max by the Pool' - signed
Located in Morongo Valley, CA
Stefanie Schneider Polaroid sized unlimited Mini 'Max by the Pool' - 1999 -
signed in front, not mounted.
1 Digital Color Photograph based on a Polaroid.
Polaroid sized open Edi...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, C Print, Color, Lambda, Polaroid
Kaleidescope (Zuma Beach) - Polaroid, Analog, Abstract, Contemporary
Located in Morongo Valley, CA
Kaleidescope (Zuma Beach) - 2004
48x47cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory #20434....
Category
Early 2000s Contemporary Art
Materials
Metal
Life on Mars (My Desert Living Project) - Hatching
Located in Morongo Valley, CA
Life on Mars (My Desert Living Project)
40x30cm,
Edition 2/10.
Archival Fine art Print.
Artist inventory #E001.
Signature label and Certificate.
Not mounted.
Life on Mars is...
Category
2010s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Riviera (Malibu) - analog, mounted
Located in Morongo Valley, CA
Riviera (Malibu) - 2004
Edition 4/5,
39x37cm.
Analog C-Print, hand-printed by the artist, based on a Polaroid.
Artist inventory Number 668.04.
Mounted on Aluminum with matte U...
Category
Early 2000s Contemporary Art
Materials
Metal
Untitled (Paradise) - Contemporary, Nude, Polaroid
Located in Morongo Valley, CA
Untitled (Paradise) - 1999,
50x50cm. Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Signature label and Certificate.
Artist Inventory No. 20452.
No...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled (Stage of Consciousness) - 20x24cm
Located in Morongo Valley, CA
Untitled (Stage of Consciousness) - 2007
20x24cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Signature label and Certificate.
Artist Inventory N...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Making out in Car - Long Shot (Till Death do us Part)
Located in Morongo Valley, CA
'Making out in Car' - Long Shot (Till Death do us Part) - 2005
20x20cm,
sold out Edition of 10, Artist Proof 1/2.
Archival C-Print print, based on the Polaroid,
Certificate and Si...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
OK Corral - part 2 - (Stranger than Paradise)
Located in Morongo Valley, CA
OK Corral - part 2 - (Stranger than Paradise) - 1999,
20 x 20 cm, Edition 5/10,
Archival C-Print based on a Polaroid
Artist Inventory 3182.18.
Not mounted
Stefanie Schneider's s...
Category
1990s Contemporary Art
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
1 Stefanie Schneider's Mini 'Self Portrait' - signed
Located in Morongo Valley, CA
1 Stefanie Schneider Mini 'Self Portrait' - 1999 -
signed in front, not mounted.
1 Digital Color Photographs based on a Polaroid.
Polaroid sized open Editions 1999-2016
10.7 x 8...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, C Print, Color, Lambda, Polaroid
Untitled (Oilfields) triptych - Contemporary, 21st Century, Polaroid, Landscape
Located in Morongo Valley, CA
Untitled (Oilfields), triptych, 2004,
60x60cm each, installed 60x200cm, Edition 6/10.
3 Analog C-Prints, hand-printed by the artist based on 3 original Polaroids.
Certificate and ...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Summertime (Malibu) - analog, mounted
Located in Morongo Valley, CA
Summertime (Malibu) - 2004
Edition 4/5,
39x37cm.
Analog C-Print, hand-printed by the artist, based on a Polaroid.
Artist inventory Number 660.04.
Mounted on Aluminum with matt...
Category
Early 2000s Contemporary Art
Materials
Metal
Radha and Max on Dirt Road (29 Palms, CA) - analog, Polaroid, Contemporary
Located in Morongo Valley, CA
Radha and Max on Dirt Road (29 Palms, CA) diptych - 1999
Edition of 10, plus 2 Artist Proofs.
50x48cm each, 50x102cm together with gap.
2 Archival C-Prints, based on 2 Polaroids....
Category
1990s Contemporary Art
Materials
Metal
Badwater (Memories of Green) 4 analog hand-prints, 58x56cm each
Located in Morongo Valley, CA
Badwater - Memories of Green, quadriptych (four pieces), - 2003
Edition 1/5,
each 58x56cm, installed with gaps 122x117cm,
analog C-Prints, hand-printed by the artist on Fuji Crysta...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Radha Mind Screen - part 3 (Starnger than Paradise)
Located in Morongo Valley, CA
Radha Mind Screen II (Stranger than Paradise), 1999,
20x20cm,
Artist Proof 1/2, sold out Edition of 10, digital C-Print, based on a Polaroid
Certificate and Signature label, artist...
Category
1990s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
29 Palms, CA - Analog, mounted, Polaroid, 20th Century, Contemporary, Landscape
Located in Morongo Valley, CA
29 Palms, CA - 1999
58x56cm,
Edition of 10,
analog C-Print, hand-printed by the Artist based on a Polaroid.
artist inventory number: 636.04.
Mounted on Aluminum with matte UV-Pr...
Category
1990s Contemporary Art
Materials
Metal
Fountain Head - Stay, starring Ryan Gosling / expired Polaroid
Located in Morongo Valley, CA
Fountain Head (Stay), starring Ryan Gosling 2006
20x20cm,
Edition of 10,
Archival C-Print, matte surface, based on a Polaroid.
Certificate and Signature label, artist Inventory...
Category
Early 2000s Contemporary Art
Materials
Photographic Film, C Print, Color, Polaroid
Untitled (Paradise) - Contemporary, Nude, Men, Polaroid
Located in Morongo Valley, CA
Untitled (Paradise) - 1999,
20x20cm. Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Signature label and Certificate.
Artist Inventory No. 363.
Not ...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled (Stage of Consciousness) - 20x24cm
Located in Morongo Valley, CA
Untitled (Stage of Consciousness) - 2007
20x24cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Signature label and Certificate.
Artist Inventory N...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Stefanie Schneider Polaroid sized unlimited Mini 'Planes' - signed
Located in Morongo Valley, CA
Stefanie Schneider Polaroid sized unlimited Mini 'Planes' - 2001 -
signed in front, not mounted.
1 Digital Color Photograph based on a P...
Category
Early 2000s Contemporary Art
Materials
Archival Paper, C Print, Color, Lambda, Polaroid
Shop Art on 1stDibs: Photography, Drawings, Prints, Sculptures and Paintings for Sale
Whether growing your current fine art collection or taking the first steps on that journey, you will find an extensive range of original photography, drawings, prints, sculptures, paintings and more on 1stDibs.
Visual art is among the oldest forms of expression, and it has been evolving for centuries. Beautiful objects can provide a window to the past or insight into our current time. Art collecting enhances daily life through the presence of meaningful work. It displays an appreciation for culture, whether a print by Elizabeth Catlett channeling social change or a narrative quilt by Faith Ringgold.
Contemporary art has lured more initiates to collecting than almost any other category, with notable artists including Yayoi Kusama, Marc Chagall, Kehinde Wiley and Jean-Michel Basquiat. Navigating the waiting lists for the next Marlene Dumas, Jeff Koons or Jasper Johns has become competitive.
When you’re living with art, particularly as people more often work from home and enjoy their spaces, it’s important to choose art that resonates with you. While the richness of art with its many movements, styles and histories can be overwhelming, the key is to identify what is appealing and inspiring. Artwork can play with the surrounding color of a room, creating a layered approach. The dynamic shapes and sizes of sculptures can set different moods, such as a bronze by Miguel Guía on a mantel or an Alexander Calder mobile suspended over a table. A wall of art can evoke emotions in an interior while showing off your tastes and interests. A salon-style wall mixing eclectic pieces like landscape paintings with charcoal drawings is a unique way to transform a space and show off a collection.
For art meditating on the subconscious, investigate Surrealists like Joan Miró and Salvador Dalí. Explore Pop art and its leading artists such as Andy Warhol, Rosalyn Drexler and Keith Haring for bright and bold colors. Not only did these artists question art itself, but also how we perceive society. Similarly, 20th-century photography and abstract painting reconsidered the intent of art.
Abstract Expressionists like Helen Frankenthaler and Lee Krasner and Color Field artists including Sam Gilliam broke from conventional ideas of painting, while Op artists such as Yaacov Agam embraced visual trickery and kinetic movement. Novel visuals are also integral to contemporary work influenced by street art, such as sculptures and prints by KAWS.
Realist portraiture is a global tradition reflecting on what makes us human. This is reflected in the work of Slim Aarons, an American photographer whose images are at once candid and polished and appeared in Holiday magazine and elsewhere. Innovative artists Mickalene Thomas and Kerry James Marshall are now offering new perspectives on the form.
Collecting art is a rewarding, lifelong pursuit that can help connect you with the creative ways historic, modern and contemporary artists have engaged with the world. For more tips on piecing together an art collection, see our guide to buying and displaying art.
Find photography, drawings, paintings, prints and other art for sale on 1stDibs.